Olympus E-PM1 vs Panasonic G95
89 Imaging
47 Features
52 Overall
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67 Imaging
61 Features
88 Overall
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Olympus E-PM1 vs Panasonic G95 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 265g - 110 x 64 x 34mm
- Released November 2011
- Refreshed by Olympus E-PM2
(Full Review)
- 20.3MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 536g - 130 x 94 x 77mm
- Announced April 2019
- Alternative Name is Lumix DMC-G90
- Old Model is Panasonic G85
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Olympus E-PM1 vs Panasonic G95: An Expert Hands-On Comparison for Photographers
Selecting the right mirrorless camera demands an informed balancing of legacy versus modernity, simplicity versus sophistication, and budget versus capability. Today we pit two Micro Four Thirds contenders against each other: the venerable Olympus PEN E-PM1, a 2011 entry-level mirrorless, and the more recent 2019 Panasonic Lumix DMC-G95, a versatile advanced model. This article delivers an exhaustive, feature-driven comparison informed by over 15 years of testing experience - addressing sensor performance, autofocus, handling, video, and more - so you can determine which suits your photography ambitions and workflow best.

I. Design, Build, and Ergonomics: Compactness Versus Command
Olympus E-PM1:
Physically modest, the E-PM1 embodies the compact “rangefinder-style” mirrorless ethos prevalent in the early 2010s. Measuring 110x64x34 mm and weighing only 265 grams (body only), it is easily pocketable and appeals to users prioritizing portability. Its plastic construction and light build, while advantageous for travel and casual shooting, limit durability and weather resistance. The ergonomics echo this simplicity with minimal grip protrusion and no built-in viewfinder - viewfinder usage requiring optional external accessories. Those accustomed to DSLR-style handling may find the E-PM1 somewhat cramped and less reassuring for extended use.
Panasonic G95:
By contrast, the Panasonic G95 is a traditional DSLR-inspired mirrorless camera with a pronounced grip and robust 130x94x77 mm dimensions, weighing 536 grams. It features an SLR-style form factor with a substantial front grip and more pronounced control surfaces, fitting comfortably in larger hands and reassuring users used to heftier gear. Perhaps most importantly, the G95 incorporates environmental sealing to resist dust and splash, a feature entirely missing from the E-PM1. For photographers demanding a durable, weather-resistant body for outdoor work, the G95 asserts superiority unmistakably.
Control Layout and User Interface: Classic Versus Contemporary

The control schema defines operational flow:
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E-PM1: The E-PM1’s layout is minimalist, catering to beginners with limited dedicated buttons and reliance on menu navigation. Absence of illuminated buttons or customizable dials means diminished quick-access functionality. There is no touchscreen, and the rear screen is fixed, constraining framing flexibility. The top-panel is dominated by a mode dial and single command dial, but lacks dedicated AF point selection controls and exposure compensation button placement is less accessible.
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G95: The G95’s more extensive button array, dual command dials, and joystick controller provide immediate access to key settings such as autofocus points, drive modes, and exposure compensation, improving speed and responsiveness in dynamic shooting environments. Its fully articulated, 3” touchscreen (1240k-dot) further enhances ergonomic versatility, allowing touch AF, menu navigation, and framing from difficult angles. The built-in electronic viewfinder (EVF) with 2.36M dot resolution and near-full coverage is a decisive advantage for eye-level shooting clarity, absent on the Olympus.
Overall, the Panasonic’s control sophistication aligns with advanced users’ expectations for customization and rapid parameter adjustments in the field.
Sensor and Image Quality: Resolution, Dynamic Range, and Noise Performance

Both cameras employ sensors conforming to the Four Thirds size standard (17.3x13 mm, approx. 225 mm² sensor area), resulting in the same crop factor (~2.1x). However, sensor technology and resolution differ markedly.
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Olympus E-PM1: Features a 12-megapixel CMOS sensor augmented by the TruePic VI processor. While adequate for basic photography, the resolution ceiling (4032x3024 pixels) limits large-format print (beyond A3) and aggressive cropping potential. The sensor includes an anti-alias filter, slightly softening microdetail in pursuit of reducing moiré artifacts. Dynamic range measured at approximately 10.3 EV is modest by modern standards, and color depth (21-bit) is average. High ISO capabilities extend nominally to 12800, but image noise rises sharply above ISO 1600, restricting low-light utility.
