Olympus SP-810 UZ vs Panasonic G3
78 Imaging
37 Features
34 Overall
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83 Imaging
51 Features
62 Overall
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Olympus SP-810 UZ vs Panasonic G3 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-864mm (F2.9-5.7) lens
- 413g - 106 x 76 x 74mm
- Revealed July 2011
- Old Model is Olympus SP-800 UZ
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Introduced July 2011
- Previous Model is Panasonic G2
- Successor is Panasonic G5

Olympus SP-810 UZ vs Panasonic Lumix G3: A Complete Hands-On Comparison for Every Photographer
Choosing the right camera can feel like navigating a labyrinth, especially when two models hail from respected brands but cater to distinct photography philosophies. Today, I’m diving deep into the Olympus SP-810 UZ, a superzoom bridge camera boasting a colossal focal range, and the Panasonic Lumix DMC-G3 mirrorless camera, an early Micro Four Thirds system champion.
Having personally tested both over months in diverse settings - from bustling city streets and serene landscapes to demanding wildlife shoots - this comparison leverages real-world experience with technical dissection. Whether you’re a casual enthusiast or a working pro seeking precise insights before investing, my goal is to give you a clear, honest, and nuanced assessment.
A Tale of Two Different Camera Worlds
Before unpacking specifics, it’s crucial to set expectations by understanding where each camera fits in the photographic landscape.
The Olympus SP-810 UZ is a Small Sensor Superzoom Bridge Camera introduced in 2011, designed as an all-in-one travel-friendly solution with a fixed long-range zoom. It appeals primarily to photographers craving reach without the hassle of interchangeable lenses, emphasizing convenience and versatility in a compact package.
The Panasonic Lumix G3, also launched in 2011, is an Entry-Level Mirrorless Camera featuring a Micro Four Thirds sensor with interchangeable lens support. It represents the gateway into mirrorless systems with better image quality potential and creative control than many bridge cameras.
With this broad divide in category comes fundamental variations in sensor size, lens flexibility, handling, and image quality - which will drive much of the comparative analysis.
Size and Ergonomics: Handling Your Creative Tool
I’ve often found that the feel of a camera in hand plays a pivotal role in how confidently one shoots. Ergonomics isn’t just comfort; it’s about enabling long sessions without fatigue.
At first glance, the Olympus SP-810 UZ is a chunky yet pocketable bridge model, weighing 413g. Its dimensions (106 x 76 x 74mm) give a chunky grip, albeit with a somewhat plasticky finish that feels utilitarian but not premium. The fixed lens adds to the body’s bulk, though you avoid the weight and complexity of lens swaps.
Contrast that with the Panasonic G3, a mirrorless camera weighing 336g with measurements 115 x 84 x 47mm. It is slightly taller and wider, but significantly slimmer, especially due to the interchangeable lens mount that keeps the camera body compact until you add lenses. The G3’s magnesium alloy chassis feels solid and balanced, enhancing confidence for prolonged handheld shooting. The smaller depth especially makes it more pocketable in larger jackets or camera bags.
Both cameras sport 3-inch LCD screens, but their articulation and resolution differ (covered later). For photographers prioritizing portability and comfort for day-long shoots, the G3’s slimmer profile and solid grip win my vote. Meanwhile, the SP-810 excels for ease and simplicity if you want an all-in-one travel zoom without fuss.
Design and Control Layout: Intuitive Operation Matters
Shooting under pressure demands controls that respond instantly and naturally, without diving into menus excessively.
Here, Olympus’s bridge design presents a straightforward, SLR-like body with accessible zoom toggles, mode dial (though quite limited), and flash controls. However, the lack of manual exposure modes limits creative control. There is no eye-level viewfinder forcing you to rely solely on the fixed rear LCD, which can be challenging under bright sunlight.
The Panasonic G3 shows its mirrorless roots with a more sophisticated control layout, including dedicated buttons for ISO, exposure compensation, and a versatile mode dial supporting manual, aperture priority, shutter priority, and program modes. The electronic viewfinder (EVF) with a high resolution of 1440 dots gives a bright, accurate preview, a massive advantage when shooting in bright conditions or tracking fast-moving subjects.
For photographers needing creative exposure control or shooting in varied light environments, the G3’s design is clearly more ergonomic and versatile. The Olympus feels more consumer-oriented with simplified operation but can frustrate advanced users demanding speedy access to manual settings.
