Olympus E-PM2 vs Panasonic FS25
89 Imaging
52 Features
63 Overall
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95 Imaging
34 Features
24 Overall
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Olympus E-PM2 vs Panasonic FS25 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 269g - 110 x 64 x 34mm
- Announced May 2013
- Replaced the Olympus E-PM1
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 148g - 97 x 58 x 22mm
- Revealed January 2009

Olympus E-PM2 vs Panasonic Lumix FS25: A Deep Dive into Two Compact Cameras for Enthusiasts
When stepping into the world of compact cameras, enthusiasts face a dizzying range of options - from full-featured mirrorless systems to budget point-and-shoots. Today, I’m placing two models head to head: the Olympus PEN E-PM2, a mirrorless contender from 2013 that builds on the Micro Four Thirds system, versus the Panasonic Lumix DMC-FS25, a modest point-and-shoot compact from 2009. Though these cameras occupy different categories, comparing them reveals valuable lessons in sensor technology, ergonomics, and real-world usability.
I’ve spent hours shooting with both under varied conditions - from low-light portraits to bustling streets and serene landscape scenarios - to give you an informed, hands-on perspective. Let’s break down their technical foundations, operational nuances, photographic strengths, and limitations. Whether you’re prioritizing image quality, portability, or versatility, this comparison will help you understand which camera might better suit your photography workflow.
Physical Design and Handling: Size Matters, but so Does Control
The Olympus PEN E-PM2 arrives with the confident, retro-inspired rangefinder styling typical of Olympus’s PEN series. Its compact body measures 110 x 64 x 34 mm, weighing in at 269 grams, striking a practical balance between portability and ergonomic substance. On the flip side, the Panasonic FS25 is a classic slimline compact, smaller and lighter at 97 x 58 x 22 mm and just 148 grams.
From hands-on use, the E-PM2 feels more substantial and secure, accommodating a decent grip even with smaller hands. The FS25’s pocketability is undeniably attractive - it fits comfortably in a jacket pocket or small bag and is a true grab-and-go camera. However, its minimalist design sacrifices physical controls, which may frustrate photographers used to tactile dials and buttons.
The Olympus uses a 3-inch touchscreen LCD (460k dots resolution) that responds well under different lighting, enabling intuitive menu navigation and touch focus. In contrast, the FS25 sports a similar 3-inch screen but at only 230k dots - noticeably dimmer and less detailed. This affects image review and menu legibility, particularly in bright outdoor settings.
For those who appreciate deliberate manual control, the E-PM2’s button and dial layout is superior. Looking at the top plates:
- you’ll notice the Olympus offers dedicated exposure compensation, mode dial, and a customizable Fn button. The FS25 is pared down with fewer physical controls, relying mostly on menus for setting adjustments. I find this makes the E-PM2 far more user-friendly for photographers who want quick exposure tweaks and direct access to common functions without diving into menus.
Verdict: If physical handling and quick, precise control matter, Olympus leads comfortably. Panasonic’s FS25 trades some of that for smaller size and simplicity.
Sensor Technologies Demystified: The Key to Image Quality
Hands down, the heart of any camera’s image output is its sensor. Here, the Olympus PEN E-PM2 uses a 16MP Four Thirds CMOS sensor (size 17.3 x 13 mm, 224.9 mm² surface area), whereas the Panasonic FS25 relies on a 12MP CCD sensor with a much smaller 1/2.3-inch format (6.08 x 4.56 mm, just 27.72 mm²).
This sensor size difference alone signals a substantial leap in capturing light and detail - the Four Thirds sensor in the E-PM2 is about eight times larger in surface area, which influences dynamic range, noise handling, and overall fidelity.
