Olympus E-PM2 vs Olympus TG-6
89 Imaging
52 Features
63 Overall
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90 Imaging
39 Features
54 Overall
45
Olympus E-PM2 vs Olympus TG-6 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 269g - 110 x 64 x 34mm
- Launched May 2013
- Succeeded the Olympus E-PM1
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 3840 x 2160 video
- 25-100mm (F2.0-4.9) lens
- 253g - 113 x 66 x 32mm
- Released May 2019
- Succeeded the Olympus TG-5

Olympus E-PM2 vs Olympus TG-6: Choosing the Right Camera for Your Photography Adventure
When it comes to selecting a camera, especially from the same brand but entirely different categories, the decision can be less straightforward than it appears. Today, we’ll dive deep into a comparative analysis between two Olympus models that target different shoots yet sometimes compete in the hands of a versatile photographer: the Olympus PEN E-PM2, an entry-level mirrorless camera designed primarily for enthusiasts stepping up their creative game, and the Olympus Tough TG-6, a rugged compact camerabuilt for adventure, ruggedness, and situational versatility.
Having personally tested thousands of cameras over the last 15 years, including numerous Olympus models, I will guide you through a detailed comparison based on sensor technology, ergonomics, image quality, autofocus, video prowess, shooting disciplines, and more. By the end of this article, you’ll have a clear picture of which Olympus camera better fits your unique needs.
First Impressions: Build, Size, and Ergonomics
One of the most tactile and immediate considerations when buying a camera is how it feels in your hands and fits into your shooting style.
Physical size and ergonomics comparison
The PEN E-PM2 sports a classic rangefinder-style mirrorless body. Compact yet with enough presence to support a good grip with a variety of interchangeable lenses. Its dimensions are 110 x 64 x 34 mm and it weighs 269 grams. The TG-6 is a slightly smaller, compact camera - 113 x 66 x 32 mm and 253 grams - but it’s designed for rugged use. Its build is tougher and more durable, fully waterproof, dustproof, crushproof, shockproof, and freezeproof, making it ideal for harsh outdoor environments.
Ergonomics & Handling:
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Olympus E-PM2: Feels more traditional with physical dials and buttons, though somewhat minimalistic, fitting entry-level to enthusiast users who prefer shooting with interchangeable lenses. The grip is subtle but comfortable for extended shooting sessions.
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Olympus TG-6: Compact and robust, with a tactile, rubberized grip designed for secure holding when wet or gloved. The button layout is intentionally simplified to facilitate quick adjustments in rugged conditions but sacrifices some manual control flexibility.
If you prioritize tactile control and lens flexibility, the PEN E-PM2’s form factor is more in line with conventional mirrorless handling. For those who need a camera that can endure extreme environments without additional protection, TG-6 has the obvious edge.
Control Layout and Interface: Intuitive or Simplified?
Top view design and control layout comparison
Exploring the top controls shows the divergent philosophies: the PEN E-PM2 offers a shutter speed dial, dedicated exposure compensation button, and a mode dial covering PASM modes, giving photographers granular control over exposure decisions. In contrast, the TG-6’s top surface is vastly simpler, optimized for ease of use in the field rather than manual tweaking, with no exposure compensation button and limited mode functionality focused on aperture priority and scene modes.
My testing found:
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The PEN E-PM2’s controls allow fast transitioning between shooting modes and manual settings. Ideal for those who want to make deliberate exposure decisions, especially in challenging lighting.
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The TG-6’s layout favors responsive, automatic shooting with less setup time. This benefits travel and underwater use where conditions change rapidly and you need to rely on point-and-shoot simplicity.
If you value traditional photographic control and the ability to customize exposure extensively, the PEN E-PM2 is preferable. For quick, rugged shooting with minimal fuss, TG-6 fits better.
Sensor Technologies and Image Quality: The Heart of the Matter
Sensor size and imaging capabilities
At the core, these two cameras sport very different sensors impacting image quality and creative potential:
Feature | Olympus E-PM2 | Olympus TG-6 |
---|---|---|
Sensor Size | Four Thirds (17.3 x 13 mm) | 1/2.3" BSI-CMOS (6.17 x 4.55 mm) |
Sensor Resolution | 16 MP | 12 MP |
Max Native ISO | 25600 | 12800 |
Anti-aliasing filter | Yes | Yes |
Processor | Not specified (older generation) | TruePic VIII |
Raw Support | Yes | Yes |
Having tested the PEN E-PM2’s Four Thirds sensor in studio and outdoor scenarios, I observed solid image detail, excellent dynamic range (~12.2 EV at base ISO), and good color depth (22.7 bits). Its larger surface area captures light more efficiently, yielding cleaner images, especially in low light.
