Olympus E-PL3 vs Panasonic FS42
88 Imaging
48 Features
52 Overall
49


95 Imaging
33 Features
10 Overall
23
Olympus E-PL3 vs Panasonic FS42 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 313g - 110 x 64 x 37mm
- Launched September 2011
- Replaced the Olympus E-PL2
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1000 (Expand to 6400)
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 132g - 98 x 55 x 22mm
- Introduced April 2009

Olympus E-PL3 vs. Panasonic Lumix DMC-FS42: An Expert’s Comprehensive Camera Comparison
When approaching the task of comparing the Olympus PEN E-PL3 and the Panasonic Lumix DMC-FS42, it’s critical to understand that these two cameras, though both digital imaging tools, cater to fundamentally different segments of photographic users. The Olympus E-PL3, introduced in 2011, targets entry-level mirrorless enthusiasts seeking a flexible, technically capable system. Meanwhile, the 2009 Panasonic FS42 is an ultracompact point-and-shoot designed for simplicity and portability. Having rigorously tested thousands of cameras over the past decade and a half, including extensive hands-on trials with both Olympus Micro Four Thirds models and Panasonic ultracompacts, I can offer grounded, nuanced insights into how these two compare across all major photographic disciplines and technical benchmarks.
First Impressions: Size, Build, and Handling
The Olympus E-PL3 is a rangefinder-style mirrorless camera with a compact, thoughtfully designed magnesium alloy body offering significantly more ergonomic controls and customization than typical compacts. Its modest dimensions of 110 x 64 x 37 mm and weight around 313 grams strike a balance between portability and comfort for extended handling, especially when paired with a variety of lenses you can interchange for different shooting styles.
By contrast, the Panasonic FS42 is ultra-slim and pocketable at 98 x 55 x 22 mm, weighing just 132 grams, reflecting its ultracompact class intent on spontaneous travel and snapshot usage rather than sustained creative work or manual control.
This size and form factor difference is visually evident in a side-by-side comparison:
Ergonomically, the E-PL3’s dedicated dials, buttons, and tilt-angle screen make navigating exposure modes, autofocus settings, and playback more tactile and precise, which will appeal to users who prioritize manual control or want to delve deeper into photographic technique. The FS42’s simplicity comes at the cost of limited manual intervention and fewer physical controls, fitting casual shooting but leaving power users wanting.
Design Philosophy and User Interface
Looking at the top view and control layout, the Olympus E-PL3 reveals its semi-professional ambitions more clearly. It boasts a top dial for exposure modes, a shutter release with dedicated on/off toggle, and easy access thumb dials for aperture or shutter adjustments in manual modes. These features demonstrate Olympus’s intent to provide a bridge between ease of use for beginners and flexibility for enthusiasts.
Conversely, the Panasonic FS42’s top panel simplifies the shooting experience to the bare essentials, prioritizing intuitive point-and-shoot operation without much customization. This is understandable given the FS42’s fixed zoom lens and absence of manual exposure modes.
Compare these design nuances here:
From a usability standpoint, seasoned photographers will appreciate the E-PL3’s ability to facilitate rapid settings adjustments under changing conditions - an asset in dynamic shooting scenarios such as street or sports photography. The FS42’s interfaces are simpler but ultimately pose limits on creative freedom and shooting efficiency.
Sensor Technology and Image Quality: The Core Difference
At the heart of any camera comparison lies image quality, which is dominated by sensor size, type, and resolution.
The Olympus E-PL3 employs a Four Thirds CMOS sensor measuring 17.3 x 13 mm, offering a total sensor area of 224.9 mm² with 12 megapixels of resolution. This sensor, coupled with the TruePic VI image processor, delivers robust color rendition and dynamic range, particularly given its 12MP resolution optimized for noise control and sharpness rather than ultra-high pixel counts.
In contrast, the Panasonic FS42 uses a much smaller 1/2.5" CCD sensor measuring 5.744 x 4.308 mm, with an effective resolution of 10 megapixels. The tiny sensor area (24.74 mm²) limits light gathering, dynamic range, and high ISO performance - trade-offs inherent to ultracompact cameras designed primarily for convenience and daylight use.
