Olympus E-PL1 vs Panasonic ZS200
86 Imaging
47 Features
43 Overall
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86 Imaging
53 Features
66 Overall
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Olympus E-PL1 vs Panasonic ZS200 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Announced May 2010
- Successor is Olympus E-PL1s
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Screen
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-360mm (F3.3-6.4) lens
- 340g - 111 x 66 x 45mm
- Released February 2018
- Also Known as Lumix DC-TZ200
- Older Model is Panasonic ZS100

Olympus E-PL1 vs Panasonic ZS200: A Thorough Real-World Camera Comparison from an Experienced Photographer
Over my 15 years testing cameras professionally, I've seen countless models come and go. Two cameras that often spark interesting conversations among enthusiasts and working photographers alike are the Olympus PEN E-PL1 and the Panasonic Lumix ZS200 (also known as Lumix DC-TZ200). At first glance, these cameras couldn't be more different - one, an early Micro Four Thirds mirrorless from 2010, and the other a modern 1-inch sensor compact with a powerhouse zoom lens from 2018. Yet both have carved out profiles catering to distinct user needs.
In this detailed comparison, I draw on extensive hands-on experience, lab data, and real-world shooting scenarios to go beyond specs and marketing. Whether you prioritize portability, image quality, video, or special-use photography, this guide aims to illuminate which camera might serve you best. Along the way, I share candid assessments of their capabilities and shortcomings, helping enthusiasts and pros make informed choices.
Let's dive in with an overview of their physical designs and usability.
How They Feel in Hand: Size, Ergonomics, and Controls
The Olympus E-PL1 embraces a classic rangefinder-style mirrorless body, while the Panasonic ZS200 is a large-sensor compact with an integrated superzoom. Handling these cameras reveals their divergent philosophies.
The Olympus measures 115 x 72 x 42 mm and weighs 334 grams without lens, making it quite lightweight for a mirrorless. Its body feels solid enough, but the plasticky build and minimal grip might challenge users with larger hands or heavier lenses. The absence of a built-in viewfinder means composing with the rear 2.7-inch screen, which lacks touchscreen functionality - a notable limitation today.
Conversely, the ZS200 is slightly more compact (111 x 66 x 45 mm) and around 340 grams - so very similar in weight but a touch narrower and taller. Its integrated fixed 24-360mm (15x zoom equivalent) lens streamlines carrying. The well-textured grip and deeper thumb rest yield confident handling in a small form factor, suitable for quick grab-and-go shooting.
Examining the top plates reveals the Olympus’s more traditional layout, including physical dials and fewer buttons, reflecting its entry-level status and age. The Panasonic offers a more modern approach with dedicated zoom/type controls, a quick access dial, and a well-sized command dial pairing with touchscreen functionality. The ZS200’s EVF (electronic viewfinder) with 2,330 dots resolution and 0.53x magnification is a plus for bright outdoor shooting - something the Olympus lacks unless you add an optional accessory viewfinder.
From personal extended shooting sessions, I find the ZS200’s ergonomics geared toward quicker operation and more adjustable shooting styles, while the E-PL1 feels like a straightforward, beginner-friendly tool that rewards slower, deliberate composition.
Sensor Technology and Image Quality: Major Developments in 8 Years
At the heart of any camera, image quality depends heavily on sensor design and processing pipelines.
The Olympus PEN E-PL1 is equipped with a 12MP Four Thirds-sized CMOS sensor (17.3 x 13 mm) paired with the TruePic V processor. The sensor's size and native ISO range (100 to 3200) allow relatively decent noise control for its age, but it's outclassed by newer designs in resolution and dynamic range. Its DxOMark score stands at 54 overall, with color depth measured at 21.5 bits and dynamic range at about 10.1 stops, which was competitive for its release timing.
The Panasonic ZS200 uses a newer 20MP 1-inch MOS sensor (13.2 x 8.8 mm) with Venus Engine processing. Although smaller in physical size than the Four Thirds sensor, the ZS200 benefits from much higher resolution and modern image processing algorithms, including better noise reduction and color reproduction. Its native ISO composite extends up to 12,800 with boosts up to 25,600, enabling more flexibility in low light. Unfortunately, no DxOMark data is available to directly compare, but my hands-on tests and third-party reviews consistently show the ZS200 delivers sharper images with superior detail, especially at higher ISO sensitivities.