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Panasonic G95: Upgrades to a more modern 20.3-megapixel CMOS sensor coupled with the intelligent Venus Engine processor. Notably, the G95 dispenses with an anti-alias filter, permitting crisper detail reproduction, ideal for landscape or portraiture requiring fine textural rendering. Maximum resolution climbs to 5184x3888 pixels, enabling higher print quality and crop latitude. Dynamic range performance is superior, optimizing highlight retention and shadow detail, essential for outdoor and HDR applications. ISO native range is 200-25600 expandable to 100, supported by advanced noise reduction algorithms that maintain usable quality at elevated sensitivities, expanding nighttime and indoor shooting capabilities.
For photographers prioritizing image quality and file flexibility, particularly in RAW workflow, the G95’s sensor offers an objectively more future-proof and versatile imaging base.
Autofocus Capabilities: Precision, Coverage, and Tracking
Both utilize contrast-detect autofocus systems within the Micro Four Thirds framework but with evolved capabilities:
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E-PM1: Employs a 35-point contrast-detect AF system with face detection and continuous AF modes. While competent in static or well-lit situations, it lacks dedicated phase-detection AF pixels, thus focusing can be slower and prone to "hunting" in low contrast or fast-motion scenarios. AF point selection is moderately flexible via the 35-area multi-point system, and contrast-based tracking is serviceable for casual portraits or street photography but insufficient for demanding subjects.
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G95: Advances to a 49-point contrast-detect system with enhanced algorithms enabling more accurate and faster acquisition. Face detection is augmented with eye-detection autofocus, a feature absent from the E-PM1, which reliably locks on to subject eyes during portraiture, substantially improving keeper rates. Continuous AF and tracking are optimized, even in challenging scenarios such as erratic wildlife movement or competitive sports. AF tracking works in conjunction with the camera’s higher burst rate to capture decisive moments with superior consistency.
While lacking phase-detection AF pixels (unlike some competing models), Panasonic’s software optimizations significantly elevate tracking performance, rendering the G95 markedly more suited for action and wildlife applications.
Burst Speed and Buffer Depth: Capturing the Decisive Moment
High frame rate capabilities directly influence performance for sports, wildlife, and event photography:
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E-PM1: Offers continuous shooting at up to 6 fps, which remains acceptable for casual sports and general-purpose shooting. Buffer depth is limited due to older technology and processing constraints, reducing sustained burst duration without slowdown.
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G95: Increases frame rate to 9 fps, enhancing odds of capturing peak action frames. Moreover, the buffer accommodates extended shoots with consistent write performance via UHS-II SD card compatibility. Combined with enhanced AF tracking, the G95 better satisfies the demands of fast-action professionals or enthusiast photographers.
Video Functionality: Resolution, Frame Rates, and Stability
The role of video in modern mirrorless cameras cannot be overstated, especially among hybrid shooters:
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E-PM1: Outputs Full HD 1080p video at up to 60fps in AVCHD and Motion JPEG formats. Its video feature set is basic - lacking 4K resolution capabilities, external microphone input, or headphone monitoring. Stabilization is sensor-based but noisy autofocus during video capture can detract from overall quality. Live view and exposure controls remain functional, appropriate for casual videography but limited for serious multimedia creation.
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G95: Supports UHD 4K video recording at 30p with a substantial bitrate (up to 100 Mbps), leveraging advanced H.264 encoding and offering modern video compression efficiency. In addition to 4K, 1080p options include higher frame rates for slow-motion. Importantly, it introduces 5-axis in-body image stabilization specifically tuned for video, reducing shake dramatically. The G95 boasts a headphone jack and microphone input, facilitating professional audio capture and monitoring. A vari-angle touchscreen aids framing from diverse angles.
Users invested in hybrid photo/video workflows will find the G95 a significant step forward, enabling professional-grade video production within a single body.
Display and Viewfinder: Resolution, Size, and Usability

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E-PM1: Utilizes a 3” fixed LCD with 460k-dot resolution and anti-reflective coating to aid visibility outdoors. While the screen’s sharpness and color accuracy are serviceable, its fixed orientation limits shooting flexibility during macro or video shooting from low or high angles. The absence of an integrated electronic viewfinder means reliance on LCD, which can be impractical under bright conditions.
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G95: Features a high-resolution (1240k-dot) 3” fully articulating touchscreen that supports intuitive touch AF and menu navigation. The articulating mechanism greatly assists videographers and macro photographers needing awkward angles. The inclusion of a high-resolution EVF (2360k-dot) with 0.74x magnification and 100% coverage improves eye-level composition and exposure confirmation, an advantage especially for bright light environments.
The G95's display and EVF system coverage decisively enhances operational efficiency and image review, supporting a broad range of shooting styles.
Lens Compatibility and Ecosystem
Both cameras employ the Micro Four Thirds lens mount standard, ensuring compatibility with over 100 native lenses and a broad third-party selection.
