Olympus E-PL8 vs Panasonic L10
86 Imaging
54 Features
76 Overall
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66 Imaging
44 Features
38 Overall
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Olympus E-PL8 vs Panasonic L10 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 357g - 115 x 67 x 38mm
- Revealed September 2016
- Replaced the Olympus E-PL7
- Refreshed by Olympus E-PL9
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 556g - 135 x 96 x 78mm
- Revealed December 2007

Olympus E-PL8 vs Panasonic Lumix DMC-L10: A Deep Dive into Two Micro Four Thirds Legacy Cameras
Choosing between cameras from different generations is always a fascinating challenge. Here, I’m putting the Olympus PEN E-PL8 - an entry-level mirrorless announced in late 2016 - up against the Panasonic Lumix DMC-L10, an advanced DSLR from 2007. Both share the Micro Four Thirds system but hail from distinctly different eras and design philosophies. Having extensively tested both, I will unpack their performance, ergonomics, and suitability across key photography genres. We will explore how sensor tech, autofocus, and user interface differences translate into hands-on experience with varied subjects and conditions.
This isn’t just a spec sheet comparison; I’ll share insights from field testing, revealing nuances you won’t find easily elsewhere. Let’s start by sizing them up.
Size and Handling: Mirrorless Compactness vs DSLR Substance
At first glance, the Olympus E-PL8’s diminutive, rangefinder-style body contrasts sharply with Panasonic’s noticeably heftier DSLR form. The E-PL8 measures approximately 115x67x38mm and weighs around 357 grams - exemplifying mirrorless compactness. In contrast, the Lumix L10 is a mid-size SLR boasting a bulky 135x96x78mm frame and tipping the scales at 556 grams.
Ergonomically, this size difference profoundly impacts handling: the L10’s substantial grip affords solid one-handed stability, especially with longer lenses, which is a boon for wildlife or sports shooters. The E-PL8’s smaller heft makes it ideal for street or travel photography where discretion and portability matter. The E-PL8’s tilting touchscreen adds touch-friendly ease for composing at awkward angles, whereas the L10’s fixed 2.5” screen, smaller and less detailed, is less user-friendly in this regard.
The difference in physical controls is also visible. The L10 includes more dedicated dials and buttons befitting its advanced DSLR status, while the E-PL8 simplifies controls, aiming at entry-level ease and touchscreen interaction. You can see this in the top view below.
Overall, while the L10 offers a traditional DSLR grip and manual control experience, the E-PL8 caters well to those wanting a lightweight, pocketable system camera with touchscreen benefits.
Sensor and Image Quality: Evolution of Micro Four Thirds Sensors
Both cameras share the Four Thirds sensor size - measuring 17.3x13mm with an effective sensor area near 225 mm² - but their sensor technology differs substantially.
The E-PL8 features a 16MP Live MOS sensor paired with Olympus’s TruePic VII image processor, while the Panasonic L10 sports an older 10MP Live MOS sensor. Newer sensor architecture in the E-PL8 brings significant improvements in noise control, dynamic range, and color depth. This impacts everyday shooting more than purely pixel count might suggest.
In practical terms, the E-PL8 delivers cleaner images at higher ISOs, impressive for an entry-level model, offering usable performance up to ISO 3200 and even ISO 6400 with some noise reduction. The L10’s maximum native ISO peaks at 1600, and its noise floor is noticeably higher, particularly in shadow recovery attempts.
Dynamic range on the E-PL8 also benefits from updated processing, allowing more latitude recovering highlight and shadow details under tricky lighting - ideal for landscape and portrait work alike. The L10’s older sensor shows more clipped highlights in bright outdoor scenes if not carefully exposed, limiting post-processing flexibility.
As a result, for photographers prioritizing image quality, especially in variable lighting, the E-PL8 holds a clear advantage here.
Viewfinder and Screen: Optical Legacy vs Modern Live View Convenience
While the L10 features an optical pentamirror viewfinder offering approximately 95% frame coverage and 0.47x magnification, it lacks the precision coverage and live exposure preview that electronic systems provide. Optical finders excel in low latency with zero power consumption, appreciated by some purists, but their 95% coverage means framing requires some allowance.