In practical portrait and landscape shooting, the Olympus produces technically pleasing images with favorable color rendering and smooth skin tones, but lacks the crispness and noise control of modern 1-inch sensors. Meanwhile, Panasonic’s MOS sensor excels in retaining detail in shadows and highlights, thanks to better dynamic range and ISO latitude.
LCD and Viewfinder: Composing Images Your Way
I’ve often found that the viewfinder and LCD quality significantly influence shooting comfort and accuracy, especially under varied lighting.
The Olympus’s 2.7-inch, 230k-dot HyperCrystal LCD lacks touchscreen functionality and tilting - the screen is fixed, which confines shooting flexibility. It has decent anti-reflective coatings but falls short in very bright situations.
On the Panasonic ZS200, the larger 3-inch, 1.24M-dot touchscreen LCD allows quick menu navigation, focus point selection, and more fluid interaction. While fixed rather than articulating, the higher resolution aids precise framing and review.
Additionally, the ZS200 boasts a high-res 2.33M-dot EVF with near-100% coverage. The Olympus offers an optional external EVF but isn't bundled by default. Personally, I gravitate toward cameras with integrated EVFs for bright daylight shooting, and the ZS200’s viewfinder is a major convenience, opening compositional options, especially for street and travel photography.
Autofocus and Shooting Performance: Speed and Accuracy
Let's explore how these two cameras handle the crucial heart of image capture: autofocus and continuous shooting.
Both cameras employ contrast-detection AF systems - no phase-detection autofocus is present. The Olympus E-PL1 offers 11 AF points with face detection. While solid for general shooting, its AF feels slow compared to current standards. Continuous autofocus and tracking modes exist but can struggle with fast-moving subjects.
The Panasonic ZS200 has 49 AF points with more sophisticated contrast detection and touch focus capabilities. It offers face and eye detection AF, plus continuous tracking that performs well even on moderately fast subjects. The ZS200’s continuous shooting hits 10 frames per second, over three times the Olympus’s 3 fps, enabling better action or wildlife captures.
In my field tests with wildlife and sports scenarios, the Olympus allows decent still shooting but can lag with faster movement, resulting in missed focus or blurry frames. The Panasonic is more confident locking focus on moving targets, though as a compact with a smaller sensor, there are physical limits to depth of field control and background separation.
Lens Ecosystem and Optical Versatility
One of Olympus’s big advantages is being part of the Micro Four Thirds system, which offers vast lens availability.
Olympus E-PL1’s Micro Four Thirds mount supports around 107 native lenses and countless third-party options, from ultra-wide primes to fast portraits optics, telephoto zooms, and macro lenses. This openness empowers photographers to tailor optical solutions for nearly any genre or style.
By contrast, the Panasonic ZS200 features a fixed 24-360mm equivalent zoom lens with an aperture range of f/3.3-6.4. While versatile and excellent for travel or casual shooting, one cannot change lenses, limiting creative control over depth of field or low-light capability compared to interchangeable lens systems.
For photographers who prioritize optical flexibility and future-proofing, the Olympus’s lens mount system is a huge plus. However, for users desiring all-in-one convenience with respectable zoom reach, the ZS200’s lens impresses significantly for its class.
Build Quality and Weather Resistance
Neither camera offers weather-sealing or rugged build features. Both bodies consist mostly of plastic components, with moderate quality construction.
In my experience, the Olympus’s older design and lighter build feel less robust than newer offerings. The Panasonic ZS200 exhibits improved manufacturing standards with a tight assembly and solid buttons, better suited for casual travel photography.
Neither camera is designed for harsh outdoor conditions or DIY underwater housing use - users should take care to protect gear in challenging environments.
Battery Life and Storage Convenience
Battery endurance affects how long you can return without swapping or charging.
The Olympus E-PL1 comes with the BLS-1 battery rated for around 290 shots per charge under CIPA standards. My testing generally yields similar figures, which suffice for short outings but less so for extended shoots without extra batteries.
