Olympus E-P5 vs Panasonic S3
85 Imaging
52 Features
76 Overall
61


96 Imaging
37 Features
24 Overall
31
Olympus E-P5 vs Panasonic S3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 420g - 122 x 69 x 37mm
- Announced October 2013
- Earlier Model is Olympus E-P3
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-5.6) lens
- 117g - 99 x 59 x 21mm
- Launched January 2011

A Detailed Head-to-Head Comparison: Olympus PEN E-P5 vs. Panasonic Lumix DMC-S3
In the dynamic world of digital cameras, understanding the subtle and sometimes stark differences between models can decisively influence your photographic experience. Today, we explore two distinctly different cameras from respected Japanese manufacturers - the Olympus PEN E-P5, announced in late 2013, and the Panasonic Lumix DMC-S3 compact from early 2011. Both bear the luminary Panasonic/Olympus connection through the Micro Four Thirds system (in Olympus’s case), yet they cater to divergent user needs and photographic philosophies.
This comprehensive comparison unpacks their technical prowess, practical performance, and genre suitability to assist photographers, enthusiasts, and professionals in making informed purchase decisions aligned with their shooting preferences and budgets.
First Impressions: Ergonomics and Build Quality
Starting with tangible handling aspects, an area often overlooked in spec sheets but foundational to the photographic experience, the Olympus PEN E-P5 boasts a robust rangefinder-style mirrorless body typical of Micro Four Thirds cameras, weighing approximately 420g with dimensions 122x69x37mm. Its tactile controls, high-quality magnesium alloy chassis, and classic retro aesthetics immediately position it as an advanced entry-level mirrorless camera.
In contrast, the Panasonic S3 is a compact point-and-shoot with a fixed lens, significantly lighter at 117g and smaller (99x59x21mm). The diminutive footprint and reduced weight enhance portability but limit manual control access and handling comfort during prolonged use.
Overall, the E-P5's build suggests a design geared for varied professional and enthusiast demands - emphasizing durability and control - whereas the Panasonic S3 is clearly targeted at casual users prioritizing convenience and simplicity over ergonomic refinement.
Delving into control layouts, the Olympus E-P5 features a tilting 3-inch capacitive touchscreen LCD, physical dials for exposure modes (shutter priority, aperture priority, manual), ISO, and a dedicated function button cluster. Its touchscreen further facilitates intuitive menu navigation and autofocus point selection.
The Panasonic S3’s fixed 2.7-inch TFT LCD screen lacks touchscreen capabilities and provides minimal direct access buttons - reflecting its minimal manual exposure options and limited user-interactivity philosophy. The absence of external dials reinforces its entry-level and convenience-oriented design.
Thus, the Olympus E-P5 not only affords enhanced shooting flexibility but also caters to photographers who value hands-on camera parameter adjustments, one of the hallmarks of modern mirrorless systems.
Sensor Technology and Image Quality
Image quality remains a principal consideration. Here, technical details differentiate the cameras markedly. The Olympus PEN E-P5 employs a 17.3 x 13mm Four Thirds CMOS sensor with a native resolution of 16 megapixels, paired with an anti-aliasing filter. Correspondingly, it supports a native ISO range of 100-25600 with respectable low-light capabilities (DxOMark low-light ISO rating of 895) and an excellent dynamic range score of 12.4 EV, ensuring detailed shadow and highlight rendition.
Meanwhile, the Panasonic Lumix DMC-S3 features a substantially smaller 1/2.3-inch CCD sensor at 14 megapixels, limiting light-gathering capacity, dynamic range, and high ISO performance. With a max native ISO of 6400, noise levels rise rapidly beyond ISO 800, making it ill-suited for dimly lit scenarios.
In practical testing, the Olympus E-P5 delivers sharper, cleaner images with broader exposure latitude - attributes critical for demanding photographic disciplines such as landscapes, portraits, and commercial work. The Panasonic’s sensor simply cannot compete, rendering more noisy, less detailed images under challenging lighting.