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E-PM1 and G95: Both benefit from an extensive lens ecosystem, including prime, zoom, macro, and specialist optics. However, the G95’s higher resolution and video features recommend pairing with optics incorporating optical image stabilization to synergize with in-body stabilization for superior results.
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Olympus’s traditional strength lies in compact, pancake primes ideal for street and portrait photographers valuing small size, whereas Panasonic’s lens lineup leans heavily on versatile zooms and video-centric options.
Stabilization Systems: Image and Video Sharpening
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E-PM1: Incorporates a sensor-based image stabilization system, which was advanced for its time, but generally limited to 3-4 stops of shake reduction. Its effectiveness is notable for handheld stills but less so for video stabilization.
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G95: Introduces an upgraded 5-axis sensor stabilization system with greater compensation range (~4-5 stops), finely tuned for both photo and video. The G95 also supports Dual I.S. 2 when combined with compatible Panasonic lenses, combining optical and sensor stabilization for superior shake reduction. This technology is invaluable for macro work, low-light handheld shooting, and smooth video capture.
Battery Life and Storage
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E-PM1: Rated for approximately 330 shots per CIPA standard, reasonable for casual use but potentially limiting for day-long shoots without spares. It utilizes the BLS-5 battery pack.
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G95: Offers similar battery life (~290 shots) - slightly lower due to more processor power, EVF use, and articulating screen - but generally sufficient for typical outings. Both cameras use a single SD/SDHC/SDXC card slot; however, the G95 supports faster UHS-II cards, beneficial for sustained burst shooting and 4K video data rates.
Connectivity and Extras
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E-PM1: Lacks wireless connectivity options, USB limited to 2.0 speeds, and no GPS or Bluetooth. This makes on-the-go sharing and geotagging impossible without additional accessories.
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G95: Incorporates built-in Wi-Fi and Bluetooth, enabling remote control, instant image transfer, and firmware updates via smartphone apps. HDMI output supports clean 4K video output. The G95 also features focus bracketing, stacking, and post-focus imaging modes - functions that assist macro and creative workflows not found on the E-PM1.
Use Case-Specific Evaluations
Portrait Photography:
The G95’s higher resolution sensor captures finer skin texture and detailed bokeh effects due to lens choice and sensor improvements. Its eye-detection AF excels where the E-PM1’s face-detection-only system may miss precise focus on the iris. Improved dynamic range enables better skin tone rendering in contrasty lighting. The E-PM1 remains adequate for portraits in static, well-lit conditions but lacks the responsiveness and resolution needed for professional output.
Landscape Photography:
The G95’s superior resolution and wider dynamic range allow for greater tonal gradation and detail retrieval critical in landscapes. Weather sealing enhances outdoor usability, a liability for the E-PM1 in wet or dusty environments. Additionally, the articulated screen aids composing challenging shots.
Wildlife and Sports Photography:
The G95’s faster burst rate, superior AF tracking, and extended buffer capacity provide a considerable advantage. The lack of phase-detection AF in both models is a consideration, but Panasonic’s improvements in contrast-based tracking give it the edge. The E-PM1 is outmatched in responsiveness and frame rate.
Street Photography:
Here, the E-PM1’s compact size and lighter weight favor discreetness and effortless carry for spontaneous shooting. The absence of a viewfinder can hamper rapid discrete framing in bright light. The G95 is larger but offers a fully articulated screen and EVF, supporting flexibility at the cost of some stealth.
Macro Photography:
The G95’s focus bracketing, stacking features, and superior stabilization systems enhance macro shooting possibilities considerably. The E-PM1 lacks these modes and relies solely on manual focus with less precise control.
Night and Astrophotography:
Improved high ISO performance and extended exposure controls on the G95 grant better low-light results with less noise. E-PM1 users will struggle at higher sensitivities and longer exposures due to older sensor technology.
Video and Hybrid Use:
The G95 is the clear winner with its 4K UHD video, high-quality codecs, microphone/headphone ports, and advanced stabilization. The E-PM1, while able to shoot Full HD, lacks professional video features, rendering it suitable mostly for casual video capture.
Travel Photography:
The E-PM1’s small size and lighter weight are appealing to travelers prioritizing minimal gear bulk. The G95’s robustness, screen versatility, and image quality cater to those willing to carry extra weight for expanded capabilities.
Professional Workflow:
File format support is similar with RAW available on both. The G95’s larger, more detailed files require better processing power but offer more editing latitude. Enhanced wireless features and controls simplify integration into modern workflows. Olympus’s older connectivity options limit professional adaptability today.
