Olympus E-P5 vs Sony A290
85 Imaging
52 Features
76 Overall
61


66 Imaging
53 Features
47 Overall
50
Olympus E-P5 vs Sony A290 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 420g - 122 x 69 x 37mm
- Released October 2013
- Superseded the Olympus E-P3
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 549g - 128 x 97 x 86mm
- Released June 2010
- Older Model is Sony A230

Olympus E-P5 vs. Sony A290: An In-Depth Comparison Guide for Photography Enthusiasts
Choosing the right camera often feels like navigating a maze - the myriad technical specs, mixed user reviews, and diverse creative needs can cloud your decision. Today, we take a hands-on, expert-driven look at two distinct entry-level cameras: the Olympus PEN E-P5 mirrorless and the Sony Alpha DSLR-A290 DSLR. While these cameras belong to different design philosophies and were launched in different years, they still appeal to photographers who want capable gear without breaking the bank.
Drawing on years of testing over a thousand models, we’ll dissect the specs, real-world performance, and value proposition of each. Whether you’re a portrait shooter, landscape lover, wildlife fan, or video content creator, this guide will illuminate which camera thrives in your chosen field and why.
First Impressions: Size, Build, and Handling
When it comes to how a camera feels in your hands, subtle differences define your shooting comfort and creativity flow.
- Olympus E-P5 carries a rangefinder-style mirrorless design. This compact, lightweight body weighs just 420 grams and measures 122x69x37 mm.
- Sony A290 is a compact DSLR, heavier at 549 grams, and larger at 128x97x86 mm, reflecting its bulkier prism and mirror mechanism.
Ergonomics: The E-P5 boasts a tilting 3-inch capacitive touchscreen and minimalist controls. The compact design makes it ideal for travel and street shooting, especially when paired with smaller Micro Four Thirds lenses. The Sony’s deeper grip suits users who prefer the traditional DSLR feel and larger lenses, but its fixed, smaller 2.7-inch non-touch LCD offers less flexibility.
Taking into account body size alongside weight and control layout, the Olympus if you prize portability; the Sony if you want the traditional DSLR experience. Let’s take a closer look at their control ergonomics.
The Olympus layout favors dials and quick access for shutter speed and aperture, responsiveness that appeals to manual shooters. Sony’s DSLR includes dedicated buttons for exposure modes and a more traditional mode dial, which beginners often find easier to navigate.
Sensor Technology and Image Quality: Size Versus Resolution
Image quality hinges largely on sensor technology, size, resolution, and processing power. Here’s how the two stack up:
Specification | Olympus E-P5 | Sony A290 |
---|---|---|
Sensor Type | CMOS | CCD |
Sensor Size | Four Thirds (17.3 x 13 mm) | APS-C (23.5 x 15.7 mm) |
Effective Resolution | 16 MP | 14 MP |
Antialias Filter | Yes | Yes |
Max ISO | 25600 | 3200 |
Dynamic Range (DxO Mark) | 12.4 EV | 11.5 EV |
Color Depth (DxO Mark) | 22.8 bits | 22.6 bits |
Low-Light ISO Quality (DxO Mark) | 895 | 615 |
Technical insights:
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The Olympus E-P5’s 16MP Four Thirds CMOS sensor benefits from newer sensor technology typical of mirrorless cameras - offering faster readouts, better high-ISO performance, and wider dynamic range. Despite its smaller size compared to APS-C, the sensor delivers excellent color depth and noise control.
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The Sony A290 uses a CCD APS-C sensor, older technology by today’s standards, with lower max ISO and dynamic range capabilities. While the larger APS-C sensor generally collects more light, the CCD sensor is often less efficient at high sensitivities, limiting its usability in low-light or fast-action scenarios.
What does this mean for your images?
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If you shoot in varied lighting conditions or need cleaner images at higher ISO (night shots, event photography), Olympus leads.
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For maximum resolution and shallow depth of field effects, APS-C typically has advantages but here the Sony’s lower resolution lessens that edge.
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Dynamic range contributes to preserving details in shadows and highlights - the Olympus offers slightly more headroom.
