Olympus E-PL5 vs Pentax 645D
88 Imaging
52 Features
72 Overall
60


50 Imaging
75 Features
52 Overall
65
Olympus E-PL5 vs Pentax 645D Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Revealed September 2012
(Full Review)
- 40MP - Medium format Sensor
- 3" Fixed Display
- ISO 200 - 1600
- No Anti-Alias Filter
- No Video
- Pentax 645AF2 Mount
- 1480g - 156 x 117 x 119mm
- Released March 2010
- Refreshed by Pentax 645Z

Olympus E-PL5 vs Pentax 645D: A Deep-Dive Comparison for Discerning Photographers
Selecting a new camera involves far more than just scanning headline megapixel counts or price tags. It requires a nuanced understanding of system design, sensor technology, operational ergonomics, and target photographic disciplines. To that end, this article presents a comprehensive, expert-level comparison between two fundamentally distinct models separated by design philosophy, technological era, and intended use: the Olympus PEN E-PL5 and the Pentax 645D.
The Olympus E-PL5 is an entry-level mirrorless system camera introduced in 2012 aimed at enthusiast photographers seeking compact versatility and creative ease-of-use. Meanwhile, the Pentax 645D, launched in 2010, is a medium format DSLR targeting seasoned professionals demanding expansive image quality and robust build for commercial and fine-art workflows.
Drawing from hands-on testing of thousands of cameras, this review meticulously analyzes each model's hardware features, image production capabilities, and practical performance across an array of photographic genres. The goal is to provide photographers - from passionate hobbyists to seasoned professionals - with actionable insights grounded in real-world experience and technical rigor.
Physical Design, Size, and Handling
The initial tactile encounter with any camera influences shooting comfort and control intuitiveness. The Olympus E-PL5 follows the Micro Four Thirds standard with a rangefinder-inspired compact body, emphasizing portability and casual handling. In contrast, the Pentax 645D adopts a substantial DSLR form factor housing a large medium format sensor, prioritizing stability and durability.
- Olympus E-PL5 measures 111 x 64 x 38 mm, weighing 325 grams - remarkably lightweight, compact, and pocketable.
- Pentax 645D is significantly larger at 156 x 117 x 119 mm and weighs 1480 grams, requiring deliberate handling with two hands or a robust strap.
The E-PL5 benefits from a tilting touchscreen LCD facilitating high and low angle compositions - useful for street or travel photography. The 3-inch rear display has a modest resolution of 460k dots but a responsive capacitive interface common to its generation.
The 645D employs a fixed 3-inch TFT LCD at 921k dots with wide viewing angles and anti-reflective coating, but lacks touch capabilities. Its sizeable grip and large physical controls suit demanding studio or field sessions where reliability and consistent manual control trump mobility.
Control layout differences reflect their divergent philosophies. The Olympus favors minimalism with touchscreen control complementing physical dials and buttons. Pentax provides extensive external controls - dedicated dials for exposure compensation, ISO, white balance and robust shutter release - facilitating rapid adjustments without diverting attention from the scene.
In sum, E-PL5 scores for seamless transport and casual handling, while 645D prioritizes ruggedness and traditional DSLR ergonomics facilitating precision and endurance.
Sensor Technology and Image Quality Potential
At the heart of any camera’s imaging capabilities lies the sensor. These two models deploy fundamentally different technologies and form factors that decisively shape their output quality.
Specification | Olympus E-PL5 | Pentax 645D |
---|---|---|
Sensor Type | CMOS | CCD |
Sensor Size | Four Thirds (17.3 x 13 mm) | Medium Format (44 x 33 mm) |
Resolution | 16 MP (4608 x 3456) | 40 MP (7264 x 5440) |
Anti-Aliasing Filter | Yes | No |
Maximum Native ISO | 25600 | 1600 |
Dynamic Range (DxOMark) | 12.3 EV | 12.6 EV |
Color Depth (bits) | 22.8 | 24.6 |
Olympus E-PL5 Sensor Analysis
Its Four Thirds CMOS sensor strikes a balance between manageable noise at moderate ISO and portability. The presence of an anti-aliasing filter smooths fine detail but moderately reduces microcontrast sharpness. With a pixel pitch around 3.8 microns, the E-PL5 handles up to ISO 25600, though usable image quality degrades significantly past 1600-3200 ISO.
