Olympus E-PL1s vs Panasonic GX7
86 Imaging
47 Features
43 Overall
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81 Imaging
52 Features
75 Overall
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Olympus E-PL1s vs Panasonic GX7 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Announced November 2010
- Previous Model is Olympus E-PL1
- Later Model is Olympus E-PL2
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 125 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 402g - 123 x 71 x 55mm
- Launched November 2013
- Older Model is Panasonic GX1
- New Model is Panasonic GX8

Olympus E-PL1s vs Panasonic GX7: A Thorough Hands-On Comparison for Photography Enthusiasts
Having spent over 15 years shooting and testing a wide variety of mirrorless cameras, the Olympus PEN E-PL1s and Panasonic Lumix GX7 occupy fascinating chapters in the story of Micro Four Thirds system evolution. While both cameras share the same sensor size and lens mount, their generational gap - 2010 vs 2013 - means they cater to notably different user demands and technical expectations.
In this detailed comparison, drawn from my extensive experience in real-world shooting across multiple genres, I’ll explore all critical aspects: from sensor and image quality to ergonomics, autofocus, video, and specialist uses like macro or astrophotography. My aim is to support your decision-making with practical insights into how these cameras perform both technically and creatively.
Let’s begin by positioning them physically and visually.
Seeing Them Side by Side: Size, Build, and Ergonomics Matter
When you pick up a camera, how it feels in your hands can influence your creativity as much as any spec sheet. The Olympus E-PL1s is an entry-level mirrorless designed for casual shooters advancing from compact cameras or DSLRs. It sports a compact, rangefinder-style body that’s feather-light at 334 grams and roughly 115x72x42 mm in size.
The Panasonic GX7, announced three years later, steps into the advanced mirrorless category with a larger 123x71x55 mm body, weighing 402 grams. It’s more robust and offers a more substantial grip, attractive to enthusiasts who want more control and better handling during intensive shooting sessions.
Ergonomically, the GX7’s more pronounced grip and carefully positioned dials deliver a more confident handling experience. The E-PL1s’s minimalistic design is easy to carry all day but less optimized for rapid operation or heavy telephoto lenses.
Both use the Micro Four Thirds mount, giving access to the same broad lens ecosystem of over 100 lenses, but we'll dig deeper into optics compatibility later.
Control Layout and User Interface: Intuitive or Intimidating?
Fast and intuitive access to settings is a hallmark of user-friendly cameras. Here, the Panasonic GX7 shines with an evolved, thoughtful control scheme tailored for photographers who prefer manual overrides and quick setting changes.
Comparing their top plates provides revealing insights:
The GX7 features multiple dials, including a dedicated exposure compensation dial and mode dial. Its buttons are backlit, and the tilting touchscreen LCD - a feature absent on the older E-PL1s - adds significant flexibility, especially when composing at awkward angles or operating in bright sunlight.
By contrast, the E-PL1s keeps it simple with fewer manual controls, aimed at users desiring an easy plug-and-shoot experience with minimal learning curve. While this suits beginners or casual photographers, it limits options for those wishing to explore manual exposure creatively.
Sensor Performance and Image Quality: Technical Foundations of Great Photos
Both cameras use Four Thirds-sized sensors measuring 17.3 x 13 mm, but the GX7’s sensor steps up with a 16-megapixel resolution versus 12 megapixels in the E-PL1s. This translates to a maximum image resolution of 4592x3448 pixels for the GX7 compared to 4032x3024 pixels for the older Olympus.
The sensor architecture differences, combined with the improved Venus Engine processor in the GX7, deliver tangible advantages:
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Dynamic range: The Panasonic scores a DxOMark-measured dynamic range of 12.2 EV (exposing more highlight and shadow detail), whereas the E-PL1s lacks official DxO testing but is visibly more constrained in high-contrast scenes.
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Color depth: GX7’s 22.6 bits of color depth ensure richer, more nuanced tones and better grading flexibility in post-processing.
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Low-light ISO: The GX7’s native ISO tops at 25600 with a DxOMark low-light score near 718, far outperforming the E-PL1s’s 6400 max ISO and limited noise control.
Practically, I found the GX7’s files offer smoother gradients and less chroma noise from ISO 1600 upward, while the E-PL1s shines best under daylight or controlled lighting conditions.
Displays and Viewfinders: How You Frame Your Shot
The GX7’s tilting 3-inch touchscreen LCD with 1,040k dots offers significant advantages for versatile shooting angles and menu navigation - a boon for street, macro, and event photographers alike. The E-PL1s sticks with a non-touchfixed 2.7-inch 230k-dot LCD that feels dated and restrictive by comparison.
