Olympus E-PL5 vs Sony A560
88 Imaging
51 Features
72 Overall
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64 Imaging
53 Features
78 Overall
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Olympus E-PL5 vs Sony A560 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Revealed September 2012
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800 (Raise to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Released August 2010
- Replaced the Sony A500
Meta to Introduce 'AI-Generated' Labels for Media starting next month Olympus E-PL5 vs. Sony A560: A Hands-On Comparison from the Trenches of Photography
Choosing the right camera often boils down to understanding how a device aligns with your personal photography style, and no comparison better highlights this than the Olympus PEN E-PL5 and the Sony Alpha DSLR-A560. Both hailing from the early 2010s and targeting the entry-level market, these two cameras adopt distinct philosophies - mirrorless compactness versus DSLR heft and tradition.
Having extensively tested these models in multiple scenarios over many years, I’ll walk you through the nuances that set them apart, pairing specs with lived experience. This is a deep dive where silicon meets shutter speed, ergonomics meet environment, and hands-on usability matters as much as pixel counts.
Handling and Physical Design: Compact Mirrorless vs. Classic DSLR
First impressions matter, and the physical feel of a camera shapes long shooting sessions, multitasking, and those spur-of-the-moment shots.

The Olympus E-PL5 carries the hallmark of Micro Four Thirds mirrorless design - slim, lightweight, and decidedly pocketable at 325 grams and compact dimensions of 111x64x38 mm. Its rangefinder-style design with a tilting touchscreen lends itself particularly well to street photography, travel, and casual shooting, especially when you want to remain unobtrusive. The tilting 3-inch touchscreen (460k dots) is responsive, intuitive, and genuinely a pleasure for framing tricky angles or quick menu navigation.
Contrast that with the Sony A560, a compact DSLR that weighs nearly twice as much (599 grams) and measures a more substantial 137x104x84 mm. It’s a bulkier proposition, with a traditional pentamirror optical viewfinder and a robust grip that’s comfortable for extended handheld shooting. The 3-inch tilting LCD with 922k dots is a highlight - though less flexible without touch control, its higher resolution and greater brightness lend confidence when checking focus or playback outdoors.
Both cameras offer thoughtfully designed control layouts, but while the Sony shoulders more dedicated physical buttons and dials, the Olympus’s simpler interface suits those who prefer touchscreen interaction.

In sum, if pocketability and street discreteness are key, the E-PL5’s size and touchscreen tilt the scales. If you prefer traditional handling with an optical finder and a more reassuring grip, Sony’s DSLR form factor wins out.
Sensor and Image Quality: Different Formats, Different Strengths
The sensor often defines image quality, color rendition, noise handling, and dynamic range - the heart of what separates one camera from another.

The Olympus E-PL5 features a 16MP Four Thirds sensor (17.3x13 mm), while the Sony A560 houses a 14MP APS-C sensor (23.5x15.6 mm). The APS-C sensor is about 63% larger in surface area, which traditionally translates to better low-light performance and dynamic range - at least on paper. According to DxOMark benchmarks, both score a similar overall score (~70-72), with identical dynamic range at base ISO of 12.3 EV, but slight edges in color depth and low-light ISO favor Olympus due to newer sensor tech and processing pipelines in the E-PL5.
In practical shooting, this means:
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Olympus E-PL5 delivers crisp images with fine detail in good light, boasting finer color gradations thanks to a slightly higher color depth (22.8 bits). Its 2.1x crop factor can be a double-edged sword; it helps with telephoto reach but limits wide-angle coverage.
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Sony A560’s APS-C sensor, with its 1.5x crop factor, captures more light per pixel, offering a richer signal-to-noise ratio at higher ISO settings. In dim environments, the Sony delivers cleaner images and smoother gradations, though the difference in daylight is marginal.
Both support RAW capture, essential for professionals and enthusiasts who want maximum post-processing flexibility.
Autofocus Systems: Speed, Accuracy, and Face Detection
Fast, accurate autofocus turns good moments into keepers.
The Olympus E-PL5 employs a contrast detection AF system with 35 focus points, including face detection. Its hybrid AF technology was a solid step forward in 2012 but remains relatively slower compared to phase detection autofocus (PDAF) systems, especially for tracking moving targets.
The Sony A560 boasts a 15-point phase detection AF system with 3 cross-type sensors. Its physical DSLR mirror and dedicated AF sensor enable faster and more responsive performance in diverse lighting, plus reasonably competent continuous AF.
From hands-on experience in:
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Portraits, the Olympus’ face detection with live view and touch AF excels when locking onto eyes, especially with fast primes in good light.
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For wildlife and sports, Sony’s phase detection and 5 fps continuous shooting help track fast, erratic subjects more reliably than the 8 fps burst of Olympus, which is fun but hampered by slower AF acquisition.
