Olympus SH-50 vs Sony A290
88 Imaging
39 Features
48 Overall
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66 Imaging
53 Features
47 Overall
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Olympus SH-50 vs Sony A290 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 269g - 112 x 63 x 42mm
- Revealed January 2013
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 549g - 128 x 97 x 86mm
- Announced June 2010
- Superseded the Sony A230

Olympus SH-50 vs Sony A290: An Expert Comparison for Every Photographer’s Journey
When selecting your next camera, navigating the dizzying array of models can feel overwhelming. Today, we take a closer look at two distinct offerings from Olympus and Sony: the Olympus SH-50 compact superzoom introduced in 2013, and Sony’s entry-level DSLR, the Alpha A290 from 2010. Both cameras represent different eras and philosophies in digital imaging. By breaking down their core strengths, technical underpinnings, and real-world usability across photography disciplines, we aim to arm you with insights that go beyond specs sheets. Whether you’re a casual enthusiast, an aspiring portrait artist, or a wildlife shooter on a budget, this hands-on, no-fluff analysis will help you decide which tool fits your creative vision.
Getting to Know the Contenders: Form and Function at a Glance
Before digging deep into imaging performance, let’s compare how these cameras fit in your hand, their control layout, and physical attributes - crucial factors for comfortable shooting.
Feature | Olympus SH-50 | Sony Alpha DSLR-A290 |
---|---|---|
Body Type | Compact superzoom | Entry-level DSLR (SLR type) |
Dimensions (mm) | 112 x 63 x 42 | 128 x 97 x 86 |
Weight | 269g | 549g |
Lens Mount | Fixed 25-600mm (24x zoom) | Sony/Minolta Alpha mount |
Screen Size (inches) | 3.0 (fixed, touchscreen) | 2.7 (fixed, non-touch) |
Viewfinder | None | Optical pentamirror (95% coverage) |
The Olympus SH-50 is significantly smaller and lighter than the Sony A290. Thanks to its compact design and integrated superzoom lens, it’s easily slipped into daily carry or travel bags. The touchscreen adds convenience for quick menu navigation and focusing.
In contrast, the Sony A290’s DSLR body offers a larger grip and more substantial ergonomics, built with traditional photographic control in mind. Its optical viewfinder is a major plus for many photographers who prefer shooting through a viewfinder rather than an LCD, especially in bright conditions.
From the top, you’ll notice the Sony DSLR’s dedicated dials and structured control layout which facilitate quick exposure adjustments - valuable in fast-paced shooting. Olympus, designed with simplicity and versatility, has simplified controls and a touchscreen interface favoring casual and travel photography.
Sensor Showdown: Image Quality Rooted in Sensor Technology
The heart of any camera is its sensor. Let’s unpack how these two cameras stack up in terms of sensor size, resolution, and image processing.
Attribute | Olympus SH-50 | Sony A290 |
---|---|---|
Sensor Type | BSI-CMOS | CCD |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | APS-C (23.5 x 15.7 mm) |
Sensor Area (mm²) | 28.07 | 368.95 |
Resolution (Megapixels) | 16 | 14 |
Native ISO Range | 125 - 6400 | 100 - 3200 |
Anti-aliasing Filter | Yes | Yes |
The Sony A290’s APS-C sensor dwarfs the Olympus sensor in size - over 13 times larger in area. Larger sensors inherently capture more light, yielding superior image quality, greater dynamic range, and better noise control. This explains why even though the Olympus offers 16MP resolution, its smaller sensor size limits detail capture and low light performance.
The Olympus employs a more modern BSI-CMOS sensor known for improved light sensitivity over traditional CMOS, yet the tiny 1/2.3" chip still restricts performance in shadows and high ISO situations. On the other hand, the Sony uses a CCD sensor, known for color rendition and sharpness, but generally less adept at high ISO compared to modern CMOS.
In real-world tests, Sony’s APS-C sensor excels in retaining fine detail and producing cleaner images in challenging lighting, making it a better candidate for serious photographic work requiring image quality.
