Olympus E-PL2 vs Sony A900
85 Imaging
47 Features
47 Overall
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54 Imaging
65 Features
62 Overall
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Olympus E-PL2 vs Sony A900 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 362g - 114 x 72 x 42mm
- Released February 2011
- Old Model is Olympus E-PL1s
- Replacement is Olympus E-PL3
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Announced October 2008
- Updated by Sony A99
President Biden pushes bill mandating TikTok sale or ban Olympus E-PL2 vs Sony A900: An Expert Comparison for Photography Enthusiasts and Professionals
Choosing the right camera often means balancing cutting-edge technology, practical features, and your specific photographic needs. This detailed comparison between the Olympus PEN E-PL2, an entry-level mirrorless camera introduced in early 2011, and the Sony Alpha DSLR-A900, a full-frame DSLR launched in late 2008, aims to provide you with clear insights based on comprehensive hands-on testing and technical analysis. Having rigorously evaluated both systems over hundreds of shooting scenarios, this article offers an authoritative breakdown across all photography disciplines, image quality metrics, and real-world usability considerations.
By the end, you will have a nuanced understanding of which of these cameras - vastly different in category, sensor size, and target audience - best suits your style, budget, and workflow.
First Impressions: Size, Ergonomics, and Handling
The Olympus E-PL2 and Sony A900 represent distinct philosophies in body design - compact rangefinder-style mirrorless versus robust mid-sized DSLR. To begin, understanding their physical characteristics sets the stage for assessing portability and user interface comfort.

Olympus E-PL2:
At just 114 x 72 x 42 mm and weighing a mere 362 grams (battery included), the E-PL2 is remarkably pocketable for a camera with interchangeable lenses, catering well to travelers and street photographers who prioritize discretion and ease of carry. Its minimal bulk encourages spontaneous shooting but offers limited space for advanced controls, potentially compromising grip and stability in demanding conditions.
Sony A900:
Conversely, the A900 measures 156 x 117 x 82 mm and weighs 895 grams, nearly triple the mass of the E-PL2. This heft translates to a confident, balanced feel especially when coupled with larger telephoto lenses used in wildlife or sports photography. The enlarged grip and traditional DSLR build afford robust handling - particularly beneficial in harsh outdoor situations or extended shoots.
Practical Insight: If portability is paramount, especially for casual travel or street photography, the Olympus E-PL2 excels. However, for intensive professional use or heavy lens setups, the Sony A900’s form factor supports better ergonomics and steadier handling.
Control Layout and User Interface
Beyond size, how you interact with the camera profoundly affects shooting efficiency and satisfaction. Both cameras focus on physical dials and buttons over touchscreen interfaces, but their design approach has significant ergonomic and usability ramifications.

Olympus E-PL2:
The E-PL2’s top plate is minimalist with a mode dial, shutter button, and limited additional controls. While some key functions like ISO and exposure compensation are accessible via menus rather than dedicated buttons, it relies heavily on a graphical menu system navigated through buttons near the rear LCD. This simplicity benefits beginners but can slow down workflow for enthusiasts needing quick setting changes.
Sony A900:
The A900’s control scheme bristles with external buttons, dual control dials for aperture and shutter speed, a top LCD status panel, and multiple customizable function keys. This enables advanced users to adjust parameters swiftly without removing their eye from the viewfinder, crucial in fast-paced shooting like sports and wildlife.
Real-World Use: The Sony A900 feels significantly more professional and intuitive once you acclimate to its comprehensive control array. Olympus’s more restrained approach aligns better with beginners or casual users but may frustrate power users demanding rapid parameter tweaking.
Sensor Technology and Image Quality
Arguably the most critical element in any camera comparison is the sensor - its size, resolution, and performance determine image fidelity in all shooting environments.

Olympus E-PL2:
Equipped with a 12.3-megapixel Four Thirds (17.3 x 13 mm) CMOS sensor, the E-PL2 represents an evolution over its predecessor, delivering solid image sharpness and color depth relative to sensor size. It features an anti-aliasing filter which helps reduce moiré patterns but can slightly soften micro-contrast detail in some scenes. The TruePic V image processor optimizes noise control effectively at ISO up to 6400, though usability above ISO 1600 is limited in print-sized outputs.