Tracking AF on the Sony lags a bit behind modern cameras but still outpaces the contrast-only system on the E-PL5.
Build Quality and Weather Resistance: Durability on Location
Neither camera claims professional weather sealing, but both show solid build quality.
The Olympus E-PL5’s magnesium body and careful design lend a premium feel uncommon in entry-level mirrorless cameras of its era. However, it is not weather-sealed or ruggedized, requiring care in wet or dusty environments.
The Sony A560 is constructed as a conventional DSLR with robust polycarbonate and metal components but also lacks environmental sealing. Its larger grip and sturdier buttons add to a sense of durability for more demanding handheld shooting.
If you often shoot outdoors in unpredictable conditions, consider protective covers or alternative gear with genuine weather sealing.
Ergonomics and User Interface: Touchscreen vs. Physical Controls
Personal preference often guides whether you prefer haptics or touchscreen interaction.

The E-PL5’s interface revolves around its touchscreen, which supports quick focus point selection and intuitive menu navigation - a boon for beginners and vloggers who use its flip screen for selfies. Manual exposure controls, exposure compensation, and customizable buttons are accessible though fewer compared to DSLRs.
The Sony A560 offers a more traditional DSLR interface, with physical dials for mode, exposure compensation, and ISO, plus logical button placement. Though it lacks touchscreen, the tilting screen helps with high- or low-angle framing, albeit less flexibly than Olympus’s articulated display.
For video shooters and those who adjust settings on the fly, the Olympus touchscreen’s responsiveness is a compelling feature. DSLR loyalists may prefer Sony’s tactile approach.
Lens Ecosystem and Compatibility: Choices Abound
Lens availability directly influences creative possibilities.
The E-PL5 uses the Micro Four Thirds mount and benefits from access to over 100 native and third-party lenses, including excellent primes, compact zooms, and macro options. Olympus lenses tend to be small, optically sound, and affordable, perfect for travel and lightweight setups.
The Sony A560 fits Sony/Minolta Alpha A-mount lenses - a mature ecosystem initially built for DSLRs. It offers a wide selection of autofocus lenses, from budget to high-quality telephotos and primes, with many options for sports, wildlife, and portraiture.
However, the A560’s older autofocus system can feel sluggish with some lenses, especially third-party glass, while the Micro Four Thirds system enjoys modern, native autofocus optimizations.
Battery Life and Storage Options
Battery life impacts how far your photography ventures can go.
Here, the Sony A560 shines with an impressive 1050 shots per charge, thanks partly to DSLR efficiency and larger battery packs. It has dual card slots supporting SD and Memory Stick formats, adding convenience and backup potential for pros.
The Olympus E-PL5 offers around 360 shots per charge, which is modest; mirrorless bodies generally consume more power due to electronic viewfinders and displays. It supports a single SD card slot.
Practical tip: Carry spare batteries for the Olympus or consider external power solutions for extended shoots.
Connectivity and Wireless Features
Both cameras predate modern smartphone integration but offer limited wireless capabilities.
They support Eye-Fi card integration, allowing wireless image transfer where supported, but lack Bluetooth, NFC, or Wi-Fi. Both have HDMI and USB 2.0 ports for tethered shooting and data transfer.
Video Capabilities: Basic HD without Bells and Whistles
Video is a secondary function for these cameras but worth considering.
The Sony A560 records Full HD 1080p at 60 fps, a notable feature for entry-level 2010 DSLRs. It supports AVCHD and H.264 formats, alongside a microphone port for better audio capture - rare for budget DSLRs then.
The Olympus E-PL5 records 1080p at 30 fps only, without microphone input or headphone jack, limiting audio control. Its video format choices include MPEG-4 and Motion JPEG, which can limit editing flexibility.
If video recording is important for your workflow, Sony’s capabilities give it an edge.
Specialized Use Case Breakdown: Which Excels Where?
An overview with insights from hands-on field tests across photography genres:
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Portraits: Olympus’s face and eye detection combined with high color fidelity and compact lenses provide excellent results, especially in controlled light. Sony lags slightly due to fewer AF points and less touch interface interaction.
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Landscape: Sony’s APS-C sensor and slightly better battery life support long exposures and large prints. Olympus offers better dynamic range at base ISO and portability advantages.
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Wildlife: Burst speed advantage for Olympus (8 fps vs 5 fps) is offset by Sony’s superior AF tracking and wider field-of-view telephoto lenses, given APS-C crop factor.
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Sports: Sony’s phase detection AF and robust grip favor fast-moving subjects, overcoming slower burst rate. Olympus’s AF struggles with continuous tracking.
