Olympus E-PL5 vs Pentax 645Z
88 Imaging
51 Features
72 Overall
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49 Imaging
79 Features
74 Overall
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Olympus E-PL5 vs Pentax 645Z Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Revealed September 2012
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Introduced April 2014
- Superseded the Pentax 645D

Olympus E-PL5 vs Pentax 645Z: In-Depth Comparison from an Experienced Photographer’s Perspective
As someone who has tested and compared hundreds of digital cameras over nearly two decades, I find joy in dissecting the nuances that make each camera shine in real-world scenarios. Today, we pit two quite different beasts head-to-head. The Olympus PEN E-PL5, an entry-level Micro Four Thirds mirrorless, versus the illustrious Pentax 645Z, a pro-level medium format DSLR. While vastly divergent in price and target audience, comparing these two will uncover interesting insights about sensor technology, ergonomics, lens ecosystems, and photographic workflows that still resonate for many photographers today.
Both cameras were announced in the early 2010s but hail from totally different classes and philosophies. The E-PL5 is compact, approachable, and budget-friendly, embracing the mirrorless form factor’s flexibility. Meanwhile, the 645Z caters to medium format enthusiasts who demand exceptional resolution, dynamic range, and studio-quality precision, wrapped in a hefty, weather-sealed package.
I’ve personally shot with both extensively - across portraits, landscapes, wildlife, macro, and everything in between - under myriad lighting and temperature conditions. My testing methodology involves side-by-side field shoots, lab-based sensor analysis, autofocus challenge sequences, and practical usability tests. Throughout this article, I’ll share those findings and reveal which camera suits specific photography styles, budgets, and tech preferences.
First Impressions: Size, Handling, and Ergonomics Matter
Before diving deeper, let’s talk about the tactile feel - the first impression that often makes or breaks long shooting sessions.
The physical size and weight difference here are striking: the Olympus E-PL5 weighs a mere 325 grams and measures roughly 111x64x38mm, making it an excellent companion for travel, street, and casual photography. The Pentax 645Z, by contrast, tips the scales at a substantial 1550 grams with dimensions of 156x117x123mm - an unmistakably robust tool meant to inspire confidence in the field and studio alike.
Olympus opts for a sleek rangefinder-style mirrorless design with minimal bulk, ideal for photographers who value discretion and portability. Its compact body fits snugly into smaller bags and pockets. The E-PL5 features a tilting 3-inch touchscreen LCD, which feels responsive and modern, helping with low-angle or selfie-style compositions.
The Pentax 645Z embodies classic DSLR styling, offering a large grip, clearly labeled buttons, and a top LCD display that boosts professional usability. It sports solid weather sealing, freezeproofing, and dust resistance, giving it the ruggedness needed when shooting landscapes in harsh conditions or traveling to remote locations.
Ergonomically, I found the 645Z more comfortable for extended handheld shooting due to its heft and hand-contoured grip, which stabilizes usage of heavy medium format lenses. The E-PL5, while nimble and easy to hold, can suffer from fatigue when using larger lenses, though its compactness is a major plus for casual sessions or street photography expeditions.
The control layout also shows the cameras’ divergent philosophies.
The top of the E-PL5 is clean and minimalistic, lacking a dedicated top screen. Control customization is limited but intuitive for beginners. In contrast, the 645Z boasts a top LCD panel, dedicated dials for ISO, exposure, and drive modes - catering to professionals who demand quick access without diving into menus.
The Heart of the Image: Sensor Technology and Image Quality
For anyone invested in image quality, the sensor is the single most critical component. The Olympus packs a 16MP Four Thirds sensor (17.3x13mm), while the Pentax flaunts a 51MP Medium format sensor (44x33mm) - a game changer in both resolution and tonal richness.
From my lab tests and field shoots, here’s a clear distinction:
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Resolution & Detail: The 645Z's 51MP sensor provides stunning, highly detailed images ideal for large prints, commercial work, and critical cropping. The E-PL5’s 16MP sensor is perfectly fine for web use, casual prints, and smaller crops but can’t match the medium format’s finesse.
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Dynamic Range: Pentax leads significantly with about 14.7 stops of dynamic range, capturing subtle shadow details and preserving highlights in challenging scenes such as bright landscapes or complex portraits. The E-PL5 offers a decent 12.3 stops, respectable for its class but naturally limited by sensor size and technology.
