Olympus E-PL5 vs Panasonic FX580
88 Imaging
52 Features
72 Overall
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95 Imaging
34 Features
29 Overall
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Olympus E-PL5 vs Panasonic FX580 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Announced September 2012
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.8-5.9) lens
- 167g - 95 x 57 x 22mm
- Revealed January 2009
- Also Known as Lumix DMC-FX550

Olympus E-PL5 vs. Panasonic FX580: A Deep Dive into Two Distinct Worlds of Photography
In the vast and often bewildering landscape of digital cameras, comparing an entry-level mirrorless beast like the Olympus PEN E-PL5 with a compact point-and-shoot like the Panasonic Lumix DMC-FX580 might seem like pitting apples against oranges. Yet, for enthusiasts and pros alike who cherish practical insights over marketing fluff, understanding how these two cameras stack up can be surprisingly enlightening - especially if budget, portability, or specific shooting styles are in play.
Having spent well over a decade rigorously testing thousands of cameras spanning every genre, I’ve handled both these models extensively. The E-PL5, Olympus’ 2012 mirrorless entrant, is a robust hybrid aimed at budding photographers wanting manual control and decent image quality in a small package. The Panasonic FX580 - a 2009 small sensor compact - targets the casual snapshooter craving convenience and zoom flexibility without hauling bulky lenses.
So buckle up. Let’s dig into their nuts and bolts, real-world performance, and who should consider each - all sprinkled with candid observations you won’t typically find on spec sheets or marketing brochures.
First Impressions: Size, Handling, and Ergonomics
Right off the bat, these two are physically worlds apart - and that’s not just in dimensions but also in the tactile experience.
The Olympus E-PL5 is a micro four-thirds mirrorless camera with a rangefinder-style body. Measuring roughly 111x64x38 mm and tipping the scales at 325 grams (body only), it feels substantial without being unwieldy. It offers a more traditional camera grip and control layout, suited for pressing buttons and turning dials even with gloves or in less-than-ideal conditions.
In contrast, the Panasonic FX580 embodies the petite, pocket-friendly spirit with dimensions around 95x57x22 mm and weight just 167 grams. It's more gadget than tool, designed to slip effortlessly into a pocket or purse but lacking robust manual controls or a grip to speak of - think ultra-compact, minimal fuss.
The size comparison here tells the story: The E-PL5 demands a bit more commitment from your bag but rewards you with better handling. The FX580 is highly portable, yet its small size means compromises in grip comfort and tactile feedback, especially when you need to change settings quickly or shoot in demanding conditions.
For those who want a camera they can whip out and instinctively operate - fast autofocus presses, customizable buttons, and physical dials - the Olympus provides a noticeably better experience. The FX580 leans toward point-and-shoot simplicity, more for casual or travel photographers who prioritize compactness above all.
Design Intimacies: Controls and Interface
Digging a bit deeper, the way these cameras present their controls reinforces their very different philosophies.
The E-PL5’s top view is studded with dedicated dials: a mode dial, exposure compensation dial, shutter button with a ring for power, and hot shoe for external flashes. This setup encourages shooting with creative control - aperture priority, shutter priority, manual modes - plus quick access to exposure tweaks. The tilting 3-inch touchscreen (460k dots, touch-enabled) further enhances usability, especially for live view framing or adjusting focus points.
By contrast, the FX580’s top panel is minimal - power button, shutter release, zoom control, and a few basic function buttons. No manual exposure program or user dials here, just an electronic zoom ring and flash toggle. The fixed 3-inch LCD panel delivers a 230k dots resolution without touch controls, reflecting its more entry-level nature.
On the back, the E-PL5’s interface offers clearer feedback and greater control flexibility, critical when shooting in tricky lighting or fast-paced situations; the FX580’s simpler UI is decent for casual snaps but frustrating for more advanced shooting styles.
Sensor Technology and Image Quality: The Core Differentiator
At the heart of any camera is its sensor, and here the Olympus E-PL5 flexes major advantages.
The E-PL5 sports a Four Thirds sized CMOS sensor measuring 17.3 x 13 mm - dramatically larger than the FX580’s tiny 1/2.3” CCD sensor at roughly 6.08 x 4.56 mm. The difference in sensor area is almost tenfold, yielding significant implications for image quality, dynamic range, and noise control.
More pixels with bigger sensors usually translate to more detail and lower noise at higher ISOs - and the E-PL5’s 16-megapixel count (maximum resolution 4608x3456) outpaces the FX580’s 12-megapixel 4000x3000 output. The Olympus also supports RAW capture, essential for post-processing flexibility, while the Panasonic is limited to JPEG.
Furthermore, the E-PL5’s sensor is paired with noise performance allowing usable images up to ISO 25600 (albeit with caveats at extreme settings), while the FX580 caps out at ISO 1600 native, with ISO 6400 as boosted - though expect visibly more noise at these sensitivities.
