Olympus E-PL1 vs Panasonic ZS100
86 Imaging
47 Features
43 Overall
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87 Imaging
52 Features
65 Overall
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Olympus E-PL1 vs Panasonic ZS100 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Revealed May 2010
- Newer Model is Olympus E-PL1s
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Screen
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Introduced January 2016
- Alternate Name is Lumix DMC-TZ100
- Newer Model is Panasonic ZS200

Olympus E-PL1 vs Panasonic Lumix ZS100: A Deep-Dive Comparison for Enthusiasts and Professionals
In today’s dynamic camera market, where mirrorless systems and large sensor compacts increasingly blur lines, choosing the right tool for your photographic ambitions requires nuanced understanding beyond specs alone. Having tested thousands of cameras extensively, I present a methodical, hands-on comparison between the Olympus PEN E-PL1, an early entry-level mirrorless model, and the Panasonic Lumix DMC-ZS100, a compelling large-sensor compact with advanced capabilities. This article unpacks the real-world distinctions across all photography disciplines, highlighting how these cameras perform and which users stand to benefit most.
First Impressions: Build, Size, and Handling Dynamics
Starting with the physical presence, both cameras target different user profiles, reflected in their form factors. The Olympus E-PL1 offers a classic rangefinder-style mirrorless body, slightly larger and chunkier at 115x72x42mm and 334g, while the Panasonic ZS100, at 111x65x44mm and 312g, leans more toward a compact fixed-lens design, optimized for portability without sacrificing control.
In my hands, the E-PL1’s slightly larger grip and the traditional layout provide a comfortable, stable hold for extended shooting - particularly beneficial for enthusiasts accustomed to interchangeable lens systems. The ZS100, meanwhile, excels in pocketability; its streamlined design and smaller footprint translate to effortless travel and street photography usage but offer less physical customization.
Both cameras rely on fixed rear LCDs rather than articulating or fully tilting screens, influencing flexibility in shooting angles. Ergonomically, Olympus benefits from a straightforward, minimal control scheme ideal for beginners, whereas Panasonic adds more nuanced button placements and a touchscreen interface, which I found enhanced quick adjustments and focus point selection on the fly.
User Interface and Controls: Intuitive or Intricately Layered?
Examining control layouts under use scenario testing, the E-PL1’s rangefinder styling provides a modest enumeration of buttons and dials, well spaced but somewhat basic. It lacks illuminated buttons, and the omission of a built-in viewfinder impacts framing discipline, especially in bright light where LCD visibility suffers despite its anti-reflective coating.
Conversely, the ZS100 integrates an electronic viewfinder with a sharp 1166-dot resolution, a critical advantage for precise composition and stability. The Panasonic’s touchscreen affords versatile navigation through menus and swift autofocus point selection, a capability missing from the E-PL1. While some users may prefer physical controls to touch commands, I appreciated the hybrid approach for both efficiency and workflow speed.
Sensor and Image Quality: The Heart of the Camera
Under rigorous testing conditions, sensor technology and optics define a camera’s ultimate photographic potential. The Olympus E-PL1 sports a Four Thirds CMOS sensor measuring 17.3x13mm with 12MP resolution. This sensor size, while adequate for casual use, yields modest dynamic range (DxOMark: 10.1 EV) and color depth (21.5-bit), as well as a maximum native ISO of 3200, somewhat limiting in low-light environments.
In contrast, the Panasonic ZS100 employs a state-of-the-art 1" MOS sensor (13.2x8.8mm) boasting 20MP resolution. Despite the smaller physical sensor area (approx 117mm² versus Olympus’s 225mm²), Panasonic's sensor architecture and Venus Engine processor combination deliver superior dynamic range (12.5 EV) and better low-light ISO performance, with a maximum native ISO of 12,800 expandable to 25,600 and with improved noise control across the ISO spectrum.
In practical terms, the ZS100 produces crisper images with richer tonal gradations and cleaner shadows, particularly noticeable in JPEG processing but also benefiting RAW files. The Olympus, while delivering pleasing colors typical of its sensor generation, shows earlier onset of noise and clipping in highlights under harsh lighting.
LCD and Viewfinder: Framing and Interaction
Both cameras use fixed LCDs; Olympus has a 2.7-inch screen with 230k dots, while Panasonic ups the ante with a 3.0-inch 1040k-dot touchscreen. The difference is immediately perceptible when reviewing images, adjusting settings, or composing through the screen. The E-PL1’s LCD can feel cramped and less vibrant under bright conditions, whereas the ZS100’s larger, higher-resolution screen provides greater clarity and touch responsiveness.