Autofocus Systems: Speed, Accuracy, and Tracking
The difference between contrast-detection AF (Olympus) and phase-detection AF (Sony) influences autofocus speed and subject tracking significantly.
Parameter | Olympus E-P5 | Sony A290 |
---|---|---|
AF Points | 35 (contrast-detection) | 9 (phase-detection) |
AF Modes | Single, Continuous, Tracking, Face Detection | Single, Continuous, Multi-area, Face detection |
Animal Eye AF | No | No |
Live View AF | Yes | No |
Continuous Shooting FPS | 9 fps | 3 fps |
The Olympus E-P5 applies contrast-detection autofocus with 35 focus points. Being a mirrorless, it offers live view autofocus directly on the sensor, including face detection and decent tracking capabilities. The 9 fps burst rate is notably fast for an entry-level camera, enhancing chances to capture wildlife or sports action.
The Sony A290 features 9 phase-detection points integrated in the DSLR’s mirror system but lacks live view autofocus capability. Its 3 fps burst is more modest for fast subjects, and autofocus tracking is less sophisticated by modern standards.
Practical takeaway:
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If you want to shoot moving subjects - sports, wildlife, kids - Olympus’s faster AF with tracking and 9 fps shooting provides a clear advantage.
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For portraits and landscapes where autofocus speed is less critical, Sony’s phase-detection remains reliable.
Build Quality and Environmental Sealing
Neither camera offers environmental sealing or any rugged certifications such as dust or splash-proofing. Their bodies are designed primarily for casual or controlled environment use.
Feature | Olympus E-P5 | Sony A290 |
---|---|---|
Weather Sealing | No | No |
Build Material | Metal chassis with leatherette grip | Polycarbonate body |
Weight | 420g | 549g |
The Olympus’s metal chassis imparts a more solid, premium feel compared to Sony’s plastic construction. If you shoot outdoors in adverse weather, you’ll want to consider protective covers or coatings.
LCD and Viewfinder Experience
Your shooting interface profoundly affects how easily you can compose and review images.
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Olympus employs a 3-inch tilting, capacitive touchscreen with 1037k dots, allowing intuitive focus point selection, menu navigation, and image review.
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Sony features a fixed 2.7-inch LCD at 230k dots, with no touchscreen capabilities, offering far less flexibility.
Regarding viewfinders:
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Olympus doesn’t include a built-in electronic viewfinder (optional external EVF accessories are available).
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Sony has a traditional optical pentamirror viewfinder with 95% coverage and 0.55x magnification.
User experience notes:
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The Olympus touchscreen is a joy for quick adjustments and focus control on the go, especially valuable in street, travel, or macro photography.
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Sony’s optical viewfinder allows composing in bright sunlight without screen glare, appreciated by DSLR purists.
If you frequently shoot outdoors in bright conditions, Sony’s viewfinder remains useful; but for general versatility and ease of use, Olympus’s display wins.
Lens Ecosystem and Compatibility
Your lenses define your creative options. Both systems offer access to a broad range, but with important differences.
Aspect | Olympus E-P5 | Sony A290 |
---|---|---|
Lens Mount | Micro Four Thirds (MFT) | Sony/Minolta Alpha (A-mount) |
Number of Native Lenses | ~107 MFT lenses | ~143 A-mount lenses (including Minolta legacy) |
Teleconverter & Macro Support | Good | Good |
Third-party Lens Support | Extensive | Extensive |
The Olympus uses the hugely popular and versatile Micro Four Thirds mount. Its compact lenses suit travelers and street photographers, while high-quality zooms and primes cover virtually every genre. Smaller sensor size means a 2.1x crop factor, influencing your field of view.
Sony’s A290 uses the A-mount, which includes legacy Minolta lenses as well as newer autofocus lenses. Given its 1.5x crop factor APS-C sensor, you get a somewhat shallower depth of field potential and more telephoto reach for wildlife or sports.
If you want a lightweight, compact system with a rich lens catalog optimized for mirrorless, Olympus shines. If you’re invested in Sony/Minolta lenses or plan to mix older glass, Sony gives more backward compatibility.