Meanwhile, the GX7 boasts a built-in electronic viewfinder (EVF) with 2.76 million dots, 0.7x magnification, and 100% coverage. This solid, high-res EVF facilitates sharp composition in all lighting, with near-zero lag. The Olympus lacks an EVF by default, requiring an optional accessory - adding bulk and expense.
From my testing, the GX7’s EVF significantly enhances shooting confidence, especially outdoors or with fast action; conversely, the E-PL1s’s reliance solely on LCD limits accuracy and usability in bright conditions.
Autofocus Systems: Speed, Accuracy, and Tracking in Real-World Action
Focusing technology is critical, especially for dynamic subjects like wildlife and sports. Both cameras implement contrast-detection AF without phase-detection pixels, typical of their era, but the GX7 improves focus points from 11 (E-PL1s) to 23, resulting in better coverage and flexibility.
Face detection autofocus is available on both, with the GX7 adding center-point AF and more sophisticated continuous tracking modes. Neither boast advanced animal eye-detection found in later models. Importantly, continuous AF tracking is smoother and more reliable on the GX7, which achieves a faster burst rate of 5 fps versus 3 fps on the E-PL1s.
In controlled testing, the GX7 locks focus quicker and maintains tracking integrity better, especially under changing light and movement patterns common in sports or wildlife.
Burst Rates and Buffer Depth: Catching Fleeting Moments
While neither camera specializes in fast-action shooting, their maximum burst speeds can influence usability for certain photographers. The GX7 shoots at 5 fps continuous burst versus 3 fps for the Olympus. Combined with a more generous buffer and faster processing, the GX7 better supports sequences requiring precise timing.
For sports photographers needing high frame rates, neither camera will replace flagship models from Sony or Canon, but the GX7 represents a solid step up in the Micro Four Thirds category.
Lens Ecosystem and Compatibility: Your Creative Playground
Both cameras utilize Micro Four Thirds mounts, offering access to an extensive selection of native lenses from Panasonic, Olympus, and third parties, spanning primes and zooms from wide-angle to super-telephoto.
Between them, the lens count is about 107 options, covering specialties such as macro, portrait, and ultra-wide. While the E-PL1s supports this full range, its lower resolution and autofocus speed somewhat limit exploiting the most demanding glass.
The GX7’s higher resolution sensor and superior AF support invite pairing with fast primes (f/1.2, f/1.4) and telephotos for professional-quality portrait, wildlife, and event shooting.
I recommend photographers consider the GX7 if planning to invest in higher-end optics for maximum image quality and versatility.
Build Quality and Weather Sealing: Durability in the Field
Here both cameras are limited to basic dust and splash protection, without formal environmental sealing or ruggedization features. Neither is waterproof or freezeproof. The GX7’s more substantial body affords a feeling of greater solidity, but neither camera is designed for extreme weather or rough handling.
Travel and outdoor shooters should consider protective gear or weather-sealed camera alternatives if working frequently in unpredictable conditions.
Specialized Photography Insights: How Do They Handle Specific Genres?
Portrait and Bokeh
The GX7’s higher resolution and improved AF deliver more natural skin tones, superior eye detection, and easer achievement of creamy background bokeh when paired with fast Olympus or Panasonic primes. The E-PL1s gets the job done but can feel flat and limited by both sensor resolution and focusing precision.
Landscape
Thanks to wider dynamic range, higher resolution, and superior noise control, the GX7 excels for landscape photographers demanding fine detail and subtle tonal gradations in shadows and highlights. The E-PL1s is adequate for casual landscapes but less competitive against mid-tier DSLRs or newer mirrorless.
Wildlife
Fast, accurate AF tracking and a 5 fps burst give the GX7 a practical edge for small to medium wildlife subjects under daytime conditions. However, limited native telephoto lenses and lack of animal eye AF reduce effectiveness for serious wildlife shooters.
Sports
With marginally better continuous AF tracking and faster frame rates, the GX7 remains usable for low- to moderate-speed sports, especially in ambient light. The E-PL1s’s slower AF and burst make it less suitable for action photography.
Street
The E-PL1s’s small, lightweight form also makes it a natural candidate for street photography where low profile and portability matter most. The GX7 is more capable but slightly bulkier and less discrete, though its EVF assists in bright streetscapes.
Macro
Neither camera includes dedicated macro focusing aids like focus stacking or bracketing, but sensor stabilization helps. The GX7’s touchscreen facilitates precise focus adjustments, an advantage over the E-PL1s’s fixed LCD.
Night and Astro
With superior high ISO noise performance and expanded ISO ranges reaching 25600, the GX7 is markedly better for night and astrophotography enthusiasts relying on longer exposures and cleaner files. The E-PL1s’s ISO ceiling and dynamic range limit its utility here.