The optional electronic viewfinder (EVF) for the Olympus unit is absent by default and not widely bundled, which diminishes compositional confidence, especially outdoors. The ZS100’s built-in EVF is a game-changer, providing 100% coverage and 0.46x magnification, improving stability, and reducing eye strain during extended shooting.
Autofocus Technology and Performance Insights
When it comes to autofocus (AF), the Olympus E-PL1 relies on contrast-detection with 11 focus points and face detection. Despite offering continuous AF and tracking modes, in mission-critical fast-paced scenarios - such as wildlife or sports - I observed sluggish responses and occasional hunting, particularly under poor lighting, which is typical given its 2010 sensor and AF technology.
The ZS100 manages a much more versatile system: 49 contrast-detection points supplemented by Panasonic’s post-focus technology, enabling focus stacking and precise post-capture adjustment. Its touch-enabled AF point selection and faster continuous AF improve subject acquisition speed notably - approaching but not equaling today’s hybrid AF systems - but still remarkable for a compact.
Both cameras lack phase-detection autofocus, meaning they rely on contrast detection and algorithm optimization. However, Panasonic’s more recent processor dynamics and optimized firmware provide a clear edge in tracking moving subjects for wildlife or street photography scenarios where speed counts.
Lens Ecosystems and Optics Flexibility
The Olympus E-PL1’s main advantage lies in the Micro Four Thirds lens mount compatibility, opening access to over 100 lenses from Olympus, Panasonic, and third-party manufacturers. This includes professional-grade primes, zooms, macro, and specialty optics - making it ideal for photographers craving optical experimentation or incremental gear upgrades.
On the flip side, the Panasonic ZS100 has a fixed 25-250mm (equivalent) f/2.8-5.9 zoom lens built-in. While this 10x telephoto range covers most shooting conditions from wide-angle landscapes to distant subjects, it lacks the optical versatility of interchangeable lenses. Despite this limitation, the lens is impressively sharp with decent bokeh rendering at the wide end, though longer focal lengths see notable aperture reduction and softness.
For enthusiasts prioritizing portability without lens swaps, the ZS100 offers an outstanding all-in-one solution. For professionals or enthusiasts with specific focal length needs - portrait primes, fast macros, wide apertures - the E-PL1 system remains flexible and expandable.
Performance Across Photography Disciplines
Portraiture: Color Rendition, Bokeh, and Eye Detection
The Olympus E-PL1 produces pleasant skin tones with its Four Thirds sensor signature, though limited resolution and dynamic range sometimes flatten subtle tonal transitions. Bokeh quality depends largely on lenses; with fast primes, the camera can deliver creamy backgrounds, but kit or smaller aperture zoom lenses limit this effect. Eye-detection AF, while basic, helps with face priority but lacks the speed of modern implementations.
The Panasonic ZS100 shines in portraiture with its higher 20MP resolution and sharp lens offering good subject separation, bolstered by touchscreen focus control for enhanced precision. Skin tones appear more vibrant and natural, aided by wider dynamic range capturing shadows and midtones. However, bokeh at the telephoto end is softer due to smaller aperture and sensor size constraints.
Landscape Photography: Resolution, Dynamic Range, Weather Resistance
For landscape photographers, resolution and dynamic range take precedence. Here, the ZS100’s 20MP sensor clearly outperforms the Olympus’s 12MP, enabling much larger print sizes and more cropping flexibility without noticeable degradation. Its enhanced ISO latitude allows better highlight and shadow recovery in post, key for landscapes with challenging sunlight contrasts.
Neither camera offers weather sealing or robust environmental protection, limiting outdoor reliability in harsh conditions. For serious landscape professionals, additional protective accessories or higher-tier bodies would be necessary. Nevertheless, for weekend enthusiasts or travel shooters, both suffice provided weather precautions are taken.
Wildlife and Sports Photography: Autofocus, Burst Rate, and Telephoto Reach
Wildlife and sports demand fast autofocus, high burst rates, and telephoto reach. The Olympus E-PL1’s contrast AF with 3fps continuous shooting and limited telephoto lens availability constrains effectiveness in this domain; its 2.1x crop factor helps telephoto lenses but at the cost of noisier images at higher ISO settings.
The ZS100, with a faster 9.9fps burst rate and built-in 10x zoom (equivalent to 25–250mm), offers better subject reach and tracking capability, making it surprisingly capable for casual action and wildlife photography. Its post-focus and touch AF enhance compositional flexibility during dynamic shooting, though for dedicated wildlife professionals, a larger sensor with phase-detection AF and faster lenses remain the gold standard.
Street Photography: Discreteness, Agility, and Low-Light Capability
Street photographers prize inconspicuousness, responsiveness, and handheld low-light performance. The ZS100’s pocketable form, silent electronic shutter up to 1/16,000s, and quick AF make it ideal for candid street shooting, enabling unobtrusive operation.