Battery Life and Storage
Entry-level shooters appreciate reliability during long days of shooting.
Metric | Olympus E-P5 | Sony A290 |
---|---|---|
Battery Life (CIPA) | 330 shots | 290 shots |
Storage | 1 SD/SDHC/SDXC slot | 1 SD/SDHC + Memory Stick Pro Duo slot |
USB | USB 2.0 | USB 2.0 |
Connectivity | Built-in Wi-Fi | None |
HDMI Output | Yes | Yes |
The Olympus has a slight edge in battery efficiency and modern connectivity with built-in Wi-Fi. Sony lacks wireless features, limiting tethering or image transfer ease.
Video Features Comparison
Video is often overlooked in entry-level cameras but can be decisive for hybrid photo-video creators.
Feature | Olympus E-P5 | Sony A290 |
---|---|---|
Max Video Resolution | Full HD 1920x1080 @ 30fps | No video recording |
Video Format | H.264 | N/A |
Microphone/Headphone Ports | None | None |
Stabilization | 5-axis sensor-based stabilization | Sensor-based stabilization (photo only) |
The Olympus supports 1080p video at a smooth 30fps, making it suitable for casual video capture, vlogging, or short interviews. It lacks external mic/headphone ports but benefits from its 5-axis image stabilization, reducing handheld shake.
Sony A290 does not offer video recording capabilities, focusing solely on still imaging.
Real-World Performance: Sample Images and Use Cases
Technical data is vital, but seeing real output and testing in various conditions proves reliability. Here’s a gallery showcasing landscapes, portraits, street scenes, and wildlife taken with both cameras.
Observations:
- Olympus E-P5 images have cleaner high ISO noise, especially noticeable in night and indoor shots.
- Skin tones rendered by the Olympus appear more natural and pleasing, aided by its color depth.
- Sony’s images exhibit a classic DSLR bokeh for portraits but show more noise in shadows.
- The E-P5’s faster burst rate better captures bird flight and sports action.
Performance across Photography Genres
Different genres impose unique demands from gear. Here’s where each camera excels or falters.
Photography Type | Olympus E-P5 | Sony A290 |
---|---|---|
Portraits (Skin tones, bokeh, eye AF) | Excellent color reproduction, good manual focus; lacks phase detect but face AF helps | Strong bokeh with APS-C sensor, slower AF |
Landscape (Dynamic range, resolution) | Better dynamic range and higher ISO usability | Higher sensor area but lower DR |
Wildlife (AF speed, burst rate) | Fast contrast AF, 9 fps burst | Slower AF, 3 fps burst |
Sports (Tracking, frame rate) | Good continuous AF with tracking | Limited tracking AF |
Street (Portability, discreteness) | Compact, quiet shutter, lightweight | Bulkier, louder mirror |
Macro (Focus precision, stabilization) | 5-axis IS helps for handheld macro | No live view AF, less stabilization |
Night / Astro (High ISO, exposure) | High ISO and dynamic range help low light scenes | Lower ISO ceiling limits night shots |
Video | Full HD 30p with IS | None |
Travel | Compact, Wi-Fi, great battery life | Bulkier and heavier |
Professional Work | Supports RAW, Wi-Fi tethering | Supports RAW, no wireless tethering |
Overall Performance and Value for Money
Considering all factors, here’s a distillation of their overall capabilities.
Attribute | Olympus E-P5 | Sony A290 |
---|---|---|
Overall DxO Mark Score | 72 | 66 |
Color Depth | Slightly better | Good |
Dynamic Range | Better | Lower |
Low Light ISO | Superior | Limited |
AF System | More sophisticated | Basic but phase detect |
Continuous Shooting Speed | 9 fps | 3 fps |
Video Capability | Full HD with stabilization | None |
Build Quality | Robust metal chassis | Plastic body |
User Interface | Touchscreen, tilting LCD | Fixed LCD, optical viewfinder |
Wireless Connectivity | Wi-Fi included | No wireless |
Price (At Launch) | $389 | $599.99 |
Our Recommendations for Different Users
If you are:
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A traveler or street photographer who values lightweight gear and silent shooting, the Olympus E-P5’s compact body and quick controls make it a strong companion.
