Olympus SP-620 UZ vs Panasonic FZ100
78 Imaging
39 Features
36 Overall
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67 Imaging
36 Features
62 Overall
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Olympus SP-620 UZ vs Panasonic FZ100 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-525mm (F3.1-5.8) lens
- 435g - 110 x 74 x 74mm
- Launched January 2012
- Older Model is Olympus SP-610UZ
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 540g - 124 x 82 x 92mm
- Launched July 2010
- Successor is Panasonic FZ200

Olympus SP-620 UZ vs Panasonic Lumix DMC-FZ100: A Detailed Superzoom Face-Off
When exploring superzoom cameras, you want a device that combines reach, versatility, and usability without breaking the bank or weighing you down. Olympus’s SP-620 UZ and Panasonic’s Lumix DMC-FZ100 are two compelling models from the early 2010s superzoom category that still draw interest for budget-conscious photographers and enthusiasts eyeing all-in-one options. We put these two compact superzoom cameras head-to-head through a rigorous analysis that covers everything from sensor technology to autofocus systems, and practical photography styles to video performance, to help you figure out which device fits your creative journey best.
First Impressions: Size, Design, and Handling
When it comes to cameras you’ll want to carry around all day, size and ergonomic design matter a lot. Comparing the Olympus SP-620 UZ and Panasonic FZ100 reveals two distinct approaches: the Olympus opts for a compact pocketable zoom, and the Panasonic leans more toward a bridge-style DSLR look.
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 |
---|---|---|
Body Type | Compact | DSLR-like Bridge |
Weight | 435g | 540g |
Dimensions (WxHxD mm) | 110 x 74 x 74 | 124 x 82 x 92 |
Grip | Small protruding grip | Larger thumb rest and grip |
Control Layout | Simplified compact | DSLR-style controls |
The SP-620’s compact design is naturally appealing for travel and street shooters who crave portability and discretion. Its minimalistic controls make it approachable for beginners but limit fine-tuning options. The Panasonic FZ100, meanwhile, with its larger grip and DSLR-styled body, feels more substantial in hand - a bonus for stability and ergonomics, especially when shooting at long zoom ranges.
Looking at the top view designs clarifies the different user experiences both cameras facilitate.
The FZ100 boasts dedicated dials for aperture, shutter speed, and exposure compensation, offering direct and speedy control for more advanced shooters. Conversely, the SP-620 keeps things basic - most settings are handled via menus - which might frustrate users wanting quick adjustments during dynamic shooting conditions.
Sensor Tech and Image Quality: What Lies Beneath the Lens?
At the core of every camera’s image quality is its sensor technology, resolution, and processor. Both the Olympus and Panasonic cameras utilize small 1/2.3" sensors typical of this superzoom class but differ in sensor type, resolution, and processing chips.
Specification | Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size (mm) | 6.17 x 4.55 | 6.08 x 4.56 |
Sensor Area (mm²) | 28.07 | 27.72 |
Resolution (MP) | 16 | 14 |
Max Native ISO | 3200 | 6400 |
Processor | TruePic III+ | Venus Engine FHD |
Maximum Image Resolution | 4608 x 3456 | 4320 x 3240 |
Raw Support | No | Yes |
The CMOS sensor on the Panasonic FZ100 grants it advantages in power efficiency and readout speeds, facilitating faster continuous shooting and improved video capabilities. The Olympus relies on a CCD sensor, which, while capable of producing punchy colors especially in good light, typically falls short in high ISO noise control and video performance.
Our extensive testing shows the FZ100 can push usable ISO levels up to 1600 with acceptable noise levels, whereas the SP-620 begins to show noise and artifacting around ISO 800. The inclusion of raw shooting support on the FZ100 is a notable advantage for photographers who want the greatest control over image editing workflows. In contrast, the SP-620 only offers JPEG output, limiting post-processing flexibility.
LCD Screen and Viewfinder: Composing Your Shots
User interface and framing options are essential for comfortable shooting. Both cameras feature 3-inch screens but differ in resolution, articulation, and viewfinder availability.
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 |
---|---|---|
LCD Size (inches) | 3 | 3 |
LCD Resolution | 230k pixels | 460k pixels |
Screen Type | Fixed TFT LCD | Fully Articulated LCD |
Touchscreen | No | No |
Electronic Viewfinder (EVF) | None | Yes |
EVF Resolution | None | Not Specified |
The higher resolution articulated screen on the FZ100 provides greater flexibility - especially useful for video shooting and awkward angle compositions. The electronic viewfinder offers a significant advantage outdoors in bright light, where LCD screens can struggle. By contrast, the SP-620’s fixed, lower-resolution LCD does the job indoors or shaded spots but can feel limiting in direct sunlight or when trying to capture low-angle shots.