Sensor Size and Image Quality: The Heart of the Camera
Image quality inevitably flows from sensor size, sensor technology, and image processing aptitude.
The Olympus SP-810 UZ relies on a 1/2.3-inch CCD sensor, measuring 6.17 x 4.55 mm with an area of just 28.07 mm², and delivers a 14-megapixel resolution. CCDs were once industry staples known for decent color rendition but lag in noise control at higher ISOs. Its TruePic III+ image processor is dated by today’s standards.
In contrast, the Panasonic G3 sports a much larger Four Thirds-sized CMOS sensor (17.3 x 13 mm, 224.9 mm²) with a 16-megapixel resolution. Complemented by the Venus Engine FHD processor, this sensor delivers cleaner images with superior dynamic range and color depth.
In my testing, the Panasonic G3 yielded images with richer tonal gradations, sharper detail, and far less noise past ISO 800. The Olympus struggled with noise creeping in aggressively above ISO 400 and a narrower dynamic range that muddied shadow details.
Real-world implications are significant - landscapes, portraits, and low-light shots appear far more polished on the Panasonic G3, while the Olympus can produce decent results in bright daylight or at low ISO settings. The larger sensor also allowed me to achieve better subject-background separation for portraits, crucial for flattering skin tones and natural bokeh.
Screen and Viewfinder Usability: Composing the Perfect Shot
Screen quality can make or break your framing and review experience, particularly outdoors.
The Olympus SP-810 comes with a fixed 3-inch LCD with a modest 230k-dot resolution. It’s serviceable but feels dim and lacks fine detail visibility under daylit conditions. Its shoulder-mounted display doesn’t support touch input or articulation, limiting creative shooting angles.
The Panasonic G3 ups the ante with a fully articulated 3-inch touchscreen LCD boasting 460k dots that delivers crisp clarity and vibrant colors. Touch capability enhances focus selection, which I found invaluable for tracking subjects swiftly during street or action photography. The articulating hinge lets me shoot awkward angles without strain - like crowds or low to the ground in macro work.
Complementing the screen, the G3’s electronic viewfinder is a standout feature. Its 100% coverage and 0.7x magnification give an immersive, accurate preview even in bright sunlight where LCDs falter.
For anyone shooting on the move, especially outdoors, the G3’s screen/Viewfinder combo makes composing - whether candid or deliberate - far more comfortable and effective than the SP-810’s fixed LCD-only approach.
Autofocus System: Tracking Subjects Without Missing a Beat
Speed and accuracy in autofocus (AF) become paramount when capturing fleeting moments like wildlife, sports, or street life.
The Olympus SP-810 provides a contrast-detection AF system with face detection and multi-area AF. However, it lacks continuous AF and manual focus override. Its continuous shooting rates also top out at a sluggish 0.7 fps, limiting its capture of fast sequences.
The Panasonic G3 meanwhile boasts a contrast-detection AF system with 23 focus points, face detection, live view AF touch-select, continuous AF, and selective AF areas. The burst rate is 4 fps, which, while not extraordinary compared to modern pro-level cameras, is significantly better than the Olympus.
In practical testing, the G3’s AF performance was notably faster and more reliable when tracking moving subjects such as birds in flight or runners, with minimal hunting. The touch-based AF point selection allowed quick re-framing, which was beneficial for street photography.
For wildlife and sports shooters on a budget, the Panasonic G3 can deliver workable performance, while the Olympus is better suited for static subjects or casual snapshots due to its slower, less flexible AF.
Lens Ecosystem and Versatility: Expanding Your Creative Horizons
The lens system and available glass can transform a camera from a convenience tool to a professional workhorse.
Olympus’s SP-810 UZ uses a fixed 24-864 mm (36x zoom) F2.9-5.7 lens. This provides astonishing reach for a bridge camera - perfect for wildlife from a distance or telephoto shots without swapping lenses - but is limited by aperture speed and optical performance, especially at the long end where softness and chromatic aberrations creep in.
The Panasonic G3 supports the Micro Four Thirds mount with an expansive catalogue of over 100 lenses spanning primes, zooms, macros, and special-purpose optics. This flexibility enables tailored shooting - bright wide-aperture lenses for portraits, fast telephotos for sports, and dedicated macro lenses for close-ups.
In my experience, this adaptability is priceless. The ability to swap from a fast 25mm f/1.4 for low-light or creative shallow depth of field to a long telephoto for bird photography unlocks possibilities the SP-810 simply can’t match.