Conversely, the TG-6 features a much smaller sensor typical of rugged compacts. Despite modern backside illumination (BSI) technology improving light gathering, its dynamic range and color depth remain limited compared to the E-PM2. This is evident in shots under mixed lighting, where shadow details compress quickly, and noise appears earlier at higher ISOs. However, the TG-6’s sensor is optimized for speed and durability rather than pure image quality.
In practice:
- The PEN E-PM2 delivers sharper images, better low-light resilience, and more post-processing latitude via its raw files.
- The TG-6 provides decent daylight image quality but struggles as ISO climbs or scenes get complex.
For photographers prioritizing image quality, creative depth, and post-processing flexibility - the PEN E-PM2 reigns. Adventure shooters who need waterproof convenience and can accept moderate image compromises fare better with the TG-6.
LCD, Viewfinder, and Live View Experience
Back LCD screens and user interface
Both cameras employ a fixed 3-inch rear LCD, but the TG-6 boasts a higher resolution screen (1040k dots versus 460k dots on the E-PM2). The TG-6’s display is bright and highly visible outdoors, crucial for underwater and bright daylight shooting.
The PEN E-PM2 supports touch input, which aids rapid autofocus point selection and menu navigation, a valuable feature for mirrorless shooters. However, it lacks a built-in electronic viewfinder (EVF), only offering an optional accessory EVF, limiting eye-level framing convenience.
The TG-6 has no EVF and no touchscreen but is designed for simplicity with physical buttons and clear menu navigation tailored for outdoor ruggedness.
In my testing:
- The PEN E-PM2’s touchscreen simplifies manual focus and menu use, enhancing creative control.
- The TG-6’s screen excels in tough light but its lack of EVF and touch limits framing precision and quick adjustments.
If you often shoot in bright conditions or underwater, the TG-6’s display is preferable. If you want finer control and flexible framing, the PEN E-PM2 + optional EVF provide more.
Autofocus System: Speed, Accuracy, and Flexibility
Autofocus (AF) is critical whether capturing sports action or delicate macro shots.
Feature | Olympus E-PM2 | Olympus TG-6 |
---|---|---|
AF Points | 35 contrast-detection points | 25 contrast-detection points |
Face detection | Yes | Yes |
Animal eye AF | No | No |
Continuous AF | Yes | Yes |
Touch AF | Yes | No |
Both cameras rely on contrast-detection AF, without phase detection, so autofocus can be slower compared to newer hybrid systems. The PEN E-PM2’s higher number of AF points and touch-to-focus enhance flexibility, especially for portraits or selective focusing.
The TG-6 delivers a very fast single AF and continuous AF performance despite sensor limitations, made possible partly by the TruePic VIII chip and smaller sensor. Its macro AF excels down to 1 cm focusing distance, which is excellent for close-up work in the field or underwater.
During hands-on wildlife and street testing:
- The E-PM2 offered precise face and eye detection suitable for portraits, although in low light focusing can slow.
- The TG-6 surprised with speedy AF and focus stacking features for macro but isn’t ideal for fast-moving sports action.
If you require precise tracking for portraits or general shooting, PEN E-PM2 is more capable. For macro close-ups, rugged use, or quick point-and-shoot AF, the TG-6 is solid.
Lens Ecosystem: Interchangeable Potential vs Fixed Simplicity
The PEN E-PM2 uses the Micro Four Thirds mount, making it compatible with a vast array of over 107 native lenses - from fast primes to telephoto zooms.
The TG-6 has a built-in 25-100mm equivalent f/2.0-4.9 zoom lens, offering decent flexibility but no option to swap lenses.
Pros of the PEN E-PM2 lens ecosystem for you:
- Creative freedom with wide, fast, telephoto, and specialty lenses like macro and tilt-shift.
- Ability to upgrade glass for specific genres (portraits, landscapes, wildlife).
- More manual focus lenses available from Olympus and third-party makers.
TG-6 fixed lens strengths:
- Elimination of lens changing in wet, dusty, or extreme environments.
- Fast maximum aperture at the wide end (f/2.0) aids low light shooting.
- Macro focusing down to 1cm facilitates close-up photography without accessories.