The Olympus E-PL1’s larger size and louder mechanical shutter limit stealth, and the absence of an EVF complicates bright daylight framing. Its relatively modest ISO ceiling demands more light or acceptance of noise, a drawback in variable urban environments. Consequently, for street enthusiasts seeking a “grab-and-go” solution, the ZS100 has the advantage.
Macro Photography: Magnification and Focus Precision
Neither camera specializes in macro photography. The Olympus system benefits from dedicated Micro Four Thirds macro lenses offering high magnification and manual focus precision, with potential in focus peaking overlays via firmware. The ZS100’s close focusing distance of 5cm allows some macro shooting versatility, supported by touch AF, but its fixed lens and relatively slow aperture prevent extreme macro experimentation.
Night and Astrophotography: High ISO Noise and Exposure Control
The ZS100’s higher ISO range and superior noise handling make it notably better for night and astrophotography than the Olympus E-PL1, which struggles beyond ISO 3200. While neither camera offers specialized exposure modes for astrophotography, the ZS100’s long exposure capabilities, combined with manual exposure control, provide a modest edge for star field imaging.
Video Performance: Resolutions, Formats, and Stabilization
The Olympus E-PL1 records up to 720p HD video at 30fps using Motion JPEG format, an entry-level standard with substantial compression artifacts visible under scrutiny. Optical image stabilization (sensor-based) partly reduces camera shake, but lack of microphone input and limited codec support restrict video production quality.
The Panasonic ZS100 supports 4K UHD (3840x2160) at 30p and Full HD 60p, encoded in efficient MPEG-4 and AVCHD formats, catering to more serious videographers. Optical image stabilization combined with 4K photo mode allows extracting stills from video, giving content creators hybrid efficiency. Absence of microphone sockets limits external audio recording, a common compact-zoom compromise, but overall video capabilities are far superior.
Battery Life and Storage: Practical Usability in the Field
Both cameras use proprietary battery packs with comparable life spans (290 shots for Olympus, 300 for Panasonic, CIPA-rated). In field testing, the Panasonic’s energy efficiency under video and continuous shooting modes stretched usability slightly further, supporting longer travel outings without frequent recharging.
Storage-wise, Olympus uses SD/SDHC cards while Panasonic supports SD/SDHC/SDXC cards, enabling higher capacity and faster speeds for 4K video recording. Each uses a single card slot, a limitation for professional workflows requiring instant backup or overflow capacity.
Connectivity and Wireless Features
By modern standards, the Olympus E-PL1 lacks wireless connectivity, reflecting its 2010 release date when Wi-Fi and Bluetooth were uncommon. This limits instant image sharing or remote control capabilities.
The Panasonic ZS100, launching in 2016, integrates built-in Wi-Fi, enabling image transfer and remote camera control via a smartphone app - features increasingly critical for social media-oriented photographers or travel shooters requiring quick online uploads.
Pricing and Value Proposition
At launch, the Olympus E-PL1 entered the market at around $288, reflecting its entry-level positioning and era. Nowadays, its price on used markets remains attractive for budget-conscious buyers seeking an interchangeable lens system, with the caveat of technological obsolescence.
The Panasonic ZS100, priced at approximately $700 on release, demands a significant premium but justifies it through advanced image quality, 4K video, superior autofocus, and compact versatility. For photographers valuing a single-package travel solution with up-to-date features, the price aligns well with its performance.
Professional Workflow Integration and Reliability
From a professional standpoint, Olympus’s support of RAW files, customizable WB, and manual modes enable foundational workflow needs, but limited dynamic range and slower processor speed hamper post-production latitude. Lack of weather sealing restricts professional use in challenging environments without extra protection.
The Panasonic ZS100 also supports RAW and manual shooting but benefits from faster processing enabling 4K video and smoother autofocus tracking. Though lacking physical weather sealing, the build quality instills confidence for semi-professional travel and event coverage where portability is vital.
Summary Table: Key Specification and Feature Comparison
Feature | Olympus PEN E-PL1 | Panasonic Lumix ZS100 |
---|---|---|
Sensor Size | Four Thirds (17.3x13mm) | 1" MOS (13.2x8.8mm) |
Resolution | 12 MP | 20 MP |
Max Native ISO | 3200 | 12800 |
Lens System | Micro Four Thirds interchangeable | Fixed 25-250mm f/2.8-5.9 zoom |
AF System | Contrast-detect, 11 points | Contrast-detect, 49 points + Touch AF |
Continuous Shooting Rate | 3 fps | 9.9 fps |
Video Resolution | 720p HD Motion JPEG | 4K UHD, Full HD MPEG-4, AVCHD |
Viewfinder | Optional EVF (not bundled) | Built-in EVF (1166k dot) |
Screen Size & Type | 2.7" fixed LCD (230k dots) | 3.0" fixed touchscreen LCD (1040k) |
Image Stabilization | Sensor-based | Optical (Lens-based) |
Weight | 334 g | 312 g |
Wireless Connectivity | None | Built-in Wi-Fi |
Price (launch) | ~$288 | ~$700 |
Who Should Consider the Olympus E-PL1?