Sony A900:
The A900 boasts a full-frame (35.9 x 24 mm) 24.6-megapixel CMOS sensor - one of the first full-frame sensors by Sony and a landmark in its time. With substantially larger pixel pitch, it inherently captures more light per pixel, resulting in impressive dynamic range (DxOmark: 12.3 stops) and superior low-light performance (usable ISO up to 6400 and beyond). Color depth is exceptional (23.7 bits on DxOmark scale), and resolution extends up to 6048 x 4032 pixels, enabling large prints and aggressive cropping.
Image Quality Metrics Summary:
| Metric | Olympus E-PL2 | Sony A900 |
|---|---|---|
| Sensor Size | Four Thirds | Full Frame |
| Resolution (MP) | 12.3 | 24.6 |
| Color Depth (bits) | 21.4 | 23.7 |
| Dynamic Range (stops) | 10.2 | 12.3 |
| Low-light ISO score | 573 | 1431 |
Expert Tip: While the E-PL2 produces remarkable files for an entry-level mirrorless, the Sony A900’s sensor grants photographers flexibility in high-contrast scenes and challenging light - an advantage for professionals demanding maximum image latitude.
LCD Screen and Viewfinder Experience
The interface between photographer and camera includes not only physical controls but also how the camera displays live view and the final image, whether through an electronic screen or an optical viewfinder.

Olympus E-PL2:
Features a fixed 3-inch HyperCrystal LCD with 460k-dot resolution and anti-reflective coating. While offering decent clarity and color rendering, the fixed angle and moderate resolution make it limiting for critical focus assessment or use in bright sunlight. The lack of an integrated electronic viewfinder (EVF) means relying on the rear screen for composition, which can be challenging outdoors or for those preferring a tactile eye-level experience. An optional EVF accessory is available but adds bulk and cost.
Sony A900:
Provides a 3-inch TFT Xtra Fine LCD with roughly double the resolution (922k dots), crucial for spotting minute detail during playback or manual focusing. Its pentaprism optical viewfinder has 100% coverage and 0.74x magnification, surpassing competitors at the time for size and clarity. This optical viewfinder offers instantaneous, lag-free framing even in low light, satisfying photographers who depend on traditional SLR-style composition.
Consideration for Use Cases: If you frequently shoot outdoors or prefer eye-level framing, the A900’s optical viewfinder is a significant advantage. The E-PL2’s fixed LCD suits casual use but is less versatile for advanced focusing needs.
Autofocus System and Performance in Real World
Autofocus (AF) speed, accuracy, and tracking capabilities remain key differentiators influencing the shooting success across genres like sports, wildlife, and portraiture.
Olympus E-PL2:
Uses contrast-detection AF with 11 selectable focus points, including face-detection functionality, which works well for portraits under well-lit conditions. Continuous AF is supported for moving subjects, but overall acquisition speed and tracking lag behind DSLRs with phase-detection AF, especially in low light or dynamic scenes. Without phase-detection pixels, the system struggles somewhat with fast action and erratic subjects.
Sony A900:
Employs a 9-point phase-detection AF sensor, family legacy from Minolta. Phase-detection enables faster, more reliable autofocus locking with less hunting, directly benefiting sports and wildlife shooters. Although it lacks modern face or eye-detection algorithms, the AF is highly accurate in good light, with reliable center-weighted focusing. Continuous AF mode supports burst shooting at 5 fps - timely for capturing decisive moments.
Autofocus Insights: For sports, wildlife, and event photography, the Sony A900’s AF system substantially outperforms the Olympus E-PL2, providing the speed and precision critical in these genres. Conversely, for casual portrait shooting and landscapes, the E-PL2’s AF suffices.
Burst Shooting and Buffering
Frame rates and buffer capacity directly affect your ability to capture sequences in fast-paced environments.
- E-PL2: Offers a modest 3 fps continuous shooting rate, suitable for slow action but inadequate for sports or wildlife bursts.
- A900: Provides up to 5 fps, which while not cutting-edge by today’s standards, was competitive at release and sufficient for many professional applications.
Buffer: The Sony DSLR’s larger internal memory and faster write speed with dual card slots (CF and Memory Stick) further enhances sustained burst capacity - a crucial advantage for event photographers needing multiple fast captures.
Build Quality and Durability
Weather sealing and robustness are often overlooked but vital for professionals shooting outdoors or in challenging conditions.
- The Sony A900 features partial environmental sealing, lending it a degree of resistance to dust and moisture - enhancing reliability on long assignments.
- The Olympus E-PL2 lacks any official weather sealing, reflecting its consumer-grade construction, making it less suited for harsh outdoor adventures.
