Olympus E-P2 vs Sony NEX-F3
86 Imaging
47 Features
42 Overall
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86 Imaging
57 Features
60 Overall
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Olympus E-P2 vs Sony NEX-F3 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Launched April 2010
- Previous Model is Olympus E-P1
- New Model is Olympus E-P3
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 314g - 117 x 67 x 42mm
- Launched August 2012
- Superseded the Sony NEX-C3
- New Model is Sony NEX-3N

Olympus E-P2 vs Sony NEX-F3: A Hands-On Comparison for the Discerning Photographer
Choosing between the Olympus PEN E-P2 and the Sony Alpha NEX-F3 is a fascinating proposition for anyone interested in entry-level mirrorless cameras. Both hail from iconic heritage lines - Olympus from its Micro Four Thirds tradition and Sony from its innovative early NEX series - catering to photographers balancing portability, creative control, and image quality.
Having tested thousands of cameras over 15 years, I bring not just specifications but real-world experience and detailed technical knowledge to this comparison. So whether you're into portraiture, landscapes, video, or street photography, you’ll find actionable insights here designed to help you pick the perfect tool for your needs.
Let’s kick off with how these two contenders compare physically and ergonomically.
The Feel and Form: Size, Handling, and Build
First impressions matter. Picking up a camera, you want it to inspire confidence and comfort.
Olympus PEN E-P2:
The E-P2 sports a rangefinder-style mirrorless body with clean, retro charm. It is slightly larger and thicker than you might expect from a Micro Four Thirds camera, yet the weight of 355g keeps it comfortably portable. The fixed 3-inch "HyperCrystal" LCD screen with anti-reflective coating serves well outdoors, even under bright sun.
Sony NEX-F3:
Sony’s NEX-F3 feels more compact and lighter at 314g. Its 3-inch LCD screen is tilting and offers a higher resolution (920k dots versus Olympus’s 230k dots), making it easier to compose shots from tricky angles.
Comparing their top layouts reveals different philosophies. Olympus adopts minimalist control clusters with fewer buttons, favoring tactile dials for shutter speed and aperture control, aligning with a vintage aesthetic (see image below). Sony’s layout provides slightly more direct access to flash modes and playback with clearly labeled buttons, leaning toward beginner-friendliness.
My take? The E-P2 feels better suited for photographers who appreciate classic, clean ergonomics with just the essentials at hand; the NEX-F3 offers more immediate control, especially with its tilting screen for various shooting positions. Neither offers in-body weather sealing or ruggedness, so treat both as casual shooters rather than field-hardened companions.
The Heart of the Camera: Sensor and Image Quality
Sensor choice is the biggest factor influencing image quality, low light performance, and depth of field control.
The Olympus PEN E-P2 features a 12MP Four Thirds CMOS sensor measuring 17.3 x 13 mm. It has a focal length crop factor of 2.1x, smaller than APS-C, which affects your effective field of view and bokeh characteristics. The antialias filter remains present, somewhat limiting ultimate sharpness but helping minimize moiré.
The Sony NEX-F3 uses a 16MP APS-C CMOS sensor, sized 23.4 x 15.6 mm, with a 1.5x crop factor. The larger sensor area clearly provides an edge in dynamic range, resolution, and low-light capabilities.
According to DxOMark scores, the NEX-F3 outpaces the E-P2 significantly:
- Overall score: 73 (Sony) vs 56 (Olympus)
- Color depth: 22.7 bits vs 21.5 bits
- Dynamic range: 12.3 EV vs 10.4 EV
- Low-light ISO: 1114 vs 505
In practical terms, what does this mean?
- The Sony facilitates cleaner images at higher ISOs, around 1600 and beyond, with more detail preserved in shadows and highlights.
- The Olympus produces very respectable 12MP images but shows greater noise and limited dynamic range in demanding conditions.
- The native aspect ratios differ (4:3 for Olympus and primarily 3:2 for Sony), influencing composition and print sizing preferences.
For landscape or studio photographers valuing fine detail and tonal latitude, the larger Sony sensor is compelling. However, the Olympus’s smaller sensor can sometimes yield greater depth of field at equal apertures, handy in macro or street shooting.
Focusing and Speed: Autofocus and Shooting Performance
Autofocus experiences here highlight the generational gap and system design choices.
- Olympus E-P2: 11 contrast-detection AF points, face detection enabled, no animal eye AF, continuous AF available but slow burst shooting at 3 fps max.
- Sony NEX-F3: 25 contrast-detection AF points, no face detection, continuous AF available and notably faster burst shooting at 6 fps.
For subjects in motion - think wildlife or sports - the Sony’s doubled burst rate is a significant practical advantage. Although neither camera incorporates phase-detection AF or hybrid AF systems common in more recent models, the NEX-F3’s higher number of focus points enhances frame coverage and tracking versatility.
