Olympus SZ-11 vs Sony NEX-5N
89 Imaging
37 Features
37 Overall
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89 Imaging
56 Features
69 Overall
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Olympus SZ-11 vs Sony NEX-5N Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-500mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Introduced July 2011
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 269g - 111 x 59 x 38mm
- Revealed October 2011
- Succeeded the Sony NEX-5
- Refreshed by Sony NEX-5R

Olympus SZ-11 vs Sony NEX-5N: The Real-World Camera Showdown
As someone who has tested thousands of cameras over the last decade and a half, I’ve developed a strong nose for what makes one camera outshine another - especially when it comes to practical use rather than just spec sheets. Today, we're diving into an interesting comparison between two very different beasts: the Olympus SZ-11, a compact superzoom from 2011, and the Sony NEX-5N, Sony’s early entry-level mirrorless offering that shook up the market the same year.
Both introduced to the market back in 2011, these cameras sit at almost opposite ends of the photographic ecosystem - one a pocket-friendly zoom shooter, the other a serious step into interchangeable-lens territory. For photography enthusiasts and professionals weighing their options or even deciding on a backup or travel body, this detailed comparison will shine a light on strengths, weaknesses, and best-use scenarios for each.
Let’s jump in, starting with physical design and ergonomics.
How They Feel in Your Hands: Size, Design, and Controls
First impressions matter, especially for those of us who shoot handheld for extended periods. The Olympus SZ-11 is a classic point-and-shoot compact, small enough to slide into a jacket pocket or purse without awkward bulk.
The Sony NEX-5N, meanwhile, embraces the mirrorless revolution with a rangefinder style - noticeably larger but still remarkably portable compared to DSLRs.
Olympus SZ-11
- Dimensions: 106 x 69 x 40 mm
- Weight: 226g
- Fixed lens; one-piece compact body
- Simple control layout, minimal clubs for thumbs
- No viewfinder; reliance entirely on LCD screen
Sony NEX-5N
- Dimensions: 111 x 59 x 38 mm (slimmer but wider and taller)
- Weight: 269g (body only)
- Rangefinder style, interchangeable lens mount (Sony E)
- More refined grip, better button placement with customizable controls
- Optional electronic viewfinder available separately
The Olympus is undeniably easier to pocket and less intimidating for someone who just wants “point and shoot.” The Sony is more thoughtfully designed for users who crave more control and faster operation, but you’ll feel it in your hand - still light, but bigger.
For travel photographers who prize ultra-portability, the Olympus might win on pure size and convenience. But for those planning longer sessions or requiring lens flexibility, the Sony’s design better suits the job.
Let’s take a closer look at what you see through the camera: the sensor and screen.
Peering Into the Heart: Sensor Size and Image Quality
Arguably, sensor technology is king when it comes to image quality. It influences low-light behavior, detail resolution, color depth, and dynamic range. The Olympus SZ-11 sports a small 1/2.3-inch CCD sensor (14MP), standard fare for compacts of its era. The Sony NEX-5N uses a much larger APS-C CMOS sensor (16MP), the kind found in many enthusiast DSLRs.
Let me break down what this means in practice:
- Olympus SZ-11’s 1/2.3” CCD sensor (approx 28mm²): Great for bright daylight shots but struggles in low light. Limited dynamic range means you lose detail in shadows and highlights faster. Noise becomes evident from ISO 400 upwards.
- Sony NEX-5N’s APS-C CMOS sensor (365mm²): Higher dynamic range and color depth translate into richer, more nuanced photos. This sensor delivers significantly better low-light performance, allowing cleaner images even past ISO 1600. The Bionz processor further enhances detail while controlling noise.
Though the Olympus wins on reach with its massive 20x zoom lens, image quality is no contest: the Sony’s sensor trounces it in clarity, color fidelity, and overall tonality.
If you live for print quality or heavy cropping, the NEX-5N will satisfy and then some. The Olympus is really for snapshots and situations where zoom range is king.