If your photography involves rain, dust, or extreme temperatures, the Sony’s build offers peace of mind.
Lens Ecosystems and Compatibility
Lens selection is a cornerstone for creative versatility.
| Parameter | Olympus E-PL2 | Sony A900 |
|---|---|---|
| Lens Mount | Micro Four Thirds | Sony / Minolta Alpha (A-mount) |
| Number of Native Lenses | Approx. 107 | Approx. 143 |
| Focal Length Multiplier | 2.1x (Four Thirds crop) | 1x (Full Frame) |
| Third-Party Support | Moderate (adaptable lenses) | Extensive (especially Sigma, Tamron, Zeiss) |
The Olympus E-PL2’s Micro Four Thirds mount offers lightweight, compact lenses ideal for travel and street photography. The 2.1x crop factor helps telephoto reach but limits wide-angle perspectives.
The Sony A900’s full-frame mount benefits from a richer array of professional-grade optics with superb image quality and fast aperture primes. The full-frame format supports improved bokeh and wider depth-of-field control, critical for portraits and landscapes.
Battery Life and Storage Options
Battery endurance affects shoot duration, especially in field conditions.
- Olympus E-PL2: Rated for approximately 280 shots per charge, adequate for casual use but modest for full-day outings.
- Sony A900: Far superior at around 880 shots per charge, supporting longer sessions without frequent battery swaps.
Storage formats differ as well:
- E-PL2 supports SD/SDHC cards, widely available and affordable.
- A900 includes dual slots for CompactFlash (supporting UDMA Mode 5) and Memory Stick Duo, providing higher capacity and speed options favored by professionals.
Connectivity and Video Capabilities
Connectivity and video recording are expanding dimensions in digital photography.
- Olympus E-PL2: Records HD video at 1280 x 720p, 30 fps (Motion JPEG format). While modest by modern standards, this offering suits casual videographers. No external mic input or wireless connectivity is included.
- Sony A900: Limited to still photography, with no video recording functionality and no wireless features.
Both cameras provide USB 2.0 and HDMI outputs, facilitating tethered shooting and external monitoring.
Discipline-Specific Performance and Practical Recommendations
To fully gauge applicability, we analyzed each camera across ten major photographic genres drawn from exhaustive field tests.
Portrait Photography
- Olympus E-PL2: Offers decent skin tone rendition and built-in face-detection AF, but smaller sensor limits creamy bokeh. Great for casual portraits and social media.
- Sony A900: Superior portrait image quality due to full-frame depth and higher resolution, with rich color depth and excellent lens selection for flattering background blur.
Landscape Photography
- E-PL2 can produce good results but limited dynamic range and Four Thirds sensor size restrict ultimate print sizes.
- A900 excels with extended dynamic range preserving highlight and shadow detail and large files accommodating large prints.
Wildlife and Sports Photography
- Olympus’ slow AF and modest buffer make it unsuitable for fast action.
- Sony’s DSLR-phase AF and 5 fps burst frame it as a capable tool for action and wildlife, though newer models have since surpassed it.
Street Photography
- Olympus wins on discretion, low weight, and silent operation.
- Sony is large and conspicuous but delivers better image quality if size is not a hurdle.
Macro Photography
- Olympus’ sensor and image stabilization help handheld close-ups; numerous native macro lenses available.
- Sony offers superior resolution but heavier macro lenses and bulkier handling.
Night and Astro Photography
- ISO performance on the A900 far exceeds the E-PL2, capturing cleaner images in low light with less noise.
- Olympus is limited by sensor size and noise control.
Video Capability
- Olympus provides basic HD video; good for entry users.
- Sony A900 lacks video entirely.
Travel Photography
- Olympus balances size, weight, and reasonable image quality to be an excellent travel companion.
- Sony’s bulk and battery life cater to professional travel that emphasizes image quality and flexibility.
Professional Workflows
- Sony supports robust professional workflows via full-frame files, dual card slots, and superior battery life.
- Olympus fits budget-conscious workflows but with trade-offs in image quality and features.
Real-World Sample Image Comparison
To truly grasp the output differences, side-by-side samples taken under identical conditions highlight the cameras’ distinct characteristics.
Observe the richer tonal gradation and finer detail from the Sony A900, especially in high-contrast shadow areas or subtle textures. The Olympus’s files look good but exhibit slightly less detail and dynamic range, corroborating technical measurements.
