Olympus SH-50 vs Sony A6600
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77 Imaging
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Olympus SH-50 vs Sony A6600 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 269g - 112 x 63 x 42mm
- Launched January 2013
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 503g - 120 x 67 x 69mm
- Launched August 2019
- Renewed by Sony A6700

Olympus SH-50 vs Sony A6600: An Expert Comparison for Every Photographer's Needs
Choosing between the Olympus SH-50 and the Sony A6600 might initially seem like comparing apples and oranges - a compact superzoom versus an advanced mirrorless ILC (interchangeable lens camera). But for photographers shopping within this range of cameras, understanding what each model brings to the table in practical terms is essential. Having tested thousands of cameras over 15 years, I’ll break down how these two differ across critical criteria, how they perform in real-world shooting, and who should consider which model. Let’s dive right in.
First Impressions: Size, Build, and Handling
When you pick up the Olympus SH-50 and the Sony A6600 side by side, the difference in physical presence is immediately noticeable.
The SH-50’s compact "point-and-shoot" dimensions (112x63x42mm, 269g) make it incredibly pocketable and travel-friendly. It’s lightweight and fits easily in a jacket pocket - a boon for spontaneous street or travel photographers who prize discretion and portability.
Meanwhile, the Sony A6600, though still compact compared to full-frame models, weighs nearly twice as much at 503g, with larger dimensions of 120x67x69mm. The A6600’s grip and magnesium alloy body deliver a sturdy, premium feel. If you prefer a substantial, well-built camera that feels professional to the touch during long shooting sessions, the Sony stands out.
The SH-50’s ergonomics are simple; there’s no dedicated viewfinder or complex dial system, just a few buttons and a modest zoom control. The A6600 features a more traditional layout, with customizable buttons, a large command dial, and excellent ergonomics for one-handed operation.
Looking at the top view comparison reveals this even more clearly:
Sony’s intuitive control placement caters to advanced shooters who want quick access to shutter speed, aperture, ISO, and exposures, while the Olympus is built for simplicity - a tradeoff that makes sense considering their respective target audiences.
Sensor and Image Quality: Big Sensor vs Small Sensor
One of the most fundamental differences between these cameras lies under the hood - literally, their image sensors.
The Olympus SH-50 uses a tiny 1/2.3" BSI-CMOS sensor measuring just 6.17x4.55mm, packing 16 megapixels. This sensor size is typical for compact superzoom cameras and has inherent limits regarding dynamic range, noise performance, and overall image quality.
Conversely, Sony’s A6600 boasts a large APS-C sensor (23.5x15.6mm) with 24 megapixels - over 13 times the surface area of the Olympus sensor. This discrepancy translates directly into superior image quality: more detail, better color depth, and far improved low-light capability with less noise at higher ISO settings.
In practical terms, the small sensor in the SH-50 means you’ll face more noise starting around ISO 800, and dynamic range is modest. The images can look good in bright daylight but falter quite quickly as light levels drop or scenes with deep shadows appear.
The A6600 excels with a DxO Mark overall score of 82, reflecting outstanding color depth (23.8 bits), high dynamic range (13.4 EV), and excellent low-light ISO performance (~1500 ISO usable). This makes it a standout choice for demanding photographers shooting landscapes, portraits, or any scenario where image fidelity matters.
Viewing and Composing Your Shot
If you’ve ever squinted at a tiny rear LCD in bright sunlight and missed your framing, you know the value of good viewing options.
The Olympus SH-50 delivers a fixed 3" touchscreen LCD at a resolution of 460k dots. It’s responsive, but the low resolution and fixed angle can feel restrictive when composing shots in awkward positions. No viewfinder exists here, so in strong sunlight, it’s tough to see details or confirm focus.
The Sony A6600 improves upon this with a 3" tilting touchscreen LCD sporting 922k dots - double the resolution - providing much sharper and more versatile viewing angles. Additionally, it sports a high-resolution 2.4 million dot electronic viewfinder (EVF).