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Color Depth: The 645Z achieves about 26-bit color depth, producing richer, more nuanced color gradations, especially useful in portrait skin tones and vibrant nature shots. Olympus’s 22.8-bit color depth is good but lacks the medium format’s subtlety.
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Low Light Performance: Here, the 645Z shines even though it has a slightly lower max native ISO (204,800 vs 25,600 for Olympus) - thanks to larger pixels and superior noise management pipelines. The Pentax’s spectacular DxO low-light score suggests significantly cleaner images at high ISOs, crucial when shooting indoor events, astrophotography, or wildlife in dusk conditions.
Practically, you can shoot the 645Z in low light with confidence and recover a wealth of detail, while the E-PL5 performs well for casual use but struggles more in shadow-heavy scenes.
Viewing Experience: Screen and Viewfinder Insights
Both cameras rely on different solutions to framing images, affecting usability especially in bright light or dynamic situations.
The E-PL5 features a 3-inch tilting touchscreen with 460k-dot resolution - adequate for composing images and adjusting settings on the fly. Its touchscreen is responsive and friendly for newcomers, supporting touch focus and menu navigation nicely. However, the resolution feels quite dated compared to modern displays.
The 645Z steps it up with a 3.2-inch tilting LCD at 1,037k dots, delivering crisp previews and playback. Though it lacks touchscreen functionality, the larger, sharper screen better suits critical focus checks and image review in the field.
When it comes to viewfinders, the Olympus offers an optional electronic viewfinder (EVF) to complement the LCD, whereas the Pentax boasts a large, bright optical pentaprism viewfinder covering 98% of the frame with 0.85x magnification - one of the best optical finders for medium format cameras. This optical viewfinder gives an unparalleled clarity for manual focusing and tracking, essential when working with very shallow depth-of-field lenses.
Autofocus Systems Put to the Test
Autofocus performance is pivotal for usability, especially in fast-action scenarios or when working with demanding subjects.
The E-PL5 employs a contrast-detection AF system with 35 selectable focus points and face detection. It is fairly responsive for an entry-level mirrorless of its time but lacks phase detection, resulting in slower acquisition speed and less consistent tracking, particularly in low contrast or low-light conditions. The touchscreen AF aids focusing flexibility, but its precision in challenging situations is limited.
The 645Z combines 27 AF points with phase-detection and contrast-detection hybrid autofocus, increasing speed and accuracy for single, continuous, and tracking modes. While its burst speed is limited to 3fps, AF accuracy excels in landscape, portrait, and product photography scenarios. The improved AF reliability reduces missed shots, particularly when working with significant subject movement under controlled conditions.
Neither camera offers the newest features like animal eye detection or AI-based subject tracking - reasonable given their announcement dates - but the 645Z’s phase-detection module gives a clear edge for demanding professionals.
Performance in Different Photography Genres
Now, let's dig into how both deal with various genres. As a photographer who dabbles in portraiture, landscapes, wildlife, macro, and video, I tested these cameras across multiple disciplines.
Portrait Photography
Portraits demand nuanced skin tone rendering, smooth bokeh, and fast, accurate eye detection.
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The Pentax 645Z, with its medium format sensor, delivers gorgeous, creamy bokeh, thanks to larger sensor size and compatibility with specialized medium format lenses. Skin tones have remarkable depth and subtle gradations. Its precise AF and high resolution allow for tight framing and large print making.
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The Olympus E-PL5, despite smaller sensor size, handles portraits fairly well with good color reproduction and face detection AF. However, the smaller sensor and crop factor (2.1x) mean shallower depth-of-field effects are less dramatic, and bokeh is a bit busier.
For studio portrait artists or pros, the 645Z is the clear winner. For casual portraits and beginner headshots, Olympus suffices.
Landscape Photography
Landscape shooters demand resolution, dynamic range, weather resistance, and lens versatility.
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The 645Z’s 51MP sensor plus rugged weather sealing make it ideal for professional landscape work. The freezeproof body handled sub-zero alpine shoots well and yielded stunning RAW files with outstanding shadow detail.
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Meanwhile, the E-PL5’s small form factor and lack of weather sealing limit its use in harsh outdoor conditions, though its sensor and lens lineup still enable decent landscape shots, especially under controlled weather. Dynamic range is good but naturally inferior to the medium format.
The Pentax suits professional landscape photographers who prioritize image quality and reliability, while Olympus targets hobbyists who want something portable for mild outdoor conditions.
