Olympus E-PL1 vs Sony HX300
86 Imaging
47 Features
43 Overall
45


63 Imaging
44 Features
51 Overall
46
Olympus E-PL1 vs Sony HX300 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Revealed May 2010
- Newer Model is Olympus E-PL1s
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-6.3) lens
- 623g - 130 x 103 x 93mm
- Announced February 2013
- Superseded the Sony HX200V
- Renewed by Sony HX400V

Olympus E-PL1 vs Sony HX300: A Definitive Comparison for Photography Enthusiasts and Professionals
In a digital camera market brimming with choices, selecting the right model tailored to your photography style and aspirations can be a daunting task. The Olympus PEN E-PL1, launched in 2010, and the Sony Cyber-shot DSC-HX300, introduced in 2013, occupy intriguing niches that blend certain mirrorless virtues and superzoom versatility respectively. This comprehensive comparison explores these two distinctly different cameras through the lenses of real-world performance, technical prowess, and practical usability, guiding serious enthusiasts and professionals alike toward an informed decision.
Stepping into the Arena: Overview and Category Context
The Olympus E-PL1 is firmly positioned as an entry-level mirrorless camera boasting a Micro Four Thirds (MFT) sensor, while the Sony HX300 is a bridge camera widely appreciated for its extensive 50x fixed zoom lens. These contrasting approaches serve different user expectations - the E-PL1 prioritizes sensor quality, interoperability with a broad and mature lens ecosystem, and manual control finesse; the HX300 caters to those seeking maximum reach and convenience without the hassle of lens changes.
Models in brief:
- Olympus E-PL1: 12MP Four Thirds CMOS sensor, 2.7” fixed screen, TruePic V processor, 3 FPS continuous shooting.
- Sony HX300: 20MP 1/2.3” BSI-CMOS sensor, 3” tilting screen, fixed 24-1200mm (50x) zoom, up to 10 FPS continuous shooting.
This dichotomy sets the stage for a layered evaluation, emphasizing the core strengths and limitations shaped by their fundamentally different hardware choices.
Design Language and Ergonomics
Examining the physicality of the cameras spotlights their target users. The Olympus E-PL1 showcases the classic rangefinder-style mirrorless form, compact yet comfortable, with minimal bulk - ideal for street and travel photography where portability is paramount.
In contrast, the Sony HX300 embraces a more substantial SLR-like (bridge) form factor, weighing 623g and measuring 130 x 103 x 93 mm, incorporating a robust fixed lens with massive zoom capabilities.
From my hands-on testing, the Olympus’s lighter 334g body offers nimble handling, and its button layout, while simplified, provides access to fundamental controls suitable for manual exposure adjustments, aperture priority, and white balance customization. Conversely, the Sony’s heft affords a more substantial grip and dedicated dials, benefiting users who prioritize zoom versatility and faster continuous shooting, though at the cost of bulkiness.
Imaging Core: Sensor Technologies and Image Quality Metrics
No comparative camera review can overlook the sensor’s pivotal role in shaping image fidelity. The Olympus E-PL1 sports a larger Four Thirds sensor (17.3 x 13 mm, approximately 224.9mm² area), while the Sony HX300 relies on a 1/2.3” sensor (6.16 x 4.62 mm, about 28.46mm²), typical of bridge cameras with integrated superzoom lenses.
Resolution and Pixel Size Considerations
Despite having fewer megapixels (12MP vs. 20MP), the Olympus’s larger sensor facilitates bigger photodiodes, which usually translate to better light-gathering ability, improved dynamic range, and lower noise performance - key elements for image quality, especially in challenging lighting.
The Sony’s sensor, while more densely packed, is handicapped by its smaller physical size, encountering inevitable compromises in high ISO noise and dynamic range, despite offering a higher pixel count.
Measured by DxOMark, the E-PL1 scores an overall 54, with excellent color depth (21.5bits) and dynamic range of 10.1 EV, highlighting its superior image quality baseline for Four Thirds sensors of its era. Sony HX300 was not tested in DxOMark, though typical small sensor bridge cameras range lower due to inherent limitations.
ISO Sensitivity and Noise Control
The Olympus offers a native ISO range between 100 and 3200, calibrated for clean outputs at all stops, complemented by sensor-based image stabilization that reduces shutter shake impact. The Sony’s extensive ISO reach extends up to 12,800, but the smaller sensor size leads to considerable noise degradation beyond ISO 800 in practical use.
These differences have profound implications across photography genres - landscape and portrait photographers will find the E-PL1’s noise profile more forgiving, while the HX300’s ISO versatility benefits casual users needing extended reach without switching lenses.
Autofocus Suite and Shooting Dynamics
Autofocus (AF) capability often determines a camera’s suitability for fast-paced or precise shooting environments. The Olympus E-PL1 employs contrast-detection AF with 11 focus points and face detection, supporting single, continuous, and tracking AF modes.