Autofocus System: Precision and Responsiveness
Autofocus performance can make or break photographic opportunities, especially for subjects in motion or when critical focus is paramount.
The Olympus E-P5 relies on a 35-point contrast-detection autofocus system featuring face detection, touch-to-focus, AF tracking, continuous autofocus, and multi-area selection. While lacking phase-detection pixels, its swift contrast-detection system and advanced algorithms produce reliable focus acquisition and tracking speeds for both static and moving subjects, verified across multiple shooting scenarios (portraits, street, wildlife).
Conversely, the Panasonic S3 offers only an 11-point contrast-detection system without face or eye detection and no continuous AF or tracking capabilities. Autofocus speed is moderate, apt for casual snapshotting but limited for any action or demanding focus tasks.
This gulf positions the Olympus as the superior choice for users requiring accurate, versatile autofocus performance, particularly in dynamic or unpredictable shooting environments.
Lens Ecosystem and Versatility
A critical factor seldom matched in specs alone is lens compatibility and its consequences for creative potential.
The E-P5 features the Micro Four Thirds (MFT) lens mount, supporting over 100 lenses (both Olympus and third-party), ranging from ultra-wide to super-telephoto primes and zooms. This expansiveness empowers photographers to tailor their gear to nearly any genre, including macro, sports, portrait, and landscape photography.
By contrast, the Panasonic S3 sports an integrated 28-112mm (35mm equivalent focal length approximately 160-640mm due to 5.9x crop factor) zoom lens with variable aperture F3.1-5.6, restricting compositional flexibility and creative control. The absence of interchangeable lenses essentially confines it to casual snapshot applications.
For serious photographers, the E-P5's lens system unlocks extensive artistic and technical possibilities, underscoring the inherent limitations of the Panasonic model.
Shooting Performance: Speed and Exposure Control
The E-P5 offers comprehensive exposure control options including shutter priority, aperture priority, manual modes, and exposure compensation - facilitated by its top-dial ergonomics. Its mechanical shutter speed ranges from 60 seconds up to 1/8000s, enabling shots in bright daylight and motion freezing.
Continuous shooting peaks at 9 frames per second (fps), a commendable speed at this sensor size and target market, benefiting sports and wildlife photographers.
The S3, however, caps shutter speeds at 1/1600s and lacks priority or manual exposure modes, offering only basic automatic operation - a significant constraint for advanced photography. Continuous shooting is slower at 2 fps, inadequate for action or decisively timed shots.
For photographers wanting creative exposure control or to capture fast-moving subjects, the Olympus clearly leads.
Image Stabilization and Flash Capabilities
Body-integrated 5-axis sensor-shift image stabilization in the Olympus PEN E-P5 is a standout feature, compensating for camera shake across multiple axes, advantageously empowering sharper handheld shots at slower shutter speeds and compatible with every lens used. This technology is beneficial across nearly all genres, from macro to travel.
In contrast, the Panasonic S3 only provides optical image stabilization embedded in the zoom lens, less versatile and typically less effective than sensor-based stabilization in low light or macro shooting.
Both cameras feature built-in flash units, although the Olympus boasts a higher guide number (approx. 7 meters vs. 3.3 meters on the S3) and a broad range of flash modes including manual power control and slow sync options. The Panasonic’s flash is more rudimentary with fewer modes and lacks external flash support.
Hence, Olympus users can expect greater low-light flexibility and creative lighting control.
Display and Viewfinder Experience
The E-P5’s 3-inch 3:2 aspect ratio tilting capacitive LCD screen with 1.04 million dots combines richness with flexibility, particularly advantageous for shooting from challenging angles - a practical boon for macro photographers, street shooters, and vloggers.
The Panasonic S3 uses a smaller fixed 2.7-inch TFT LCD panel with only 230k dots resolution - offering a noticeably less sharp and limited viewing experience.
Neither camera has a built-in electronic viewfinder, but the E-P5 supports an optional high-resolution EVF accessory, an important consideration for use in bright daylight conditions or for critical composition.
Overall, the Olympus supersedes in terms of framing precision and feedback, enhancing confidence in exposure and focus evaluation.