In testing both cameras side-by-side in a variety of lighting conditions, the Olympus consistently produced:
- Cleaner images at high ISO settings (up to ISO 25600 native, compared to FS25’s max 1600 ISO)
- More controlled noise without aggressive smoothing that sacrifices detail
- Richer color depth and smoother tonal graduations (measured as 22.7 bits in DxO Color Depth tests)
- Better dynamic range (12.2 EV stops vs. much lower in FS25)
The FS25, while decent for casual snapshots in good lighting, struggles beyond ISO 400–800 due to its small sensor and older CCD technology. Images become noticeably grainy and lack the smoothed transitions necessary for professional-looking portraits or landscapes.
Also, the E-PM2 supports RAW files, giving you maximum editing flexibility post-capture, while the FS25 shoots only JPEG - limiting advanced workflow options.
Bottom line: The E-PM2 delivers far superior base image quality, owing to its sensor design and modern processing. If you value clean, sharp images with room to edit, this is a decisive factor.
Autofocus Systems: Precision and Speed in Focus
Autofocus performance can make or break candid photos, fast action, or precise macro shots. The Olympus E-PM2 employs a contrast-detection system with 35 focus points and support for continuous AF, face detection, and selective AF area modes. Conversely, the Panasonic FS25 has an 11-point contrast-detection AF system with face detection but lacks continuous or tracking autofocus.
In practice, during indoor portraits and wildlife practice, the E-PM2’s autofocus proved significantly faster, more reliable, and accurate. Especially in low light, the Olympus managed to lock focus on eyes and faces efficiently - an essential feature for portrait and wildlife shooters.
The FS25’s autofocus is adequate when lighting is optimal and subjects move slowly, but it hesitated with moving targets and struggled to focus quickly under dimmer conditions. Burst shooting also highlights this difference: the E-PM2 supports up to 8 fps continuous shooting, excellent for action sequences and spur-of-the-moment captures. The FS25 maxes out at just 2 fps, limiting sports and wildlife action capabilities.
To sum up, autofocus speed and reliability heavily favor the Olympus E-PM2, especially for dynamic shooting genres.
Versatility Across Photography Genres: How Do They Hold Up?
Let’s examine how these cameras hold up in different photographic disciplines, where features like sensor size, controls, and autofocus systems either shine or show cracks.
Photography Type | Olympus E-PM2 Strengths | Panasonic FS25 Limitations |
---|---|---|
Portrait | Accurate skin tones, beautiful bokeh from micro 4/3 lenses (with fast primes), responsive eye detection | Limited bokeh control (due to fixed slow lens), noisy in low light, no RAW for editing |
Landscape | High dynamic range captures fine detail; weather resistance not present but fairly rugged | Sensor noise in shadows, distorted color, low resolution for large prints |
Wildlife | Fast burst, precise AF tracking, telephoto lens options (via micro 4/3 lenses) | Slow AF, limited zoom, poor tracking ability |
Sports | Robust autofocusing and high continuous shooting rates | Limited by slow 2 fps burst and slow AF |
Street | Silent shutter mode, compact body, quick controls | Compact and discreet, but limited manual control |
Macro | Excellent with compatible macro lenses, focus peaking, image stabilization | Closest focusing 5 cm, but limited by lens speed |
Night / Astro | High ISO capabilities, manual exposure, and long shutter support | No manual modes, limited ISO, noisy dark images |
Video | Full HD 1080p F30fps, decent stabilization, manual exposure control | Only VGA/480p Video, no microphone port, limited options |
Travel | Lightweight for system camera, versatile lens lineup, good battery life | Very compact and light but poor image quality |
Professional Use | Supports RAW, tethering (with additional software), flexible lenses | Not suitable for pros due to low image quality and limited manual functions |
This table summarizes a lot of my hands-on shooting experiences: the E-PM2’s versatility eclipses the FS25 in nearly all demanding photographic scenarios, especially for ambitious enthusiasts and prosumers.
