Olympus SZ-10 vs Panasonic ZS50
90 Imaging
37 Features
36 Overall
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90 Imaging
37 Features
57 Overall
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Olympus SZ-10 vs Panasonic ZS50 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-4.4) lens
- 215g - 106 x 67 x 38mm
- Released February 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 243g - 111 x 65 x 34mm
- Announced January 2015
- Also Known as Lumix DMC-TZ70
- Older Model is Panasonic ZS45
- Successor is Panasonic ZS60

Olympus SZ-10 vs Panasonic Lumix ZS50: A Real-World Comparison of Compact Superzoom Cameras
When diving into the world of compact superzoom cameras, it's easy to get lost amid brand names and feature specs. Today, I want to walk you through a comprehensive evaluation of two noteworthy contenders from different eras and design philosophies: the Olympus SZ-10 and the Panasonic Lumix ZS50. Both cater to enthusiasts seeking an all-in-one zoom solution without bulk, but their capabilities and user experiences differ substantially.
Having personally handled and tested these cameras in varied photography disciplines - from crisp landscapes in golden hour light to tracking wildlife on the move - I’ll share detailed insights backed by hands-on experience. This aims to inform your purchase decision beyond mere spec sheets, focusing on practical, real-world performance.
A Tale of Two Superzooms: Size and Handling First Impressions
Let's begin where every photography session starts - handling.
Physically, the Olympus SZ-10 is a compact, slightly chunkier point-and-shoot form factor, measuring 106×67×38mm and weighing just 215 grams. For those who want ultimate pocketability without sacrificing zoom reach, it’s pretty handy. The Panasonic ZS50 is marginally taller but thinner (111×65×34mm) and a bit heavier at 243 grams - still lightweight enough for travel and street shooting with minimal fatigue.
Ergonomically, the SZ-10 feels a bit plasticky but reassuring in hand thanks to its modest grip bump, whereas the ZS50’s slimmer body is denser and more refined, giving a subtly more premium touch. The ZS50’s thumb rest and button layout (more on controls soon) make it arguably more comfortable for extended shooting.
In sum, if absolute compactness with light weight is your priority, SZ-10 wins. If a more balanced feel with better grip is preferred, the ZS50 edges ahead.
Control Layout and User Interface: Who’s Quicker to Shoot?
Control schemes define shooting efficiency, especially when chasing fleeting moments.
The Olympus SZ-10 adopts a minimalistic, very beginner-friendly layout: just a handful of buttons and a modest zoom lever. There are no dedicated dials for mode or exposure adjustments, reflecting its entry-level positioning. This makes it straightforward for casual users but limiting for photographers wanting creative control.
Panasonic’s ZS50, on the other hand, packs in more manual controls. It sports traditional PASM (Program, Aperture Priority, Shutter Priority, Manual) options accessible via top dials and menus, giving enthusiasts freedom to craft exposure settings on the fly. Its customizable buttons and a more tactile zoom control also help when precision and speed matter - say, in street or wildlife photography.
If your photography demands quick manual adjustments or exposure creativity, the ZS50’s control layout is a clear step up. But if simplicity and clear navigation are paramount, the SZ-10 holds its ground well.
Sensor and Image Quality: The Heart of the Camera
Specs can be deceiving, but in testing image quality, sensor performance is paramount.
Both cameras utilize 1/2.3" sensors measuring roughly 6.17x4.55mm, a common size in compact superzooms. However, Olympus uses a 14MP CCD sensor, while Panasonic opts for a 12MP CMOS sensor.
From hands-on comparisons, the ZS50’s CMOS sensor is more modern, delivering better dynamic range and superior noise control, especially under challenging lighting. DxOMark’s score of 44 (for the ZS50) confirms this advantage, highlighting improved color depth (~20 bits) and dynamic range (~11 stops) over the SZ-10, which remains untested but expectedly more limited given its older CCD and lower ISO ceiling (max native ISO 1600 versus ZS50’s 6400).
The SZ-10 produces decent daylight results with punchy colors but falls short in low light, showing noticeable noise and restricted detail. Its fixed aperture range of f/3.1-4.4 also limits background blur options. The ZS50, meanwhile, benefits from better high-ISO performance allowing usable images at ISO 1600+ with acceptable noise and maintains detail thanks to sharper lenses and improved sensor processing.
In real landscape or travel shoots, ZS50 images look cleaner, with richer tonal gradations and crisper details, especially in shadows. SZ-10’s images sometimes require more post-processing to mitigate noise and boost contrast, reducing latitude for heavy editing.
For photographers prioritizing image quality and flexibility, the ZS50’s sensor and image pipeline clearly outclass Olympus’s offering.
LCD Screen and Viewfinder: Framing and Reviewing Your Shots
In bright sunlight and while on the move, visibility is key to composing and verifying your captures.
The SZ-10 sports a modest 3" TFT LCD with 460k-dot resolution - serviceable but somewhat reflective and dim under harsh light. It lacks touch capabilities and doesn’t offer any type of viewfinder, meaning you’re strictly composing through the rear screen.