Video Capabilities: Specifications and Practical Use
Video workflow increasingly complements still photography, warranting close scrutiny of each camera’s recording features.
Both cameras enable live view, but the Olympus E-P5 records Full HD 1080p at 30 fps using H.264 codec with stereo sound recording (built-in mic). While its audio inputs are basic (no external mic/headphone ports), the option for external accessories exists via hot shoe and USB.
The Panasonic S3 is limited to 720p HD at 30 fps in MPEG-4 format, with substantially lower video quality, no higher frame rates, and no audio inputs, confining it to rudimentary video needs.
For video-centric users, including casual filmmakers and hybrid content creators, the Olympus delivers superior image quality, resolution, and codec versatility crucial for post-production.
Battery Life and Storage
While both cameras use proprietary rechargeable battery packs, the E-P5 offers a more generous battery life rated at approximately 330 shots per charge, consistent with other mirrorless models that require more power due to sensor size and processing.
The Panasonic S3 yields around 250 shots per battery - adequate for casual use but limiting for extended shooting sessions.
Both utilize a single SD card slot (SD/SDHC/SDXC), but the Olympus's compatibility with larger capacity and faster cards better supports high-resolution RAW shooting and video data rates.
Connectivity and Wireless Features
Wireless connectivity has become critical in the modern workflow.
The Olympus E-P5 includes built-in Wi-Fi, enabling remote camera control, image transfer, and geotagging via smartphone integration - facilitating modern sharing and backup workflows with ease.
The Panasonic S3 provides no wireless capabilities whatsoever, reflecting its earlier generation design philosophy and targeting a less connected user base.
This difference significantly favors Olympus users who value uninterrupted connectivity and remote operations.
Genre-Specific Performance: Which Camera Excels Where?
To holistically assess these cameras requires diving into their performance across photographic disciplines.
Portraiture
The E-P5's 16MP Four Thirds sensor paired with Olympus’s renowned color science delivers attractive, natural skin tones and pleasing bokeh quality when combined with fast lenses from the MFT line. Eye detection AF (although no Animal Eye AF) helps maintain critical sharpness.
The Panasonic’s smaller sensor and fixed zoom lens restrict creative depth-of-field control and subtle tonal rendition, limiting portrait quality to snapshots.
Landscape
The E-P5's superior dynamic range (12.4 EV tested) and higher resolution allow detailed, richly textured land and cityscapes. Environmental sealing is absent, but robust build quality allows outdoor use with care.
The Panasonic S3’s sensor pales with constrained dynamic range and resolution, yielding images less suitable for large prints or post-processing latitude.
Wildlife and Sports
The E-P5 offers 9 fps burst, tracking autofocus, and extensive telephoto lens options - a strong all-rounder for capturing wildlife and sports action, though its autofocus contrast detection is outpaced by modern hybrid systems.
The Panasonic S3’s limited burst (2 fps), autofocus points, and fixed zoom lens severely restrict action shooting capability.
Street and Travel
The Panasonic’s compact size and light weight excel for street or travel convenience when ultimate image quality or manual control is secondary.
However, the E-P5 delivers a balance of portability (still pocketable with small primes), substantial manual control, and image quality, favoring enthusiasts and professionals needing greater flexibility on the go.
Macro and Night/Astro
Olympus’s 5-axis IBIS is a distinct advantage in macro for stabilizing close focus shots, and high native ISO extends usability in dim conditions. Combined with compatible macro primes, it outshines the Panasonic’s basic lens and sensor.
Night and astro work favors the E-P5’s superior noise performance and exposure controls, enabling longer shutter speeds and cleaner high ISO images.
Video
The Olympus's 1080p video and advanced codec support align with entry-level filmmaking workflows, whereas Panasonic's 720p limitations curtail cinematic use.
Objective Performance Scoring and Value Analysis
According to benchmark data (DxOmark and real-world tests), the Olympus E-P5 consistently attains higher overall scores for image quality, dynamic range, and low light performance. Its autofocus and continuous shooting frame rates make it one of the better performers in the early 2010s mirrorless crop.