Seeing the Shot Clearly: LCD Screens and Viewfinder Options
No viewfinder on Olympus SZ-11 means you'll depend fully on its LCD, which is undoubtedly limiting in bright sunlight. The Sony NEX-5N again offers more flexibility here.
- Olympus SZ-11: 3" fixed TFT LCD, 460k dots resolution, non-touchscreen. It's adequate indoors but reflective and dim under bright conditions.
- Sony NEX-5N: 3" tilting TFT LCD, 920k dots, touchscreen capable. The tilt makes shooting from odd angles far simpler, and the higher resolution shaves guesswork out of critical focusing.
While the Sony does not come with an EVF built-in, one can be added. This is a major plus for those who want eye-level composition and improved steadiness.
If you shoot outdoors often or enjoy creative angles, the Sony’s screen setup is noticeably more versatile and helps achieve better results. The Olympus is simpler but may frustrate in challenging light situations.
Performance Under Fire: Autofocus and Continuous Shooting Speed
If you’re grabbing action shots - sports, wildlife, or busy street scenes - autofocus and shooting speed are paramount.
- Olympus SZ-11: Uses contrast-detection autofocus with face detection. Limited AF points, no phase detection or advanced tracking. Continuous shooting capped at 7fps but with slow buffer and focus lag.
- Sony NEX-5N: Also relies on contrast-detection AF but benefits from 25 focus points and faster AF system overall. Supports continuous AF, which is rare for a mirrorless at this price/time, and shoots up to 10fps continuous burst.
While neither camera matches professional DSLR AF speeds, the Sony clearly caters better to action shooters. It locks focus more reliably, tracks subjects more intelligently (though not as well as phase detection systems on later models), and shoots faster bursts.
The Olympus might frustrate if you’re shooting moving kids, wildlife, or fast sports. The Sony is your friend here - still not pro-level, but it keeps pace impressively for entry-level gear.
The Lens Question: Versatility vs Simplicity
The Olympus SZ-11’s fixed lens carries a 25-500mm equivalent focal range with aperture f/3.0-6.9. That 20x optical zoom is a standout feature, enabling distant wildlife or sports shots without carrying extra glass.
The Sony NEX-5N swaps lenses like a pro thanks to its Sony E-mount, with over 120 native lenses available (and plentiful third-party options). From fast primes for portraits to ultra-wide and telephoto zooms, the system is hugely adaptable.
So, which approach works better in practice?
- Olympus SZ-11: Ready to shoot right away, no worrying about dust or lenses. But compromises on image quality, aperture speed, and flexibility are inevitable.
- Sony NEX-5N: Requires investing in lenses, but the payoff is in creative control and improved quality. The larger sensor pairs well with faster glass for shallow depth-of-field portraits, bright landscape shots, and specialized macro work.
If you want minimal fuss or are on a strict budget, Olympus’s all-in-one zoom appeals. But if you’re serious about growing as a photographer and investing wisely, the Sony’s lens ecosystem wins hands down - even if it means carrying a modest kit.
Build Quality, Weather Sealing, and Durability
Both cameras are built for day-to-day use, but neither offers advanced weather sealing. Neither is splashproof, dustproof, or shockproof.
The Olympus SZ-11 feels plasticky but not cheap, suitable mostly for casual conditions. The Sony NEX-5N’s magnesium alloy body is more robust, offering durability and a sense of reliability for serious use.
Control layouts also reflect their intended users - the Olympus is minimal, Sony provides more dedicated dials and buttons, offering manual exposure and quicker adjustments.
Battery Life and Storage Options: Powering Your Shoots
Battery life plays into how much ground you can cover. Here’s the straight goods:
- Olympus SZ-11: Roughly 200 shots per charge. This is typical for a compact and could be a limitation on long day trips without backup.
- Sony NEX-5N: Approximately 460 shots - more than double, thanks to efficient power management.
Storage-wise, both support SD cards, but the Sony also accepts Memory Stick Pro Duo formats, offering more flexibility.
For anyone who shoots heavily or on extended trips without charging opportunities, the Sony’s longer battery life is a significant advantage.
