Olympus SP-600 UZ vs Panasonic LX7
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Olympus SP-600 UZ vs Panasonic LX7 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 1280 x 720 video
- 28-420mm (F3.5-5.4) lens
- 455g - 110 x 90 x 91mm
- Released February 2010
- Old Model is Olympus SP-590 UZ
- Successor is Olympus SP-610UZ
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Expand to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-90mm (F1.4-2.3) lens
- 298g - 111 x 68 x 46mm
- Introduced October 2012
- Earlier Model is Panasonic LX5
- Updated by Panasonic LX10
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Olympus SP-600 UZ vs Panasonic Lumix DMC-LX7: A Deep Dive Into Two Compact Cameras
Choosing the right compact camera often boils down to understanding subtle strengths and compromises - and how those align with your specific photographic ambitions. Today, I’m putting two notable models side-by-side that sparked significant interest in their era: the Olympus SP-600 UZ and the Panasonic Lumix DMC-LX7. While both cameras share a compact form factor and a fixed zoom lens, their design philosophies, sensor technologies, and functionality diverge notably.
Having spent extensive hands-on hours testing and analyzing these cameras under varied conditions, this article distills practical insights aimed at photography enthusiasts and pros hunting for a dependable point-and-shoot or walk-around camera. Whether you’re focused on portraits, travel, or even macro work, my goal is to clarify which camera fits your style and budget.
Let’s begin by setting the stage with a physical and ergonomic comparison - often the first impression that shapes daily use.
Compact Yet Distinct - Ergonomics and Body Design
Ergonomics can rarely be overstated: it shapes your connection with the camera and affects handling speed in critical moments.
The Olympus SP-600 UZ arrives with a boxier, chunkier compact shape, weighing around 455 grams and measuring roughly 110x90x91 mm. Meanwhile, the Panasonic LX7 is noticeably lighter and slimmer, tipping the scales at about 298 grams with dimensions near 111x68x46 mm. The LX7 represents a slender, flatter design with a well-contoured grip that feels natural and secure - even for prolonged shooting.

The Olympus’s greater heft gives it a bit more presence in hand, which some might appreciate for stability, but the bulk can prove cumbersome in pockets or on extended outings.
From my experience, the LX7’s ergonomic refinement caters better to street and travel photography - those moments when you want to be inconspicuous but quick to frame. The SP-600 UZ might feel more camera-like but edges on bulkier, so it’s better suited for deliberate shooting scenarios.
Control Layout and Top-View Differences
Being able to adjust exposure or focus parameters quickly under varying light is vital - let’s look at how these cameras organize their user interfaces.

The LX7 impresses with its more advanced control layout. It features dedicated dials for shutter speed, aperture, and exposure compensation right on top. These are hallmarks of a camera designed with some manual photography principles in mind, appealing to enthusiasts who want rapid tactile input without scrolling through menus.
In contrast, the SP-600 UZ takes a more basic route, leaning heavily on automatic modes. It lacks manual exposure controls outright but offers a simplified interface geared toward point-and-shoot convenience. The button placement on the SP-600 can feel crowded, and toggling options isn’t as intuitive.
For photographers who value precise exposure control for shots that require nuance (think portraits, landscapes), the LX7 clearly allows for a more hands-on approach.
Diving Under the Hood: Sensor Technology and Image Quality
The heart of any camera lies in its sensor. It defines resolution, dynamic range, noise levels, and overall image character.
The Olympus SP-600 UZ sports a 12-megapixel 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm, featuring a 5.9x focal length multiplier. CCD sensors were popular in compact cameras of that era but are generally outpaced today in sensitivity and noise control.
Conversely, the Panasonic LX7 boasts a larger 10-megapixel 1/1.7-inch CMOS sensor at 7.44 x 5.58 mm size with a 4.8x crop factor. CMOS sensors, combined with the LX7’s Venus Engine processor, mean better low-light capabilities, a larger dynamic range, and higher ISO usability.

What does this mean practically?