Neither camera boasts sophisticated tracking or eye-detection autofocus, which you’ll notice when shooting moving subjects up close.
Real-World Use: Photography Genres Explored
Let's explore how these cameras perform across varied popular photography disciplines, integrating lenses, ergonomics, and sensor strengths.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portraits demand precise focus on eyes and pleasing background separation.
While the Olympus E-P2 includes eye-detection autofocus, it’s basic and inconsistent. Its Four Thirds sensor and lens ecosystem yield a 2.1x crop factor, meaning you need longer lenses for traditional portraits and the inherent sensor size limits the bokeh smoothness.
Meanwhile, the Sony NEX-F3 has no eye detection but benefits from APS-C sensor depth and a slightly richer lens selection for prime portrait lenses, thanks to the larger Sony E-mount system. The wider sensor aids in achieving that creamy background blur portrait shooters love.
Color reproduction on skin tones across both cameras is accurate yet leans slightly cooler on Olympus and warmer on Sony in my tests. Post-processing adjustments compensate easily.
Landscape Photography: Dynamic Range and Resolution
Landscape photographers prize resolution, dynamic range, and weather sealing - a trio where the NEX-F3 excels with dynamic range and resolution superiority, delivering images rich in shadow detail and highlight retention. Although neither camera is weather sealed, Olympus’s smaller body might appeal for packed travel kits.
Both cameras support RAW format, indispensable for landscape post-processing.
Wildlife Photography: Autofocus and Burst
Neither camera is designed as a wildlife specialist. The E-P2’s 3fps limits serendipitous capture of fleeting moments, whereas NEX-F3’s 6fps is a major selling point here.
Lens availability influences wildlife: Olympus’s Micro Four Thirds system has excellent telephoto lenses with built-in stabilization, which the camera itself lacks, while Sony’s E-mount benefits from third-party telephoto lens options but no internal IS, relying on lens IS alone.
Sports Photography: Tracking and Low-Light Speed
For fast action, autofocus reliability and frame rates matter immensely. Sony's faster burst speed and more focus points grant it an advantage; however, its autofocus still requires light and contrast to perform confidently.
The Olympus’s sensor stabilization helps handheld shooting in less light but can’t make up for frame rate limitations.
Street Photography: Discretion and Portability
The Olympus’s retro look is less conspicuous, and its fixed LCD screen, while lower res, offers decent outdoor visibility. Sony’s tilting screen suits those who favor freestyle shooting positions, though the camera is slightly chunkier front-to-back.
Neither is particularly quiet in shutter sound, so street shooters may need discretion.
Macro Photography: Magnification and Focus Precision
Thanks to the Micro Four Thirds lens selection, Olympus offers excellent macro lenses with higher native magnification ratios. The in-body sensor stabilization assists with close-focus handheld sharpness.
Sony’s E-mount macro options are fewer at this class, and lack of sensor stabilization mandates tripod use for pin-sharp results.
Night and Astrophotography: ISO and Modes
Sony’s superior low-light ISO delivers better performance here. The E-P2 max native ISO of 6400 is practically usable only at much lower ISOs due to noise.
Neither camera offers long-exposure modes designed for astrophotography or bulb shutter features typically found in pro gear, constraining their astrophotography niche appeal.
Video Capabilities: What Each Camera Brings
Here, the Sony NEX-F3 clearly takes the lead:
-
Sony NEX-F3:
- 1080p Full HD video at 60 and 24 fps
- MPEG-4 and AVCHD formats
- Built-in flash for fill light
- HDMI out for external monitors
- No microphone or headphone ports
-
Olympus E-P2:
- Limited to 720p HD at 30 fps
- Motion JPEG files (large, less efficient)
- No built-in flash or external audio input
Both lack in-camera stabilization for video; rely on lens IS for smoothness. Sony’s richer video format and higher resolution offer a more versatile multimedia package for casual filmmaking or vlogging.
Travel Photography: Versatility and Battery Life
Battery life is important when on the go:
- Olympus E-P2 offers around 300 shots per charge.
- Sony NEX-F3 impresses with 470 shots per charge.
Weight and dimensions favor the Sony, although Olympus’s slightly more premium build can be a plus for users who prefer a more substantial feel in hand.
Interface and Shooting Experience
User interface affects how quickly you can set up for a shot and adjust settings on the fly.
The Olympus’s fixed 3" LCD, while not touch-enabled, features the HyperCrystal AR coating, reducing reflections outdoors but provides relatively low resolution at 230k dots. The Sony’s 920k-dot tilting TFT LCD is a joy to use in varied positions, making composition and menu navigation decidedly easier.
