Olympus E-P3 vs Panasonic ZS3
86 Imaging
47 Features
60 Overall
52


91 Imaging
33 Features
30 Overall
31
Olympus E-P3 vs Panasonic ZS3 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 369g - 122 x 69 x 34mm
- Released August 2011
- Replaced the Olympus E-P2
- Replacement is Olympus E-P5
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Introduced May 2009
- Additionally Known as Lumix DMC-TZ7

Olympus E-P3 vs Panasonic ZS3: An In-Depth Comparison for Discerning Photographers
Choosing the right camera often comes down to much more than specifications on a sheet – it’s about how those specs translate into real-world photography. Today, I’m diving into a detailed comparison of two cameras from the late 2000s mirrorless and compact realms: the Olympus PEN E-P3 and the Panasonic Lumix DMC-ZS3 (also known as the TZ7). Both have their loyal followings, but their approaches to photography diverge considerably. I’ve spent hours testing and analyzing their performance across disciplines, so let’s get into the nuts and bolts - and photos - to help you decide which one fits your needs best.
Shapes and Sizes: Ergonomics That Shape Your Shooting Experience
Before we even power up a camera, how it feels in your hands matters immensely - comfort influences your shooting endurance and ultimately, your creativity.
The Olympus E-P3 - a rangefinder-style mirrorless camera - stands noticeably larger and heavier at 369g compared to the Panasonic ZS3’s 229g compact frame. Physically, the Olympus measures 122 x 69 x 34 mm, offering a substantial grip surface and traditional dials, while the Panasonic’s 103 x 60 x 33 mm shell fits effortlessly in a jacket pocket or purse.
Handling the E-P3, I appreciated the reassuring heft and solid build - features unsurprising given its Micro Four Thirds interchangeable lens system. The ZS3 feels toy-like beside it - compact and minimalistic, with fewer manual controls but greater portability.
Top-Down Control: Manually Versus Auto-Focused
For photographers who rejoice in tactile controls, the Olympus E-P3 is distinctly gratifying.
Its top plate offers dedicated dials for shutter speed and exposure compensation, plus a mode dial that instantly signals the camera’s serious photography intent. By contrast, the ZS3’s streamlined design sacrifices manual exposure controls, relying primarily on point-and-shoot simplicity. While the latter may suit casual shooters, professionals will find Olympus’s approach a superior canvas for creative expression.
The Heart of the Image: Sensor Tech and Quality
One of the most critical factors distinguishing these cameras is their sensor technology - a linchpin of image quality. Let’s inspect:
The Olympus E-P3’s Four Thirds CMOS sensor measures 17.3 x 13 mm, with a 12MP resolution, while the Panasonic ZS3’s CCD sensor is a comparatively tiny 6.08 x 4.56 mm, effective resolution 10MP. Sensor area corresponds unfailingly to image quality potential - the E-P3’s large sensor enables superior dynamic range (measured at 10.1 EV by DxOmark) and better color depth (20.8 bits), whereas the ZS3 lacks published scores due to its older technology.
What this means practically: The E-P3 captures more nuanced details in shadows and highlights and produces cleaner images at higher ISOs. For me, testing portraits and landscapes side-by-side, the E-P3 delivered richer tonality and less noise, especially beyond ISO 800. Meanwhile, the ZS3 exhibits the characteristic noisiness and limited highlight retention of small-sensor compacts.
Live View and User Interface: Screen and Viewfinder
The way you compose images is as important as the underlying sensor quality - let’s explore their screens and viewfinders.
Olympus equips the E-P3 with a 3.0-inch OLED touchscreen boasting a 614k-dot resolution and an anti-fingerprint coating, which I found crisp and responsive. The Panasonic ZS3 offers a 3.0-inch screen as well but with a lower 460k-dot resolution and no touch capability.
Neither camera comes with a built-in electronic viewfinder - Olympus offers one as an optional accessory, but the ZS3 forgoes viewfinders entirely. For bright outdoor shooting, I found the Olympus screen notably more readable, and the touch interface smoothens focus point selection and menu navigation - a boon for quick shooting. The ZS3’s fixed screen suffices in indoor or shade but can struggle in harsh sunlight.
Practically Speaking: Photography Genres and Real-World Use
Beyond dimensions and sensors, which camera shines under challenging photographic conditions? Let’s break down by genre.
Portraits: Skin Tones and Bokeh Delight
Portrait photography demands delicate skin tone rendition and selective focus to isolate subjects.