- The LX7’s sensor area is approximately 41.5 mm², about 50% larger than the Olympus’s 27.7 mm² sensor. Larger sensors capture more light, reduce noise, and offer richer tonality.
- The Olympus tops out at ISO 1600 with limited noise control, while the LX7 reaches ISO 6400 natively (and boosts to 12800) with far cleaner results.
- Due to the CCD sensor and less sophisticated image processor, the SP-600 generally produces softer images with more noise at high ISO levels.
- The LX7’s sensor size and improved processor yields crisper photos with better color fidelity and shadow recovery.
In side-by-side shooting of real-world scenes - including detailed landscapes and dim interiors - the LX7’s images exhibit deeper blacks, more subtle highlight gradations, and less grain. Meanwhile, the SP-600’s 12MP resolution sounds higher but isn’t utilized as effectively due to sensor limitations.
The Lens Battle: Zoom Range Versus Brightness and Versatility
Lens specs tell an intertwined story of focal range, aperture, and optical quality - key factors shaping photographic flexibility.
The SP-600 UZ is built around a powerful 28-420 mm (15x zoom) lens with apertures ranging from f/3.5 to f/5.4. This extensive telephoto reach makes it a strong candidate for wildlife or distant subject shooting, especially when you need a long reach in a compact camera. However, the lens tends to be slower at the telephoto end with decreased sharpness and some edge softness.
By comparison, the LX7 features a shorter 24-90 mm (3.8x zoom) lens, but with a notably faster aperture from f/1.4 to f/2.3. This bright lens stands out for low-light portraits, street photography, and creative work with bokeh. I’ve been particularly impressed by the LX7’s lens sharpness, even wide open at f/1.4, which is rare in compact cameras, allowing for excellent subject separation and background blur.
The trade-off here is clear:
- If you crave zoom versatility, the SP-600’s 15x reach offers framing flexibility unreachable by the LX7.
- If you prefer brightness and image quality, particularly for portraits or low-light scenes, the LX7’s lens is a winner.
This fundamental difference determines the shooting priorities each camera serves best.
Autofocus and Shooting Speed: Responsiveness in the Field
Speed, accuracy, and flexibility in focusing make or break candid shots and action photography.
The SP-600 UZ employs a contrast-detection system with 143 focus points, emphasizing center-weighted area AF and allowing single and tracking autofocus modes. However, the autofocus speed tends to be sluggish, especially in low light or at long zoom focal lengths, due partly to the older processor and sensor technology.
Panasonic’s LX7 benefits from contrast-detect AF with face detection, selectable AF modes, and 23 focus points. Though fewer in number, the AF system is significantly snappier, more reliable across varied subjects, and smoother at locking focus with face detection aiding portrait work.
The SP-600's continuous shooting tops at 10 FPS, whereas the LX7 edges slightly ahead at 11 FPS, both adequate for casual sports or wildlife but limited for serious action.
For photographers capturing dynamic scenes - sports, wildlife, or kids playing - the LX7’s autofocus and burst speed give a noticeable edge. That said, neither camera fully satisfies professional-level tracking demands but performs remarkably well within their class.
Display and User Interface: How You See & Interact
Visual feedback via the LCD greatly influences composition, review, and navigation speed.
The Olympus SP-600 features a modest 2.7-inch fixed LCD with 230K-dot resolution. It offers live view but is dim and low res by today's standards. Glare and viewing angles can be challenging outdoors.
The LX7 offers a larger 3-inch TFT color LCD with a sharp 920K-dot resolution. This high-res display provides clearer detail for framing and evaluating shots on the go. While the LCD is fixed (no tilting), its brightness and color accuracy are superior. Panasonic also offers an optional electronic viewfinder for those wanting a traditional shooting stance, though it’s sold separately.

From my extended field testing, the LX7’s screen vastly improves ease of use in bright sunlight or during critical focusing. The SP-600’s display feels dated for this reason. Moreover, the LX7’s interface is more responsive and logical, with well-mapped menus that reduce fumbling.
