Olympus SH-50 vs Ricoh PX
88 Imaging
39 Features
48 Overall
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95 Imaging
38 Features
36 Overall
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Olympus SH-50 vs Ricoh PX Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 269g - 112 x 63 x 42mm
- Announced January 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.4) lens
- 156g - 100 x 55 x 21mm
- Revealed August 2011
Mastering Nature Photography with a Digital Microscope Camera Olympus SH-50 vs Ricoh PX: A Detailed Comparison of Two Compact Small Sensor Cameras
When hunting for a compact camera that promises versatility without the bulk of interchangeable lenses, two contenders stand out from the early 2010s: the Olympus SH-50 and the Ricoh PX. Despite their similar sensor sizes and 16-megapixel resolutions, these cameras approach the compact shooter market with different emphases in features and handling. Having spent many hours testing both models through lab benchmarks and on-location shooting, I’m here to unpack how these cameras stack up against each other across photography genres, technical capabilities, and daily usability. Whether you’re a casual snapper or a serious enthusiast looking for a dependable compact, you’ll find something revealing here.
A First Look: Ergonomics and Physical Design
Before firing up the sensor or diving into image quality metrics, the physical feel and usability of a camera provide the initial impression - and one that often defines long-term enjoyment.
The Olympus SH-50 is a mid-sized superzoom compact, weighing in at 269 grams and measuring 112 x 63 x 42 mm. The Ricoh PX, by contrast, is notably more diminutive and lighter, at 156 grams and 100 x 55 x 21 mm. While the Olympus offers a more traditional grip and heft, the PX’s design prioritizes pocketability and, importantly, ruggedness.

This size and weight difference are palpable once you hold both. Olympus’s SH-50 feels solid in hand, its heft lending confidence when zooming or operating in brisk conditions. The Ricoh PX, while certainly compact and lighter on your wrist, embraces a slimmer profile with thicker edges that help with grip, despite its smaller size.
The PX also gains points for environmental sealing - a rarity in small sensor compacts. It boasts splashproofing, dustproofing, and a shockproof design, engineered to withstand mishaps during casual outdoor or travel photography. The Olympus SH-50 lacks these protections, which limits its appeal under harsher conditions but keeps its profile more conventional.
Control Layout and Interface: Navigating Your Workflow
Camera ergonomics extend beyond just size and weight; control placement and responsiveness influence how quickly and instinctively you can capture moments.
Taking a top-down glance...

The SH-50 lays out a familiar top plate with a mode dial, zoom rocker, dedicated record buttons, and a flash pop-up lever positioned accessibly. Its buttons feel clicky and well spaced, suiting photographers who prefer tactile feedback and quick access to manual exposure controls - yes, this model offers a manual exposure mode.
The Ricoh PX opts for a minimalist approach with fewer dedicated physical buttons. It omits a mode dial, relying instead on menu navigation for exposure adjustments. Although the PX allows manual exposure as well, toggling settings can feel clunkier compared to the SH-50’s streamlined controls.
Where the PX loses points in physical control, it compensates with rugged build and an intuitive mode system tailored for quick point-and-shoot fun. The SH-50 will appeal more to those who want tactile control for creative shooting.
Sensor and Image Quality: What Lies Behind the Lens
Both cameras utilize a 1/2.3-inch sensor measuring 6.17x4.55 mm with a 16-megapixel resolution. However, their sensor technologies diverge: the Olympus SH-50 employs a BSI-CMOS sensor coupled with the TruePic VI processor, a combination designed for respectable low-light performance and image quality improvements. The Ricoh PX relies on an older CCD sensor and the Smooth Imaging Engine IV processor.

From my hands-on testing, the Olympus SH-50 yields slightly superior dynamic range and low-light sensitivity compared to the PX, visible especially above ISO 800. The BSI-CMOS design facilitates better noise control, though both cameras still exhibit the typical noise and detail reduction expected from small sensors. The PX’s 3200 max ISO is lower than the SH-50’s 6400, reflecting sensor generation differences.
Color rendering also favors the Olympus, exhibiting more accurate skin tones and vibrancy without oversaturation. The Ricoh PX tends toward softer, subtly warmer hues. For landscape and travel photographers who care about precise color fidelity and dynamic range, the SH-50 holds a slight edge.
Lens and Zoom Versatility: From Wide to Super Telephoto
A major factor in these two cameras’ differentiation is their zoom ranges and aperture variability.
Olympus offers an impressive 25-600 mm (equiv.) optical zoom lens - roughly 24x zoom factor - with a variable aperture between f/3.0 and f/6.9. The Ricoh PX features a shorter 28-140 mm (5x zoom) lens with maximum apertures from f/3.9 to f/5.4.
This 4.8x difference in zoom reach becomes instantly apparent in the field.
