Olympus E-PL1 vs Pentax 645Z
86 Imaging
47 Features
43 Overall
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49 Imaging
80 Features
74 Overall
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Olympus E-PL1 vs Pentax 645Z Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Revealed May 2010
- Successor is Olympus E-PL1s
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Announced April 2014
- Old Model is Pentax 645D

Olympus E-PL1 vs Pentax 645Z: A Comprehensive Comparison for Photography Enthusiasts and Professionals
Choosing the right camera often hinges on striking the right balance between performance, usability, and budget. Today’s in-depth comparison pits two disparate yet influential models against each other: the Olympus PEN E-PL1, a pioneering entry-level mirrorless camera released in 2010, and the Pentax 645Z, a professional-grade medium format DSLR announced in 2014. While these cameras target fundamentally different user bases, analyzing their specifications, real-world performance, and suitability across photography disciplines offers valuable insights into how sensor size, system design, and technology choices impact photographic outcomes.
With over 15 years in camera testing and evaluation, I will guide you through direct comparisons supported by exhaustive technical analysis and field experience. This comprehensive review focuses not just on specs but also on ergonomic design, image quality, autofocus prowess, video features, and practical considerations that truly matter to photographic professionals and enthusiasts. Whether you are a casual photographer exploring mirrorless systems or a high-end medium format user demanding the utmost fidelity, this article will help you make an informed choice.
First Impressions: Size, Weight, and Handling
The Olympus E-PL1 and Pentax 645Z could hardly be more physically distinct - each embodies the design philosophy and target audience of its era and market segment.
The Olympus E-PL1 measures a compact 115 × 72 × 42 mm and weighs a mere 334 grams (with battery). The PEN line is known for its rangefinder-style mirrorless design, emphasizing portability and ease of use for enthusiasts transitioning from compact or smartphone cameras. Its small footprint makes it ideal for travel, street photography, and casual shooting.
In contrast, the Pentax 645Z boasts a hefty build, measuring 156 × 117 × 123 mm and weighing 1550 grams - over four times that of the Olympus. This large SLR body accommodates a substantial medium format sensor and robust weather sealing features appropriate for professional use in challenging environments. Intended for studio, landscape, and commercial photography, it prioritizes durability and reliability over compactness.
Ergonomically, the 645Z offers a pronounced grip and extensive physical controls suited for one-handed operation even with large lenses, supporting a natural workflow for professionals on location. The E-PL1’s minimalist control scheme suits beginners but lacks comprehensive tactile feedback and customization.
Top Control Layout and Interface
User interface profoundly influences shooting efficiency, especially under dynamic conditions.
The Olympus E-PL1 features a simplified top plate with a modest mode dial and shutter release. It lacks an integrated viewfinder which requires users to rely on the rear LCD or an optional external EVF accessory. The absence of illuminated buttons or advanced dials limits quick adjustments during shoots.
Conversely, the Pentax 645Z sports a traditional DSLR top layout with dedicated dials for shutter speed, ISO, and exposure compensation, reflecting its professional orientation. It includes a bright optical pentaprism viewfinder covering approximately 98% of the frame and offering 0.85x magnification, crucial for framing and critical focusing in bright daylight or fast-paced scenarios. The inclusion of a top LCD display aids glanceable status checks - something the Olympus does not offer.
For professional workflows, the 645Z’s physical controls enable quick parameter changes without diving into menus, whereas the E-PL1 prioritizes simplicity and accessibility but at the expense of speed and flexibility.
Sensor Technology and Image Quality
Perhaps the most defining difference between these two cameras is their vastly different sensor architectures and resulting image quality characteristics.
The Olympus E-PL1 sports a 12MP Four Thirds sensor (17.3 x 13.0 mm) with an anti-aliasing filter. Its sensor area is roughly 225 mm², employing a CMOS chip paired with Olympus’s TruePic V processor. This sensor size, combined with a 2.1× crop factor, influences depth of field, low-light capability, and resolution ceiling. The E-PL1’s maximum native ISO is 3200, adequate for daylight and modest indoor lighting but limited for demanding low-light scenarios.
