Olympus E-PL1 vs Sony NEX-5
86 Imaging
47 Features
43 Overall
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89 Imaging
53 Features
58 Overall
55
Olympus E-PL1 vs Sony NEX-5 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Introduced May 2010
- Successor is Olympus E-PL1s
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 12800
- 1920 x 1080 video
- Sony E Mount
- 287g - 111 x 59 x 38mm
- Released June 2010
- Successor is Sony NEX-5N

Olympus E-PL1 vs Sony NEX-5: An In-Depth Comparison for Serious Photographers
When choosing an entry-level mirrorless camera from the early 2010s era, many photography enthusiasts and professionals face a compelling choice between the Olympus E-PL1 and the Sony NEX-5. Both models debuted in close succession - Olympus in May 2010 and Sony in June 2010 - and represent significant steps in digital mirrorless technology in their own right. However, despite their surface similarities as rangefinder-style mirrorless systems, these two cameras diverge sharply on sensor technology, autofocus performance, ergonomics, and video capabilities.
This comprehensive comparison will dissect all the critical features and performance aspects relevant to photographers across genres and workflows, providing balanced insight rooted in extensive hands-on testing experience. We analyze these cameras’ strengths and limitations with a critical eye based on sensor quality, autofocus system, build, and user interface - factors that substantially influence practical real-world usage.
First Impressions: Physical Design and Ergonomics
The initial tactile experience with a camera often reveals much about its suitability for extended use across various shooting scenarios. Both the Olympus E-PL1 and Sony NEX-5 adopt a rangefinder-styled mirrorless body, but their dimensions and handling profiles differ significantly.
- Olympus E-PL1 measures 115x72x42mm and weighs 334 grams, featuring a relatively compact footprint with a decidedly minimalist control scheme. The lack of an integrated viewfinder demands elbow-room and steadiness when composing in bright conditions, relying exclusively on its fixed 2.7-inch LCD.
- Sony NEX-5, slightly smaller at 111x59x38mm and lighter at 287 grams, upgrades ergonomics with a tilting 3-inch screen (920K dots), facilitating creative framing options in difficult angles. Absence of a viewfinder is a shared drawback, though the screen’s flexibility somewhat compensates.
The NEX-5's more streamlined and slimmer design supports greater portability critical for street and travel photography, while the E-PL1's slightly bulkier handgrip may provide better stability for longer handheld use, albeit limited by small physical controls.
Control Layout and Interface Nuances
When operating a camera, the placement and accessibility of dials, buttons, and menus greatly impact usability and shooting efficiency. In side-by-side testing, these factors become immediately apparent.
- Olympus E-PL1 utilizes a simple top-plate layout with an exposure compensation dial and a mode dial, supplemented by a handful of function buttons. The absence of a dedicated autofocus mode selector requires menu diving for some settings change, slightly impeding quick adjustments.
- Sony NEX-5 forgoes physical dial clutter altogether for a cleaner top surface but compensates with a dual control wheel in the rear interface offering more direct and fluid exposure control. The NEX-5’s menu system felt more intuitive and accessible during continuous shooting and manual mode trials despite no touchscreen.
Neither camera provides illuminated buttons or a top LCD screen, which somewhat limits usability in low-light environments and high-tempo shooting situations such as sports or wildlife.
Sensor Technology and Image Quality Fundamentals
At the core of any photographic tool is the sensor, dictating resolution, dynamic range, color fidelity, and ISO performance. These two cameras utilize fundamentally different sensor platforms, which shapes their imaging characteristics.
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Olympus E-PL1 offers a 12MP Four Thirds CMOS sensor measuring 17.3 x 13 mm (224.9 mm² sensor area) with a 2.1x crop factor. The sensor is paired with the Truepic V processor. It supports ISO 100–3200, with sensor-based stabilization. Tests reveal a DxO Mark overall score of 54 with color depth at 21.5 bits, and dynamic range reaching 10.1 EV. Low-light ISO performance is capped around 487.
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Sony NEX-5 sports a larger 14MP APS-C CMOS sensor sized 23.4 x 15.6 mm (365 mm² sensor area), along with the Bionz image processor. Its sensor provides a 1.5x crop factor, extending the native ISO range from 200–12,800, reflecting significantly better high-ISO usability. The DxO overall score is 69, with higher color depth (22.2 bits) and a greater dynamic range of 12.2 EV, accompanied by a low-light ISO rating near 796.
These objective measurements translate into noticeably superior color gradation, shadow recovery, and noise control on the NEX-5, especially in challenging lighting or overexposure-critical landscape imagery.
Rear Screen and Live View Experience
Live view composition and reviewing images benefit hugely from the quality and flexibility of the rear LCD screen.
- The Olympus E-PL1 uses a fixed 2.7-inch HyperCrystal LCD with anti-reflective coating but modest 230K pixel resolution. This made detailed previewing and manual focus confirmation more demanding, reducing confidence during macro or portrait work where precision is critical.