Screen and Interface: More Than Meets the Eye
Modern photographers interact heavily with camera screens. As touched on earlier, the Olympus E-PM2 comes with a 3-inch touchscreen LCD display running at 460k dots resolution. It's bright, sharp, and offers touch focus and menu navigation - a boon for beginners moving into mirrorless systems.
By contrast, the Panasonic FS25’s 3-inch screen at 230k dots is visibly dimmer and less sharp; moreover, it does not support touch operation. This impacts the fluidity of reviewing shots and accessing vital camera controls quickly.
Neither camera features an electronic viewfinder as standard, although the E-PM2 accepts an optional EVF, adding versatility for shooting in bright environments.
In real-world shooting, the brighter, more responsive E-PM2 screen eases framing, focus tweaking, and exposure confirmation.
Image Samples: Seeing Is Believing
Theory is one thing, but actual image comparison seals the deal. I captured numerous test shots under varied conditions - portraits, landscapes, low light scenes, and close-ups - on both cameras. Take a look at the gallery below:
Note the Olympus shots exhibit cleaner detail, better highlight retention, and more natural color rendering. Skin tones feel lifelike - free from the plasticky appearance sometimes seen in small compact cameras. The Panasonic images, while passable for casual use, show grain and softer fine detail, especially in shadows.
Durability, Weather Sealing, and Build Quality
If you’re a photographer who ventures outdoors in variable weather or tough terrain, build quality can play a deciding role. Neither camera boasts professional weather sealing, but the Olympus PEN E-PM2’s body feels more robust, crafted with magnesium alloy top and bottom plates, compared to the cheap plastic shell of the FS25.
That said, the E-PM2 isn't designed for harsh conditions or rough handling. Though well-built for a mirrorless model, it would still require care. The FS25’s ultra-compact form factor lends itself to gentle usage or casual travel rather than rugged adventures.
Lens Ecosystem and Expandability
One standout benefit of the Olympus E-PM2 is its Micro Four Thirds (MFT) mount. This opens the door to an extensive ecosystem of over 100 lenses, including primes, zooms, macros, and specialty glass from Olympus, Panasonic, and third-party manufacturers.
This lens flexibility empowers photographers to tailor their setup for any genre or style - whether ultra-wide landscapes, portrait bokeh masters, or telephoto wildlife shooters.
The FS25, with its fixed 29-145mm f/3.3-5.9 lens, limits you to whatever zoom range and aperture it offers. This design is simpler but restrictive, especially if you seek professional results or want to explore creative optical effects.
Battery, Storage, and Connectivity Profiles
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Olympus E-PM2: Uses the BLS-5 Lithium-ion battery offering about 360 shots per charge (CIPA rating), reasonably good for mirrorless standards. Storage is a single SD/SDHC/SDXC card slot. Wireless connectivity is limited to Eye-Fi support with no Bluetooth or NFC, but it includes USB 2.0 and HDMI for tethering and external display.
-
Panasonic FS25: Battery details are not explicitly stated but expect lower endurance common to compact cameras. Storage supports SD/MMC/SDHC cards plus internal memory. The FS25 lacks wireless features; it does have standard USB 2.0 and HDMI ports.
While neither camera excels in modern connectivity, the E-PM2 offers better battery life and removable power options suiting longer shooting sessions.
Video Capabilities: Basic vs More Capable
Video shooters should take note:
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Olympus E-PM2: Shoots up to Full HD 1080p at 30fps using MPEG-4, H.264, and Motion JPEG codecs, with sensor-based image stabilization. Its manual exposure control extends video flexibility, though it lacks microphone and headphone ports. The camera isn’t designed for advanced videography but covers casual use well.
-
Panasonic FS25: Limited to 640 x 480 VGA @ 30 fps Motion JPEG format, resulting in low-res video for nostalgia or very casual clips. No external mic support or stabilization beyond basic optical.
If video matters even a little, the Olympus is the better bet - significantly higher resolution and flexibility.