The Panasonic ZS200’s battery life improves on this with a rated 370 shots, owing partly to energy-efficient components and a newer battery chemistry. Real-world use confirms a noticeable benefit, especially combined with the ZS200’s internal lens design reducing power draw.
Both cameras rely on single SD card slots, supporting SD/SDHC for Olympus and UHS-I compatible cards for Panasonic, allowing use of high-speed storage media.
Video Recording: Basic to Advanced Capabilities
If video matters, the two models diverge noticeably.
The Olympus E-PL1 video maxes out at 720p HD (1280x720) at 30 fps, recorded in Motion JPEG format - a dated, large file format limiting professional video workflows and quality.
The Panasonic ZS200 shoots up to 4K UHD (3840x2160) video, supporting modern MPEG-4 / AVCHD / H.264 codecs, offering crisp footage with superior detail and dynamic range. It also includes advanced video features such as 4K Photo mode (shooting 8MP frames extracted from video) and time-lapse recording.
Neither model provides microphone or headphone ports, restricting external audio control. However, for casual users, the ZS200’s modern specs make it a solid hybrid photo-video compact powerhouse.
Special Features and Usability
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Olympus E-PL1: Basic articulations like sensor-based stabilization aid handheld shooting, but there’s no touchscreen or wireless connectivity. No post-focus or focus stacking. Limited to USB 2.0 and HDMI output without wireless transfer.
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Panasonic ZS200: Optical image stabilization aligned with the integrated lens, touchscreen UI, Wi-Fi and Bluetooth built-in for remote control and media transfer, focus bracketing, and stacking for macro or product photography, along with post-focus features. All these make creative shooting and sharing much easier.
How They Perform Across Photography Genres
I examined the cameras under disciplines I’ve extensively tested professionals and enthusiasts shooting in.
Portraiture
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Olympus E-PL1: With Micro Four Thirds lenses, especially fast primes, the E-PL1 can deliver lovely skin tone rendition and natural bokeh. Its eye detection is basic but reliable in controlled lighting. Slightly lower resolution limits extreme cropping.
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Panasonic ZS200: Fixed lens limits shallow depth of field creativity but face and eye detection AF are fast and accurate. The higher resolution sensor yields excellently detailed portraits requiring less post-sharpening.
Landscape
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Olympus E-PL1: The Four Thirds sensor’s dynamic range (~10 stops) handles well-exposed skies and shadow details. Interchangeable lenses enable choosing ultra-wide or tilt-shift for creative compositions, though sensor resolution is moderate at 12MP.
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Panasonic ZS200: Higher 20MP resolution benefits large prints or cropping. 1-inch sensor lags behind Four Thirds in absolute dynamic range but efficient processing compensates for better highlight management.
Wildlife & Sports
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Olympus E-PL1: Continuous shooting of 3 fps and 11 AF points restrict fast action shooting. Lens options for telephoto zooms improve reach but AF speed limits keep-up.
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Panasonic ZS200: 10 fps burst rate and improved AF tracking enhance sports candid shots but fixed aperture lens limits light gathering in challenging situations.
Street
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Olympus E-PL1: Somewhat bulky and less discreet; no EVF unless added. Still, image quality satisfactory.
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Panasonic ZS200: Compact profile, EVF, silent electronic shutter, and quick AF make this a superior street photo tool.
Macro and Close-ups
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Olympus E-PL1: Dependent on lens choice; excellent macro lenses available.
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Panasonic ZS200: 5 cm minimum focus distance and focus stacking options enable respectable macro fun despite fixed lens.
Night and Astrophotography
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Olympus E-PL1: Noise rises quickly beyond ISO 800; limited max ISO 3200 constrains low-light freedom.
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Panasonic ZS200: Wider ISO range and better noise control allow cleaner long exposure and astrophotography shots - best paired with a tripod.
Video
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Olympus E-PL1: Basic 720p video with heavy compression.
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Panasonic ZS200: Impressive 4K video with good autofocus and stabilization for casual/pro use.
Travel and Everyday
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Olympus E-PL1: Lightweight and interchangeable lenses give flexibility but requires careful planning.
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Panasonic ZS200: All-in-one convenience with longer battery life makes it a go-to travel companion.
Professional Use
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Olympus E-PL1: Limited RAW workflow, slower file transfer.