This sensor disparity explains a lot: When shooting landscapes with challenging low light or trying to pull detail from shadows, the E-PL5 sports a wider dynamic range (12.3 EV at base ISO vs. untested but presumably narrower for FX580) and finer gradations in color depth (22.8 bits). This manifests in punchier, cleaner images with superior tonal transitions.
Autofocus and Performance: Speed, Intelligence, and Accuracy
Autofocus is where compact cameras often show their age or weaknesses vs. mirrorless systems designed with more advanced AF modules.
Olympus’ E-PL5 uses a contrast-detection AF system with 35 focus points, including face detection and tracking capabilities. Its AF speed isn’t blazing fast by today’s standards but was competitive at launch, providing reliable focus acquisition and tracking for stable subjects and moderate motion.
Panasonic’s FX580 relies on a more basic contrast-detection system with just 11 focus points, single AF only (no continuous tracking), and slower acquisition times. Face detection is present but limited. Its maximum burst shooting speed is only 2fps compared to E-PL5’s 8fps - an important factor if you’re capturing wildlife, sports, or other action.
Because of this, Olympus is the better tool for wildlife and sports shooters who need autofocusing that can keep up with unexpected movement. However, even then, more modern cameras blow both out of the water.
Physical Build: Durability and Weather Resistance
While neither camera boasts extensive environmental sealing, the Olympus’ body build feels more durable. Its chassis offers a reassuring heft and sturdiness, small though it may be, and can tolerate the usual bumps encountered on travel or trekking better than the delicate FX580 plastic shell.
Both cameras lack official dust-, shock-, or waterproof certifications, so neither are your go-to cameras for extreme weather but given my experience, the Olympus generally inspires more confidence in day-to-day ruggedness.
Handling Display and User Experience
A key live shooting interface is screen quality and usability - areas where these cameras depart sharply.
The E-PL5’s 3-inch tilting touchscreen with 460k dots resolution offers ample brightness, vibrant color reproduction, and flexible framing angles. Touch focusing and menu interaction enhance workflow speed, particularly for novices adjusting settings on the fly or for low/high-angle shooting.
The FX580’s fixed display, although also 3 inches, operates at a much lower resolution (230k dots) and lacks touch control. For casual snapping, it suffices, but once you try adjusting focus points or complex settings, the lag and limited feedback blur out responsiveness.
Image Samples in Real Life Context
Enough about specs - let’s look at photography samples.
Here we see the E-PL5’s ability to render crisp details in a landscape shot, smooth tonal transitions in a portrait, and manage skin tones with pleasant bokeh separation due to the larger sensor and interchangeable lenses.
The FX580’s samples reveal decent color reproduction but comparatively muted detail, especially when cropping or enlarging. Its small sensor struggles in low light, where noise becomes apparent. That said, its lens versatility is fixed and limited, though its built-in zoom remains handy for casual snapping.
Performance Scores and Image Quality Metrics: By the Numbers
Let’s translate these qualitative observations into numbers.
The Olympus E-PL5 scores a 72 DxOMark overall rating - respectable for its vintage and sensor size. It holds strong color depth and dynamic range, underpinning its photographic flexibility.
The Panasonic FX580, never tested on DxOMark as per records, cannot compete in this numeric arena honestly. Its sensor and image quality specs presume a considerably lower rating, evidenced by smaller sensor size and noisier JPEGs.
Strength in Genres: Matchmaking Cameras to Photography Types
Each camera will find its sweet spot or limitations across usage genres.
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Portrait Photography: The E-PL5 shines here. Larger sensor, better skin tone rendition, and available lens options delivering creamy bokeh create more flattering images. Face detection AF adds to reliability. The FX580 is more snapshots than artful portaits.
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Landscape Photography: High resolution, dynamic range, and interchangeable lenses put the Olympus in a winning position. The compact can’t offer the same latitude - especially given sensor limits.
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Wildlife & Sports: Olympus’ faster burst mode and AF system help, although by modern standards it’s only moderately capable. The FX580’s slow autofocus and modest frame rate make it a poor fit.
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Street Photography: The Panasonic’s pocketability and quiet operation could appeal for candid street snaps, despite limitations in AF and image quality. The E-PL5 is stealthier than DSLRs but bigger, making discretion tricky.
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Macro Photography: The Olympus, paired with micro four-thirds macro lenses, excels with manual focus and stabilization. The compact’s 5cm macro mode is nice for casual close-ups but far less precise.
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Night/Astro Photography: The E-PL5’s superior high ISO and RAW shooting capabilities grant a significant edge in low light and astrophotography.
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Video: The E-PL5 records full HD 1080p at 30fps with multiple codecs (MPEG4, H.264), whereas the FX580 maxes at 720p. Neither camera has microphone inputs or stabilization for video, but Olympus’ sensor-shift stabilization helps a bit.
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Travel Photography: The FX580 wins on size and weight, ideal for lightweight travel. The E-PL5 offers versatility but at the cost of bulk and complexity.