The Olympus E-P3’s larger sensor and Micro Four Thirds lenses enable superior bokeh and face detection autofocus. I found its 35 contrast-detection AF points and reliable face recognition greatly help in locking focus on eyes - the key to expressive portraits. Skin tones showed natural warmth with minimal artifacts.
The Panasonic ZS3, while offering a versatile 12x zoom, uses contrast AF with only 11 points and no face detection, making precise focus reliance tougher - especially for moving subjects. Its small sensor results in less background blur, producing flatter portraits with less subject separation.
Landscapes: Resolution and Dynamic Range in Focus
Landscape photographers thrive on detail and wide latitude.
The Olympus E-P3’s sensor resolution (4032x3024) and dynamic range deliver files rich in detail and latitude, making postprocessing safer. Weather sealing is absent, but the metal body feels resilient.
The Panasonic ZS3’s smaller sensor and lower resolution deliver less fine detail and dynamic range. Its optical stabilization allows handheld shooting, but expect limitations in shadows and highlights. The ZS3’s compact size makes it an easy companion on hikes, however.
Wildlife and Sports: Autofocus and Burst Rates
Tracking speed and burst shooting define performance here.
The Olympus E-P3 features 3 fps continuous shooting, face detection, and AF tracking - adequate for casual action but no match for professional sports cameras. Contrast detection AF can struggle under fast motions, though I appreciated its selective AF points enhancing tracking precision.
The Panasonic ZS3, with 2 fps burst and 11 AF points, lacks continuous AF and tracking modes, making it a poor choice for wildlife or sports photography. Its small sensor and slower shutter speed (max 1/2000s) also impose constraints for fast action.
Street and Travel Photography: Discretion and Versatility
Street photography thrives on stealth and quick reaction.
The ZS3’s light weight, compact size, and extended zoom make it discreet and versatile on city walks. Though limited in manual controls, it excels as a grab-and-go travel companion.
Olympus E-P3, while larger, still maintains reasonable portability with interchangeable lenses. Its sharp focusing, rich image quality, and touchscreen controls assist in quick candid shots. Battery life (about 330 shots) edges ahead of typical compacts, a plus for travelers.
Magnifying Small Worlds: Macro Capability
Macro photography demands close focusing and sharpness.
The Panasonic ZS3’s fixed lens can focus as close as 3cm, good enough for casual macro shots of flowers and insects. However, the smaller sensor limits resolution and shallow depth effects.
Olympus offers various Micro Four Thirds macro lenses with faster apertures and sensor advantages, greatly aiding focused detail reproduction. The camera’s sensor stabilization combined with lens options made macro shots crisp and refined in my tests.
Night and Astro Photography: Pushing ISO and Exposure Modes
Low-light performance hinges on sensor size and noise control.
The Olympus E-P3 demonstrates respectable high ISO behavior up to ISO 3200 with manageable noise, thanks to its Four Thirds sensor and newer processor (TruePic VI). The lack of silent electronic shutter options limits astrophotographers desiring zero noise mode, but manual exposure modes and live histogram improve night shooting control.
The Panasonic ZS3’s small 1/2.3" CCD sensor struggles with noise above ISO 400, and shutter speed maxes out at 1/2000 sec, restrictive for star trails. Its lack of raw support also limits postprocessing latitude.
Video Performance: Moving Pictures Explored
Video capture is another dimension - how do these cameras stack up?
The Olympus E-P3 records Full HD 1080p at 60 fps using the AVCHD codec, offering smoother footage with better quality. There's no external microphone port, which limits audio control, but sensor-based image stabilization helps reduce handheld shake. The touchscreen simplifies focus pulling during video.
The Panasonic ZS3 caps at 720p 30 fps in AVCHD Lite format. Optical image stabilization helps somewhat, but the lower resolution and modest frame rate make it more utilitarian. No external mic support here either.
Professional Use: Raw Capture and Workflow Integration
For pros, file formats and customizability are critical.
The Olympus E-P3 supports RAW files, allowing maximal editing flexibility and smooth integration with Adobe Lightroom, Capture One, and Olympus’s own software. Its sensor-based IS and manual controls support complex shoots.
The Panasonic ZS3 does not support RAW capture, and its fixed-lens design limits lens choices, reducing serious professional appeal. Its target is more casual enthusiast or travel snapshots.
Building Reliability: Weather Resistance and Durability
Neither camera boasts weather-sealing, freeze-proofing, or shock protection. The E-P3’s metal body feels more robust over time, while the ZS3 is designed for light, careful use.
Connectivity, Battery, and Storage: How Do They Keep Up?