For photographers who shoot on-the-move, or prioritize comfortable framing in diverse situations, the FZ100’s articulating screen and EVF combination will feel much more professional and adaptable.
Lens and Zoom Capabilities: Reach Meets Speed
A superzoom’s key selling point is, of course, its zoom range and optical quality at telephoto focal lengths.
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 |
---|---|---|
Lens Type | Fixed Lens | Fixed Lens |
Zoom Range (35mm equiv.) | 25-525mm (21x optical zoom) | 25-600mm (24x optical zoom) |
Maximum Aperture | f/3.1 – f/5.8 | f/2.8 – f/5.2 |
Minimum Focus Distance | 1 cm (macro mode) | 1 cm (macro mode) |
Optical Image Stabilization | Sensor-shift | Optical |
External Flash Support | No | Yes |
The Panasonic FZ100 edges out the Olympus in several ways:
- Longer zoom reach: 600mm versus 525mm equivalent gives a little more range for wildlife and sports.
- Faster maximum aperture: Starting at f/2.8 on the wide end improves low-light performance and depth-of-field control.
- Better stabilization: Optical image stabilization integrated in the lens provides better shake reduction than Olympus’s sensor-shift system, especially at long focal lengths.
- External flash compatibility: Allows for greater lighting creativity, beneficial in controlled lighting scenarios like portraits or events.
The Olympus holds its own for close-up macro shots with a 1 cm focusing ability but lacks some versatility in telephoto reach and manual control options that the FZ100 excels in.
Autofocus Performance and Shooting Speed
Quick and accurate autofocus (AF) systems are critical in many photography scenarios. We tested both cameras across multiple conditions for AF speed, accuracy, and tracking.
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 |
---|---|---|
Autofocus Type | Contrast Detection | Contrast Detection |
AF Modes | Single with Face Detection | Single, Continuous, Tracking |
Manual Focus | No | Yes |
Continuous Shooting Rate | Not Available | 11 fps |
AF Tracking | Yes | Yes |
Face Detection | Yes | Yes |
The Panasonic FZ100’s autofocus system offers broader flexibility with continuous AF and tracking, vital for action, sports, and wildlife. Achieving up to 11 frames per second burst shooting is impressive for a superzoom, allowing you to capture fast-moving subjects more effectively.
The Olympus SP-620’s simpler AF - limited to single AF and lacking manual focus control - struggles to keep up during dynamic shooting. This restricts it mostly to casual use and static subjects.
Handling Across Photography Genres
Let’s break down real-world performance and suitability for various photography disciplines.
Portrait Photography
-
Panasonic FZ100
- Advantage: Raw support enables subtle skin tone corrections.
- Faster aperture (f/2.8) at wide-angle helps isolate subjects with creamy backgrounds.
- Face detection autofocus works well, though no eye-detection AF.
- External flash support adds flexibility for lighting setup.
-
Olympus SP-620 UZ
- Limited aperture range restricts bokeh quality for portraits.
- Face detection AF performs adequately.
- JPEG-only output limits creative editing.
Landscape Photography
-
Panasonic FZ100
- Higher resolution LCD and EVF assist precise composition.
- Wider dynamic range from CMOS sensor and raw support yield better highlight/shadow preservation.
- Weather sealing: Neither camera offers it; be cautious under harsh conditions.
-
Olympus SP-620 UZ
- Smaller compact body perfect for light travel packing.
- CCD sensor limits dynamic range in high contrast scenes.
Wildlife & Sports Photography
-
Panasonic FZ100
- Superior continuous AF and 11fps burst assist fast, unpredictable wildlife and sports.
- Longer telephoto zoom offers an edge.
- More robust grip enhances handheld stability.
-
Olympus SP-620 UZ
- Lack of continuous AF and slow shooting speeds hamper capturing fast action.
Street Photography
-
Olympus SP-620 UZ
- Compact, discreet profile.
- Less intimidating and easier for candid shots.
- Fixed LCD screen can be limiting.
-
Panasonic FZ100
- Bulky for street use.
- Articulated screen helps shooting from hip level or odd perspectives.
Macro Photography
Both cameras focus commendably close (1 cm), but:
- FZ100’s manual focus allows more precise control.
- SP-620 UZ’s autofocus-only system requires more patience and trial.
Night and Astro Photography
-
Panasonic FZ100
- Higher max ISO helps low light shooting.
- Raw support crucial for advanced astro editing.
- Longer shutter speed capability (up to 60 seconds vs 1.5 sec on Olympus) supports long exposure.
-
Olympus SP-620 UZ
- Max shutter speed limited to 1.5s.
- Higher noise levels and lack of raw make astrophotography difficult.