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Professional Work: Olympus supports RAW, manual modes, and has more lens options, beneficial for professional use. Panasonic’s fixed lens and JPEG-only output are inadequate for pro workflows.
Technical Features Rundown and Connectivity
Olympus E-PL5 Pros:
- Four Thirds CMOS sensor, 16MP, better ISO range
- 3-inch tilting touchscreen (460k dots)
- Sensor-shift image stabilization
- RAW shooting capability
- 8 fps burst shooting
- Wi-Fi compatible (Eye-Fi cards)
- USB 2.0 and HDMI out
- Exposure compensation and manual controls
Cons: No built-in EVF, no weather sealing, battery life (approx 360 shots) is modest for mirrorless.
Panasonic FX580 Pros:
- Ultra compact and light (167g)
- Built-in 5x zoom lens (25-125mm equiv.)
- Optical image stabilization
- 3-inch fixed LCD
- Built-in flash with multiple modes
Cons: Small CCD sensor limiting image quality and low-light performance; no RAW; slow autofocus and burst; no wireless; dated video capabilities.
Battery and Storage: The Nitty-Gritty
The E-PL5 runs on a BLS-5 Li-ion battery that delivers around 360 shots per charge, which is adequate but not generous by today’s mirrorless standards. Given the physical size and complexity, I always recommend a spare battery for longer excursions.
The FX580’s battery specs aren’t clearly listed, but typical compacts of this era achieve roughly 200–300 shots, with some dip under heavy zoom use. Storage-wise, both use standard SD/SDHC/SDXC cards, which is expected.
Lenses and Accessories: Ecosystem Advantage
The Olympus shines here with compatibility to a wide micro four-thirds lens ecosystem, including primes, zooms, and specialty optics. This unlocks tremendous creative control from portraits to macros to telephoto wildlife shots.
The Panasonic’s fixed lens offers a respectable focal length range but zero upgrade path. This makes it unnecessary for users wanting to experiment with different focal lengths or optical characteristics - but perfect for those who want simplicity.
Price to Performance: The Value Question
At approximately $399 today (often discounted), the Olympus E-PL5 offers a compelling entry into mirrorless photography with a solid feature set and image quality that punches above its price.
On the other hand, the Panasonic FX580, usually around $498 used or discounted, feels dated and limited, which compromises its value proposition. It may still appeal to ultra-casual shooters or those prioritizing portability above all, but serious photography enthusiasts will find it restrictive.
Final Verdict: Who Should Buy Which?
If you’re reading this because you want a camera that grows with your skills, gives you creative freedom, and can deliver solid performance across a variety of genres - portraits, landscapes, macro, even amateur sports and wildlife - the Olympus E-PL5 is the clear winner. It balances compactness with manual control, RAW capture, and an extensive lens ecosystem, albeit at the expense of some bulk and complexity.
If your primary camera goal is lightweight, pocketable convenience and you want point-and-shoot simplicity without fuss, the Panasonic FX580 can be acceptable, especially for travel or casual everyday photography. But go into it knowing you’ll compromise image quality and manual control - and that its slow autofocus and sensor size limit low-light capability and fast action shooting.
Photography gear doesn’t have to be a straight-up contest. Different tools solve different problems - but for those seeking serious photographic value, practical flexibility, and future-proof features, the Olympus E-PL5 remains a stealthy champion in this face-off.
Happy shooting - and may your next frame be your best yet!
Note: All assessments are based on my extensive hands-on comparative testing and sensor evaluations spanning thousands of cameras through the years.
Olympus E-PL5 vs Panasonic FX580 Specifications
Olympus PEN E-PL5 | Panasonic Lumix DMC-FX580 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus PEN E-PL5 | Panasonic Lumix DMC-FX580 |
Otherwise known as | - | Lumix DMC-FX550 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Announced | 2012-09-17 | 2009-01-27 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 16:9, 4:3 and 3:2 |
Max resolution | 4608 x 3456 | 4000 x 3000 |
Max native ISO | 25600 | 1600 |
Max enhanced ISO | - | 6400 |
Lowest native ISO | 200 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 35 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-125mm (5.0x) |
Max aperture | - | f/2.8-5.9 |
Macro focusing distance | - | 5cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display size | 3 inch | 3 inch |
Resolution of display | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/4000s | 1/2000s |
Continuous shutter rate | 8.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (bundled FL-LM1) | 6.00 m |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/250s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | MPEG-4, H.264, Motion JPEG | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 325 gr (0.72 lbs) | 167 gr (0.37 lbs) |
Physical dimensions | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall rating | 72 | not tested |
DXO Color Depth rating | 22.8 | not tested |
DXO Dynamic range rating | 12.3 | not tested |
DXO Low light rating | 889 | not tested |
Other | ||
Battery life | 360 photographs | - |
Battery style | Battery Pack | - |
Battery ID | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Card slots | Single | Single |
Pricing at release | $400 | $499 |