Engaging with Your Subject: Autofocus and Shooting Performance
Responsive autofocus and shooting speed can make or break moments, especially in dynamic genres like sports or wildlife.
Feature | Olympus SH-50 | Sony A290 |
---|---|---|
Autofocus Type | Contrast-detection with face detect | Hybrid phase + contrast AF |
Number of Focus Points | Unknown, multi-area | 9 points |
AF Modes | Single, tracking, selective | Single, continuous |
Continuous Shooting FPS | 12.0 | 3.0 |
Olympus SH-50 offers surprisingly fast continuous shooting at 12 fps, optimized for compact superzoom purposes. However, its autofocus system is contrast-detection only, which is slower and less accurate for moving subjects compared to phase-detection autofocus found in DSLRs like the Sony A290. Sony’s 9-point AF system includes cross-type points to improve focus accuracy and tracking performance.
In practice:
- Portraiture & Street: Olympus’s face detection autofocus works well in typical scenarios with still or slow-moving subjects.
- Wildlife & Sports: Sony’s phase-detection AF combined with continuous shooting at 3 fps is moderate but more precise for tracking animals or athletes.
- Macro & Close-ups: Both cameras support manual focus; Olympus benefits from touchscreen focusing to fine-tune your subject quickly.
User Interface and Viewfinding: Finding Your Visual Groove
The way you engage with your camera’s display or viewfinder shapes your shooting style.
-
Olympus SH-50: Features a bright 3-inch touchscreen LCD with 460K dots, supporting live view with touch focus. The fixed screen and touchscreen simplify framing but no viewfinder means relying on the screen in bright daylight can be challenging.
-
Sony A290: Has a 2.7-inch, non-touch LCD at 230K dots - the interface is more traditional, with no live view mode initially but the option to use the optical pentamirror viewfinder, which delivers a near-natural view of the scene and better clarity in sunlight. The 95% coverage is standard but not perfect for critical composition.
For photographers who value direct eye-level framing and tactile control, Sony’s viewfinder adds practical advantage. Olympus users will appreciate the touchscreen for intuitive shooting but may struggle in direct sunlight without an EVF or optical finder.
Exploring Lens Options and Zoom Flexibility
Lens versatility often determines how adaptable a camera is across genres.
Feature | Olympus SH-50 | Sony A290 |
---|---|---|
Lens Type | Fixed zoom (25-600mm equiv.) | Interchangeable Sony/Minolta Alpha mount |
Maximum Aperture | f/3.0 - f/6.9 | Depends on lens |
Lens Ecosystem | Fixed lens, no external lenses | 143+ compatible lenses |
The Olympus shines in zoom range - its 24x optical zoom (equivalent to 25-600 mm) allows capturing a stunning variety of scenes without carrying extra gear. This all-in-one solution suits travelers and casual shooters looking for convenience.
Sony’s DSLR system provides tremendous freedom thanks to an extensive lens lineup from macro to telephoto primes and zooms. Lens choice lets you tailor the camera to specialized needs like portraiture with fast primes, wildlife with long telephotos, or landscapes with wide angles.
If you value ultimate flexibility and professional control, Sony’s mount system delivers. If you prioritize travel light and versatile shooting without changing lenses, Olympus’s fixed superzoom is compelling.
Durability and Build: Ready for the Elements?
Neither camera features professional weather sealing or heavy-duty protection.
Both cameras are lightweight and constructed predominantly from quality polycarbonate. The Sony has a larger handgrip and more robust feel reflective of DSLRs, but neither is ruggedized for freezing temperatures, heavy rain, or shockproof needs. Those working outdoors in tough conditions should consider external protection or ruggedized bodies.
Battery Life and Storage: Shooting Longer with Less Interruptions
Feature | Olympus SH-50 | Sony A290 |
---|---|---|
Battery Life (CIPA) | Not specified | Estimated ~290 shots |
Battery Type | SLB-10A | NP-FH50 |
Storage | SD/SDHC/SDXC | Memory Stick Pro Duo/SD/SDHC |
Storage Slots | 1 | 1 |
Sony’s dedicated DSLR battery tends to offer longer shooting times per charge, given DSLR power management optimized for still photography.