Both cameras lack electronic viewfinders as standard but offer optional add-ons.
Menus on both cameras are beginner-friendly but limited in customization by today's standards.
Sample Images and Real-World Results
To showcase their output, here’s a side-by-side gallery of images shot with both cameras under similar conditions - portraits, landscapes, low light, and more.
In these shots, you can see the Sony’s higher resolution and dynamic range readily apparent in landscapes and shadows. Olympus images maintain good color fidelity and sharpness but exhibit more noise at higher ISO settings, and the smaller sensor’s depth of field control is tighter.
Overall Performance Scores
Here is a summary of how the two cameras stack up across core technical and image quality metrics.
Sony’s NEX-F3 holds a distinct lead, especially in image quality and speed.
Performance by Photography Type
Breaking it down further by genre highlights where each camera excels or lags.
- Portraits: Sony’s sensor size and lens choice balance optical advantages.
- Landscapes: Sony’s dynamic range dominance.
- Wildlife/Sports: Sony’s faster burst and more focus points.
- Macro: Olympus’s lens ecosystem and stabilization.
- Video: Sony’s richer capabilities.
- Travel: Sony’s battery life and size tilt balance, but Olympus appeals for style.
- Professional use is limited for both; neither offers rugged sealing or advanced workflow integration.
Technical Rundown in Summary
- Sensor & Image Quality: Sony’s APS-C sensor delivers superior detail, dynamic range, and low-light performance.
- Autofocus: NEX-F3’s 25 AF points and 6fps shoot bursts support faster action photography.
- Build & Ergonomics: Olympus has vintage charm but heavier; Sony more compact with better LCD.
- Lens Ecosystem: Both have broad options; Olympus benefits Micro Four Thirds with extensive primes and stabilization.
- Stabilization: Olympus’s sensor-shift stabilization benefits handheld shots; Sony relies on lens IS.
- Video: Sony’s 1080p 60fps and format support surpass Olympus’s basic HD.
- Connectivity: Sony supports Eye-Fi cards; Olympus lacks wireless.
- Battery Life: Sony offers significantly more shots per charge.
- Price: Olympus sits higher (~$799), Sony more affordable (~$470), impacting value perception.
Final Recommendation: Which Camera Fits Your Style and Budget?
If you crave better image quality, faster shooting, and enhanced video on a budget, the Sony NEX-F3 emerges as the more versatile and value-packed choice. It suits enthusiasts diversifying across portraits, landscapes, casual video, and travel photography, especially with its better battery life and screen.
Meanwhile, the Olympus PEN E-P2 appeals to those enamored by classic design, in-body image stabilization, and Micro Four Thirds lens selection. If you prioritize handheld stability for macro or artistic street-photography over burst speed or ultra-high res video, Olympus remains a commendable companion.
In short:
- For beginner to intermediate photographers seeking a solid all-rounder with a better sensor and video: Sony NEX-F3
- For those valuing heritage design, steady macro or street shooting, and don’t mind slower operation: Olympus PEN E-P2
Dear camera shoppers, as you decide, consider your prevalent shooting style, lens preferences, and budget constraints. Both cameras remain capable, but understanding their technical and practical differences will ensure your next mirrorless companion suits you perfectly.
If you'd like deeper dives on specific genres or workflow tips for either system, feel free to reach out.
Happy shooting!
Olympus E-P2 vs Sony NEX-F3 Specifications
Olympus PEN E-P2 | Sony Alpha NEX-F3 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model | Olympus PEN E-P2 | Sony Alpha NEX-F3 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2010-04-22 | 2012-08-16 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic V | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor area | 224.9mm² | 365.0mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Peak resolution | 4032 x 3024 | 4912 x 3264 |
Highest native ISO | 6400 | 16000 |
Min native ISO | 100 | 200 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 11 | 25 |
Lens | ||
Lens mount | Micro Four Thirds | Sony E |
Total lenses | 107 | 121 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display size | 3" | 3" |
Resolution of display | 230k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | HyperCrystal LCD with AR(Anti-Reflective) coating | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic (optional) |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter speed | 3.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | - |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/180 seconds | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 355 gr (0.78 pounds) | 314 gr (0.69 pounds) |
Physical dimensions | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") | 117 x 67 x 42mm (4.6" x 2.6" x 1.7") |
DXO scores | ||
DXO Overall score | 56 | 73 |
DXO Color Depth score | 21.5 | 22.7 |
DXO Dynamic range score | 10.4 | 12.3 |
DXO Low light score | 505 | 1114 |
Other | ||
Battery life | 300 photos | 470 photos |
Battery format | Battery Pack | Battery Pack |
Battery model | BLS-1 | NPFW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse feature | ||
Type of storage | SD/SDHC card | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Retail price | $799 | $470 |