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Street photography: Olympus’s small size, quiet shutter, and touchscreen tilt suit candid shooting. Sony’s larger size may intimidate or slow composition.
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Macro: Both depend more on lens choice than body. Olympus benefits from precise touch AF and sensor stabilization, useful for handheld shots.
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Night/Astro: Sony’s cleaner high-ISO performance aids astrophotography. Olympus’s sensor stabilization helps reduce blur in long exposures.
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Video: Sony leads with 60p Full HD, mic input, and stable codec options.
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Travel: Olympus is lighter, more compact, and easier to pack, critical for itinerants.
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Professional Work: Neither is flagship grade in build or features. Sony’s dual card slots and battery life offer minor advantages.
Real-World Image Quality and Samples: The Proof Is in the Pixels
Here are side-by-side sample images shot in varied environments showing sharpness, dynamic range, and color rendering:
While Olympus captures more vibrant colors and slightly finer detail in good light, the Sony performs better under challenging shadows or higher ISOs. Noise becomes visible on Olympus past ISO 800, while Sony maintains cleaner files to ISO 1600 and beyond.
Performance Ratings and Price-to-Performance Analysis
Both cameras score around 70-72 overall on DxOMark metrics, indicating solid but not outstanding performance for their time. In current markets, they trade at budget-friendly prices ($400–$650), serving as entry points or secondary cameras for enthusiasts.
- Olympus E-PL5 offers better color reproducibility, portability, and touchscreen usability for casual use.
- Sony A560 provides longer battery life, better autofocus tracking, richer dynamic range at mid-ISO, and improved video specs.
Verdicts: Who Should Choose Which?
For the Photography Enthusiast or Casual Traveler:
If minimal weight, a quiet shooting experience, and ease of use top your list, the Olympus E-PL5 remains a compelling mirrorless choice for portraits, street, and travel. Its extensive lens range and touchscreen interface cater well to photographers valuing mobility and touch responsiveness.
For the Hobbyist or Budget DSLR User:
If longer battery life, optical viewfinder experience, faster autofocus tracking for sports or wildlife, and better video specs matter, the Sony A560 is an excellent DSLR pick. Its bulk may deter casual users but appeals to those progressing towards more serious DSLR workflows.
Final Thoughts: Timing and Traditions
These cameras embody transitions in digital imaging - the mirrorless rise marked by Olympus’s pioneering Micro Four Thirds system, and Sony’s DSLR reflecting legacy Minolta AF tech refined for affordability and performance.
Neither camera is cutting-edge today, but each holds merit for different buyers and situations. I encourage you to handle both, consider lenses and accessories in your budget, and factor in what photography you shoot most.
Happy shooting!
Note: All observations derive from direct testing and years of reviewing these models in diverse environments, encompassing lab benchmarks and real-world use under varying light and subject challenges.
Olympus E-PL5 vs Sony A560 Specifications
| Olympus PEN E-PL5 | Sony Alpha DSLR-A560 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Sony |
| Model type | Olympus PEN E-PL5 | Sony Alpha DSLR-A560 |
| Class | Entry-Level Mirrorless | Entry-Level DSLR |
| Revealed | 2012-09-17 | 2010-08-24 |
| Body design | Rangefinder-style mirrorless | Compact SLR |
| Sensor Information | ||
| Chip | - | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
| Sensor area | 224.9mm² | 366.6mm² |
| Sensor resolution | 16 megapixels | 14 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 | 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 4592 x 3056 |
| Maximum native ISO | 25600 | 12800 |
| Maximum enhanced ISO | - | 25600 |
| Lowest native ISO | 200 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 35 | 15 |
| Cross type focus points | - | 3 |
| Lens | ||
| Lens support | Micro Four Thirds | Sony/Minolta Alpha |
| Amount of lenses | 107 | 143 |
| Crop factor | 2.1 | 1.5 |
| Screen | ||
| Range of display | Tilting | Tilting |
| Display diagonal | 3" | 3" |
| Resolution of display | 460 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | Electronic (optional) | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Min shutter speed | 60s | 30s |
| Max shutter speed | 1/4000s | 1/4000s |
| Continuous shutter speed | 8.0 frames/s | 5.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 7.00 m (bundled FL-LM1) | 12.00 m |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash sync | 1/250s | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264, Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 325g (0.72 lbs) | 599g (1.32 lbs) |
| Dimensions | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
| DXO scores | ||
| DXO Overall rating | 72 | 70 |
| DXO Color Depth rating | 22.8 | 22.5 |
| DXO Dynamic range rating | 12.3 | 12.3 |
| DXO Low light rating | 889 | 817 |
| Other | ||
| Battery life | 360 shots | 1050 shots |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | BLS-5 | NP-FM500H |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Dual |
| Cost at release | $400 | $650 |