Image Samples: What You Can Expect Out of the Box
Here, let me show you a curated gallery of sample shots taken under a variety of lighting and subject scenarios with both cameras.
You'll notice:
- The LX7 delivers punchier colors, richer textures, and better control over highlights and shadows.
- The SP-600 sometimes struggles with color accuracy and visible noise, especially in indoor or dim conditions.
- The LX7’s portraits have smoother skin tones and more pleasing bokeh due to the bright lens.
- The SP-600 shines when subjects are far away - its super zoom captures distant detail beyond the LX7’s reach.
These real-world comparisons confirm the technical specs: each camera’s output is tailored to distinct priorities.
Specialty Photography: How Each Camera Handles Diverse Genres
Understanding lens & sensor synergy for specific photographic styles clarifies who each camera best serves.
Portraits
The LX7, with its bright f/1.4 lens and robust face detection AF, is tailored for portraits. It renders skin tones delicately and achieves rewarding background separation. The SP-600’s distant zoom is less relevant here, and its slower lens can flatten subject isolation.
Landscape
Landscape photographers often prize resolution, dynamic range, and weatherproofing. Neither camera features weather sealing, but the LX7’s larger sensor and superior dynamic range let you retain fine detail and do better in tricky lighting such as dawn or overcast skies. The SP-600’s higher zoom lends creative framing options but at a dip in sharpness.
Wildlife
Here, the SP-600’s 420 mm reach lends a clear advantage capturing shy or distant subjects without disturbing them. Autofocus lag and slower frame rates reduce rapid capture potential, but the extended zoom is invaluable. The LX7’s autofocus and image quality excel but its zoom (90mm max) limits reach.
Sports
Both cameras offer fairly rapid burst shooting, but neither matches modern interchangeable-lens cameras in responsiveness. LX7’s faster AF tracking and exposure control make it preferred for casual sports shots. The SP-600’s reach matters less here due to slower focus.
Street
Portability and discretion are paramount for street photographers. The LX7’s compact and slim physique combined with low-light prowess make it the more suitable street camera. The SP-600 feels heavier and can attract more attention.
Macro
Both cameras focus down to 1 cm, but the LX7's sharper optics and stabilization (optical IS) gives it an edge in macro shots, where minute detail matters. The SP-600 lacks stabilization and produces softer results.
Night & Astrophotography
The LX7 shines here due to better high ISO performance, longer shutter speeds, and manual exposure modes. The SP-600’s ISO ceiling and noise performance limit night creative work.
Video
Video at HD resolutions comes from both cameras, but LX7 supports higher 1080p frame rates and better codecs (MPEG-4, AVCHD). The SP-600 maxes out at 720p/24fps with H.264 compression. Neither camera sports audio input, limiting professional video uses.
Travel
For travel purposes, size, versatility, and battery life are priorities. The LX7’s smaller size and longer battery life (~330 shots) mean less packing weight and longer days shooting. SP-600’s zoom is appealing, but overall bulk and shorter battery life detract.
Build Quality, Durability & Workflow Integration
Neither camera offers environmental sealing. The LX7’s magnesium alloy body lends a premium feel and moderate durability, while the SP-600 opts for all-plastic construction, making it more vulnerable.
Storage-wise, both use SD/SDHC cards, and USB 2.0 connectivity is standard. The LX7 supports RAW files, indispensable for professional workflows; the SP-600 does not, limiting post-production latitude.
Summarizing Performance & Scorecard
Our lab and real-world tests culminate in clear performance distinctions:
| Attribute | Olympus SP-600 UZ | Panasonic LX7 |
|---|---|---|
| Image Quality | Fair | Good |
| Low-Light Performance | Weak | Excellent |
| Autofocus Speed | Slow | Fast |
| Zoom Range | Excellent (15x) | Limited (3.8x) |
| Ergonomics | Medium | Very Good |
| Build Quality | Standard Plastic | Premium Alloy |
| Video Quality | HD 720p | Full HD 1080p |
| Battery Life | Average | Above Average |
Additionally, when breaking down performance relative to photographic types, the Panasonic LX7 consistently ranks higher in most categories except telephoto-dependent wildlife and superzoom needs.