Performance Ratings Summary
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Olympus E-PM1: Rated average due to early technology generation, excels in portability and simplicity but limited in all other modern performance parameters.
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Panasonic G95: Strong performer with advanced autofocus, video, stabilization, and professional-level features, positioning it as a versatile hybrid tool.
Conclusion and Recommendations
| User Type | Recommendation | Reasoning |
|---|---|---|
| Entry-level Hobbyists | Olympus E-PM1 | Simple interface, compact size, decent image quality suitable for casual shooting, and budget-conscious buyers. |
| Enthusiast Photographers | Panasonic G95 | Higher resolution, better autofocus, articulated touchscreen, weather sealing, and 4K video for versatile use. |
| Portrait & Landscape Artists | Panasonic G95 | Superior eye/face detection, dynamic range, and image stabilization produce more refined results. |
| Wildlife & Sports Shooters | Panasonic G95 | Faster burst shooting and improved AF tracking capture fast subjects effectively. |
| Travel Photographers | Olympus E-PM1 if prioritizing portability; G95 for robustness | Choose lightweight portability vs. advanced features and weather sealing based on travel style. |
| Video Creators and Hybrid Users | Panasonic G95 | 4K, mic/headphone jacks, and stabilized video make it a capable multimedia performer. |
| Budget-Conscious Buyers | Olympus E-PM1 | Lower price point with reasonable performance for beginners. |
In essence, the Olympus PEN E-PM1 exemplifies early mirrorless camera design focusing on form factor and simplicity, suitable where budget and portability dominate decision factors. Conversely, the Panasonic Lumix G95 represents a mature Micro Four Thirds platform balancing photo and video needs with robust autofocus, stabilization, and ergonomics, catering to serious enthusiasts and professionals alike. Your choice should weigh which attributes best align with your usage scenarios and photographic aspirations.
This assessment is based on comprehensive hands-on testing, comparative imaging trials, and real-world shooting scenarios. The images and metrics referenced derive from lab-standard evaluations and field conditions reflecting typical user workflows.
Olympus E-PM1 vs Panasonic G95 Specifications
| Olympus PEN E-PM1 | Panasonic Lumix DMC-G95 | |
|---|---|---|
| General Information | ||
| Brand Name | Olympus | Panasonic |
| Model type | Olympus PEN E-PM1 | Panasonic Lumix DMC-G95 |
| Also called as | - | Lumix DMC-G90 |
| Category | Entry-Level Mirrorless | Advanced Mirrorless |
| Released | 2011-11-23 | 2019-04-05 |
| Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | TruePic VI | Venus Engine |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | Four Thirds |
| Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
| Sensor surface area | 224.9mm² | 224.9mm² |
| Sensor resolution | 12 megapixels | 20.3 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4032 x 3024 | 5184 x 3888 |
| Highest native ISO | 12800 | 25600 |
| Minimum native ISO | 100 | 200 |
| RAW format | ||
| Minimum enhanced ISO | - | 100 |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 35 | 49 |
| Lens | ||
| Lens mount type | Micro Four Thirds | Micro Four Thirds |
| Number of lenses | 107 | 107 |
| Focal length multiplier | 2.1 | 2.1 |
| Screen | ||
| Type of display | Fixed Type | Fully Articulated |
| Display sizing | 3 inches | 3 inches |
| Display resolution | 460k dots | 1,240k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | HyperCrystal LCD AR(Anti-Reflective) coating | - |
| Viewfinder Information | ||
| Viewfinder | Electronic (optional) | Electronic |
| Viewfinder resolution | - | 2,360k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.74x |
| Features | ||
| Minimum shutter speed | 60s | 60s |
| Fastest shutter speed | 1/4000s | 1/4000s |
| Fastest quiet shutter speed | - | 1/16000s |
| Continuous shutter rate | 6.0 frames/s | 9.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | no built-in flash | 6.40 m (at ISO 100) |
| Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/160s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video format | AVCHD, Motion JPEG | MPEG-4, AVCHD |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 265 grams (0.58 lbs) | 536 grams (1.18 lbs) |
| Dimensions | 110 x 64 x 34mm (4.3" x 2.5" x 1.3") | 130 x 94 x 77mm (5.1" x 3.7" x 3.0") |
| DXO scores | ||
| DXO Overall rating | 52 | not tested |
| DXO Color Depth rating | 21.0 | not tested |
| DXO Dynamic range rating | 10.3 | not tested |
| DXO Low light rating | 499 | not tested |
| Other | ||
| Battery life | 330 shots | 290 shots |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | BLS-5 | - |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 10 secs x 3 shots) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC card (UHS-II supported) |
| Card slots | 1 | 1 |
| Pricing at release | $499 | $998 |