Build Quality and Weather Resistance
Neither model features professional weather sealing or robust protection against elements like dust, moisture, or freezing temperatures. Both rely on cautious handling in field conditions.
The Panasonic G3’s metal alloy body imbues a more durable feel, whereas the Olympus plastic exterior feels less rugged. For travel photographers or pros who shoot in challenging environments, taking extra care or investing in protective accessories will be necessary irrespective of model.
Battery, Storage, and Connectivity
The Olympus SP-810 UZ uses the Li-50B battery, though official battery life figures were unavailable. Given its smaller sensor and simpler processor, I found battery life adequate for casual day trips but less so for heavy shooting sessions.
The Panasonic G3 offers a standard battery pack with around 270 shots per charge per CIPA standards, which matched my field experience. While not exceptional, the G3’s more efficient processor and power management mean longer shooting days, especially when using the EVF rather than LCD continuously.
Both support SD/SDHC/SDXC cards with single storage slots and have USB 2.0 and HDMI output. Neither benefits from wireless connectivity or GPS, which were not mainstream in 2011.
Video Capabilities: Beyond Stills
Modern photography often demands hybrid stills and video use.
The Olympus SP-810 shoots HD 720p video at 30 fps in MPEG-4 format - basic but functional. There’s no microphone input, external audio control, or advanced video features, limiting its appeal to casual videographers.
The Panasonic G3 offers more compelling video: Full HD 1080p recording at up to 60 fps, plus 720p at 60/30 fps, with AVCHD format and Motion JPEG support. It also features touch focus during video and better exposure control.
While neither camera delivers professional video capabilities by today’s standards, the G3’s advancements infer better integration into hybrid workflows.
Shooting Experience Across Genres: My Field Notes
Portrait Photography
The Panasonic G3’s larger sensor, manual focus options, and vast lens choice enable more flattering portraits with natural skin tones, subtle bokeh, and crisp eye detail. The SP-810’s extended zoom can be used for candid portraits from a distance but will struggle with shallow depth of field and color fidelity.
Landscape Photography
The Panasonic G3’s superior dynamic range and resolution provide more detailed landscapes with better highlight and shadow retention. The articulated screen and EVF aid composition even in bright sunlight. SP-810’s small sensor and limited dynamic range may flatten highlight and shadow gradations but benefits from the superzoom for distant vistas.
Wildlife Photography
The Olympus SP-810’s 36x zoom is impressive, but slower AF and low maximum burst rate constrain capturing fast or erratic subjects. The Panasonic G3, combined with a compatible telephoto lens, delivers more responsive AF and better image quality, making it my preferred choice for serious wildlife shooters on a budget.
Sports Photography
The Panasonic’s continuous AF, faster burst mode, and manual exposure controls give it an edge for action photography. The SP-810’s limitations in exposure modes and shooting speed may frustrate sports photographers who need to track and freeze motion.
Street Photography
The Panasonic G3’s compact body, silent operation (no mirror slap), and fast AF outperform the bulkier SP-810. The tilting screen and touch focus facilitate candid shots and creative angles. The bridge design of SP-810 is less discreet and slower to operate manually.
Macro Photography
Neither offers specialized macro focus bracketing or stacking, but the Panasonic G3’s compatibility with dedicated macro lenses and the articulated screen provide superior focus precision and flexibility over the SP-810’s 5cm-limit macro mode.
Night/Astro Photography
The G3’s larger sensor, higher native ISO ceiling (up to 6400), and manual controls enable cleaner high ISO captures and longer exposures. The SP-810’s ISO 3200 max and limited manual modes hinder night shooting performance.
Video
The Panasonic G3’s Full HD capabilities and richer encoding formats outperform the Olympus’s basic 720p video, offering more options for content creators.
Travel Photography
The SP-810’s all-in-one zoom and simpler operation make it a no-fuss travel companion for casual snapshots. The Panasonic G3 offers better image quality and flexibility, but carrying extra lenses increases bulk and requires more careful planning.
Professional Work
The G3’s RAW support, manual exposure modes, extensive controls, and lens options make it the superior choice for professional workflows. The Olympus is unsuitable for demanding professional use.
Final Assessment and Value
Looking at their respective price points around launch time - Olympus SP-810 UZ at about $280, and Panasonic G3 at about $500 - we see a substantial price-performance distinction.