Video
While neither camera supports 4K, the GX7 records full HD (1920 x 1080) at 60fps, offering better frame rates and modern codecs (MPEG-4, AVCHD), compared to the E-PL1s’s 720p Max. The GX7 adds built-in wireless and NFC connectivity for easier sharing and remote control. This substantially upgrades workflow for videographers and travel shooters.
Battery Life and Storage: Keeping Your Camera Running
The E-PL1s offers a 290 shot battery life rating vs 350 for the GX7 - modest by today's standards but typical for their generation and sensor size. Both rely on proprietary lithium-ion battery packs.
Storage-wise, each takes a single SD/SDHC card, but the GX7 expands to SDXC support for higher capacity cards, essential for longer shooting sessions and video.
Connectivity and Extras: Staying Current
The GX7 includes built-in Wi-Fi and NFC, enabling seamless sharing and remote operation with a smartphone - features absent on the E-PL1s. This difference reflects the leap in wireless technology integration between 2010 and 2013 models.
Neither provides microphone or headphone ports, limiting advanced audiophiles or videographers, but the GX7’s 1080p video and touch interface still give a solid hybrid experience.
Summarizing Scores: Overall and Genre-Specific Ratings
A visual comparison helps condense performance across multiple criteria, based on test metrics and field usage:
The GX7 consistently scores higher across image quality, autofocus, video, and usability, while the E-PL1s performs well for beginner-level, travel-friendly photography where simplicity and portability are priorities.
Who Should Choose the Olympus E-PL1s?
If you want a compact, lightweight, user-friendly camera for everyday shooting, casual portraits, and travel - and your budget is under $600 - the E-PL1s remains a value-packed entry point to interchangeable lens mirrorless. It’s great if you’re:
- Stepping up from a smartphone or compact camera
- Willing to accept modest autofocus and image quality compromises
- Prioritizing ease of use over extensive manual controls
- Active in street and travel photography requiring small gear
Who Should Invest in the Panasonic GX7?
The GX7 is ideal for enthusiasts and semi-professional photographers who want a more capable, versatile mirrorless camera with superior image quality, faster AF, 1080p video, and modern usability features. It fits users who:
- Value dynamic range, low-light performance, and color fidelity
- Need responsive continuous autofocus for wildlife, sports, or events
- Regularly shoot video or want touchscreen and EVF convenience
- Desire access to a broad lens ecosystem with high-quality glass
- Appreciate wireless connectivity for workflow efficiency
Though pricier (~$1,000), it delivers technology closer to contemporary standards.
Final Thoughts From My Experience
In my hands-on testing, the Panasonic GX7 impresses with its thoughtful blend of image quality and functionality, making it a compelling choice for those ready to embrace an advanced mirrorless system. The Olympus E-PL1s, while dated, still holds charm for beginners or those valuing portability.
Ultimately, your decision hinges on your shooting style, budget, and priorities. Both cameras offer gateways to Micro Four Thirds creativity, but the GX7 clearly pushes the boundaries further, inviting you to explore photography with a stronger technical ally.
If you want any more detailed field reports on specific shooting disciplines or lenses for either system, feel free to ask - helping photographers find the right gear is my passion.
Happy shooting!
Olympus E-PL1s vs Panasonic GX7 Specifications
Olympus PEN E-PL1s | Panasonic Lumix DMC-GX7 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus PEN E-PL1s | Panasonic Lumix DMC-GX7 |
Type | Entry-Level Mirrorless | Advanced Mirrorless |
Announced | 2010-11-16 | 2013-11-07 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Truepic V | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4032 x 3024 | 4592 x 3448 |
Maximum native ISO | 6400 | 25600 |
Minimum native ISO | 100 | 125 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | Micro Four Thirds |
Available lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 2.7 inches | 3 inches |
Resolution of screen | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | HyperCrystal LCD AR (Anti-Reflective) coating | LCD |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic |
Viewfinder resolution | - | 2,765k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 60s | 60s |
Maximum shutter speed | 1/2000s | 1/8000s |
Maximum silent shutter speed | - | 1/16000s |
Continuous shooting speed | 3.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 10.00 m | 7.00 m (at ISO 200) |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Slow sync w/red-eye reduction, off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/160s | 1/320s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 24p), 1280 x 720 (60p, 30p), 640 x 480 (30p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 334 grams (0.74 pounds) | 402 grams (0.89 pounds) |
Physical dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 123 x 71 x 55mm (4.8" x 2.8" x 2.2") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 22.6 |
DXO Dynamic range score | not tested | 12.2 |
DXO Low light score | not tested | 718 |
Other | ||
Battery life | 290 photographs | 350 photographs |
Battery form | Battery Pack | Battery Pack |
Battery model | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 10 secs w/ 3 shots) |
Time lapse recording | ||
Type of storage | SD/SDHC | SD/SDHC/SDXC card |
Storage slots | One | One |
Pricing at launch | $599 | $1,000 |