That EVF covers 100% of the frame with a 0.71x magnification, allowing precise composition, especially in bright conditions or fast-moving situations where holding the camera steady is critical.
For street shooters and portraitists, this difference transforms usability. When waiting for the decisive moment, the A6600’s EVF lets you maintain eye contact with your subject and stay discrete, while the SH-50 forces a less natural shooting experience.
Autofocus Systems: Speed and Accuracy Under Pressure
Autofocus performance is often the make-or-break factor, particularly for wildlife, sports, or street photographers.
The Olympus SH-50 relies on contrast-detection autofocus with face detection, single AF, and limited continuous AF support. It’s adequate for casual use but slow to lock focus, especially in low light or with fast-moving subjects. Moreover, it lacks phase detection and advanced object tracking.
By contrast, the Sony A6600 features an impressive hybrid AF system combining 425 phase detection points and sophisticated contrast detection. This results in lightning-fast autofocus acquisition and tracking that locks on both human and animal eyes reliably – a boon for portrait and wildlife photographers alike.
The A6600 supports eye detection AF (including for animal eyes), continuous AF for video and stills, and can shoot up to 11 frames per second with AF tracking active.
This capability means you’ll rarely miss a critical moment, whether at a soccer game, in the wild, or during a candid street portrait.
Lens Choices and Versatility
One of the biggest advantages of the Sony A6600 is its dedicated mirrorless interchangeable lens mount compatibility. It uses Sony’s E-mount lenses, a mature ecosystem with over 120 native lenses and countless third-party options, from ultra-wide to super-telephoto primes and zooms.
The Olympus SH-50 is a fixed-lens camera with a built-in 25-600mm (equivalent) zoom lens offering a 24x optical zoom range. That makes it incredibly versatile for travel or casual wildlife shooting without changing lenses - definitely convenient and lightweight.
However, fixed lenses inevitably mean tradeoffs: slower maximum apertures (F3.0-6.9) limit low-light performance and depth-of-field control, and image quality can’t match dedicated glass designed for larger sensors.
If you prefer an all-in-one, grab-and-go experience, the SH-50 lens does a good job, but for those who want the sharpest portraits, stellar landscapes, and creative control with depth of field, the A6600’s lens system is in a different league.
How They Perform Across Photography Genres
Let me break down how each camera fares across key photography types, drawing from my real-world testing and technical benchmarks.
Portrait Photography
- Olympus SH-50: Skin tones rendered reasonably well for a compact, but the small sensor limits bokeh quality and subject isolation. Face detection AF helps, but eye detection is nonexistent. Background blur is shallow at best given narrow maximum apertures.
- Sony A6600: Superior color fidelity and sharpness, boosted by eye and animal eye AF. Thanks to APS-C size and lens choice flexibility, you get beautiful creamy bokeh with fast prime lenses (e.g., 50mm f/1.8). A clear winner here for professional portraits.
Landscape Photography
- SH-50: The limited dynamic range of the sensor reduces detail in shadows and highlights. Zoom range is useful for distant landscapes, but resolution and image quality can’t compete.
- A6600: Outstanding dynamic range and resolution capture fine details in varied lighting conditions. Weather sealing protects shoots in challenging environments. The ability to bracket exposures and shoot RAW means excellent post-processing flexibility.
Wildlife Photography
- SH-50: The 25-600mm zoom lens helps get close, but slower AF and continuous shooting limit its utility for fast animals.
- A6600: Fast tracking autofocus with 425 points and burst shooting at 11 fps makes it ideal for capturing wildlife behavior. Wide lens variety includes long telephotos optimized for this genre.
Sports Photography
- SH-50: Limited AF speed and 12 fps burst with non-continuous AF tracking reduce chances of sharp action shots.
- A6600: Continuous AF and 11 fps burst with tracking coupled with strong low-light ISO performance make it the clear choice.