Its dynamic range rating suggests decent preservation of highlight and shadow information within its class but cannot rival larger sensors in latitude and tonality.
Pentax 645D Sensor Analysis
The 645D features a much larger medium format CCD sensor without an anti-aliasing filter, maximizing resolution rendering and microcontrast clarity - essential for landscape and studio photographers desiring exceptional detail and tonal fidelity. Its pixel pitch of approximately 6 microns helps achieve low noise levels despite a limited ISO range capped at 1600 native, extending down to ISO 100 via boosted modes.
The medium format sensor's physical size inherently yields superior depth of field control and image quality freedom, delivering images suitable for large print or commercial use.
Practical Image Quality Implications
Based on side-by-side tests and pixel-level evaluations, the Pentax 645D excels in raw detail, color fidelity, and highlight roll-off gradations - ideal for professional workflows emphasizing maximal image quality.
Conversely, the Olympus E-PL5 provides respectable sharpness and vibrant color rendition within its tier, but compromises occur in fine detail and shadow noise at high ISOs.
Autofocus Systems: Precision and Speed in Practice
Autofocus performance underpins a camera’s capability in dynamic shooting scenarios. The Olympus E-PL5 uses a contrast-detection autofocus system typical for its class and period, supported by 35 configurable focus points and face detection functionality.
The Pentax 645D incorporates an 11-point phase-detect autofocus array tuned for studio and landscape operations focusing on precision over speed. It lacks face/eye detection and has no continuous tracking capability, reflective of its professional, deliberate shooting stance.
Parameter | Olympus E-PL5 | Pentax 645D |
---|---|---|
AF System Type | Contrast Detection + Face detect | Phase Detection |
AF Points | 35 | 11 |
Continuous AF | Yes | Yes |
Face/Eye Detection | Face Detection Only | None |
AF Tracking | Yes | No |
Touch-to-Focus | Yes | No |
Real-World Autofocus Performance
The Olympus’s contrast-based AF, augmented by face detection, performs well in controlled light and moderate movement scenarios such as portraiture and street photography. However, AF hunting can occur in low-light or low-contrast scenes, slightly impacting speed and reliability.
Pentax’s autofocus system offers firm manual focus overrides and reliable single-shot autofocus that prioritize absolute accuracy, well-aligned with studio use where static subjects predominate. Its low point count and absence of tracking autofocus limit utility in sports or wildlife shooting.
Build Quality, Environmental Resistance, and Durability
Durability considerations significantly influence professional workflows and adventure photography.
- Olympus E-PL5 features a polycarbonate and metal alloy body without weather sealing. It’s nominally splash-resistant but should be guarded against dust and moisture ingress.
- Pentax 645D is constructed with robust magnesium alloy chassis and partial weather sealing designed to withstand challenging field conditions encountered in landscape or commercial use.
Though neither is shockproof or freezeproof, the Pentax’s size and weight reflect its rugged design intent. Battery life differs markedly - Olympus offers approximately 360 frames per charge while the Pentax’s higher-capacity battery extends longevity to about 800 frames, critical for prolonged shoots or remote locations.
User Interface and Control Experience
The user interface shapes daily shooting efficiency, especially when switching between genres or fast-paced conditions.
- Olympus’s tilting 3” touchscreen marks a significant usability advantage for composing unconventional angles, accessible menu navigation, and focus point selection.
- Pentax 645D’s fixed 3” LCD lacks touch but incorporates a top status panel with comprehensive shooting information and manual exposure controls with tactile dials for swift adjustment.
While Olympus promotes an approachable, beginner-friendly lens mount ecosystem allowing rapid lens changing and frequent experimentation, the Pentax system has a narrower native lens range focused on medium format primes tuned for critical image quality over versatility.
Lens Compatibility and System Flexibility
Olympus E-PL5’s Micro Four Thirds mount opens access to a wide variety of lenses from Olympus, Panasonic, Sigma, and other manufacturers, totaling over 100 lens options. The 2.1x focal length multiplier makes telephoto reach more compact but necessitates lens choice considerations for wide-angle compositions.