The ZS50’s 3" LCD doubles the resolution (~1,040k dots), resulting in noticeably crisper image previews and menus. More importantly, Panasonic equips it with a high-resolution (1,166k-dot), 0.46x magnification electronic viewfinder (EVF) that covers 100% of the frame. This EVF dramatically improves usability in strong daylight or for precise manual focusing - essential features for street or travel shooters who often prefer eye-level composition.
While some may see the absence of a larger tilting or touchscreen LCD on the ZS50 as a downside, the clarity and presence of an EVF strongly favor it for serious photographers wanting better framing and assessment flexibility.
Zoom Range and Lens Optics: Versatility Versus Speed
Both cameras are superzooms designed to cover vast focal ranges - but they approach this target differently.
Olympus SZ-10 offers an 18x zoom spanning 28-504mm (full frame equivalent), with an aperture range from f/3.1 at wide angle to f/4.4 at the tele-end. Panasonic ZS50 pushes 30x zoom, ranging 24-720mm equivalent, but its aperture tapers to f/6.4 at maximum zoom, meaning slower glass on the long end.
In practice, the Olympus should deliver slightly better low-light performance at full zoom, given its brighter aperture. However, the ZS50’s longer reach can get you closer to distant subjects like wildlife or sports, albeit with noise or blur issues in less light.
Optical sharpness across the zoom range favors the ZS50, as Panasonic’s lens design incorporates aspherical elements to reduce aberrations. The Olympus optical quality is competent but less refined, sometimes exhibiting softness and chromatic aberration near the edges when zoomed in.
Both have built-in image stabilization - Olympus uses sensor-shift, Panasonic employs optical stabilization - which helps handheld shots at telephoto lengths, but the ZS50’s stabilization feels more effective in real-world scenarios.
Autofocus and Burst Shooting: Tracking Fast Action
For those who chase moving subjects - sports enthusiasts or wildlife photographers - autofocus speed and reliability can make or break a shot.
The Olympus SZ-10 offers contrast-detection AF with face detection and some AF area selection but lacks continuous AF or phase detection. Its continuous shooting speed is limited to 1 fps, effectively precluding any serious action photography.
The Panasonic ZS50 significantly outperforms here. It sports a 23-point autofocus system with contrast detection and face detection; while it lacks phase-detection AF, its algorithm is refined for speed. It’s capable of continuous autofocus and bursts up to 10 fps, enabling capture of fast-moving moments with far less lag.
In spots like parks or sports fields, I reliably tracked running children and birds using the ZS50, capturing sharp sequences. The SZ-10 was challenged, often hunting for focus or missing the peak of action.
Thus, for any dynamic shooting, Panasonic is the superior shooter.
Battery Life and Storage: Endurance on Location
Shooting on the go relies partly on not worrying about sudden power loss.
The Olympus SZ-10’s official CIPA rating is around 220 shots per charge with its LI-50B battery. This is modest and usually translates to a few hours in real shooting conditions, especially if you use flash or zoom actively.
The Panasonic ZS50 boasts approximately 300 shots per charge, an appreciable improvement that was welcome during longer hikes and travel walks where recharging prospects were limited. It also has slightly more flexible storage options supporting SD/SDHC/SDXC plus internal memory, albeit small.
Neither camera supports USB charging; both use proprietary battery packs, so it’s wise to carry spares for extended trips.
Connectivity and Extras: Sharing and Smart Features
In our increasingly connected world, wireless features can be more than just gimmicks.
The Olympus SZ-10 was early to adopt Eye-Fi card compatibility - a type of wireless-enabled SD card - but lacks built-in Wi-Fi or Bluetooth. This means wireless functionality is contingent on third-party hardware.
The Panasonic ZS50 steps into this era with native Wi-Fi and NFC support, letting you pair the camera with a smartphone app to quickly transfer images and even control the camera remotely. This addition modernizes workflow, especially for travel bloggers or street photographers who want to share images on the fly.
Video capabilities further amplify Panasonic’s advantage: ZS50 shoots Full HD 1080p video at up to 60fps with AVCHD and MPEG-4 codec support, while Olympus maxes out at 720p HD with Motion JPEG format, which is more bulky and less efficient.
Durability and Build Quality
Both cameras share similar environmental specs: no weather sealing or rugged features like waterproofing or shockproofing. Thus, both are best protected from rain or dust.
Panasonic’s build is marginally more robust and feels better put together, likely due to its more mature market positioning compared to Olympus’s budget trim.
Overall Performance Ratings at a Glance
Let's summarize the key strengths and scores based on my combined hands-on tests and industry-standard results.
The Panasonic ZS50 leads with superior image quality, manual control flexibility, autofocus speed, video specs, and wireless connectivity. Olympus SZ-10 remains a solid, compact choice but clearly targeted at casual shooters.
Genre-Specific Strengths and Weaknesses
How do these contenders stack up across popular photography genres? Let’s break it down.
Portrait Photography
- ZS50: Better manual aperture control enables more pleasing bokeh. Face detection and AF accuracy help capture skin tones naturally.
- SZ-10: Limited aperture range and slower autofocus reduce background blur and sharpness on subject’s eyes.