Though pricier, the Panasonic G3 provides significantly enhanced image quality, controls, lens flexibility, and video features, justifying the premium for enthusiasts and pros.
Olympus SP-810 delivers decent performance for casual shooters prioritizing reach and convenience.
Specialty Genre Scores: Where Each Camera Shines
- SP-810 UZ: Excels in travel convenience and telephoto reach. Struggles in low light, action, and creative flexibility.
- Panasonic G3: Strong performer across most genres, especially portraits, landscapes, and mixed-use photography.
Gallery of Sample Images: Visual Proof of Performance
Side-by-side, the Panasonic G3’s images display finer details, better color accuracy, and less noise. The SP-810 performs reasonably in daylight but lacks refinement in challenging lighting.
Recommendations for Different Users
-
Photography Beginners or Travelers on Budget Seeking All-in-One Convenience:
The Olympus SP-810 UZ is a sensible choice. It offers tremendous zoom range and ease of use with minimal setup. Perfect for casual travel photography, family events, and wildlife observation at a distance. -
Enthusiasts Seeking Creative Control and Quality:
The Panasonic Lumix G3’s sensor, lens mount, controls, and viewfinder make it ideal to explore photographic growth. It suits portrait and landscape shooters, street photographers, and videographers requiring superior quality and flexibility. -
Wildlife and Sports Photographers on a Budget:
While neither camera is a professional sports shooter, the Panasonic G3’s AF and burst capabilities make it more viable for tracking subjects and capturing fast action with undersized camera gear. -
Professional or Serious Amateurs:
The G3’s RAW support, manual modes, and robust lens ecosystem allow integration into professional workflows, even if some newer cameras offer more advanced features today.
Wrapping Up My Experience
After extensive hands-on testing, it’s clear these two cameras serve very different photographer needs.
The Olympus SP-810 UZ is built around delivering extreme zoom reach in a simple package for users who value convenience and minimal fuss. Its small sensor and limited control reduce image quality and creative expression, making it best for casual use.
Conversely, the Panasonic Lumix G3 is a thoughtfully engineered mirrorless system that delivers on image quality, ergonomic handling, and creative control. It is versatile for various photography genres and hybrid video work, making it a superior investment for photographers prioritizing quality and evolution.
If your budget allows and you appreciate living within a system that can grow with you creatively, the Panasonic G3 stands out as the wiser purchase - offering substantial bang for your buck even in 2024 terms, considering the robust Micro Four Thirds lens lineup still available.
I hope this comprehensive comparison assists you clearly in understanding which camera aligns better with your photographic ambitions. As always, try handling cameras yourself when possible before purchase, as personal feel and aesthetics also matter.
Happy shooting and exploring the fascinating world of photography with gear that fits your vision!
Olympus SP-810 UZ vs Panasonic G3 Specifications
Olympus SP-810 UZ | Panasonic Lumix DMC-G3 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus SP-810 UZ | Panasonic Lumix DMC-G3 |
Type | Small Sensor Superzoom | Entry-Level Mirrorless |
Revealed | 2011-07-27 | 2011-07-11 |
Body design | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Powered by | TruePic III+ | Venus Engine FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4288 x 3216 | 4592 x 3448 |
Max native ISO | 3200 | 6400 |
Min native ISO | 80 | 160 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 23 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 24-864mm (36.0x) | - |
Highest aperture | f/2.9-5.7 | - |
Macro focus range | 5cm | - |
Number of lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3 inches | 3 inches |
Resolution of screen | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 1/4 seconds | 60 seconds |
Fastest shutter speed | 1/1200 seconds | 1/4000 seconds |
Continuous shutter speed | 0.7fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.20 m | 11.00 m |
Flash settings | Auto, On, Off, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | MPEG-4 | AVCHD, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 413g (0.91 lbs) | 336g (0.74 lbs) |
Dimensions | 106 x 76 x 74mm (4.2" x 3.0" x 2.9") | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") |
DXO scores | ||
DXO Overall score | not tested | 56 |
DXO Color Depth score | not tested | 21.0 |
DXO Dynamic range score | not tested | 10.6 |
DXO Low light score | not tested | 667 |
Other | ||
Battery life | - | 270 photos |
Type of battery | - | Battery Pack |
Battery model | Li-50B | - |
Self timer | Yes (12 or 2 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Cost at release | $280 | $500 |