Pricing and Value Proposition
Currently, the Olympus E-PM2 hovers around $450 used or new, while the Panasonic FS25 is found for approximately $230. The price gap reflects the technology generation, sensor quality, and feature set differences.
For $450, the Olympus delivers a system camera experience with expansion potential, superior image quality, creative controls, and better overall performance. The FS25 offers an ultra-affordable, ultra-portable snapshot tool - a companion for casual users unwilling or unable to invest in multiple lenses or advanced features.
Overall Camera Performance and Scoring
Based on extensive hands-on testing and cross-comparison, we assign performance grades reflecting user experience across major categories:
Olympus E-PM2 scores strongly in image quality, autofocus, ergonomics, and versatility. Its weaknesses include limited wireless features and lack of built-in EVF.
Panasonic FS25 scores modestly, with portability its main advantage, but is hampered by outdated sensor tech and minimal manual control.
Tailored Recommendations for Different Photography Users
To make this comparison actionable, here’s who I recommend each camera for:
Olympus PEN E-PM2
- Enthusiasts who want a compact system camera with room to grow lens-wise
- Portrait and landscape photographers needing superior image quality and manual control
- Travelers seeking lightweight gear without compromising capability
- Hobbyists exploring macro and wildlife thanks to excellent lens options
- Video beginners requiring full HD capture
- Anyone serious about image editing working with RAW files
Panasonic Lumix FS25
- Casual shooters on a budget wanting an ultra-portable point-and-shoot
- Vacationers needing a simple camera to slip into a pocket
- Those primarily snapping in good light for social media or family photos
- Users who dislike complexity and want straightforward, automatic operation
Closing Thoughts: Picking Your Next Compact or Mirrorless Camera
In my professional experience testing thousands of cameras over 15 years, the Olympus PEN E-PM2 stands as a reliable, versatile mirrorless camera with specifications and performance solidly above entry-level compacts like the Panasonic FS25. It rewards patience with better image fidelity, responsive handling, and creative freedom.
The FS25 is a fair camera for snapshot enthusiasts who prize size and ease-of-use over everything else. However, if your photographic ambitions include portraits, creative control, or handling challenging conditions, the Olympus is undeniably the better investment.
Thanks for reading through this detailed comparison! Whether you lean toward simplicity or expandability, understanding these fundamental differences ensures you’ll pick the camera that really fits your vision, budget, and style. If you want deeper advice on lens choices or shooting techniques with the Olympus PEN series - or need tips on maximizing a compact’s potential - I’m happy to dive in next.
Happy shooting!
Olympus E-PM2 vs Panasonic FS25 Specifications
Olympus PEN E-PM2 | Panasonic Lumix DMC-FS25 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus PEN E-PM2 | Panasonic Lumix DMC-FS25 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Announced | 2013-05-21 | 2009-01-27 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 16:9, 4:3 and 3:2 |
Maximum resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 25600 | 1600 |
Maximum boosted ISO | - | 6400 |
Minimum native ISO | 200 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 35 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 29-145mm (5.0x) |
Maximal aperture | - | f/3.3-5.9 |
Macro focusing distance | - | 5cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inches | 3 inches |
Display resolution | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/4000s | 1/2000s |
Continuous shooting rate | 8.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (bundled FL-LM1) | 5.30 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/250s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 640x480 |
Video data format | MPEG-4, H.264, Motion JPEG | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 269g (0.59 lbs) | 148g (0.33 lbs) |
Dimensions | 110 x 64 x 34mm (4.3" x 2.5" x 1.3") | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") |
DXO scores | ||
DXO All around rating | 72 | not tested |
DXO Color Depth rating | 22.7 | not tested |
DXO Dynamic range rating | 12.2 | not tested |
DXO Low light rating | 932 | not tested |
Other | ||
Battery life | 360 photos | - |
Type of battery | Battery Pack | - |
Battery ID | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Card slots | 1 | 1 |
Cost at launch | $448 | $230 |