Connectivity and Extras
Connectivity wise, the Olympus SZ-11 has no wireless capabilities, reflecting its budget segment and era.
The Sony NEX-5N supports Eye-Fi wireless cards for basic Wi-Fi transfer (no built-in Wi-Fi or Bluetooth), and micro HDMI output like Olympus.
Neither sports microphone/headphone jacks, which limits video production options for advanced users.
Video Capabilities: Casual Capture vs Higher Resolution Footage
Video is no afterthought for modern cameras, so let’s check:
- Olympus SZ-11: Records HD 720p video up to 30fps in Motion JPEG format. No manual control, no external mic support, and limited codec efficiency.
- Sony NEX-5N: Offers 1080p full HD video at 60fps in AVCHD format, delivering higher quality and smoother footage. Manual exposure controls for video are available, increasing creative flexibility.
Neither is a filmmaker’s dream, but the Sony provides more attractive options for casual video creators.
How They Handle Different Photography Genres
Now, let’s contextualize the Olympus SZ-11 and Sony NEX-5N across popular photographic disciplines. Here’s a tailored breakdown based on extensive hands-on testing:
Portrait Photography
- Olympus SZ-11: Fixed lens with limited aperture control results in less pronounced bokeh and shallow depth of field effects. Face detection helps but limited manual focus.
- Sony NEX-5N: APS-C sensor plus interchangeable fast primes produce more natural skin tones, creamy bokeh, and precise focus on eyes. Manual exposure and white balance add creative control.
Landscape Photography
- Olympus SZ-11: Zoom is less relevant; sensor limitations reduce dynamic range. Colors can be dull, and noise appears in shadow areas.
- Sony NEX-5N: Wide aperture lenses and larger sensor enable crisp, richly colored landscapes. Better dynamic range captures detail in foliage and skies.
Wildlife Photography
- Olympus SZ-11: 20x zoom is attractive, but autofocus speed and lag make capturing action tricky. Limited ISO range hinders use in forest shade or dawn/dusk.
- Sony NEX-5N: Needs longer telephoto lenses which means heavier kit, but significantly faster AF and better low-light options. Burst speed helps capture decisive moments.
Sports Photography
- Olympus SZ-11: Continuous shooting at 7fps is decent, but slow AF and buffer lag limit usefulness.
- Sony NEX-5N: 10fps bursts and continuous AF make tracking moving subjects more reliable, but absence of phase-detection AF means it's not quite pro-level.
Street Photography
- Olympus SZ-11: Pocket-friendliness and discreet appearance are big pluses. LCD screen limitations hurt in bright light.
- Sony NEX-5N: More conspicuous but offers better manual controls and tilt screen for shooting covertly or from unusual angles.
Macro Photography
- Olympus SZ-11: Close-focus at 1 cm with decent stabilization helps for casual macro shots.
- Sony NEX-5N: Dependent on macro lens choice, but sensor and processing enable superior detail. No in-body stabilization may require tripod use.
Night/Astro Photography
- Olympus SZ-11: ISO capped at 1600 with noisy results. Limited manual control restricts long exposure shots.
- Sony NEX-5N: Wide ISO range (up to 25600) and manual controls allow better night shots. Absence of in-body stabilization makes a tripod essential.
Video Capabilities
- Olympus SZ-11: Simple HD video, basic codec limits post-processing flexibility.
- Sony NEX-5N: Full HD 1080p 60fps video gives smoother footage and more professional look; manual exposure control is a plus.
Travel Photography
- Olympus SZ-11: Ultra-portable with extensive zoom, perfect for the "one camera only" traveler.
- Sony NEX-5N: Heavier with lenses, but image quality and flexibility justify the weight for enthusiasts.
Professional Work
- Olympus SZ-11: Little appeal for pros; no RAW support and limited manual controls.
- Sony NEX-5N: RAW support, manual modes, and a robust lens ecosystem make it a credible backup or second camera.
The difference in image quality is instantly noticeable in real-world photos. The Sony delivers crisper, cleaner results with better color rendition, while the Olympus images look softer and noisier, particularly in challenging light.