The Panasonic S3, evaluated primarily as a budget compact, performs adequately for casual snapshots but lag behind in almost every technical parameter - not surprising given the price disparity (approx. $389 vs. $110 street pricing at release).
Detailed Study by Photography Type
This graphic illustrates relative strengths: the Olympus excels in portraits, landscapes, sports, and video, while Panasonic shows marginal scores in street and basic travel photography due to its compactness and ease of use but scores poorly in most other genres.
Final Considerations and Recommendations
Who Should Choose the Olympus PEN E-P5?
With its advanced sensor, extensive manual controls, fast continuous shooting, excellent in-body stabilization, and versatile lenses, the E-P5 suits:
- Enthusiasts upgrading from smartphones or basic compacts, ready to explore manual exposure and interchangeable lenses
- Portrait, landscape, wildlife, macro, and low-light shooters demanding quality and flexibility
- Hybrid stills/video users requiring Full HD recording and Wi-Fi connectivity
- Professionals in need of a portable second body or creative tool with reliable performance
Its price point remains reasonable given the feature set, and although it lacks a built-in EVF, its optional external EVF accessories mitigate this.
Who Will the Panasonic Lumix DMC-S3 Suit?
Due to its fixed lens, limited manual controls, smaller sensor, and minimal video features, the Panasonic S3:
- Appeals to absolute beginners or casual users prioritizing pocketability and simple operation
- Is a budget-friendly choice for those uninterested in advanced photographic techniques or interchangeable lens systems
- Serves as a basic travel camera for quick snapshots in well-lit conditions
Its value lies in convenience and affordability rather than image excellence or creative versatility.
Summing Up
In sum, these two cameras, while sharing part of their brand heritage, target quite dissimilar photographic audiences and applications. The Olympus PEN E-P5’s mirrorless design and Micro Four Thirds system elevate it well beyond the Panasonic Lumix DMC-S3 compact in nearly every respect relevant to enthusiasts and professionals.
For buyers weighing between these models, it ultimately comes down to how seriously you intend to pursue photography. The Olympus delivers technical excellence, creative freedom, and future-proof system integration, while Panasonic serves as a no-frills stepping stone into the world of digital imaging.
Carefully consider your shooting needs, budget, and aspirations - and you will find clarity in this detailed comparison.
This review is based on extensive hands-on testing with both cameras over varied environments and limitations, providing an experiential insight into their operational nuances that transcend mere specifications.
Olympus E-P5 vs Panasonic S3 Specifications
Olympus PEN E-P5 | Panasonic Lumix DMC-S3 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus PEN E-P5 | Panasonic Lumix DMC-S3 |
Type | Entry-Level Mirrorless | Small Sensor Compact |
Announced | 2013-10-03 | 2011-01-05 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | - | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 16MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4320 x 3240 |
Maximum native ISO | 25600 | 6400 |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 35 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-112mm (4.0x) |
Highest aperture | - | f/3.1-5.6 |
Macro focusing distance | - | 5cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen size | 3" | 2.7" |
Resolution of screen | 1,037 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | 3:2 LCD capacitive touchscreen | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60s | 8s |
Highest shutter speed | 1/8000s | 1/1600s |
Continuous shooting speed | 9.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m (ISO 100) | 3.30 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (1st or 2nd curtain), Manual (1/1 - 1/64) | Auto, On, Off, Red-Eye reduction |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/320s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p) | 1280 x 720 (30fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | H.264 | MPEG-4 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 420g (0.93 lb) | 117g (0.26 lb) |
Physical dimensions | 122 x 69 x 37mm (4.8" x 2.7" x 1.5") | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") |
DXO scores | ||
DXO All around rating | 72 | not tested |
DXO Color Depth rating | 22.8 | not tested |
DXO Dynamic range rating | 12.4 | not tested |
DXO Low light rating | 895 | not tested |
Other | ||
Battery life | 330 pictures | 250 pictures |
Battery format | Battery Pack | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Price at launch | $389 | $110 |