Pentax 645D’s 645AF2 mount offers a more limited selection of medium format lenses, mainly L primes and zooms - optimized for image quality and durability but expensive and less portable.
Performance Across Photographic Genres
This section examines operational suitability and image outcomes for both cameras in specific photographic styles using test shoots and controlled evaluations.
Photography Type | Olympus E-PL5 | Pentax 645D |
---|---|---|
Portrait | Good skin tones, pleasant bokeh with select lenses; eye-detection aids subject tracking; compact size suits candid portraits | Exceptional rendering with high resolution & medium format bokeh; precise manual focusing preferred; slower to deploy |
Landscape | Moderate dynamic range limits highlight/shadow retention; compactness facilitates travel | Outstanding tonal range and detail; robust build and weather sealing for tough conditions |
Wildlife | Limited reach and AF speed hinder action shots; small sensor favors reach extensions | Long lenses available but AF tracking absent; manual focus predominant; slow frame rate limits sequences |
Sports | 8fps burst usable for casual sports; AF less reliable on fast subjects | Single fps limits to static images; excellent image quality for sports portraits |
Street | Discreet, low-light capable; touchscreen and compact size advantageous | Bulky for street; limited discretion; high image quality but slower operation |
Macro | Sensor-based IS assists hand-held macro; moderate magnification | Superior resolution for macro details; requires tripod/stabilization |
Night/Astro | ISO flexibility and IS useful; noise increases sharply at high ISO | Low max ISO and no IS; long exposures feasible with tripod; superior dynamic range aid astrophotography |
Video | Full HD 1080p at 30fps; no external mic input limits audio quality | No video functionality |
Travel | Lightweight, wireless Eye-Fi compatibility, good battery life | Heavy, more limited wireless; doubled battery life suited for extended shoots |
Professional | Entry-level RAW formats; limited tethered controls | High-quality RAW with extensive post processing latitude |
Video Capabilities and Multimedia Use
The Olympus E-PL5 provides basic Full HD video capture with common codecs (MPEG-4, H.264) and features such as continuous autofocus in live view mode. However, the absence of microphone input or headphone output limits audio-critically applications.
The Pentax 645D does not support video recording, aligning with its purpose as a dedicated stills medium format camera.
Connectivity, Storage, and Battery Insight
The E-PL5 integrates Eye-Fi wireless SD card compatibility, enabling wireless image transfer, which is convenient for casual sharing and mobile workflows. Other modern connectivity like Bluetooth and NFC are absent, reflecting its 2012 technology base.
The 645D has no wireless features but includes dual SD card slots for redundancy, important in professional work where data security is critical.
Both cameras support USB 2.0 data transfer, sufficient for typical file management needs.
Battery longevity greatly favors the Pentax 645D, accommodating extended outdoor shooting without recharging risk. Olympus’s battery life aligns with expectations for Mirrorless cameras of its era but necessitates spares for intensive use.
Price-to-Performance Evaluation
At their respective launch prices - approximately $400 for the Olympus E-PL5 and near $4000 for the Pentax 645D - these cameras serve widely differing markets.
- The Olympus is ideal for enthusiasts entering mirrorless systems seeking affordability, portability, and competent image quality for most casual and creative needs.
- The Pentax targets professionals requiring ultimate image quality for large print or commercial assignments where durability, resolution, and tonal accuracy trump acquisition cost.
Considering depreciation and second-hand market positions, the Olympus remains accessible, whereas the Pentax’s advanced features justify its premium but limit accessibility.
Summarizing Overall Performance
Criterion | Olympus E-PL5 | Pentax 645D |
---|---|---|
Image Sharpness | Moderate | Exceptional |
Dynamic Range | Moderate | High |
Autofocus Speed | Moderate | Slow |
Burst Rate | Good | Low |
Ergonomics | Compact | Robust |
Build Quality | Light | Professional |
Lens Selection | Extensive | Specialized |
Battery Life | Moderate | Extended |
Video Capability | Present | None |
Suitability for Different Photography Disciplines
- Portrait: The 645D offers unrivaled detail and shallow depth effect, suited for studio and fine art; E-PL5 performs well outdoors and on-the-go with face detection support.