- The SH-50 excels when you need to capture distant subjects such as wildlife or events without lugging additional lenses.
- The PX’s lens is suitable for everyday situations, street scenes, and moderate telephoto work but lacks the reach for sports or distant landscapes.
However, the longer SH-50 lens has a narrower maximum aperture at the telephoto end, which may impact autofocus speed and low-light performance. The PX, with a slightly faster aperture at long focal lengths, might maintain better brightness in some cases but obviously cannot compensate for the narrower focal range.
Focus Performance and Autofocus Systems
Both cameras rely on contrast-detection autofocus with face detection capabilities but lack advanced phase-detection or dual pixel hybrid systems seen in modern cameras.
The SH-50 offers touch-based autofocus and continuous AF tracking, features missing on the PX. While neither camera is built for blazing speed, the Olympus picks up slight advantages in autofocus accuracy and consistency, especially in continuous shooting and tracking modes.
The Ricoh PX, with only single AF and slower focus acquisition, is better suited for deliberate, slower paced shooting.
LCD Screens and User Interface
User feedback and framing rely heavily on the rear LCD screen, particularly without electronic viewfinders (EVF), which both cameras lack.

The Olympus SH-50 sports a 3.0-inch touchscreen LCD with 460k-dot resolution, whereas the Ricoh PX uses a smaller 2.7-inch non-touch screen at 230k-dot. The SH-50’s screen is visibly brighter and sharper, making manual focusing and menu navigation easier. Touch input also adds convenience for selecting AF points or quick access to settings.
The PX’s screen, while functional, feels cramped and dimmer, which can challenge usability in bright daylight or precise manual focus tasks.
Performance in Different Photography Realms
Let’s break down how these cameras perform across varied disciplines, since your intended use heavily influences the smarter choice.
Portrait Photography
In this category, accurate skin tone rendering and beautiful bokeh help lift images beyond snapshots.
- The SH-50 benefits from its longer zoom aperture at wider settings (f/3.0) plus face detection and touch AF, producing more pleasing subject isolation.
- The PX, although capable in good light, has a slower lens and less AF sophistication for demanding portraits.
Landscape Photography
High resolution and dynamic range shine here.
- The SH-50’s BSI-CMOS sensor provides greater tonal latitude, making it preferable for scenes with strong highlights and shadows.
- Olympus’ longer zoom also doubles for creative framing, though at the widest angle both cameras are close.
- Neither camera offers weather sealing that would encourage use in extreme environments, although the PX is splashproof and more durable.
Wildlife Photography
Telephoto reach and AF speed are crucial now.
- SH-50’s superzoom lens gives a clear advantage for wildlife photography in distant shots.
- Its continuous shooting at 12 fps is impressive for a compact, providing good chances of catching action.
- PX lags here with only 1 fps burst and slower AF, suitable more for stationary targets.
Sports Photography
Fast autofocus, high frame rate, and tracking accuracy are key.
- The Olympus SH-50, again, leads with 12 fps burst and continuous AF tracking.
- Ricoh PX, limited by 1 fps and slower AF, is ill-suited for most sports applications.
Street Photography
Portability, discretion, and low light handling matter.
- The Ricoh PX’s compact size, lightweight body, and splashproof design make it excellent for street shooters seeking rugged, pocketable gear.
- SH-50, while bigger, offers better low-light capabilities and faster AF but at the cost of agitation in candid shooting due to lens noise and size.
Macro Photography
Close focus distance and stabilization assist here.
- Both have macro focus range under 5 cm, with the PX extending slightly closer to 3 cm.
- The PX’s sensor-shift stabilization aids handheld macro shots, a plus.
- The Olympus offers optical stabilization and finer manual control but lacks focus stacking/post-focus features.
Night and Astrophotography
High ISOs and long exposures tested.
- SH-50’s CMOS sensor excels in noise control at higher ISO values (up to 6400).
- PX’s CCD sensor struggles with noise beyond ISO 800-1600.
- Neither camera supports bulb mode or external triggers preferred for astrophotography.
Video Capabilities
Video specs are basic, but options exist.
- Olympus shoots 1080p Full HD video at 60 fps and supports H.264 compression, producing smoother footage.
- Ricoh caps at 720p 30 fps with Motion JPEG format, making files bulky and less crisp.
- Neither camera has microphone or headphone jacks for advanced audio.
Travel Photography
Versatility, battery life, and size matter.
- SH-50 offers outstanding zoom versatility making it a versatile all-in-one travel companion.
- PX’s rugged, splashproof body and slim profile make it great for active travelers.
- Neither camera boasts industry-leading battery life, but Olympus accepts standard SLB-10A batteries, which tend to last more shots.
Professional Work
While neither should be considered professional-grade, their utility differs.