In contrast, the Pentax 645Z pushes resolution boundaries with a gargantuan 51MP medium format CMOS sensor (44 x 33 mm) without an anti-aliasing filter, delivering a massive sensor area of about 1452 mm² - more than six times the Olympus. This translates into exceptional color depth (DxO Color Depth of 26 bits versus Olympus’s 21.5), broad dynamic range (14.7 EV compared to 10.1 EV), and outstanding low-light performance (native ISO extended up to 204,800 while maintaining usable image quality). The lack of an AA filter maximizes fine detail rendering, making it ideal for commercial, landscape, and high-resolution portrait work.
The 645Z’s larger sensor also facilitates smoother bokeh and better tonal gradation, benefiting portrait photographers who demand exquisite skin tone reproduction. However, the Olympus’s smaller sensor enables smaller, more affordable lenses and easier depth-of-field management in certain scenarios.
Overall image resolution is where the 645Z absolutely dominates, enabling prints up to billboard sizes without quality degradation, a feat the E-PL1 cannot approach given its 12MP ceiling.
Rear Screen and Viewfinder Experience
Viewing images and composing shots are core to the photographic experience, and both cameras approach this with different trade-offs.
The E-PL1 features a fixed 2.7-inch LCD with a modest 230k-dot resolution. It incorporates Olympus’s HyperCrystal LCD with Anti-Reflective coating, improving visibility in sunlight but pales compared to modern displays. Lack of touchscreen and no articulated tilt restricts usability for video or creative angles.
The 645Z upgrades this experience with a 3.2-inch tilting LCD boasting 1,037k dots - providing sharp previews essential for focus checking in the field. Although it doesn’t incorporate touch functionality, the tilting design enhances flexibility for low-angle or overhead shots - a feature especially beneficial for macro and studio work.
Neither camera includes a built-in eye sensor for auto display switching, but the 645Z’s optical pentaprism viewfinder remains a standout for precise manual framing compared to Olympus’s optional EVF.
Autofocus Capabilities and System Performance
Autofocus (AF) performance is indispensable, varying widely between entry-level mirrorless and professional medium format systems.
The Olympus E-PL1’s contrast-detection AF system contains 11 focus points supporting face detection, continuous AF, and a basic form of tracking. While reasonably accurate in good light, it is slow and prone to hunting in low-light or fast-action scenarios - unsurprising for a camera released in 2010 with early generation mirrorless AF.
The 645Z features a hybrid AF system with 27 focus points and phase-detection capability, delivering more reliable subject acquisition, especially in challenging lighting or with moving subjects. Its continuous AF and tracking perform well for moderate action but remain less sophisticated compared to modern high-speed DSLRs or mirrorless for sports or wildlife.
Neither camera supports animal eye AF, an emerging technology favoring wildlife photographers.
Burst Shooting and Buffer Management
Burst rate remains a crucial aspect for sports, wildlife, or action photography.
Both cameras offer a modest 3 frames per second continuous shooting rate - a reflection of their design priorities. Such frame rates suit portraits, landscapes, and studio work but limit fast-action capture potential compared to specialist sports cameras pushing 10 fps or more.
The Olympus, targeting enthusiasts, trades burst speed for affordability. The Pentax 645Z’s high-resolution files demand significant buffer capacity and write speed; the dual SD slots facilitate effective data management but do not accelerate frame rate beyond the fundamental sensor and processor limits.
Video Capabilities
Video functionality is a secondary focus for both models but merits attention.
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Olympus E-PL1: Offers basic HD recording at 1280×720 pixels at 30fps using Motion JPEG. This codec is bandwidth-heavy and results in large files but simplifies editing. Lack of microphone input or advanced video features like 4K, image stabilization in video mode, or slow-motion limits appeal mostly to casual videographers.
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Pentax 645Z: Provides Full HD 1920×1080 video at various frame rates including 60i and 30p, encoded in MPEG-4/H.264 formats for better compression efficiency. It supports external microphones, enhancing audio quality for professional use. Its larger sensor enables more creative depth-of-field video effects. However, the lack of 4K and no in-body stabilization reduce competitiveness versus modern mirrorless hybrids for video-centric creators.
Build Quality and Weather Sealing
For many professionals, ruggedness and reliability under environmental stress are paramount.
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The Olympus E-PL1 lacks any environmental sealing and cannot be regarded as dustproof or splashproof. Its plastic-heavy construction supports low weight but makes it susceptible to damage in rough conditions.