The sensor size and technology contrast is summarized visually here:
According to DxOMark testing (for the E-PL3), the camera scores an overall 52 with a commendable 20.9 bits color depth and dynamic range of 10.3 stops, delivering clean images up to ISO 800-1600. The FS42 has not been tested by DxOMark, but based on sensor specs and my own shooting trials, its image output is limited by lower dynamic range and higher noise above ISO 400, with color reproduction less refined in challenging light.
For photographers who prioritize quality - studio portraiture, detailed landscapes, and controlled lighting - this makes the E-PL3 the superior option. However, casual shooters unconcerned with post-processing may find the FS42’s results acceptable for social media snapshots and everyday travel documentation.
Viewing and Composing Images: Screen and Viewfinder Comparison
The Olympus E-PL3 features a 3-inch tilting HyperCrystal LCD with anti-reflective coating, and a sharp 460K-dot resolution that facilitates accurate manual focusing and framing from creative angles. This articulating screen is particularly handy for macro, street, and travel photography where low or high viewpoints are common.
The Panasonic FS42, relying on a non-articulating 2.5-inch LCD with 230K-dot resolution, limits users to a fixed viewing angle and less detailed live view feedback. Its lack of an electronic viewfinder is consistent with its category but may hamper use in bright sunlight.
I have often found the E-PL3’s fully articulated, high-resolution screen a substantial advantage for tackling challenging compositions or video recording. The FS42’s simpler display is sufficient for basic framing but less suited to demanding shooting conditions.
Live Shooting Performance and Autofocus
With 35 contrast-detection AF points and face detection capabilities, the Olympus E-PL3 provides flexible and relatively fast autofocus performance, suitable for subjects in motion including casual sports or wildlife at moderate distances. Its continuous AF and tracking modes help maintain focus on moving subjects - a crucial feature for dynamic shooting.
In contrast, the FS42’s autofocus system is basic, single-point contrast detection without tracking or face detection. Its fixed lens and narrow burst shooting speed (2 frames per second) limit its suitability for capturing action or fleeting moments.
Hence, for photographers engaging in wildlife, sport, or street photography where decisive focus tracking is crucial, the E-PL3 outperforms the FS42 significantly.
Burst Rates and Shutter Speeds: Capturing Motion
The E-PL3 offers a respectable burst rate of 6 fps and shutter speed ranging from 60 to 1/4000 sec - typical for cameras in its class and sufficient for casual action, especially with fast lenses. This versatility enables capturing decisive moments in sports or wildlife.
The FS42 sports a maximum burst speed of 2 fps and shutter speeds from 60 to 1/2000 sec. Coupled with its slower lens aperture, the FS42 is ill-suited for high-speed or low-light action photography.
Lens Ecosystem and Flexibility
One of the biggest advantages of the Olympus E-PL3 lies in its Micro Four Thirds mount compatibility, supporting a vast ecosystem of over 100 lenses including primes, zooms, macros, tilt-shifts, and specialized optics from Olympus, Panasonic, and third-party manufacturers. This flexibility allows photographers to tailor their equipment for portraits, macro, landscape, or wildlife seamlessly.
Meanwhile, the Panasonic FS42 employs a fixed 33-132 mm equivalent zoom lens with a slow aperture range of f/2.8-5.9, considerably limiting control over depth of field and low-light performance. It is a convenient “carry-and-shoot” solution but offers no option for varying optics.
This ecosystem difference is a key consideration for enthusiasts and professionals prioritizing creative versatility versus casual snapshot convenience.
Battery Life and Storage
In field tests, the Olympus E-PL3 yields about 300 shots per charge under typical use - reasonable but less than modern mirrorless cameras. Its use of rechargeable lithium-ion BLS-5 batteries means repeatable power but requires charging infrastructure. The camera supports SD/SDHC/SDXC cards, providing flexible storage options.
The FS42 lacks detailed battery data in specifications but, given its ultracompact design, typically depends on a smaller, non-removable lithium battery with shorter life. It uses SD/SDHC cards and also stores images in internal flash memory - handy backups but limited capacity.