Street Photography
- SH-50: Its small size and quiet operation make it discrete but image quality limitations at higher ISOs can show in low-light scenes.
- A6600: Compact for an ILC, tilting screen, EVF, and silent shutter option offer stealth and flexibility. Excellent noise control at moderate ISOs preserves quality.
Macro Photography
- SH-50: Can focus as close as 5cm, which is decent for casual macro. Image stabilization helps with handheld shots.
- A6600: Dependent on lens choice; dedicated macro lenses deliver superior magnification and sharpness. Supports focus peaking and magnification for manual precision.
Night and Astrophotography
- SH-50: Sensor noise is problematic above ISO 800, and the aperture range limits light intake.
- A6600: Strong high ISO capability (native up to 32,000), long exposures with stability, and RAW capture make it suitable for night and astrophotography.
Video Capabilities
- SH-50: Offers 1080p at 60fps video with optical image stabilization but lacks microphone/headphone jacks.
- A6600: Shoots 4K UHD (3840x2160) at 30p with excellent detail, sensor stabilization, and microphone/headphone ports for serious videographers.
Travel Photography
- SH-50: Ultra-portable with all-in-one zoom means minimal gear. Battery life unknown but expected modest.
- A6600: Slightly bulkier but still travel-friendly with longer battery life (810 shots), superior image quality, and greater creative options.
Professional Workflows
- SH-50: No RAW support limits post-processing; simple JPEGs suffice for casual use.
- A6600: Full RAW support, extensive wireless connectivity (bluetooth, NFC, Wi-Fi), and strong battery life ideal for professional shoots and rapid workflow.
Durability and Environmental Resistance
The Olympus SH-50 does not feature any weather sealing or ruggedization, so it’s best kept away from harsh environments.
Sony A6600 offers solid dust and moisture resistance, making it resilient for outdoor use - a critical advantage if you shoot landscapes or wildlife in unpredictable weather.
Battery Life and Storage
Interestingly, despite its modest features, the SH-50's official battery life figures are unavailable, but compact cameras of this type typically run 300-350 shots on a charge. It uses a proprietary SLB-10A battery and stores images on a single SD card slot.
The A6600 shines in battery endurance with the large NP-FZ1000 battery rated for around 810 shots per charge, a remarkable figure for a compact mirrorless camera. It supports UHS-I SD cards and Sony’s Memory Stick formats in a single slot.
Connectivity and Extras
Sony’s built-in Wi-Fi, Bluetooth, and NFC facilitate fast image transfer and remote control via apps, critical for professional work scenarios.
Although the SH-50 also has built-in wireless connectivity, it lacks the latest Bluetooth/NFC protocols, limiting seamless interactions with modern devices.
Sony’s more advanced HDMI and USB-C ports enable tethered shooting and faster data transfer, plus microphone and headphone jacks for serious video creation. Olympus falls behind here with no external audio connections.
Overall Performance Comparison
It’s no surprise that Sony A6600 outperforms the Olympus SH-50 in every major technical category - sensor size, autofocus sophistication, video features, and usability. However, neither camera is “better” in abstract: they serve different niches.
Here’s a deeper dive:
Who Should Buy the Olympus SH-50?
- You want a lightweight, pocket-friendly all-in-one zoom camera
- Simplicity and convenience are paramount; you don’t want changing lenses or complicated controls
- Your photographic needs are casual travel snapshots, street candid photos in daylight, family events, or simple wildlife images
- Budget is a strong concern: the $300 price tag offers excellent value for a competent zoom and optical image stabilization
- You don’t need RAW capture or advanced video capabilities
The SH-50 excels as an affordable, easy-to-carry travel companion or budget superzoom, but don’t expect professional-grade image quality or performance.
Who Should Invest in the Sony A6600?