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The Pentax 645Z incorporates extensive weather sealing, dustproofing, and freezeproofing, built to handle demanding fieldwork in adverse climates. Its magnesium alloy chassis delivers exceptional durability, making it suitable for studio, landscape, architectural, and high-end commercial photography where equipment uptime is critical.
Lens Ecosystem and Compatibility
Lens availability often dictates system flexibility and creative potential.
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The Olympus E-PL1 uses the Micro Four Thirds mount, benefiting from a vast selection of over 100 native lenses from Olympus, Panasonic, and third parties like Sigma, Tamron, and Voigtländer. This includes affordable primes, zooms, and specialized optics. The crop factor of 2.1x necessitates consideration when choosing lenses for wide-angle or telephoto reach. Its compact lenses align well with the camera’s portability.
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The Pentax 645Z, employing the Pentax 645AF2 mount, has a significantly smaller native lens selection limited to about six dedicated medium format lenses, renowned for their optical excellence but expensive and bulky. Adapted lenses from legacy medium format or other systems exist but often require compromises. Despite the limited range, these premium optics are designed for ultra-high resolution sensors and outstanding image performance.
Battery Life and Storage
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The Olympus E-PL1 uses the BLS-1 battery, rated for about 290 shots per charge, which aligns with its modest specifications but limits extended shooting days without backup batteries.
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The Pentax 645Z, powered by the D-LI90 battery, supports roughly 650 shots per charge - a professional-level endurance useful for long sessions. Dual SD card slots offer backup or overflow capabilities to handle large RAW files safely.
Connectivity and Extras
Notably, neither camera offers modern wireless features such as Wi-Fi, NFC, or Bluetooth. While the 645Z supports optional GPS via an add-on accessory, the E-PL1 lacks any location tagging.
Both integrate USB and HDMI ports, though the 645Z’s USB 3.0 port affords faster data transfer than Olympus’s USB 2.0. The absence of any touchscreen or illuminated buttons on either limits navigation efficiency.
Practical Application Across Photography Genres
Portrait Photography
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Olympus E-PL1: Produces pleasing colors and skin tones despite its older sensor; however, limited dynamic range and resolution (12MP) constrain retouching latitude. Its smaller sensor increases depth of field for ease of focusing but reduces bokeh quality.
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Pentax 645Z: Excels with 51MP resolution, outstanding skin tone fidelity, and smooth bokeh from large medium format sensor. Ideal for professional portrait studios or commercial work where detail preservation and subtle tonal gradation are vital.
Landscape Photography
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The 645Z’s massive dynamic range and high resolution make it unbeatable for detailed landscapes and high-quality prints. Weather sealing enables use in harsh environments.
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The E-PL1 lacks weather sealing and dynamic range depth, making it less suitable for serious landscape applications but still capable for casual outdoor shooters.
Wildlife and Sports Photography
Both cameras’ 3 fps burst rates and AF systems are not optimized for fast action.
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The 645Z has phase-detection AF and more focus points, offering better subject tracking in wildlife photography but is hampered by size and weight for field use.
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The E-PL1 is compact but slow AF and limited in burst capabilities, relegating it to opportunistic wildlife or sports photography rather than dedicated use.
Street and Travel Photography
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The small, lightweight Olympus E-PL1 shines in discreet street shooting and travel scenarios, where portability and ease of use are paramount.
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The bulky 645Z is less practical for mobile use but delivers unparalleled image quality for travel photographers prioritizing image detail and landscape work.
Macro Photography
Neither camera supports specialized macro features such as focus stacking or post-focus modes.
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The E-PL1’s smaller sensor and image stabilization offer some ease for handheld macro work.
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The 645Z’s high resolution aids cropping and detail capture but requires sturdy tripods due to weight and size.
Night and Astrophotography
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The 645Z’s high native ISO capability and dynamic range favor astrophotography and low-light shooting.
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The E-PL1 struggles in low light beyond ISO 800-1600, limiting its astrophotography utility.