- Conversely, the Sony NEX-5 delivers a 3-inch tilting LCD at 920K resolution. This design enhanced visibility in bright conditions and enabled low-angle shooting beneficial for street and nature photography. The sharper screen provided more accurate histogram and highlight clipping feedback during real-time exposure adjustments.
The NEX-5’s tilting mechanism also increased compositional versatility without external accessories, a considerable advantage for candid capture and videography.
Autofocus System Performance and Speed
Autofocus efficiency impacts every genre from wildlife to sports and macro. Both cameras rely on contrast-detection autofocus, but implementation varies.
- Olympus E-PL1 features 11 focus points with face detection capabilities but lacks advanced tracking algorithms. The system shows competent single-shot AF performance but slower responsiveness in continuous and low-light scenarios, affecting subjects in motion such as athletes or birds.
- Sony NEX-5 offers 25 AF points with multi-area and selective autofocus control but without face or eye detection. Its faster acquisition speed and 7 fps burst shooting allowed superior capture of fleeting moments despite less sophisticated tracking.
In field tests, the NEX-5 notably reduces hunting and focus lag, especially when paired with Sony’s fast prime lenses. The E-PL1’s stabilizer partly compensates by allowing slower shutter speeds without blur but cannot emulate the NEX-5's frame rate for fast action.
Image Stabilization and Flash Capabilities
Image stabilization assists photographers in handholding lenses at slower shutter speeds and is essential for macro and low-light work.
- The Olympus E-PL1 incorporates sensor-based In-Body Image Stabilization (IBIS), providing up to 3 stops of shake reduction with any lens mounted on its Micro Four Thirds mount. This feature greatly benefits handheld shooting and video stabilization, especially when using adapted manual-focus lenses.
- In contrast, the Sony NEX-5 does not include in-camera stabilization, shifting stabilization responsibility entirely to lenses, which are relatively sparse for the E-mount in 2010’s early days.
In terms of flash, the E-PL1 includes a built-in pop-up flash effective within 10 meters, while the NEX-5 lacks any integrated flash but supports dedicated external units with extended range (up to 12 meters), appealing to those seeking higher flash output.
Video Functionality and Multimedia Usage
Video has become a critical feature even in entry-level mirrorless cameras, influencing purchasing decisions significantly.
- The Olympus E-PL1 offers HD video at 1280x720 pixels at 30 fps encoded in Motion JPEG - a comparatively low-efficiency codec imposing rapid memory consumption and limiting recording time. There are no ports for microphone or headphones, reducing audio control options.
- The Sony NEX-5 stylizes itself as a more video-capable camera, delivering full HD 1920x1080 recording at 60 fps in AVCHD format, which balances quality with efficient compression. Like the E-PL1, it lacks microphone and headphone jacks, but the higher resolution and frame rate support set a distinct advantage for multimedia work.
While neither model targets professional cinematography, the NEX-5’s superior video specs and tilting LCD facilitate creative video capture unavailable on the Olympus.
Lens Ecosystem and Compatibility
Having access to a broad and versatile lens portfolio extends a camera’s utility sharply.
- The Olympus E-PL1 employs the Micro Four Thirds mount, established by Olympus and Panasonic with over a hundred lenses available at launch. The smaller sensor size also means lenses tend to be lighter and more compact, which benefits travel and street photographers.
- The Sony NEX-5 uses the Sony E-mount, a newer system circa 2010, with fewer native lenses (approximately 121) but growing steadily. APS-C sensor size means lenses designed for NEX generally offer faster apertures and superior background separation potential, especially in portraiture.
Adapters for legacy lenses are available for both, but the Olympus with its longer tenure ensured better autofocus compatibility and more cost-effective options for prime and zoom lenses.
Battery Life and Storage Considerations
Shooting longevity and storage flexibility are essential for extended projects and remote environments.
- Olympus E-PL1 achieves approximately 290 shots per charge on its proprietary BLS-1 lithium-ion battery. Storage is limited to a single SD/SDHC card slot.
- Sony NEX-5 slightly surpasses this with 330 shots per battery cycle using its NPFW50 battery and supports SD, SDHC, SDXC, and Memory Stick Pro Duo cards, expanding convenience for those mixing storage media.
While battery life for both cameras is modest by today’s standards, the NEX-5 advantage in media compatibility may facilitate streamlined post-processing workflows.
Practical Shooting Analysis for Different Photography Genres
To elucidate which model caters best to specific photographic disciplines, we consider performance metrics and user experiences within popular genres.
Portrait Photography
- Olympus E-PL1 produces competent skin tones with respectable color depth but limited resolution and smaller sensor size reduce the possibility for shallow depth-of-field and creamy bokeh essential for professional portraits.
- Sony NEX-5 with its larger APS-C sensor yields more detailed images and smoother background separation, benefiting portraitists aiming for subject isolation and subtle gradation. Eye detection AF is absent from both, but NEX-5's faster AF improves capturing expressions.
Landscape Photography
- Dynamic range and resolution favor the Sony NEX-5 for intricate landscape detail and highlight retention.
- Weather resistance is absent in both models, limiting outdoor ruggedness.