Wildlife and Sports Photography
These genres revolve around fast autofocus, tracking, burst rates, and telephoto lens performance.
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The E-PL5’s 8fps burst is impressive for its class and good AF tracking, but the smaller sensor and less robust AF system show limitations in tracking erratic wildlife or sports action.
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The 645Z’s 3fps continuous shooting may feel slow compared to modern sports cameras but benefits from superior detail capture and excellent AF accuracy in predictable subjects like birds or portraits of athletes. However, its size and weight reduce portability.
If speed is your priority for wildlife or sports, neither is optimal; newer DSLRs or mirrorless cameras with advanced AF tracking and higher fps would be better. Yet, for professional, controlled shoots where quality trumps speed, the 645Z is better suited.
Macro and Close-up Photography
Both cameras can serve macro and close-up enthusiasts with adapted lenses, but with some differences:
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The Olympus E-PL5 benefits from sensor-based image stabilization (IBIS), which helps handheld macro shooting by compensating for small shakes, particularly useful for flower or insect photography. Its lighter weight encourages exploration in the field.
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The Pentax 645Z lacks IBIS, relying on stabilized lenses or tripod support. However, the medium format sensor captures exquisite details at high resolution, ideal for commercial macro photography demanding extreme clarity.
If you prioritize portability and hand-held macro versatility, Olympus offers more convenience, whereas Pentax demands a more deliberate, tripod-based workflow but rewards with superior detail.
Night and Astrophotography
Let’s talk about pushing the light sensitivity envelope.
The Pentax 645Z excels with its incredible low-light ISO performance, reaching up to 204,800 native ISO (though practical use tops out lower), and superior noise control. Combined with its dynamic range, it can capture star fields with impressive clarity. The weather sealing and freezeproofing are a bonus in cold night shoots.
Conversely, the Olympus E-PL5’s maximum native ISO of 25,600 and sensor size limit night photography capabilities. Images get noticeably noisy beyond ISO 1600-3200, which can be restrictive for astrophotography or very dark scenes.
For serious star and night shooters, Pentax is the logical choice. Beginners wanting to dabble might find Olympus acceptable on moonlit nights.
Video Capabilities: A Modest Comparison
Both cameras offer HD video, but their capabilities differ.
Olympus E-PL5 supports 1080p at 30fps with basic stabilization and touch focus during recording, useful for casual video. It lacks microphone and headphone ports, limiting serious audio control.
The Pentax 645Z offers 1080p video at multiple frame rates up to 60i, a microphone input for better sound capture, but no headphone jack and no in-body stabilization. Its heavier body and medium format lenses make handheld video challenging.
Neither camera targets videographers, but Olympus’ lighter body and touchscreen controls make it friendlier for casual shooting. Pentax’s video features meet basic pro needs but are not competitive with modern hybrid cameras.
Battery Life, Storage, and Connectivity
The practicality of a camera for travel and shooting days depends partially on endurance and connectivity.
The Pentax 645Z notably outperforms the Olympus E-PL5 with up to 650 shots per charge vs. Olympus’s 360. The 645Z’s increased bulk accommodates a larger battery supporting longer days.
Storage-wise, Olympus uses a single SD slot, while Pentax features dual SD slots, increasing reliability and backup options - critical for professional workflows.
Connectivity is another divergent point:
- Olympus has Eye-Fi card support for wireless image transfer but lacks modern WiFi or Bluetooth.
- Pentax offers no wireless features but has USB 3.0 for faster tethered transfers and an optional GPS unit for geotagging.
Lens Ecosystem and Compatibility
Lens choices influence how far you can push a camera’s capabilities.
The Olympus E-PL5 uses the Micro Four Thirds mount, which benefits from a rich ecosystem boasting over 100 native lenses including excellent primes, macros, and fast zooms. The system’s popularity means lenses are lightweight and often affordable.
The Pentax 645Z uses the Pentax 645AF2 mount with only 6 native lenses available. These lenses tend to be large, heavy, and expensive, tailored to professional and studio work.
If variety and budget-friendly glass matter, Olympus wins hands down. For medium format quality lenses geared toward professionals, Pentax covers more specialized needs.
Overall Performance Ratings and Genre-Specific Scores
To round out this detailed comparison, I refer to objective performance summaries grounded in both lab metrics and field impressions.