Final Thoughts and Recommendations
Both cameras bring distinct strengths to the compact market niche circa early 2010s. Here’s my pragmatic advice after extensive testing:
-
Choose the Olympus SP-600 UZ if:
You prioritize superzoom reach for wildlife or distant subjects more than image quality or manual controls. It’s suited for casual photographers requiring a simple, extended zoom compact at a budget price point. Just remember the tradeoffs - slower AF, lower raw image quality, and limited manual exposure control. -
Choose the Panasonic Lumix LX7 if:
You demand superior image quality, low-light capability, and manual exposure control in a compact, travel-friendly package. Ideal for portraits, street, travel, macro, and even casual video work - the LX7 is a versatile enthusiast’s companion that rewards patience and skill with creative results. Its lens brightness and sensor technology remain compelling almost a decade later.
The price difference ($190 for Olympus vs $400 for Panasonic) clearly reflects their varied approach. The LX7’s extra investment buys not just better hardware but a more nuanced photographic toolset.
When Hands-On Testing Matters
In my experience comparing hundreds of cameras over the years, data sheets merely point the way - true evaluation comes with hours shooting real scenes. I encouraged readers considering either camera to test them in your typical shooting environments. Feel the grip, try out the controls, check how fast AF locks on your favorite subjects. The joy (or frustration) of using a camera lies in these tangible interactions.
I hope this thorough breakdown helps you navigate the Olympus SP-600 UZ versus Panasonic LX7 choice with confidence and clarity. Cameras like these remind us that compact photography is a spectrum - pick the end best aligned with your vision and workflow.
If you enjoyed this in-depth comparison or want follow-up tips on maximizing results from these cameras, please reach out in the comments. Your next camera discovery should never be a blind leap.
Happy shooting!
Olympus SP-600 UZ vs Panasonic LX7 Specifications
| Olympus SP-600 UZ | Panasonic Lumix DMC-LX7 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Panasonic |
| Model | Olympus SP-600 UZ | Panasonic Lumix DMC-LX7 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Released | 2010-02-02 | 2012-10-15 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | TruePic III | Venus Engine |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor dimensions | 6.08 x 4.56mm | 7.44 x 5.58mm |
| Sensor surface area | 27.7mm² | 41.5mm² |
| Sensor resolution | 12 megapixel | 10 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 3968 x 2976 | 3648 x 2736 |
| Maximum native ISO | 1600 | 6400 |
| Maximum boosted ISO | - | 12800 |
| Min native ISO | 100 | 80 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 143 | 23 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-420mm (15.0x) | 24-90mm (3.8x) |
| Maximal aperture | f/3.5-5.4 | f/1.4-2.3 |
| Macro focus range | 1cm | 1cm |
| Focal length multiplier | 5.9 | 4.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 2.7 inch | 3 inch |
| Screen resolution | 230 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | - | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | Electronic (optional) |
| Features | ||
| Lowest shutter speed | 1/2s | 60s |
| Highest shutter speed | 1/2000s | 1/4000s |
| Continuous shooting rate | 10.0 frames per second | 11.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.10 m | 8.50 m |
| Flash options | Auto, On, Off, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video format | H.264 | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 455 gr (1.00 pounds) | 298 gr (0.66 pounds) |
| Dimensions | 110 x 90 x 91mm (4.3" x 3.5" x 3.6") | 111 x 68 x 46mm (4.4" x 2.7" x 1.8") |
| DXO scores | ||
| DXO All around score | not tested | 50 |
| DXO Color Depth score | not tested | 20.7 |
| DXO Dynamic range score | not tested | 11.7 |
| DXO Low light score | not tested | 147 |
| Other | ||
| Battery life | - | 330 photos |
| Style of battery | - | Battery Pack |
| Self timer | Yes (12 or 2 sec) | Yes (2 or 10 sec, 10 sec (3 images)) |
| Time lapse feature | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Pricing at launch | $189 | $400 |