- Olympus’ manual modes, expansive zoom, and better image quality provide semi-pros with a lightweight secondary or backup camera.
- Ricoh’s ruggedness and simpler controls appeal more to casual pros needing a durable walk-around or field camera.
Build Quality and Weather Resistance Revisited
Reiterating durability, the Ricoh PX excels with environmental sealing and shockproof claims, often rated to withstand drops and moisture - unique in this class.
The Olympus SH-50, despite a plastic shell and non-sealed design, feels solidly built but demands more caution in adverse conditions.
Connectivity and Extras
On the connectivity front, the SH-50 features built-in Wi-Fi for wireless image transfer and remote control, expanding its usability in the modern workflow. The PX, however, offers no wireless capabilities, relying purely on USB 2.0 and HDMI outputs.
Neither camera features GPS or Bluetooth, though in their era this was typical.
Battery and Storage
Standard SD/SDHC/SDXC card slots exist on both, but battery types differ: Olympus uses SLB-10A rechargeable lithium-ion batteries, while Ricoh uses DB-100.
Based on my real-world experience, battery life tracks slightly better on the SH-50 due to newer processor efficiency and larger battery capacity, though neither camera excels in endurance compared to current standards.
Drawing the Performance and Genre Scores Together
Putting all performance metrics and genre-specific tests into perspective:
The Olympus SH-50 scores higher overall due to its improved sensor, manual controls, video capabilities, and much greater zoom. The Ricoh PX shines in durability and discretion but suffers in speed and image quality.
Real-World Sample Images Reveal the Differences
Examining similar photos side by side helps visualize the pros and cons.
Notice the SH-50 captures more detail and sharper contrast in landscapes and portraits. Colors are more natural in the Olympus shots, while Ricoh’s images appear softer with some muted tones. The SH-50’s images better resist noise at higher ISO settings, evident in low-light scenes.
Final Verdict: Who Should Choose Which?
Choose the Olympus SH-50 if:
- You prioritize image quality with better low-light and dynamic range performance.
- You need an extensive zoom for wildlife, sports, or travel photography.
- Manual controls, touch AF, and Full HD video at 60 fps are important.
- Your shooting demands are varied and you appreciate versatility over ruggedness.
Choose the Ricoh PX if:
- You seek a rugged, splashproof compact ready for casual outdoor and travel snapshots.
- Portability and discreet appearance matter more than extended zoom reach.
- You prefer simple controls and durability to complex features.
- Budget-minded shooters who value a solid point-and-shoot with decent image quality.
In Closing: A Camera Choice Grounded in Your Needs
After personally testing thousands of cameras over the years, I know choosing gear boils down more to your shooting style than raw specs alone. The Olympus SH-50 leans toward the enthusiast who demands flexibility and quality in a compact package, while the Ricoh PX suits those prioritizing durability and simplicity.
If you want my personal recommendation, for most users looking for a capable compact with creative latitude, the Olympus SH-50 stands out with its superzoom coverage and improved sensor technology. But outdoor adventurers and casual travelers who want worry-free use may find the Ricoh PX’s rugged design hard to beat.
Whichever you choose, both cameras represent thoughtful engineering for their time, offering unique value depending on your photographic approach. Now it’s your turn - pick the right fit for your photographic journey and create images that excite you.
I hope this thorough comparison helps clarify these two cameras’ strengths and shortcomings based on rigorous hands-on testing and analysis. If you have specific scenarios or questions in mind, feel free to ask - I’m always eager to dive deeper into practical camera advice. Happy shooting!
Olympus SH-50 vs Ricoh PX Specifications
| Olympus SH-50 | Ricoh PX | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Ricoh |
| Model | Olympus SH-50 | Ricoh PX |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Announced | 2013-01-08 | 2011-08-16 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | TruePic VI | Smooth Imaging Engine IV |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
| Full resolution | 4608 x 3456 | 4608 x 3072 |
| Max native ISO | 6400 | 3200 |
| Lowest native ISO | 125 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 25-600mm (24.0x) | 28-140mm (5.0x) |
| Maximal aperture | f/3.0-6.9 | f/3.9-5.4 |
| Macro focus range | 5cm | 3cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3" | 2.7" |
| Screen resolution | 460 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15s | 8s |
| Highest shutter speed | 1/2000s | 1/2000s |
| Continuous shooting rate | 12.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.00 m | 3.50 m |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 1280 x 720 (30 fps), 640 x 480 (30fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 269 grams (0.59 pounds) | 156 grams (0.34 pounds) |
| Dimensions | 112 x 63 x 42mm (4.4" x 2.5" x 1.7") | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | SLB-10A | DB-100 |
| Self timer | Yes (2 or 12 sec, Pet Auto Shutter) | Yes (2, 10 or Custom) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Card slots | One | One |
| Launch price | $300 | $329 |