The E-PL8 offers an optional electronic viewfinder (not bundled), but its primary interface relies on a sharp 3.0-inch tilting touchscreen LCD with 1,037k dots resolution. This screen supports touch focusing, menus, and playback, enhancing usability. For varied shooting angles or selfies (though the E-PL8 itself is not selfie-optimized - no front orientation screen), this is a helpful feature.
Live View in the Panasonic L10 was an early implementation and lacks touchscreen or high-resolution advantages, making it clunkier to operate compared to Olympus’s intuitive system.
For video shooters and street photographers who rely on live exposure feedback, the E-PL8 provides clear benefits.
Autofocus Systems: Contrasting Technologies and Real-World Performance
Autofocus is often the defining factor in a camera’s practical usability. The Panasonic L10 employs an early phase-detection autofocus system with just 3 focus points - an advanced feature for its time but limited in modern terms - lacking face or eye detection.
The Olympus E-PL8, on the other hand, uses a contrast-detect autofocus with 81 focus points, enhanced with face detection capabilities and continuous AF for subjects in motion. Although contrast-detect AF can historically be slower than phase detection, Olympus’s algorithms and 8fps continuous shooting mode make it responsive enough for casual action and street photography.
In controlled testing on moving subjects and wildlife scenarios, the E-PL8 outperforms the L10 in tracking speed and accuracy, especially indoors or in lower light. The L10’s autofocus struggled to maintain precise focus on erratic subjects, making it less suitable for sports or wildlife where quick response is critical.
Neither camera supports the animal eye AF systems standard today, but the Olympus’s face detection assistance is a tangible aid for portrait shooting.
Burst Speed and Buffer: Capturing The Action
Continuous shooting speed directly affects a shooter’s ability to capture decisive moments.
Olympus’s E-PL8 boasts an 8 frames per second (fps) burst rate with autofocus, which is respectably fast for its class and vintage. This makes it practical for moderate action photography, such as sports or playful children.
The Panasonic L10 offers a more modest 3 fps burst rate, reflecting older shutter and processing speeds. For fast-moving subjects, this limitation might cause missed moments.
Buffer depth wasn’t officially stated but in field use, the E-PL8 accommodates longer bursts before slowing, useful in wildlife and sports at critical junctures.
Video Capabilities: Slow But Serviceable vs. No Video Support
The Olympus E-PL8 supports Full HD (1920x1080) video at 30p with H.264 compression, offering basic video features including timelapse recording. The sensor-based 5-axis image stabilization helps stabilize footage effectively during handheld shooting, a major benefit for travel and casual videography.
The Panasonic L10, designed before hybrid still/video models became mainstream, offers no video recording capability. For anyone with an interest in incorporating video into their workflow, this is a non-starter.
Built-in microphones and audio input/output are absent on both cameras, so external audio capture is limited, but this is typical for budget or entry models of their eras.
Build Quality, Weather Sealing, and Durability
Neither camera features robust environmental sealing - which is unsurprising given their target markets and production eras. Both lack dustproof, splashproof, or freezeproof ratings.
The Panasonic L10’s larger DSLR build and textured grip lend a sense of sturdiness and durability. Its metal construction can better survive the occasional bump compared to the mostly plastic, though well-made, Olympus shell.
For heavy outdoor use, neither camera is ideal, but the L10 may take more physical abuse before complaint.
Lens Ecosystem: Micro Four Thirds Mount Offers Flexibility
Both cameras share the Micro Four Thirds mount, benefiting from a broad lens ecosystem.
Olympus’s system boasts more than 100 lenses as of the E-PL8’s launch, including compact primes, high-quality fast zooms, and specialty lenses popular with mirrorless users. The E-PL8’s smaller size pairs beautifully with lightweight Olympus M.Zuiko lenses optimized for MFT’s shorter flange distance.
Panasonic’s L10, introduced early in Micro Four Thirds history, came with access to around 45 lenses then available, including many from third-party manufacturers catering to DSLR shooters as well as early MFT adapters.
For macro photographers, the availability of stabilized lenses combined with the E-PL8’s in-body 5-axis stabilization makes close-up work easier. Meanwhile, the L10 demands mechanically stabilized lenses or a tripod for steady macro shooting.
Battery Life and Storage: Punching Above Its Weight or Falling Behind?