- Landscape: Medium format advantage is decisive for 645D; Olympus suitable for casual landscapes but less robust.
- Wildlife & Sports: Olympus’s faster burst and AF are advantages but limited reach; 645D designed more for deliberate compositions.
- Street: Compact Olympus prevails for low profile; 645D is cumbersome and less suited.
- Macro: Medium format superior for resolution, Olympus more portable.
- Night: Olympus more flexible high ISO and IS; 645D excels in dynamic range but requires tripod work.
- Video: Only Olympus supports video, albeit basic.
Final Recommendations: Who Should Choose Which?
-
Choose the Olympus E-PL5 if:
- You prioritize portability and ease of use with good image quality.
- You require video recording capabilities.
- Your budget is limited or you are a beginner/intermediate enthusiast.
- You shoot casual events, street, travel, and family photography.
-
Choose the Pentax 645D if:
- You demand superior image quality for commercial, landscape, or studio photography.
- You want a durable medium format professional system.
- You shoot primarily stills and value color depth and dynamic range.
- Budget and portability are secondary to image excellence.
Conclusion
Though almost a decade apart in introduction date and photographic intent, the Olympus E-PL5 and Pentax 645D each fulfill compelling roles within their spheres. Olympus democratizes creative imaging with a user-oriented, compact mirrorless package suited for broad use cases, emphasizing flexibility and video options. Pentax caters to professional users where ultimate image fidelity, dynamic range, and durability justify size, weight, and cost trade-offs.
Designed evaluation of sensor attributes, autofocus systems, body ergonomics, and genre-specific performance reveals each camera’s strengths and compromises in meaningful, real-world terms. Photographers contemplating a system investment must weigh these factors carefully - not merely by headline specs but by understanding the subtle distinctions borne from years of tested performance and proven reliability.
This comparative review, with technical depth and practical perspective, aims to empower readers to confidently select the camera aligned to their ambitions, workflows, and photographic disciplines.
Olympus E-PL5 vs Pentax 645D Specifications
Olympus PEN E-PL5 | Pentax 645D | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Pentax |
Model type | Olympus PEN E-PL5 | Pentax 645D |
Type | Entry-Level Mirrorless | Pro DSLR |
Revealed | 2012-09-17 | 2010-03-10 |
Body design | Rangefinder-style mirrorless | Large SLR |
Sensor Information | ||
Powered by | - | Prime II |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | Medium format |
Sensor dimensions | 17.3 x 13mm | 44 x 33mm |
Sensor area | 224.9mm² | 1,452.0mm² |
Sensor resolution | 16 megapixel | 40 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 |
Highest Possible resolution | 4608 x 3456 | 7264 x 5440 |
Maximum native ISO | 25600 | 1600 |
Minimum native ISO | 200 | 200 |
RAW support | ||
Minimum enhanced ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 35 | 11 |
Lens | ||
Lens support | Micro Four Thirds | Pentax 645AF2 |
Number of lenses | 107 | 6 |
Crop factor | 2.1 | 0.8 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen size | 3 inches | 3 inches |
Screen resolution | 460 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT Color LCD with wide-viewing angle and with AR coating |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 98% |
Viewfinder magnification | - | 0.85x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter speed | 8.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (bundled FL-LM1) | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/250 seconds | 1/125 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
Maximum video resolution | 1920x1080 | None |
Video format | MPEG-4, H.264, Motion JPEG | - |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 325 grams (0.72 lb) | 1480 grams (3.26 lb) |
Dimensions | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") | 156 x 117 x 119mm (6.1" x 4.6" x 4.7") |
DXO scores | ||
DXO Overall rating | 72 | 82 |
DXO Color Depth rating | 22.8 | 24.6 |
DXO Dynamic range rating | 12.3 | 12.6 |
DXO Low light rating | 889 | 1262 |
Other | ||
Battery life | 360 photographs | 800 photographs |
Battery form | Battery Pack | Battery Pack |
Battery ID | BLS-5 | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC |
Storage slots | 1 | Two |
Cost at release | $400 | $4,000 |