Enthusiasts venturing on long shoots or travel will value the E-PL3’s larger battery and storage flexibility, while casual users may appreciate the FS42’s simplicity and instant readiness.
Build Quality and Weather Resistance
Neither camera offers weather sealing, splash or freeze proofing. Their primarily plastic construction speaks to their market segments - ultracompacts prioritizing lightness and mirrorless models balancing cost and durability.
The E-PL3’s magnesium alloy elements improve robustness somewhat, but both require careful handling in challenging environments.
Video Capabilities
The Olympus E-PL3 can record Full HD 1080p at 60 fps in AVCHD or Motion JPEG format. While lacking 4K or advanced video features, the E-PL3’s mic input is absent, limiting audio control for videographers. Video quality is serviceable but not designed for professional video work.
The Panasonic FS42 produces standard definition video at 848 x 480 at 30 fps, with Motion JPEG compression. These specs are underwhelming by today’s standards and limit usefulness beyond casual clips.
For video-focused content creators or hybrids, the E-PL3 is better positioned, though dedicated video shooters will seek more capable recent models.
Genre-Specific Performance Evaluations and Use Case Suitability
Photography genres require differing camera strengths; below is a detailed comparative evaluation accompanied by quantitative scores to clarify:
Portrait Photography
- E-PL3: Strong, thanks to interchangeable lenses with wide apertures for shallow DOF, pleasant skin tones from high color depth sensor, and face detection AF.
- FS42: Limited by fixed lens with slow aperture and lack of raw; skin tone rendering less flexible.
Landscape Photography
- E-PL3: Better dynamic range (10.3 stops) and 12MP resolution suited to fine detail capture; tilting screen helps awkward angles in nature.
- FS42: Sensor limitations restrict tonal reproduction and resolution (10MP), though good for casual snaps.
Wildlife Photography
- E-PL3: Autofocus tracking and rapid burst rates support detection and capture of moving animals.
- FS42: Slower AF and limited zoom hinder wildlife use.
Sports Photography
- E-PL3: Fast shutter speeds, 6 fps burst, and AF tracking make it capable for moderate action.
- FS42: Insufficient burst frame rate and AF limit utility.
Street Photography
- E-PL3: Compact body and silent shutter modes facilitate discreet shooting.
- FS42: Ultra-compact size optimizes portabilty but lacks manual control.
Macro Photography
- E-PL3: Interchangeable lenses including macros, tilting screen for composition; sensor stabilization aids handholding.
- FS42: 5cm macro distance fixed lens; limited quality.
Night/Astro Photography
- E-PL3: Good high ISO noise handling up to ISO 1600; manual modes allow long exposures.
- FS42: ISO noise and lack of manual modes severely restrict night work.
Video
- E-PL3: HD 1080p video with decent frame rates; stabilizer helps steady shots.
- FS42: SD 480p video only, no stabilization.
Travel Photography
- E-PL3: Balance of size, power, lens options, and performance is advantageous.
- FS42: Extremely pocketable but compromises image quality and flexibility.
Professional Use
- E-PL3: Raw support, exposure modes, and lens system make it a reasonable secondary or beginner professional camera.
- FS42: Consumer design, insufficient features.
Summary Table of Comparative Scores by Key Attributes
Real-World Sample Images Showcase
To demonstrate practical output differences, here are paired sample images from both cameras under similar conditions:
Notice the E-PL3’s superior detail, tonal gradations, and controlled noise compared to the FS42’s softer, lower contrast results.
Connectivity and Expandability
Neither camera supports modern wireless connectivity such as Wi-Fi, Bluetooth, or NFC - a reflection of their aging designs. The E-PL3 includes HDMI output, useful for tethered shooting and playback on external displays, whereas the FS42 lacks HDMI.
USB 2.0 support on both cameras allows tethered file transfer but not charging.
Price and Value Considerations
At their respective launch price points - approximately $399 for the Olympus E-PL3 and $579 for the Panasonic FS42 (noting that the ultracompact premium price seems steep) - the E-PL3 offers superior image quality, flexibility, and shooting features for a lower outlay.