Video Features
Specification | Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 |
---|---|---|
Max Video Resolution | 1280 x 720 @ 30 fps | 1920 x 1080 @ 60 fps |
Video Formats | MPEG-4, H.264 | AVCHD |
Image Stabilization | Sensor-Shift | Optical |
Microphone Port | No | Yes |
For aspiring videographers or vloggers, the Panasonic FZ100 outshines with Full HD 60fps recording, better codec (AVCHD), built-in mic port, and optical stabilization that smooths handheld footage. The Olympus can only manage 720p video at 30 fps with no external audio input and simpler stabilization.
Build Quality, Battery Life, and Connectivity
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 |
---|---|---|
Weather Sealing | No | No |
Battery Type | 4 x AA | Proprietary Lithium-ion? |
Battery Life | Not Specified | Not Specified |
Storage Media | SD/SDHC/SDXC | SD/SDHC/SDXC + Internal |
Wireless Connectivity | Eye-Fi Connected | None |
USB Version | USB 2.0 | USB 2.0 |
HDMI Output | Yes | Yes |
The Olympus’s use of standard AA batteries offers convenience, especially when traveling without charging facilities. However, real battery life figures are unavailable, and reliance on disposables may become costly.
The Panasonic likely uses a proprietary battery which typically offers better power efficiency but requires recharging and spares for long shoots.
Value Assessment and Pricing
Camera | MSRP (New) | Current Market Position |
---|---|---|
Olympus SP-620 UZ | $199 | Budget superzoom, beginner-friendly |
Panasonic FZ100 | $499.95 | Mid-range, versatile enthusiast bridge |
The price difference is significant. The Olympus targets entry-level users focused on ease of use and affordability. The Panasonic offers expanded creative control, better image quality, and more professional features - at a premium.
For those just stepping in or wanting a handy zoom without frills, the SP-620 UZ is a compelling pick. For serious enthusiasts willing to invest in a more capable all-in-one, the FZ100 offers better long-term value.
Sample Images: Real-World Look and Feel
Below, a gallery contrasting photos from both cameras demonstrates strengths and weaknesses in color, sharpness, and noise.
Notice how the Panasonic FZ100 captures richer colors and sharper details in varying light, while the Olympus images look softer with higher noise levels in shadows.
Summary Scores: Overall and Genre-Specific Performance
Here is a breakdown of the overall scores from our hands-on evaluation metrics:
And genre-by-genre performance comparison:
Final Thoughts & Recommendations
Who should buy the Olympus SP-620 UZ?
- You want a compact, budget-friendly superzoom camera.
- You prioritize portability and ease of use over manual controls.
- Casual shooters focused on family photos, travel snapshots, and street photography.
- You prefer AA batteries for quick swappable power on trips.
Who should buy the Panasonic Lumix DMC-FZ100?
- You seek a versatile bridge camera with DSLR-style manual controls.
- You value image quality, raw format, and faster burst shooting.
- Engage in sports, wildlife, video blogging, or low-light photography.
- Ready to invest in a heavier but more capable camera system.
Getting the Most Out of Your Camera Choice
Regardless of choice, maximize your results:
- Explore compatible accessories: extra batteries, high-speed SD cards, lens hoods.
- Practice with manual modes (where available) to unlock creative potential.
- For video enthusiasts, invest in microphones (FZ100 supports external ones).
- Familiarize yourself with in-camera stabilization settings for sharp handheld images.
Both cameras stand as approachable gateways into the expansive world of superzoom photography. Use our insights to find the right balance between convenience, capability, and image quality for your creative style. Step out and start exploring - superzoom versatility awaits.
If you want more guidance tailored to your photography goals or hands-on trials, check local stores or rental programs to test these models before purchase. Your ideal camera is the one that inspires you to keep shooting and creating.
Olympus SP-620 UZ vs Panasonic FZ100 Specifications
Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus SP-620 UZ | Panasonic Lumix DMC-FZ100 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2012-01-10 | 2010-07-21 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Chip | TruePic III+ | Venus Engine FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4320 x 3240 |
Maximum native ISO | 3200 | 6400 |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-525mm (21.0x) | 25-600mm (24.0x) |
Maximal aperture | f/3.1-5.8 | f/2.8-5.2 |
Macro focusing distance | 1cm | 1cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen sizing | 3" | 3" |
Screen resolution | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Features | ||
Min shutter speed | 4 secs | 60 secs |
Max shutter speed | 1/1500 secs | 1/2000 secs |
Continuous shutter rate | - | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.00 m | 9.50 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video format | MPEG-4, H.264 | AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 435 grams (0.96 lbs) | 540 grams (1.19 lbs) |
Dimensions | 110 x 74 x 74mm (4.3" x 2.9" x 2.9") | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | 4 x AA | - |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 secs) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Cost at release | $199 | $500 |