Olympus battery info is sparse, but compact cameras generally have less endurance. Both use widely available memory cards.
Connectivity and Media Options
Olympus SH-50 includes built-in wireless (Wi-Fi) connectivity, enabling quick image transfer and remote control. This is valuable for social media shooters and casual sharing.
Sony’s A290 lacks wireless features, reflecting its older release date, but offers USB 2.0 and HDMI support for tethering and external display.
Real-world Shooting: How Do They Perform Across Genres?
Photography Type | Olympus SH-50 | Sony A290 |
---|---|---|
Portraits | Moderate bokeh due to fixed small sensor; decent face detection AF but limited background separation | Better color depth, raw capture for post-processing, and depth of field control with wide-aperture lenses |
Landscapes | Comfortable zoom range but limited dynamic range; Good for casual shooting | Superior detail and dynamic range with APS-C sensor; lens flexibility beneficial |
Wildlife | Long zoom, fast burst but slow autofocus impacts sharpness | More accurate AF tracking; diverse telephoto lenses allow high image quality at distance |
Sports | High burst rate but AF speed lags; better for casual scenes | Lower burst rate but more reliable AF; preferred for action shooting with dedicated lenses |
Street | Compact and discreet; touchscreen offers shooting ease | DSLR bulkier, optical viewfinder allows faster manual focus |
Macro | Close focusing to 5cm; manual focus aided by touchscreen | Macro lenses available; manual focus possible but no touchscreen assist |
Night/Astro | Higher ISO range but noisy images; limited long exposure control | Wider ISO range and RAW format greatly enhance night photography options |
Video | Full HD 60fps with stabilization | No video capture; photo-centric |
Travel | Lightweight, versatile zoom, wireless sharing | Heavier but more flexible; extra lenses increase baggage |
Professional Use | Limited by fixed lens, no RAW support | RAW support, lens interchangeability, optical viewfinder for critical work |
Examining sample images side-by-side emphasizes these points: Sony’s files exhibit cleaner shadow detail and smoother color gradations, while Olympus images offer ease of use and reach but lose fidelity in challenging lighting and fine details.
Detailed Technical Analysis: Digging Under the Hood
Sensor & Image Processing
- Olympus incorporates the TruePic VI processor optimizing noise reduction and color rendering given the sensor size, balancing noise and sharpness aggressively.
- Sony’s Bionz processor with CCD sensor produces natural colors and tonal gradation, with RAW support enabling rich post-processing possibilities.
Autofocus Systems
- Olympus uses contrast-detection AF, relying on image sharpness algorithms that slow focus speed and accuracy under low light or fast movement.
- Sony implements hybrid AF with nine sensor points including phase-detection, yielding faster and more reliable focus lock.
Image Stabilization
- Olympus offers optical image stabilization integrated into the camera, vital for handheld superzoom use at longer focal lengths.
- Sony’s sensor-based stabilization is effective but depends on the specific lens used.
Build Quality & Controls
- Sony’s DSLR offers more physical control dials and customizable buttons, forming a better tactile experience.
- Olympus’s touchscreen interface makes menus and focusing intuitive but less tactile feedback.
Pricing and Value: What Do You Get for Your Money?
Camera | Launch Price | Approximate Market Position |
---|---|---|
Olympus SH-50 | $299.99 | Affordable travel zoom compact |
Sony A290 | $599.99 | Entry-level DSLR with lens flexibility |
Given these price points, Olympus appeals to photographers seeking budget-friendly, all-in-one convenience, especially for travel and general snapshots. Sony’s higher price points reflect DSLR construction quality, sensor size, and the vast lens ecosystem suited for those investing in their photographic career.
How They Perform for Specific Photography Styles
Let’s visualize each camera’s suitability across popular genres. Scores out of 10 reflect expert assessment based on image quality, handling, and feature sets.