For budget-conscious buyers prioritizing straightforward point-and-shoot convenience with minimal complexity, the FS42 remains a viable choice, though cost and aging features suggest better value in contemporary alternatives.
Practical Buying Recommendations
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For Entry-Level Enthusiasts Seeking Growth Potential: The Olympus E-PL3 is highly recommended; its interchangeable lenses, robust AF, and manual exposure controls will encourage learning and creative experimentation, supporting portrait, landscape, macro, and moderate action photography.
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For Casual Users Prioritizing Portability Over Quality: The Panasonic FS42 can serve as a compact backup or travel snapshot camera, though one should temper expectations regarding low-light and high-speed performance.
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For Video Shooters Needing HD Quality: The E-PL3 offers superior recording resolution and frame rates, albeit without professional audio connectivity.
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For Professionals or Advanced Amateurs: The E-PL3 is a credible option for a lightweight ‘walkaround’ or secondary system but ideally supplemented with more modern gear.
Closing Thoughts: A Tale of Two Cameras
In sum, the Olympus PEN E-PL3 emerges as the more capable, versatile, and forward-looking camera, especially for users willing to engage creatively with their equipment. Its sensor quality, autofocus sophistication, multi-lens adaptability, and manual exposure range outperform the Panasonic FS42’s snapshot-focused design in virtually all technical and genre-specific tests.
However, the FS42 holds its own as a true “point-and-shoot” for quick, no-fuss photography where convenience trumps craftsmanship - a market segment continuing to shrink as smartphones dominate.
Ultimately, choosing between these two should be governed by your personal photographic ambitions: if you yearn for a camera system that grows with you, delivers compelling image quality, and supports diverse shooting styles, the Olympus E-PL3 is the clear choice. If you want an ultra-compact, extremely lightweight camera for casual moments with no learning curve, the Panasonic FS42 may suffice.
This detailed comparison reflects hands-on experience, industry-standard testing methodologies, and an understanding of how technical specifications translate into real-world photographic performance. I encourage prospective buyers to carefully consider their shooting needs and workflows before investing - for the best user experience, pairing the right camera with your style and goals is paramount.
Olympus E-PL3 vs Panasonic FS42 Specifications
Olympus PEN E-PL3 | Panasonic Lumix DMC-FS42 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus PEN E-PL3 | Panasonic Lumix DMC-FS42 |
Type | Entry-Level Mirrorless | Ultracompact |
Launched | 2011-09-20 | 2009-04-17 |
Physical type | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Powered by | Truepic VI | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.5" |
Sensor measurements | 17.3 x 13mm | 5.744 x 4.308mm |
Sensor surface area | 224.9mm² | 24.7mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Peak resolution | 4032 x 3024 | 3648 x 2736 |
Highest native ISO | 12800 | 1000 |
Highest enhanced ISO | - | 6400 |
Minimum native ISO | 200 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 35 | - |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 33-132mm (4.0x) |
Highest aperture | - | f/2.8-5.9 |
Macro focus range | - | 5cm |
Number of lenses | 107 | - |
Focal length multiplier | 2.1 | 6.3 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3" | 2.5" |
Screen resolution | 460k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | HyperCrystal LCD AR(Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Min shutter speed | 60 secs | 60 secs |
Max shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shutter rate | 6.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 6.30 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/160 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 640x480 |
Video format | AVCHD, Motion JPEG | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 313 gr (0.69 pounds) | 132 gr (0.29 pounds) |
Physical dimensions | 110 x 64 x 37mm (4.3" x 2.5" x 1.5") | 98 x 55 x 22mm (3.9" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall score | 52 | not tested |
DXO Color Depth score | 20.9 | not tested |
DXO Dynamic range score | 10.3 | not tested |
DXO Low light score | 499 | not tested |
Other | ||
Battery life | 300 images | - |
Battery style | Battery Pack | - |
Battery model | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
Card slots | One | One |
Pricing at release | $399 | $580 |