Landscape Photography
- ZS50: Wider angle and improved dynamic range deliver crisp, vibrant landscapes.
- SZ-10: Decent zoom range but suffers in shadows and highlights due to limited sensor capabilities.
Wildlife Photography
- ZS50: 30x zoom and fast continuous shooting significantly enhance chances for sharp wildlife shots.
- SZ-10: Zoom falls short and 1 fps burst rate hampers effective tracking.
Sports Photography
- ZS50: Auto and manual exposure modes plus 10 fps burst enable better action capture.
- SZ-10: Minimal control and slow autofocus limit usefulness here.
Street Photography
- ZS50: Electronic viewfinder and quicker AF help in dynamic city scenes.
- SZ-10: Small, slower interface reduces speed; no EVF limits framing in bright light.
Macro Photography
- SZ-10: Impressive 1cm macro focus range allows close-ups.
- ZS50: Slightly longer macro distance (3cm) but more consistent focusing.
Night and Astro Photography
- ZS50: Higher ISO ceiling and manual controls improve night shots.
- SZ-10: Low dark performance and fixed settings limit effectiveness.
Video Capabilities
- ZS50: Full HD 1080p at 60fps + better codecs provide smooth, high-quality video.
- SZ-10: Limited to 720p MJPEG output, acceptable for casual use only.
Travel Photography
- Both cameras are lightweight and compact, but ZS50’s longer zoom, better battery, and EVF make it more versatile.
Professional Work
- Neither targets professionals, but ZS50’s RAW support and manual controls open modest possibilities for backup or secondary camera.
Real-World Sample Images
To ground these technical comparisons visually, here are sample photos from both cameras taken under similar conditions.
Notice the cleaner shadows, punchier colors, and sharper details on the Panasonic ZS50 shots compared to the slightly softer, noisier Olympus SZ-10 files.
Final Thoughts - Which Superzoom Suits You?
For photography enthusiasts who want greater creative control, better image quality, and faster autofocus in a compact package, the Panasonic Lumix ZS50 is the clear choice. It recurrently impressed across nearly every discipline - from landscapes to wildlife - while packing modern conveniences like Wi-Fi and a useful electronic viewfinder.
The Olympus SZ-10, by contrast, caters best to casual users or those prioritizing budget and pocketability over advanced features. It can be a reliable travel companion if you’re happy with basic controls, moderate zoom, and mostly daylight shooting.
In summation, if you want a dependable, no-fuss camera for snapshots and simple travel photography, the SZ-10 fits the bill. But if you lean towards creative experimentation, action shooting, or better low-light performance without a full mirrorless investment, splurging on the ZS50 pays dividends.
Recommendations by User Type
- Beginners/newcomers: Olympus SZ-10 - friendly interface and straightforward shooting.
- Travel and street photographers: Panasonic ZS50 - EVF, zoom reach, and manual modes enhance versatility.
- Wildlife and sports hobbyists: Panasonic ZS50 - faster AF and burst speeds ideal for capturing motion.
- Landscape and night shooters: Panasonic ZS50 - superior sensor noise control and dynamic range.
- Budget-conscious travelers wanting a simple zoom: Olympus SZ-10 - compact and affordable.
- Enthusiasts upgrading from smartphones: Panasonic ZS50 offers a meaningful leap in image quality and control.
In my extensive testing of compact superzooms, the Panasonic Lumix ZS50 stands out as a well-rounded, capable camera that punches above its weight and price point for enthusiasts. The Olympus SZ-10, while more limited, remains an accessible, easy-to-use option for casual users.
I hope this detailed comparison helps you identify which camera fits your photographic journey best. Remember: the best camera is one you feel comfortable using consistently - regardless of specs.
Happy shooting!
Olympus SZ-10 vs Panasonic ZS50 Specifications
Olympus SZ-10 | Panasonic Lumix DMC-ZS50 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus SZ-10 | Panasonic Lumix DMC-ZS50 |
Otherwise known as | - | Lumix DMC-TZ70 |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2011-02-08 | 2015-01-06 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | TruePic III+ | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4288 x 3216 | 4000 x 3000 |
Max native ISO | 1600 | 6400 |
Minimum native ISO | 80 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-504mm (18.0x) | 24-720mm (30.0x) |
Max aperture | f/3.1-4.4 | f/3.3-6.4 |
Macro focusing range | 1cm | 3cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inches | 3 inches |
Resolution of display | 460k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,166k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Minimum shutter speed | 4s | 4s |
Fastest shutter speed | 1/2000s | 1/2000s |
Continuous shutter rate | 1.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.10 m | 6.40 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
Max video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 215 grams (0.47 lb) | 243 grams (0.54 lb) |
Physical dimensions | 106 x 67 x 38mm (4.2" x 2.6" x 1.5") | 111 x 65 x 34mm (4.4" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | 44 |
DXO Color Depth rating | not tested | 20.0 |
DXO Dynamic range rating | not tested | 11.2 |
DXO Low light rating | not tested | 138 |
Other | ||
Battery life | 220 photographs | 300 photographs |
Battery type | Battery Pack | Battery Pack |
Battery ID | LI-50B | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Retail price | $300 | $350 |