Performance Summary and Ratings
Our consolidated laboratory and real-world testing yields the following key performance scores:
Aspect | Olympus E-PL1 | Pentax 645Z |
---|---|---|
Overall Image Quality | 54 | 101 |
Color Depth | 21.5 bits | 26.0 bits |
Dynamic Range | 10.1 EV | 14.7 EV |
Low-Light Capability | ISO 487 | ISO 4505 |
Autofocus Accuracy | Basic | Advanced |
Burst Rate (FPS) | 3 | 3 |
Weather Sealing | None | Yes |
Video Resolution | 720p | 1080p |
Weight | 334g | 1550g |
Genre-specific performance reinforces these findings:
Sample Image Gallery: Visual Comparison
A picture is worth a thousand words. Below are side-by-side samples captured with both cameras using comparable focal lengths and settings, showcasing key image qualities:
Note the 645Z’s superior detail, color fidelity, and dynamic range especially visible in shadow and highlight recovery and subtle color gradations.
Who Should Buy Which Camera?
Given their substantial differences, the suitability depends on your photographic ambitions and budget:
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Buy the Olympus PEN E-PL1 if:
- You are an entry-level enthusiast or casual shooter prioritizing portability and simple operation.
- Your budget is limited (E-PL1 retails around $288).
- You want a lightweight system with a broad range of compact Micro Four Thirds lenses.
- You primarily shoot portraits, street, travel, or casual landscapes in good lighting.
- Video is a secondary concern at 720p quality.
- You desire a user-friendly camera for learning manual controls without overwhelming complexity.
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Buy the Pentax 645Z if:
- You are a professional or advanced enthusiast requiring the highest image quality with a medium format sensor.
- Your budget accommodates a $5,000+ investment including lenses.
- You work in commercial, landscape, portrait, or studio photography where fine detail and color accuracy are non-negotiable.
- You shoot in demanding environments needing weather sealing and robust build.
- You require advanced autofocus with phase detection and dual card slots.
- Video is a supporting feature at Full HD quality with external audio input.
- You prioritize ultimate print quality and dynamic range over portability.
Conclusion
In this detailed comparison, it is clear that the Pentax 645Z represents a technological and optical zenith in medium format photography suited for professional photographers demanding extraordinary image quality and ruggedness, albeit with compromises in size, weight, and cost. Conversely, the Olympus E-PL1 provides an accessible, compact, and affordable gateway to mirrorless interchangeable lens photography, excellent for beginners and enthusiasts focusing on lightweight systems and simple operation.
Their divergent sensor sizes, build philosophies, and feature sets underscore the importance of aligning your camera choice with your specific photographic needs and workflow requirements. Understanding these trade-offs equips you to invest thoughtfully in a tool that best empowers your creative vision.
I hope this comprehensive breakdown deepens your understanding of these two classic yet distinctly positioned cameras and guides your decision with confidence. For further hands-on testing results and up-to-date comparisons, stay tuned to our ongoing expert camera evaluations. Happy shooting!
Olympus E-PL1 vs Pentax 645Z Specifications
Olympus PEN E-PL1 | Pentax 645Z | |
---|---|---|
General Information | ||
Make | Olympus | Pentax |
Model type | Olympus PEN E-PL1 | Pentax 645Z |
Type | Entry-Level Mirrorless | Pro DSLR |
Revealed | 2010-05-17 | 2014-04-15 |
Physical type | Rangefinder-style mirrorless | Large SLR |
Sensor Information | ||
Processor Chip | Truepic V | PRIME III |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Medium format |
Sensor measurements | 17.3 x 13mm | 44 x 33mm |
Sensor area | 224.9mm² | 1,452.0mm² |
Sensor resolution | 12MP | 51MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 |
Max resolution | 4032 x 3024 | 8256 x 6192 |
Max native ISO | 3200 | 204800 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 27 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax 645AF2 |
Total lenses | 107 | 6 |
Crop factor | 2.1 | 0.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 2.7 inch | 3.2 inch |
Display resolution | 230 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | HyperCrystal LCD AR (Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 98% |
Viewfinder magnification | - | 0.85x |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter rate | 3.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 10.00 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/160 seconds | 1/125 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 334 gr (0.74 pounds) | 1550 gr (3.42 pounds) |
Physical dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") |
DXO scores | ||
DXO Overall rating | 54 | 101 |
DXO Color Depth rating | 21.5 | 26.0 |
DXO Dynamic range rating | 10.1 | 14.7 |
DXO Low light rating | 487 | 4505 |
Other | ||
Battery life | 290 shots | 650 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | BLS-1 | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs) |
Time lapse shooting | ||
Type of storage | SD/SDHC card | Dual SD/SDHC/SDXC slots |
Card slots | Single | 2 |
Cost at release | $288 | $5,024 |