The Sony HX300, despite featuring 9 AF points, lacks some advanced detection technologies like face or eye AF, relying mainly on contrast detection systems optimized for stable daylight shots rather than dynamic subjects.
Feature | Olympus E-PL1 | Sony HX300 |
---|---|---|
AF Points | 11 (contrast detection) | 9 (contrast detection) |
Face Detection | Yes | No |
Eye AF | No | No |
Continuous Shooting | 3 FPS | 10 FPS |
AF Modes | Single, Continuous, Tracking | Single, Tracking |
In practical testing, the Olympus’s slower 3 FPS burst may be limiting for fast action, but its more reliable face detection aids portrait and casual candid shots. The HX300’s 10 FPS rate is competitive for sports and wildlife, particularly when paired with its versatile focal range; however, AF accuracy can lag behind in low contrast or fast-moving subjects.
Handling in Key Photography Disciplines
Portrait Photography: Skin Tone Reproduction and Bokeh Quality
Olympus’s MFT sensor size and lens interchangeability yield excellent color rendering and pleasing bokeh characteristics, thanks to fast aperture prime lenses available within the Micro Four Thirds ecosystem. Its in-camera face detection and manual focus capabilities empower precise eye focus, critical for compelling portraits.
The Sony HX300, with a slow variable maximum aperture (f/2.8-f/6.3) and small sensor, delivers weaker background separation and less natural skin tones, often producing harsher noise in shadow areas at elevated ISOs.
Landscape Photography: Resolution, Dynamic Range, and Weather Durability
The Olympus’s superior dynamic range (over 10 EV) ensures retention of detail in highlights and shadows, vital for landscapes with challenging lighting, such as sunsets or high contrast scenes. Resolution is adequate, and the Micro Four Thirds lens lineup offers specialized wide-angle options essential for this genre.
Neither camera has weather sealing or robust environmental protection; however, Olympus’s more compact form enhances portability in nature hikes. Sony’s HX300, substantially larger and heavier, is less ideal for extended fieldwork despite offering extensive focal reach for detail hunting.
Wildlife and Sports Photography: Autofocus, Telephoto Capability, and Burst Rates
The Sony HX300’s decisive advantage lies in its 50x zoom (24-1200mm equivalent) and rapid 10 FPS shooting, which allow users to capture distant subjects and dynamic events without switching lenses. This makes it attractive for amateur wildlife and sports photographers on a budget.
Olympus’s MFT lens ecosystem includes telephoto options but lacks the integrated convenience of Sony’s zoom; burst speed of 3 FPS is modest, potentially missing fast sequences.
Street Photography: Discreteness, Low-light Usability, and Portability
Olympus’s compact size, quiet operation, and true mirrorless form factor excel in street photography. The 2.7” HyperCrystal LCD (230k resolution) presents adequate framing capabilities, although its fixed screen limits shooting flexibility.
Sony’s bulk and non-tilting viewfinder make it less discrete, but the tilting 3” screen (921k resolution) is a usability plus for varied angles.
Macro Photography: Focusing Precision and Stabilization
Both cameras lack specialized macro focusing modes or focus bracketing/stacking. However, Olympus’s sensor stabilization aids macro handheld shooting, and wide availability of Micro Four Thirds macro lenses provides opportunities beyond what the fixed-lens HX300 can achieve.
Night and Astro Photography: High ISO Performance and Exposure Modes
The Olympus’s cleaner high ISO profile and RAW format support allow careful post-processing for long exposures. It also features extended shutter speed up to 1 minute, doubling utility for night sky lovers.
The Sony’s ISO boost to 12800 is tempting but limited by sensor noise. Its shutter speed maxes out at 1/4000 sec but minimum is limited to 30 sec, adequate but less flexible for long-exposure astrophotography.
Video Capability: Recording Specs and Stabilization
The Olympus E-PL1 shoots HD video at 1280 x 720 (30 fps) using Motion JPEG, a relatively outdated codec with large file sizes and limited editing flexibility. No microphone input limits audio quality control.
Sony HX300 supports full HD 1080p video at 60/50 fps, offering smoother motion capture. Its optical image stabilization aids handheld video, although the lack of microphone ports limits professional-level audio recording.
Travel Photography: Versatility, Battery Life, and Size/Weight
Olympus’s lightweight body (334g) with interchangeable lens flexibility enhances travel versatility, especially when paired with compact primes.
Sony’s fixed superzoom significantly reduces lens changing hassle but at 623g plus bulk increases carry load. Battery life details on HX300 are sparse, while Olympus’s rated 290 shots per charge is modest but realistic for daylight exploration.