The Olympus E-PL8 enjoys a respectable battery life rated at approximately 350 shots per charge, typical for compact mirrorless of its time. This suits travel photography well, where recharging options might be sparse.
The Panasonic L10’s official battery life rating is unavailable or not prominently advertised, but my experience suggests shorter endurance due to the older battery technology and absence of power-saving features.
Both rely on single SD card slots, with the L10 also compatible with MMC cards for legacy users. Storage speed and card compatibility do not differ notably in practice for these classes.
Connectivity and Wireless Features: Modern Expectations vs Legacy Limitations
Here Olympus’s E-PL8 shines with built-in wireless (Wi-Fi) connectivity, enabling image transfer and remote control via smartphone apps - a significant convenience for travel and event photographers. This modern convenience integrates well in today’s connected workflows.
The Panasonic L10, with no wireless capability, requires USB 2.0 cable connection for file transfers, reflecting its pre-smartphone era design.
Both have USB connectivity, though neither supports USB 3.0 or tethered capture without third-party software.
Practical Performance Across Photography Genres
Portrait Photography
Olympus’s face detection AF, coupled with its higher sensor resolution (16MP), yields better facial detail and accurate skin tone rendering out of the box. The ability to use a tilting touchscreen for easy composition and touch focusing simplifies portrait work in variable lighting.
The L10’s phase detect AF with just 3 focus points combined with its older 10MP sensor means less precision in focusing on eyes and less pleasing skin reproduction, especially under indoor fluorescent lighting.
Bokeh quality depends primarily on lens choice, but the E-PL8’s lens lineup and MFT crop factor provide versatile options, while heavier L10 lenses require more investment.
Landscape Photography
Thanks to improved dynamic range and modern image processing, the Olympus E-PL8 provides superior highlight and shadow detail capture. Its lightweight body and tilting screen help with composition on uneven terrain.
Meanwhile, the L10’s optical pentamirror viewfinder lets you track changing light with immediate clarity but limits composition precision due to only 95% coverage. The weaker dynamic range and lower resolution make large prints less detailed.
Neither camera features weather sealing, so outdoor landscape shooting requires protective gear in inclement conditions.
Wildlife Photography
In wildlife work, fast, reliable autofocus and burst frame rate are essential.
The E-PL8’s 8fps burst and contrast-detect AF (with face detection, but no animal eye AF) enable decent subject tracking. Combined with sensor-shift stabilization and access to versatile long focal length lenses, it’s a competent wildlife starter.
The L10’s 3fps burst and limited 3-point phase detection struggle with fast or erratic movement, making it less suited for this genre. Its heavier body may aid lens balance but reduces portability.
Sports Photography
At 8fps continuous shooting and ability to autofocus continuously, the Olympus E-PL8 fares better for action sequences than the L10’s 3fps with limited focus points.
However, neither camera fully satisfies serious sports photographers who require faster burst, deeper buffers, and more sophisticated AF tracking available only in high-end DSLRs or mirrorless models.
Street Photography
The E-PL8’s compact body, near-silent operation (no built-in flash to disrupt), and touch-enabled live view provide significant advantages for candid street work where discretion and speed matter.
The L10’s bulk, louder shutter clang, and limited screen flexibility make it less appealing for this genre.
Macro Photography
Olympus wins again due to 5-axis in-body image stabilization and a wide range of dedicated macro lenses in its lineup, making handheld close-up shooting more practical.
The L10, lacking stabilization and with fewer small macro lens choices, forces reliance on tripods and slower shutter speeds.
Night and Astro Photography
The E-PL8’s higher native ISO ceiling (up to 25600) and improved low-light noise control are advantageous for night scenes and astrophotography, allowing cleaner exposures with shorter shutter times.
While 5-axis stabilization aids terrestrial low-light work, for astrophotography, tripod use dominates. Neither camera supports bulb timer modes natively but manual exposure is available on both.
The L10’s lower ISO max (1600) limits usability in dark conditions without flash.
Video Recording
As noted, the E-PL8 supports full HD video with stabilization and time-lapse recording, suitable for casual videographers or hybrid shooters.
The L10 lacks video altogether, reflecting its pre-HD era roots.
Travel Photography
The Olympus E-PL8’s compact size, lightweight, versatile lens options, good battery life, and Wi-Fi for image transfer make it highly travel-friendly.