The Olympus PEN E-PL1 serves as a compelling gateway camera for photographers stepping up from smartphones or point-and-shoots into interchangeable lens systems, particularly those prioritizing control over flexibility and depth of creative exploration via Micro Four Thirds lenses. Its solid build, sensor stabilization, and robust RAW support empower deliberate shooting in controlled environments. However, low-light enthusiasts, video creators, or fast-action shooters may find its limitations quickly apparent.
Who Should Opt for the Panasonic ZS100?
The Panasonic ZS100 excels as a versatile, all-in-one compact solution, especially suited to travel photographers, vloggers, and street shooters who demand modern features - sharp high-resolution output, fast AF, 4K video, and an integrated telephoto range - in a pocketable format. Users unwilling to manage multiple lenses or carry bulky gear will appreciate the convenience without compromising significant image quality. Its balanced performance makes it a reliable companion for casual pros and enthusiastic hobbyists alike.
Final Thoughts: Bridging Generations and Use Cases
Though the Olympus PEN E-PL1 and Panasonic Lumix ZS100 were released six years apart and target distinct segments, this comparison reveals key insights into evolving camera technology and user priorities. The E-PL1’s early mirrorless architecture laid foundational innovation in portability and lens modularity, still valued today by specific users.
The ZS100, embodying advancements in sensor efficiency, autofocus, and video, encapsulates the benefits of integrating modern imaging into a compact body, representative of Panasonic’s technical expertise in zoom sensor engineering.
Photographers choosing between them must weigh their shooting style, need for interchangeability versus convenience, and budget constraints. Neither camera is a universal solution, but each carves a niche - for some, E-PL1’s modular and classic approach remains inspiring; for others, the ZS100’s cutting-edge compactness redefines everyday photography freedom.
This comparison aims to equip you with the nuanced, experience-backed knowledge essential to informed decisions, prioritizing photographic quality and usability over marketing hype. Both cameras enrich photographic experiences in their own right and remain relevant benchmarks within their respective categories. Choosing between them ultimately depends on your creative ambitions and workflow preferences.
Disclosure: All evaluations stem from hands-on testing under various scenarios, combining technical measurement tools, real-world shooting, and comparative analysis proprietary to my fifteen-plus years in camera review and photography expertise.
Olympus E-PL1 vs Panasonic ZS100 Specifications
Olympus PEN E-PL1 | Panasonic Lumix DMC-ZS100 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus PEN E-PL1 | Panasonic Lumix DMC-ZS100 |
Alternative name | - | Lumix DMC-TZ100 |
Type | Entry-Level Mirrorless | Large Sensor Compact |
Revealed | 2010-05-17 | 2016-01-05 |
Physical type | Rangefinder-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Chip | Truepic V | Venus Engine |
Sensor type | CMOS | MOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
Sensor surface area | 224.9mm² | 116.2mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4032 x 3024 | 5472 x 3648 |
Max native ISO | 3200 | 12800 |
Max boosted ISO | - | 25600 |
Minimum native ISO | 100 | 125 |
RAW files | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 11 | 49 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 25-250mm (10.0x) |
Max aperture | - | f/2.8-5.9 |
Macro focus range | - | 5cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 2.7 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | HyperCrystal LCD AR (Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 1,166 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.46x |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/2000 secs | 1/2000 secs |
Highest silent shutter speed | - | 1/16000 secs |
Continuous shooting rate | 3.0 frames per sec | 9.9 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 10.00 m | 8.00 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/160 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) |
Max video resolution | 1280x720 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 334 grams (0.74 lbs) | 312 grams (0.69 lbs) |
Physical dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") |
DXO scores | ||
DXO All around score | 54 | 70 |
DXO Color Depth score | 21.5 | 22.8 |
DXO Dynamic range score | 10.1 | 12.5 |
DXO Low light score | 487 | 559 |
Other | ||
Battery life | 290 photos | 300 photos |
Battery style | Battery Pack | Battery Pack |
Battery model | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC card | SD/SDHC/SDXC card |
Card slots | One | One |
Price at launch | $288 | $700 |