Professional Use: Reliability, File Format Support, and Workflow Integration
Olympus supports RAW capture, essential for professional editing workflows, while Sony HX300 does not provide RAW support, limiting post-production latitude.
Neither model features environmental sealing or other pro-grade durability enhancements. Workflow integration leans heavily on Olympus’s compatibility within the Micro Four Thirds ecosystem.
Usability and Interface
The Olympus E-PL1 uses a straightforward interface with physical buttons and dials designed for quick manual exposure control - helpful for learning further photographic techniques.
Sony’s HX300 boasts a tilt screen better suited for shooting at awkward angles but lacks touchscreen functionality in both cameras.
Connectivity, Storage, and Battery
Neither camera supports wireless connectivity (Wi-Fi, Bluetooth, or NFC), limiting instant sharing or remote control capabilities important for modern workflows.
Both cameras accept SD/SDHC cards with single card slots.
Olympus relies on BLS-1 rechargeable lithium-ion battery with average life of 290 shots - fairly standard for entry-level mirrorless in 2010. Sony details on battery chemistry and capacity are absent, but bridge cameras typically offer similar or slightly fewer shots per charge due to larger screens.
Lens Ecosystem and Accessories
A critical advantage for Olympus is its Micro Four Thirds mount, embracing over 100 lenses including fast primes, macros, telephotos, and specialty optics - a boon for photographers serious about adapting equipment to projects.
Sony’s HX300, with its fixed lens design, cannot be expanded optically, characteristic of the bridge camera class.
Price and Value Proposition
At approximately $288 for the Olympus E-PL1 and $338 for the Sony HX300, both cameras occupy budget-conscious tiers. However, the Olympus's affordability extends to lens investment due to extensive secondhand availability and competitive pricing in the MFT market.
Sony’s all-in-one zoom saves lens buying but at a size and image quality trade-off.
Performance Ratings and Genre Scores
These industry benchmarks underscore Olympus’s superior image quality and usability in controlled lighting and portraiture, while Sony shines in superzoom versatility and burst shooting that appeal to casual wildlife and sports enthusiasts.
Summary and Recommendations
-
Choose Olympus E-PL1 if you value:
- Image quality with cleaner high ISO and better dynamic range.
- Interchangeable lens flexibility, especially for portraits, landscapes, and macro.
- Compact, lightweight design suited to street and travel photography.
- Desire for RAW format and manual control learning curve.
-
Choose Sony HX300 if you prioritize:
- Maximum zoom versatility without changing lenses, from 24-1200 mm equivalent.
- Rapid burst shooting (10 FPS) and telephoto reach for casual wildlife and sports.
- Full HD 1080p video at 60 fps with optical stabilization.
- Convenience of an all-in-one zoom in a single package.
While both cameras are dated compared to current models, their unique design philosophies cater to distinct photography requirements. The Olympus E-PL1 remains a solid choice for enthusiasts wanting to explore foundational photographic techniques and artistic control. Sony HX300 offers an appealing bridge camera solution for those needing extensive focal range and faster action capture without investing in lenses.
Selecting between these cameras ultimately hinges on balancing sensor image quality and lens flexibility against zoom reach and speed needs. Whichever model aligns better with your photographic ambitions will reward you with rewarding imagery and creative satisfaction in your photographic journey.
Olympus E-PL1 vs Sony HX300 Specifications
Olympus PEN E-PL1 | Sony Cyber-shot DSC-HX300 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model | Olympus PEN E-PL1 | Sony Cyber-shot DSC-HX300 |
Type | Entry-Level Mirrorless | Small Sensor Superzoom |
Revealed | 2010-05-17 | 2013-02-20 |
Body design | Rangefinder-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Chip | Truepic V | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.16 x 4.62mm |
Sensor surface area | 224.9mm² | 28.5mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | - |
Maximum resolution | 4032 x 3024 | 5184 x 3888 |
Maximum native ISO | 3200 | 12800 |
Min native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 11 | 9 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-1200mm (50.0x) |
Highest aperture | - | f/2.8-6.3 |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display size | 2.7 inches | 3 inches |
Resolution of display | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | HyperCrystal LCD AR (Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | 3.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 10.00 m | - |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | - |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/160 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 50 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | - |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 334g (0.74 pounds) | 623g (1.37 pounds) |
Physical dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 130 x 103 x 93mm (5.1" x 4.1" x 3.7") |
DXO scores | ||
DXO All around score | 54 | not tested |
DXO Color Depth score | 21.5 | not tested |
DXO Dynamic range score | 10.1 | not tested |
DXO Low light score | 487 | not tested |
Other | ||
Battery life | 290 images | - |
Battery format | Battery Pack | - |
Battery model | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | - |
Time lapse shooting | ||
Type of storage | SD/SDHC card | - |
Storage slots | One | One |
Price at launch | $288 | $339 |