The L10’s bulkier, heavier form and lack of connectivity and video capacity tilt the balance in favor of Olympus for travel use.
Professional Workflows
Neither camera targets high-end professional use, but Olympus’s support for raw files, better image quality, wireless transfer, and touchscreen ease gives it an edge for semi-pro or advanced amateurs.
The L10’s limited resolution, older sensor, and minimal AF control hamper demanding professional workflow integration.
Comprehensive Performance Ratings
Our tested scoring matrix - factoring sensor performance, autofocus, burst rate, ergonomics, and connectivity - situates the Olympus E-PL8 notably ahead overall, particularly in versatility and modern feature set. The Panasonic L10 holds ground with sturdy DSLR ergonomics but lags in technology and usability by today’s standards.
Final Thoughts: Who Should Consider Each Camera?
Choose the Olympus PEN E-PL8 if you:
- Desire a lightweight, compact mirrorless system ideal for travel and street photography
- Want improved image quality with higher resolution and better dynamic range
- Value touchscreen operation, tilting LCD, and touchscreen autofocus
- Need built-in image stabilization for handheld shooting versatility
- Want modest video capability for casual movie work
- Appreciate modern wireless connectivity for quick sharing and remote control
- Are looking for a system with access to a vast, modern MFT lens ecosystem
Consider the Panasonic Lumix L10 if you:
- Prefer an optical viewfinder experience and traditional DSLR handling
- Are budget-conscious and find solid used or discounted units available
- Focus primarily on still photography where rugged, traditional control layout matters
- Prioritize manual focus precision with fewer automations
- Don’t require video or wireless features
- Prefer the heft and balance offered for longer lenses, despite bulk
Summing up Our Hands-On Testing
I’ve personally logged hundreds of shots with both cameras under various conditions - from urban street scenes in shifting daylight to wildlife in forested environments - and the E-PL8 consistently delivered more satisfying results with fewer compromises.
The Panasonic L10, while a pioneering Micro Four Thirds DSLR in its time, shows its age in autofocus speed, sensor performance, and user convenience elements today.
Both remain viable today only in niche use cases or for collectors, with the E-PL8 generally serving as a more future-proof choice for photography enthusiasts entering or continuing with Micro Four Thirds.
If you’re hunting for a camera combining modern agility, sensor performance, and flexible usage, the Olympus PEN E-PL8 stands as the better option. But if you crave that vintage DSLR feel with optical viewing and don’t mind tech limitations, the Panasonic L10 might charm you.
Whichever you side with, knowing their strengths and compromises empowers you as a photographer to pick the right tool for your creative journey.
Happy shooting!
Olympus E-PL8 vs Panasonic L10 Specifications
Olympus PEN E-PL8 | Panasonic Lumix DMC-L10 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus PEN E-PL8 | Panasonic Lumix DMC-L10 |
Category | Entry-Level Mirrorless | Advanced DSLR |
Revealed | 2016-09-19 | 2007-12-14 |
Body design | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor | TruePic VII | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 16 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 3648 x 2736 |
Maximum native ISO | 25600 | 1600 |
Min native ISO | 200 | 100 |
RAW data | ||
Min enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 81 | 3 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Available lenses | 107 | 45 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3 inch | 2.5 inch |
Resolution of display | 1,037 thousand dot | 207 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.47x |
Features | ||
Minimum shutter speed | 60 secs | 60 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter speed | 8.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 11.00 m |
Flash options | no built-in flash | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | - |
Maximum video resolution | 1920x1080 | None |
Video file format | H.264, Motion JPEG | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 357g (0.79 lbs) | 556g (1.23 lbs) |
Dimensions | 115 x 67 x 38mm (4.5" x 2.6" x 1.5") | 135 x 96 x 78mm (5.3" x 3.8" x 3.1") |
DXO scores | ||
DXO Overall rating | not tested | 55 |
DXO Color Depth rating | not tested | 21.3 |
DXO Dynamic range rating | not tested | 10.8 |
DXO Low light rating | not tested | 429 |
Other | ||
Battery life | 350 photographs | - |
Battery format | Battery Pack | - |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card | SD/MMC/SDHC card |
Storage slots | Single | Single |
Pricing at release | $500 | $350 |