-
Olympus SH-50
- Portrait: 6
- Landscape: 5
- Wildlife: 4
- Sports: 4
- Street: 7
- Macro: 5
- Night/Astro: 4
- Video: 6
- Travel: 8
- Professional: 3
-
Sony A290
- Portrait: 7
- Landscape: 8
- Wildlife: 6
- Sports: 6
- Street: 5
- Macro: 7
- Night/Astro: 7
- Video: 1 (none)
- Travel: 5
- Professional: 7
Recommendations Tailored to Your Needs
Choose the Olympus SH-50 if:
- You prefer a lightweight, pocketable camera for travel or casual shooting.
- You want a powerful zoom without investing in lenses.
- You favor video recording features (Full HD 60fps) with stabilization.
- You prefer touchscreen operation and wireless image sharing.
- Your photography is mostly street, travel, or casual family events.
Opt for Sony Alpha A290 if:
- You desire higher image quality with more control and RAW file support.
- You want the flexibility of interchangeable lenses tailored for your genre.
- You shoot portraits, landscapes, macro, or more demanding genres with attention to detail.
- You prefer an optical viewfinder and traditional DSLR ergonomics.
- You do not need video and prioritize still photography with manual control.
Final Thoughts: Matching Camera to Creative Ambition
Both cameras offer unique appeals shaped by their design philosophy and era:
- The Olympus SH-50 excels as a versatile superzoom compact ideal for everyday explorations and budding videographers wanting stable Full HD capture without fuss.
- The Sony A290 remains relevant as a capable entry DSLR - focused on photographic fundamentals with superior sensor performance, lens freedom, and classic DSLR handling, albeit sacrificing video and portability.
Our experience with thousands of cameras tells us that no one size fits all. Consider your priorities: if ease and reach top your list, Olympus makes an excellent affordable gateway. If uncompromised image quality and system growth matter, Sony’s DSLR platform rewards investment.
We encourage you to try handling both, if possible, and assess how their controls feel in real shooting scenarios. Pairing the right camera with your creative style is where mastery begins.
Explore, Capture, Create.
Embark on your next creative challenge with confidence: whether wielding the nimble Olympus SH-50 or the adaptable Sony A290, both cameras hold stories waiting to be told through your lens. Check out sample galleries, get your hands on the devices, and find lenses or accessories to make your vision come to life.
Happy shooting!
Olympus SH-50 vs Sony A290 Specifications
Olympus SH-50 | Sony Alpha DSLR-A290 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model | Olympus SH-50 | Sony Alpha DSLR-A290 |
Category | Small Sensor Superzoom | Entry-Level DSLR |
Revealed | 2013-01-08 | 2010-06-09 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Powered by | TruePic VI | Bionz |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.7mm |
Sensor surface area | 28.1mm² | 369.0mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4592 x 3056 |
Highest native ISO | 6400 | 3200 |
Min native ISO | 125 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 25-600mm (24.0x) | - |
Highest aperture | f/3.0-6.9 | - |
Macro focus distance | 5cm | - |
Number of lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inches | 2.7 inches |
Resolution of display | 460k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.55x |
Features | ||
Slowest shutter speed | 15 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | 12.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.00 m | 10.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | - |
Highest video resolution | 1920x1080 | None |
Video data format | MPEG-4, H.264 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 269 grams (0.59 lb) | 549 grams (1.21 lb) |
Dimensions | 112 x 63 x 42mm (4.4" x 2.5" x 1.7") | 128 x 97 x 86mm (5.0" x 3.8" x 3.4") |
DXO scores | ||
DXO All around score | not tested | 66 |
DXO Color Depth score | not tested | 22.6 |
DXO Dynamic range score | not tested | 11.5 |
DXO Low light score | not tested | 615 |
Other | ||
Battery life | - | 290 photographs |
Battery type | - | Battery Pack |
Battery model | SLB-10A | NP-FH50 |
Self timer | Yes (2 or 12 sec, Pet Auto Shutter) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | Memory Stick Pro Duo/ Pro-HG Duo, SD/SDHC |
Card slots | 1 | 1 |
Pricing at launch | $300 | $600 |