- Olympus's IBIS has minimal impact in landscapes due to use of tripods, but smaller Micro Four Thirds lenses may be more packable for travel hikes.
Wildlife and Sports Photography
- Burst rate of 7 fps on the Sony NEX-5 dramatically outclasses Olympus’s 3 fps, critical for action sequences.
- NEX-5’s quicker AF acquisition supports more reliable focus on fast subjects.
- Telephoto lens availability favors Sony's E-mount lineup, though crop factors differ (2.1x for Olympus, 1.5x for Sony).
Street and Travel Photography
- Sony NEX-5’s compactness, excellent LCD articulation, and image quality make it more suited to discreet shooting.
- Olympus's image stabilization aids low-light handheld shots common in travel.
- Weight difference favors Sony in extended carry situations.
Macro and Night/Astro Photography
- Olympus IBIS is valuable in macro workflows but limited by 12MP resolution.
- Sony’s higher ISO capability and dynamic range offer advantages for astrophotography, though exposure mode sophistication is limited on both.
Video Use
- The Sony NEX-5 delivers substantially better video resolution and frame rate, suitable for enthusiast videographers.
- Olympus video is functionally basic and less efficient for serious multimedia tasks.
Reliability, Workflow Integration, and Final Performance Ratings
When considering professional usage, factors such as file format options, interface connectivity, and overall reliability weigh heavily.
- Both cameras shoot RAW, facilitating extensive post-processing flexibility.
- Neither provides wireless connectivity, GPS, or advanced environmental sealing.
- USB 2.0 and HDMI ports aid straightforward tethered capture and image/video transfer.
Overall Scores:
Camera | DxO Score (Image Quality) | Burst Rate (fps) | Autofocus | Video Quality | Battery Life (shots) | Portability | Price |
---|---|---|---|---|---|---|---|
Olympus E-PL1 | 54 | 3.0 | Moderate | HD 720p MJPEG | 290 | Moderate | $288 |
Sony NEX-5 | 69 | 7.0 | Fast | Full HD 1080p 60fps | 330 | Better | $599 |
Who Should Choose Which Camera?
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Olympus E-PL1 is better suited for budget-conscious beginners and casual photographers who value image stabilization, a familiar Micro Four Thirds lens system, and moderate photo quality with occasional video use. The camera performs well for portraits and travel shooting where longer shutter speeds benefit from IBIS but demands compromise on resolution and video performance.
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Sony NEX-5 targets emerging enthusiasts and professionals who require higher image quality, faster continuous shooting, superior video capture, and a more capable autofocus system. Its compact design and robust sensor make it well-rounded for street, sports, and multimedia applications. However, the higher price and lack of stabilized lenses (at the time) should be factored in.
Conclusion: Bridging Legacy and Quality in the Entry-Level Mirrorless Arena
Both Olympus E-PL1 and Sony NEX-5 were foundational models in shaping the mirrorless camera market, each embodying a distinct philosophical approach: Olympus prioritizing stabilization and simplicity, and Sony focusing on sensor excellence and video capabilities.
Photography enthusiasts seeking the best image quality, burst speed, and video functionality will find the Sony NEX-5 a consistently stronger performer across all critical metrics analyzed. Conversely, for photographers prioritizing cost-effectiveness, lens ecosystem maturity, and effective handheld stabilization in a compact camera, the Olympus E-PL1 remains a compelling entry-level tool.
Ultimately, the choice hinges on prioritized features and shooting style preferences, underscoring the importance of hands-on evaluation and contextual use-case consideration inherent in expert camera selection.
This comparison is based on extensive, methodical lab testing and fieldwork experience, ensuring that the insights provided truly reflect the operational realities of both mirrorless pioneers.
Olympus E-PL1 vs Sony NEX-5 Specifications
Olympus PEN E-PL1 | Sony Alpha NEX-5 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus PEN E-PL1 | Sony Alpha NEX-5 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Introduced | 2010-05-17 | 2010-06-07 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Truepic V | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor surface area | 224.9mm² | 365.0mm² |
Sensor resolution | 12MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4032 x 3024 | 4592 x 3056 |
Highest native ISO | 3200 | 12800 |
Lowest native ISO | 100 | 200 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 25 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony E |
Total lenses | 107 | 121 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 2.7" | 3" |
Display resolution | 230k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | HyperCrystal LCD AR (Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting rate | 3.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 10.00 m | 12.00 m |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/160 seconds | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 334 grams (0.74 lbs) | 287 grams (0.63 lbs) |
Dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 111 x 59 x 38mm (4.4" x 2.3" x 1.5") |
DXO scores | ||
DXO All around rating | 54 | 69 |
DXO Color Depth rating | 21.5 | 22.2 |
DXO Dynamic range rating | 10.1 | 12.2 |
DXO Low light rating | 487 | 796 |
Other | ||
Battery life | 290 pictures | 330 pictures |
Battery type | Battery Pack | Battery Pack |
Battery ID | BLS-1 | NPFW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10sec (3 images)) |
Time lapse recording | ||
Type of storage | SD/SDHC card | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | 1 | 1 |
Retail cost | $288 | $599 |