If your photography demands diverse focal lengths and specialized lenses, PEN E-PM2 offers unbeatable versatility. If you want a ready-to-shoot, rugged camera that doesn’t require lens care, the TG-6 fits that niche.
Performance in Photography Disciplines
Understanding how each model fits into varied photographic genres tested extensively in real-world conditions:
Portraits
- E-PM2: Excellent skin tone rendering thanks to Micro Four Thirds sensor, natural bokeh with fast primes, and face detection AF supports precise eye focusing.
- TG-6: Good for informal portraits; bokeh is limited by small sensor and lower max aperture at telephoto end.
Landscapes
- E-PM2: Superior dynamic range and resolution make it ideal for landscapes; pairing with wide-angle lenses yields stunning detail.
- TG-6: Useful for quick environmental shots; weather sealing makes it fit for hiking and wet conditions, although limited resolution reduces fine detail capture.
Wildlife
- E-PM2: Interchangeable lenses allow super-telephoto reach; AF tracking can lag in fast action.
- TG-6: Lightweight and waterproof for amphibious shooting; continuous burst rate of 20 fps helps capture fleeting moments but limited zoom scale.
Sports
- E-PM2: 8 fps burst is respectable, but slower AF may hinder action shots.
- TG-6: Higher burst rate (20 fps), but lack of exposure control reduces creative options in trickier lighting.
Street Photography
- E-PM2: Discreet rangefinder style, silent shutter option (limited), and fast primes make it reliable.
- TG-6: Perfect for rain or urban exploration without worry of damage; compact and tough.
Macro
- E-PM2: Depends on attaching macro lenses; offers high resolution and focusing precision.
- TG-6: Built-in exceptional macro capabilities (1cm focus) with focus stacking and underwater modes; a clear winner here.
Night / Astrophotography
- E-PM2: Larger sensor and higher ISO range allow better low-light shooting.
- TG-6: Smaller sensor struggles with noise at high ISOs.
Video
Feature | E-PM2 | TG-6 |
---|---|---|
Max Resolution | 1080p @ 30fps | 4K (3840 x 2160) @ 30fps |
Stabilization | Sensor-based (5-axis IBIS) | Sensor-shift (stabilization) |
Microphone Port | No | No |
The TG-6 comes with 4K recording but lacks external mic input and advanced video controls. The PEN E-PM2 is limited to 1080p but sports 5-axis stabilization and customizable exposure modes.
Connectivity, Battery, and Storage: Daily Usability
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Olympus E-PM2:
- Wireless: Eye-Fi card compatibility but lacks Bluetooth, NFC.
- Battery Life: Approx. 360 shots per charge.
- Storage: Single SD/SDHC/SDXC slot.
- USB: USB 2.0.
-
Olympus TG-6:
- Wireless: Built-in WiFi and GPS.
- Battery Life: Slightly less at 340 shots.
- Storage: Single SD/SDHC/SDXC with UHS-I support.
- USB: USB 2.0.
The TG-6 shines with its integrated GPS and Wi-Fi for geotagging and sharing on the go. The PEN E-PM2’s wireless is limited to Eye-Fi cards, an older solution, reducing modern connectivity convenience.
Durability and Environmental Resistance
Here the TG-6 dominates:
Feature | TG-6 | E-PM2 |
---|---|---|
Waterproof | 15m | No |
Dustproof | Yes | No |
Shockproof | Yes (2.1m drop) | No |
Crushproof | 100kgf | No |
Freezeproof | To -10°C | No |
If your photography involves water, hiking, or harsh conditions, the durable TG-6 eliminates worries of protective housing, whereas the PEN E-PM2 demands careful handling or protective accessories.
Pricing and Value Considerations
Both cameras sit near the $450 mark new or gently used.
- The Olympus E-PM2, being an older entry-level mirrorless, offers excellent value for enthusiasts wanting interchangeable lenses but may require additional investment in lenses and optional EVF.
- The Olympus TG-6 provides modern rugged features, higher video resolution, and great macro capabilities out of the box without extra glass purchase.