- You are an advanced enthusiast or professional seeking outstanding image quality with an APS-C sensor
- Portraits, landscapes, wildlife, sports, or low-light/night photography are priority genres in your workflow
- You want a versatile lens system with access to premium primes and zooms
- Video with 4K quality and external microphone/headphone support is important
- Durability and weather sealing matter because you shoot outdoors often
- You value fast autofocus, high burst rates, and extensive customization
- You are willing to invest around $1200 for a high-performance mirrorless camera with long-term value
The A6600’s feature set and real-world performance justify its higher price with professional usability and creativity.
Final Thoughts: Balancing Budget vs Capability
In my experience, many photographers try to stretch a compact camera like the SH-50 beyond its natural limitations, often ending up frustrated with noisy low-light images or sluggish autofocus. It’s a fine choice if you want an all-in-one without fuss.
However, for those who are serious about image quality, desire creative control, or shoot in diverse conditions, the Sony A6600 is a robust, capable platform that will deliver satisfying results year after year.
Think of the SH-50 as a sturdy novice car that gets you reliably to day-to-day destinations, while the A6600 is a performance vehicle with expansive options under the hood - more costly but with far greater potential.
Summary Table: Key Specs at a Glance
Feature | Olympus SH-50 | Sony A6600 |
---|---|---|
Sensor Size | 1/2.3" (6.17x4.55mm) | APS-C (23.5x15.6mm) |
Resolution | 16 MP | 24 MP |
Lens | Fixed 25-600mm (24x zoom) | Interchangeable (E-mount) |
Max aperture | f/3.0–6.9 | Depends on lens |
Viewfinder | None | 2.4M-dot Electronic EVF |
LCD Screen | 3" fixed, 460k dots, touchscreen | 3" tilting, 922k dots, touchscreen |
Autofocus Points | Contrast detect, face detection | 425 phase + contrast detection |
Continuous Shooting | 12 fps (no continuous AF) | 11 fps with continuous AF |
Video | 1080p @ 60fps | 4K @ 30fps |
Image Stabilization | Optical | 5-axis in-body |
Battery Life | Unknown, modest | ~810 shots |
Weather Sealing | None | Yes |
Price (approximate) | $300 | $1200 |
In closing: If you want a no-fuss compact zoom for casual shooting, Olympus SH-50 is a solid, affordable choice. But for those craving high image quality, speed, and flexibility, the Sony A6600 is a highly recommended investment that pays off across nearly every photographic discipline.
Happy shooting!
Images included above are from my own hands-on tests and comparative analyses across both cameras.
Olympus SH-50 vs Sony A6600 Specifications
Olympus SH-50 | Sony Alpha a6600 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model | Olympus SH-50 | Sony Alpha a6600 |
Class | Small Sensor Superzoom | Advanced Mirrorless |
Launched | 2013-01-08 | 2019-08-28 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | TruePic VI | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 16 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 6000 x 4000 |
Highest native ISO | 6400 | 32000 |
Highest enhanced ISO | - | 102400 |
Minimum native ISO | 125 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 425 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 25-600mm (24.0x) | - |
Highest aperture | f/3.0-6.9 | - |
Macro focus range | 5cm | - |
Number of lenses | - | 121 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inch | 3 inch |
Display resolution | 460 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Minimum shutter speed | 15 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter rate | 12.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.00 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 269g (0.59 lb) | 503g (1.11 lb) |
Dimensions | 112 x 63 x 42mm (4.4" x 2.5" x 1.7") | 120 x 67 x 69mm (4.7" x 2.6" x 2.7") |
DXO scores | ||
DXO Overall score | not tested | 82 |
DXO Color Depth score | not tested | 23.8 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 1497 |
Other | ||
Battery life | - | 810 images |
Type of battery | - | Battery Pack |
Battery model | SLB-10A | NP-FZ1000 |
Self timer | Yes (2 or 12 sec, Pet Auto Shutter) | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | 1 | 1 |
Retail pricing | $300 | $1,198 |