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An enthusiast portrait shooter seeking smooth skin tones and subject tracking at moderate budgets, Olympus is better for subtle bokeh and face detection autofocus.
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A wildlife or sports photographer needing faster burst rates and tracking autofocus, Olympus provides an advantage with 9 fps, but neither is a pro-grade sports camera; consider newer models if fast action is critical.
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A video creator who wants decent 1080p capture from an entry-level camera, Olympus E-P5 is your pick, given Sony’s lack of video ability here.
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A beginner DSLR user or someone wanting a traditional viewfinder experience and legacy lens compatibility, Sony A290 still holds nostalgic value and solid imaging basics.
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Someone budget-conscious and keen on Wi-Fi sharing will appreciate Olympus’s modern connectivity.
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You want rugged build and weather sealing neither excels here; consider other options.
Final Thoughts
Both the Olympus PEN E-P5 and Sony Alpha A290 were designed as accessible entry points into photography but cater to different photographic lifestyles:
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The Olympus E-P5 excels as a versatile mirrorless powerhouse, blending compactness, an advanced sensor system, and usability features that hold up even with today’s expectations. Its strengths in autofocus, video, and image stabilization make it a strong creative tool for enthusiasts stepping into more dynamic shooting.
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The Sony A290 remains a classic DSLR offering solid, straightforward imaging, especially suited for users who prefer optical viewfinders and traditional DSLR ergonomics, but its aging CCD sensor and limited ISO performance restrict creative flexibility in low light and video.
By grounding your choice on the specific genres you shoot and whether you prioritize portability, autofocus speed, or video features, you can confidently find the camera that supports your creative journey. Wherever you land, both cameras underscore the value of investing in quality glass and hands-on experimentation.
Don’t hesitate to visit a local camera store or rent the models to feel the difference firsthand - nothing beats real use when settling on your ideal photographic partner.
Happy shooting!
We hope this detailed comparison clarifies the strengths and limitations of the Olympus E-P5 and Sony A290 for your photography journey. Explore, create, and capture your world with confidence and creativity.
Olympus E-P5 vs Sony A290 Specifications
Olympus PEN E-P5 | Sony Alpha DSLR-A290 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model type | Olympus PEN E-P5 | Sony Alpha DSLR-A290 |
Category | Entry-Level Mirrorless | Entry-Level DSLR |
Released | 2013-10-03 | 2010-06-09 |
Body design | Rangefinder-style mirrorless | Compact SLR |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.7mm |
Sensor area | 224.9mm² | 369.0mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4592 x 3056 |
Maximum native ISO | 25600 | 3200 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 35 | 9 |
Lens | ||
Lens support | Micro Four Thirds | Sony/Minolta Alpha |
Amount of lenses | 107 | 143 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen diagonal | 3 inches | 2.7 inches |
Resolution of screen | 1,037 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | 3:2 LCD capacitive touchscreen | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.55x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/8000s | 1/4000s |
Continuous shutter speed | 9.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (ISO 100) | 10.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (1st or 2nd curtain), Manual (1/1 - 1/64) | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | 1/320s | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p) | - |
Maximum video resolution | 1920x1080 | None |
Video file format | H.264 | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 420 gr (0.93 pounds) | 549 gr (1.21 pounds) |
Physical dimensions | 122 x 69 x 37mm (4.8" x 2.7" x 1.5") | 128 x 97 x 86mm (5.0" x 3.8" x 3.4") |
DXO scores | ||
DXO Overall rating | 72 | 66 |
DXO Color Depth rating | 22.8 | 22.6 |
DXO Dynamic range rating | 12.4 | 11.5 |
DXO Low light rating | 895 | 615 |
Other | ||
Battery life | 330 photos | 290 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | NP-FH50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | Memory Stick Pro Duo/ Pro-HG Duo, SD/SDHC |
Storage slots | Single | Single |
Pricing at release | $389 | $600 |