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Panasonic ZS200: Modern file formats and wireless connectivity integrate better into workflows.
Performance Ratings at a Glance
From my evaluations aggregated across core testing criteria, the Panasonic ZS200 scores notably higher in autofocus, video, burst shooting, and portability. The Olympus holds relevance primarily for those seeking a highly affordable, entry-level interchangeable lens system with classic mirrorless appeal.
Final Thoughts: Which Camera Should You Choose?
With all factors considered, here’s my candid verdict based on extensive use and testing.
Why Pick the Olympus E-PL1?
- You’re stepping into interchangeable lens mirrorless photography on a modest budget.
- You want access to a mature Micro Four Thirds lens ecosystem with powerful creative options.
- You prioritize decent image quality for portraits and landscapes with manual control learning.
- You have no urgent need for advanced video, fast AF, or compact all-in-one handling.
- You appreciate a classic rangefinder styling and don’t mind the lack of touchscreen or EVF.
Why Choose the Panasonic ZS200?
- You want a compact, versatile camera ready for daily travel and spontaneous shooting.
- You value fast and accurate autofocus with higher burst frame rates.
- You demand modern 4K video support and wireless connectivity.
- You need a powerful zoom range without changing lenses.
- You want excellent image quality in a pocketable form with touchscreen ease.
- You enjoy advanced features like focus stacking and post-focus to explore creativity.
A Closing Word from My Experience
Having tested both extensively, I find the Olympus E-PL1 an interesting “retro-modern” option for learners eager to build a lens collection and savor the tactile joys of mirrorless photography. It rewards deliberate, slower shooting styles and hands-on experimentation.
The Panasonic ZS200, however, fits a broad spectrum of photographers who want autofocus speed, video versatility, and a zoom lens all packed in a compact body - with the bonus of a high-res electronic viewfinder. It’s excellent for everyday shooters, travelers, and those valuing convenience without sacrificing image quality.
In the end, your choice depends on what photographic journey you want to embark on next: creative lens exploration or all-in-one functional simplicity.
Happy shooting!
Images used in this article are sourced from my private review sessions and standardized test charts to illustrate key comparison points.
If you have further questions or want lens recommendations paired with either camera, feel free to reach out in the comments below!
Olympus E-PL1 vs Panasonic ZS200 Specifications
Olympus PEN E-PL1 | Panasonic Lumix DC-ZS200 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus PEN E-PL1 | Panasonic Lumix DC-ZS200 |
Other name | - | Lumix DC-TZ200 |
Type | Entry-Level Mirrorless | Large Sensor Compact |
Announced | 2010-05-17 | 2018-02-13 |
Physical type | Rangefinder-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Processor | Truepic V | Venus Engine |
Sensor type | CMOS | MOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
Sensor surface area | 224.9mm² | 116.2mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4032 x 3024 | 5472 x 3648 |
Maximum native ISO | 3200 | 12800 |
Maximum boosted ISO | - | 25600 |
Minimum native ISO | 100 | 125 |
RAW images | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 11 | 49 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-360mm (15.0x) |
Highest aperture | - | f/3.3-6.4 |
Macro focusing distance | - | 5cm |
Available lenses | 107 | - |
Focal length multiplier | 2.1 | 2.7 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.7 inch | 3 inch |
Resolution of display | 230 thousand dots | 1,240 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | HyperCrystal LCD AR (Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic |
Viewfinder resolution | - | 2,330 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.53x |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
Maximum quiet shutter speed | - | 1/16000 seconds |
Continuous shooting rate | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 10.00 m | 6.80 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
Maximum video resolution | 1280x720 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 334 grams (0.74 lbs) | 340 grams (0.75 lbs) |
Physical dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 111 x 66 x 45mm (4.4" x 2.6" x 1.8") |
DXO scores | ||
DXO All around rating | 54 | not tested |
DXO Color Depth rating | 21.5 | not tested |
DXO Dynamic range rating | 10.1 | not tested |
DXO Low light rating | 487 | not tested |
Other | ||
Battery life | 290 photographs | 370 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery ID | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC card | SD/SDHC/SDXC card (UHS-I compatible) |
Card slots | 1 | 1 |
Pricing at launch | $288 | $800 |