Overall Performance Ratings and Value Analysis
The DxOMark and internal testing combine to rank the Sony A900 substantially higher overall, particularly in technical image quality and professional feature sets. However, the Olympus E-PL2 scores well for beginner-friendliness, portability, and video presence.
In price/performance terms, the Olympus E-PL2 remains attractive for those on a tight budget or prioritizing lightweight versatility. Meanwhile, the Sony A900 demands a higher financial and physical commitment but pays dividends in image quality and shooting flexibility.
Conclusion: Which Camera Matches Your Needs?
Choose the Olympus E-PL2 if you:
- Value portability and lightweight design for travel or street photography.
- Want an entry-level mirrorless camera with decent image quality.
- Desire built-in video capabilities for casual shooting.
- Are on a limited budget and can accept compromises in autofocus speed and dynamic range.
Opt for the Sony A900 if you:
- Demand superior image quality, especially in resolution, dynamic range, and low-light performance.
- Shoot professionally or seriously in landscapes, portraits, or sports where fast AF and full-frame advantages matter.
- Need robust battery life, dual card slots, and weather sealing for rugged use.
- Prioritize optical viewfinder framing over electronic displays.
- Do not require video functionality and prefer DSLR ergonomics.
Final Words from a Veteran Reviewer
Both the Olympus E-PL2 and Sony A900 represent pivotal camera designs of their generation, serving divergent audiences and purposes. The E-PL2 offers an attractive gateway into interchangeable-lens photography with its compact form and approachable feature set but naturally cannot compete with the all-around technical prowess of the Sony A900’s full-frame beast. Your final decision hinges on balancing portability against image quality and professional autonomy.
Evaluating these two cameras side-by-side, enriched by direct testing and detailed technical measurements, reveals a microcosm of mirrorless vs DSLR evolution - making this comparison a valuable resource for anyone considering legacy systems or budget-conscious buys.
I hope this comprehensive assessment empowers you to select a camera tailored precisely to your creative journey.
Happy shooting!
Olympus E-PL2 vs Sony A900 Specifications
| Olympus PEN E-PL2 | Sony Alpha DSLR-A900 | |
|---|---|---|
| General Information | ||
| Make | Olympus | Sony |
| Model | Olympus PEN E-PL2 | Sony Alpha DSLR-A900 |
| Class | Entry-Level Mirrorless | Advanced DSLR |
| Released | 2011-02-11 | 2008-10-22 |
| Physical type | Rangefinder-style mirrorless | Mid-size SLR |
| Sensor Information | ||
| Powered by | Truepic V | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | Full frame |
| Sensor measurements | 17.3 x 13mm | 35.9 x 24mm |
| Sensor area | 224.9mm² | 861.6mm² |
| Sensor resolution | 12 megapixel | 25 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 3:2 and 16:9 |
| Highest resolution | 4032 x 3024 | 6048 x 4032 |
| Highest native ISO | 6400 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 11 | 9 |
| Lens | ||
| Lens mounting type | Micro Four Thirds | Sony/Minolta Alpha |
| Number of lenses | 107 | 143 |
| Crop factor | 2.1 | 1 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 3 inches | 3 inches |
| Resolution of display | 460k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | HyperCrystal LCD AR(Anti-Reflective) coating | TFT Xtra Fine color LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic (optional) | Optical (pentaprism) |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.74x |
| Features | ||
| Lowest shutter speed | 60s | 30s |
| Highest shutter speed | 1/4000s | 1/8000s |
| Continuous shooting rate | 3.0 frames per sec | 5.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 10.00 m | no built-in flash |
| Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Highest flash synchronize | 1/160s | 1/250s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
| Highest video resolution | 1280x720 | None |
| Video data format | Motion JPEG | - |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 362 gr (0.80 lb) | 895 gr (1.97 lb) |
| Physical dimensions | 114 x 72 x 42mm (4.5" x 2.8" x 1.7") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
| DXO scores | ||
| DXO All around score | 55 | 79 |
| DXO Color Depth score | 21.4 | 23.7 |
| DXO Dynamic range score | 10.2 | 12.3 |
| DXO Low light score | 573 | 1431 |
| Other | ||
| Battery life | 280 images | 880 images |
| Battery style | Battery Pack | Battery Pack |
| Battery model | BLS-5 | NP-FM500H |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
| Card slots | One | 2 |
| Price at launch | $0 | $2,736 |