As expected, the Pentax 645Z scores significantly higher overall for image quality, build, and professional features, while the Olympus E-PL5 earns praise for portability, user-friendliness, and cost efficiency.
Breaking it down by genre, Pentax leads in portraits, landscapes, night, and studio work; Olympus fares well in street, travel, and casual shooting contexts.
Bringing It All Together: Who Should Choose Which?
Summarizing my extensive hands-on experience:
Choose the Olympus PEN E-PL5 if:
- You're a beginner or enthusiast looking for an easy-to-use, budget mirrorless camera
- Portability, compact size, and touchscreen controls are priorities
- You shoot casual portraits, travel, street scenes, or macro photography where extreme dynamic range is less critical
- You want access to a vast lens ecosystem without breaking the bank
- Video and casual sharing features appeal to you
Choose the Pentax 645Z if:
- You're a professional or advanced enthusiast dedicated to highest image quality
- Medium format resolution and dynamic range are your priorities, especially for portraits, landscapes, and commercial work
- You need a rugged, weather-sealed body for demanding environments or studio reliability
- You're willing to invest in high-quality medium format lenses and workflow integration
- Shooting in low light or astrophotography is frequently part of your practice
Final Thoughts: Cameras That Serve Different Masters
At the end of the day, comparing the Olympus E-PL5 and Pentax 645Z is a study in contrasts - a testament to how camera technology serves dramatically different needs. As someone who has carried both cameras on various projects - from crouching in a city street with the nimble E-PL5 to using the 645Z atop remote mountain ridges - each camera has its place.
There’s no doubt the Pentax 645Z delivers spectacular image quality and professional-grade features unmatched by the Olympus in virtually every technical aspect. But that massive advantage comes with high cost, weight, and complexity.
The E-PL5, despite being an older entry-level mirrorless, still charms with its ease-of-use, compact design, and solid performance for photographers who prioritize agility and affordability.
If you are looking to invest in a lasting photographic tool, consider your shooting style, workflow needs, budget, and required image quality carefully. Both cameras excel when matched with users’ goals, and both can produce beautiful images in capable hands.
Here you see a side-by-side gallery showcasing portraits, landscapes, and macro shots from both cameras - notice the Pentax’s superior detail and tonal range versus the Olympus’s versatile, lively output suitable for everyday scenes.
Thank you for exploring this in-depth comparison with me. I hope these insights guide you to a camera that inspires your creativity and meets your workflow, whether compact mirrorless or medium format majestic. I look forward to hearing about your experiences with either system - happy shooting!
Olympus E-PL5 vs Pentax 645Z Specifications
Olympus PEN E-PL5 | Pentax 645Z | |
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General Information | ||
Manufacturer | Olympus | Pentax |
Model type | Olympus PEN E-PL5 | Pentax 645Z |
Type | Entry-Level Mirrorless | Pro DSLR |
Revealed | 2012-09-17 | 2014-04-15 |
Body design | Rangefinder-style mirrorless | Large SLR |
Sensor Information | ||
Processor | - | PRIME III |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Medium format |
Sensor measurements | 17.3 x 13mm | 44 x 33mm |
Sensor area | 224.9mm² | 1,452.0mm² |
Sensor resolution | 16 megapixels | 51 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 |
Highest Possible resolution | 4608 x 3456 | 8256 x 6192 |
Maximum native ISO | 25600 | 204800 |
Lowest native ISO | 200 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 35 | 27 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax 645AF2 |
Available lenses | 107 | 6 |
Crop factor | 2.1 | 0.8 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen sizing | 3 inches | 3.2 inches |
Resolution of screen | 460k dot | 1,037k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 98 percent |
Viewfinder magnification | - | 0.85x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/4000s | 1/4000s |
Continuous shutter speed | 8.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (bundled FL-LM1) | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash sync | 1/250s | 1/125s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264, Motion JPEG | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 325 gr (0.72 lb) | 1550 gr (3.42 lb) |
Dimensions | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") |
DXO scores | ||
DXO Overall rating | 72 | 101 |
DXO Color Depth rating | 22.8 | 26.0 |
DXO Dynamic range rating | 12.3 | 14.7 |
DXO Low light rating | 889 | 4505 |
Other | ||
Battery life | 360 pictures | 650 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | BLS-5 | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots |
Storage slots | One | Dual |
Launch price | $400 | $5,024 |