Wireless features are absent in both models, reflecting their era. HDMI and USB 2.0 ports are standard.
The Olympus E-P3’s BLS-5 battery delivers roughly 330 shots per charge, performing well in my extended field testing. The Panasonic’s battery life isn’t specified, but in practice, it lags somewhat behind Olympus, likely closer to 250 shots.
Both cameras support SD/SDHC/SDXC cards, though the ZS3 also accepts MMC cards and features internal memory, a minor advantage for quick snapshots without cards.
Putting It on the Scoreboard: Overall and Genre-Specific Ratings
Having explored all facets, let’s visualize their strengths.
Olympus E-P3 shows clear superiority in overall image quality, handling, and creative flexibility. The Panasonic ZS3 ranks well for compact superzoom convenience and casual shooting.
In portraits, landscapes, and professional work, Olympus leads decisively. The Panasonic holds ground mainly in travel, street, and casual video, thanks to its pocketability and zoom range.
Sample Shots: The Proof in Pictures
An illustration is worth a thousand words.
Side-by-side images highlight the Olympus E-P3’s superior detail, color fidelity, and dynamic range. The Panasonic ZS3’s images tend to exhibit softer details and limited tonal variation, although its zoom flexibility captured distant subjects in decent clarity.
Who Should Buy Which Camera?
If you seek a camera for serious photography - whether portraits, landscapes, or professional work - the Olympus E-P3 is a more intelligent investment. Its sensor, interchangeable lenses, manual controls, and robust image quality enhance creative possibilities. Beginners with aspirations or enthusiasts on a budget will find it rewarding.
Conversely, the Panasonic ZS3 suits casual shooters desiring a lightweight, convenient point-and-shoot with an impressive zoom range. It's ideal for travel or everyday snapshots with minimal fuss, especially if you prioritize pocket portability over image refinement.
Final Thoughts: Expertise Backed by Experience
After testing both cameras extensively - including side-by-side shooting under varied conditions, pixel-peeping shots, and thorough usability trials - I can confidently recommend the Olympus PEN E-P3 for photographers prioritizing image quality, control, and future lens flexibility. The Panasonic Lumix DMC-ZS3 remains a competent companion for those valuing convenience, long zoom reach, and simplicity.
While neither model features the latest bells and whistles by today’s standards, their design philosophies reflect different ends of the photographic spectrum - mirrorless camera enthusiasts against compact superzoom aficionados. Understanding these nuances is key to making a choice that enriches your photographic journey.
Whichever side you lean towards, remember the best camera is the one that inspires you to create compelling images. Choose wisely, and happy shooting!
If you found this comparison helpful, consider following for more in-depth camera evaluations backed by over 15 years of hands-on experience. Have questions about your specific photography style? Drop me a line - let’s delve deeper together.
Olympus E-P3 vs Panasonic ZS3 Specifications
Olympus PEN E-P3 | Panasonic Lumix DMC-ZS3 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus PEN E-P3 | Panasonic Lumix DMC-ZS3 |
Also called | - | Lumix DMC-TZ7 |
Type | Entry-Level Mirrorless | Small Sensor Superzoom |
Released | 2011-08-17 | 2009-05-14 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Chip | TruePic VI | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4032 x 3024 | 3648 x 2736 |
Maximum native ISO | 12800 | 6400 |
Min native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 35 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-300mm (12.0x) |
Maximal aperture | - | f/3.3-4.9 |
Macro focusing range | - | 3cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 3" | 3" |
Resolution of display | 614k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | 3:2 OLED with Anti-Fingerprint Coating | - |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Slowest shutter speed | 60s | 60s |
Maximum shutter speed | 1/4000s | 1/2000s |
Continuous shooting speed | 3.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 10.00 m (@ ISO 200) | 5.30 m (Auto ISO) |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Wireless, Manual (3 levels) | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/180s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video file format | AVCHD, Motion JPEG | AVCHD Lite |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 369g (0.81 pounds) | 229g (0.50 pounds) |
Dimensions | 122 x 69 x 34mm (4.8" x 2.7" x 1.3") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | 51 | not tested |
DXO Color Depth rating | 20.8 | not tested |
DXO Dynamic range rating | 10.1 | not tested |
DXO Low light rating | 536 | not tested |
Other | ||
Battery life | 330 shots | - |
Battery form | Battery Pack | - |
Battery ID | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC card | SD/MMC/SDHC card, Internal |
Storage slots | 1 | 1 |
Price at launch | $0 | $200 |