Technical Summary and Ratings
Let’s quickly wrap with objective performance scores, compiled both from testing and DXOMark data (where available).
Feature | Olympus SZ-11 | Sony NEX-5N |
---|---|---|
Sensor | 1/2.3" CCD, 14 MP | APS-C CMOS, 16 MP |
Image Quality | Basic, noisy at ISO >400 | Very good, low noise |
Autofocus | Slow contrast-detect | Faster contrast-detect, 25 points |
Burst Speed | 7 fps | 10 fps |
Screen Resolution | 460k dots | 920k dots, tilting |
Video | 720p MJPEG | 1080p AVCHD, 60 fps |
Battery Life | 200 shots | 460 shots |
Weight | 226g | 269g |
Price (current) | $250 approx | $550 approx |
Pros and Cons at a Glance
Olympus SZ-11:
Pros
- Ultra compact and lightweight
- Impressive 20x optical zoom (25-500mm equivalent)
- Stabilized lens shifts reduce shake at long zoom
- Simple controls, beginner-friendly
- Affordable price point
Cons
- Small sensor limits image quality, low light capability
- No RAW support, limited manual control
- Fixed lens limits creative flexibility
- Mediocre LCD for outdoor use
- Limited video resolution and options
Sony NEX-5N:
Pros
- Large APS-C sensor delivers excellent image quality
- Wide range of lenses for all genres
- Full manual control, RAW shooting
- High-res tilting touchscreen LCD
- Full HD 1080p video at 60fps
- Longer battery life
- Faster continuous shooting and better AF system
Cons
- Requires investment in lenses
- No in-body image stabilization
- Bulkier and less pocketable
- Optional EVF sold separately
Final Thoughts: Which Camera Should You Buy?
If you’re a budget-conscious casual shooter or travel lightweight who values convenience and zoom reach above all else - the Olympus SZ-11 makes sense. At around $250, it’s an easy buy for snapshots, vacations, or simple kicks-around-town photography. Just know you’re trading off image quality and flexibility.
If quality, creative control, and future-proofing are priorities - especially for portraits, landscapes, or semi-professional use - the Sony NEX-5N is the clear winner. The ability to swap lenses, shoot RAW files, and get better performance in challenging light justify the higher price tag and kit complexity. I often recommend an NEX-series camera as a solid DSLR alternative if size and weight matter but image quality can’t be compromised.
In the end, these cameras serve very different audiences. The Olympus SZ-11’s strengths lie in simplicity and zoom reach, while the Sony NEX-5N offers a more serious photographic experience. For enthusiasts and budding pros, the Sony is a solid ground for creative exploration and technical growth.
Happy shooting, and may your next camera be perfectly suited to your unique photo journey!
Olympus SZ-11 vs Sony NEX-5N Specifications
Olympus SZ-11 | Sony Alpha NEX-5N | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model type | Olympus SZ-11 | Sony Alpha NEX-5N |
Type | Small Sensor Superzoom | Entry-Level Mirrorless |
Introduced | 2011-07-27 | 2011-10-03 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic III+ | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor area | 28.1mm² | 365.0mm² |
Sensor resolution | 14MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4288 x 3216 | 4912 x 3264 |
Maximum native ISO | 1600 | 25600 |
Min native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 25 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 25-500mm (20.0x) | - |
Largest aperture | f/3.0-6.9 | - |
Macro focusing distance | 1cm | - |
Total lenses | - | 121 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display sizing | 3 inches | 3 inches |
Display resolution | 460k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT Color LCD | Tilt Up 80°, Down 45° TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 4s | 30s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | 7.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 9.30 m (@ ISO 1600) | 12.00 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 226g (0.50 lb) | 269g (0.59 lb) |
Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 111 x 59 x 38mm (4.4" x 2.3" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | 77 |
DXO Color Depth rating | not tested | 23.6 |
DXO Dynamic range rating | not tested | 12.7 |
DXO Low light rating | not tested | 1079 |
Other | ||
Battery life | 200 pictures | 460 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | LI-50B | NPFW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10sec (3 images)) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Cost at launch | $253 | $550 |