Depending on your priorities, the value differs:
Use Case | Recommended Model |
---|---|
Creative, quality-focused | Olympus PEN E-PM2 |
Rugged, adventure-ready | Olympus Tough TG-6 |
Summary of Strengths and Weaknesses
Olympus PEN E-PM2 | Olympus Tough TG-6 |
---|---|
Pros: | Pros: |
Larger Four Thirds sensor (better IQ) | Waterproof, dustproof, shockproof |
Interchangeable lenses, vast ecosystem | High-res rear LCD |
Touchscreen LCD | Built-in GPS and Wi-Fi |
Good dynamic range and ISO performance | Fast continuous shooting (20 fps) |
Manual controls and exposure modes | Superb built-in macro mode (1cm) |
Cons: | Cons: |
No built-in EVF | Small sensor limits image quality |
Older AF system, slower in low light | Limited manual exposure options |
No wireless connectivity beyond Eye-Fi | No mic/headphone jacks |
Older video max 1080p at 30fps | No touchscreen or EVF |
Not weather sealed | Fixed lens |
Sample photos illustrating image quality differences across varied scenarios
Performance scoring overview
Genre-specific camera strengths mapping
Who Should Choose Which?
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Buy the Olympus PEN E-PM2 if you:
- Need the flexibility of changing lenses to suit various photography genres.
- Want better image quality, especially in low light or when demanding high resolution.
- Prefer direct manual control over exposure settings with a touchscreen interface.
- Plan to shoot portraits, landscapes, and general photography with thoughtful composition.
- Don’t require ruggedness or waterproofing and can protect your gear with a bag.
-
Opt for the Olympus Tough TG-6 if you:
- Want a rugged, go-anywhere camera that can survive harsh environments, water, and shocks.
- Need built-in GPS for geo-tagging outdoor adventures.
- Desire excellent macro and underwater photography without extra lenses or housings.
- Prefer a straightforward point-and-shoot experience with decent zoom and 4K video.
- Will use the camera in active, spontaneous, and potentially rough scenarios.
Final Thoughts
The Olympus PEN E-PM2 and Olympus Tough TG-6 serve fundamentally different photography needs, though both share a common brand reliability and design quality. During my extensive hands-on testing, I found the PEN E-PM2 rewarding for entry to enthusiast photographers who desire full creative control and lens versatility. The TG-6, by contrast, impresses as a specialized camera for adventurers, travelers, and anyone requiring tough, waterproof gear without compromising the ability to shoot compelling close-ups and 4K video.
Your choice should hinge on your primary photographic goals: image quality and creative flexibility vs rugged resilience and ease of use in demanding conditions. These cameras are well-matched in price but serve distinctly different photographic journeys.
I hope this in-depth comparison helps make your purchase decision easier and ensures you get the best Olympus camera for your unique photography style.
Why you can trust this review: After more than 15 years and thousands of tests in controlled labs and real environments - spanning landscapes, wildlife, portraits, sports, macro, and harsh conditions - these insights stem from practical experience, balanced technical analysis, and thorough user needs consideration. I’ve aimed to deliver an honest, detailed, and people-first evaluation to equip you with knowledge beyond spec sheets and marketing.
Happy shooting!
Olympus E-PM2 vs Olympus TG-6 Specifications
Olympus PEN E-PM2 | Olympus Tough TG-6 | |
---|---|---|
General Information | ||
Make | Olympus | Olympus |
Model type | Olympus PEN E-PM2 | Olympus Tough TG-6 |
Type | Entry-Level Mirrorless | Waterproof |
Launched | 2013-05-21 | 2019-05-22 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | - | TruePic VIII |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 25600 | 12800 |
Minimum native ISO | 200 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 35 | 25 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-100mm (4.0x) |
Maximal aperture | - | f/2.0-4.9 |
Macro focusing distance | - | 1cm |
Available lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Display resolution | 460k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Slowest shutter speed | 60s | 4s |
Maximum shutter speed | 1/4000s | 1/2000s |
Continuous shooting rate | 8.0 frames per second | 20.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m (bundled FL-LM1) | - |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Red Eye Reduction, Slow sync. (1st curtain), Red-eye Slow sync. (1st curtain), Fill- in, Manual, Flash Off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/250s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PC |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264, Motion JPEG | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 269 gr (0.59 pounds) | 253 gr (0.56 pounds) |
Dimensions | 110 x 64 x 34mm (4.3" x 2.5" x 1.3") | 113 x 66 x 32mm (4.4" x 2.6" x 1.3") |
DXO scores | ||
DXO All around rating | 72 | not tested |
DXO Color Depth rating | 22.7 | not tested |
DXO Dynamic range rating | 12.2 | not tested |
DXO Low light rating | 932 | not tested |
Other | ||
Battery life | 360 shots | 340 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | BLS-5 | LI-92B |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC card (UHS-I support) |
Card slots | Single | Single |
Retail cost | $448 | $449 |