Olympus SZ-15 vs Panasonic G100
88 Imaging
39 Features
50 Overall
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81 Imaging
62 Features
76 Overall
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Olympus SZ-15 vs Panasonic G100 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 250g - 108 x 70 x 40mm
- Released June 2013
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- 3840 x 1920 video
- Micro Four Thirds Mount
- 352g - 116 x 83 x 54mm
- Released June 2020

Olympus SZ-15 vs Panasonic Lumix G100: A Hands-On Comparative Review for Enthusiasts and Pros
In a world crowded with cameras of every stripe, standing apart means mastering your niche. Today, we’re diving deep into a comparison of two quite different beasts from Olympus and Panasonic: the compact superzoom Olympus SZ-15 and the entry-level mirrorless Panasonic Lumix G100. While they appeal to different audiences and purposes, side-by-side they reveal much about evolving camera technology and user demands.
I’ve spent countless hours testing cameras across genres - shooting portraits in controlled studios, chasing wildlife in unpredictable terrain, and hiking landscapes at dawn. Drawing from this extensive hands-on experience, I’ll dissect how these two cameras perform, highlighting strengths, weaknesses, and best-fit scenarios. So whether you’re an enthusiast eyeing your next purchase or a professional scouting for a lightweight backup, this comparison will clarify your options.
First Impressions and Physical Handling: How Size and Ergonomics Influence Use
Let’s start with the tactile experience - how these cameras feel in your hands. Handling is often underestimated but crucial for real-world photography, especially in dynamic or prolonged shoots.
The Olympus SZ-15 is a compact superzoom pocket camera, measuring a petite 108mm wide by 70mm tall and a mere 40mm deep, weighing just 250g. By contrast, the Panasonic Lumix G100 nods to the classic SLR style with more substantial heft at 352g and bigger dimensions at 116x83x54 mm. This translates to more bulk but also more to grip.
The SZ-15’s compactness makes it ideal for casual strolls or travel where you want your camera to disappear in a jacket pocket or small bag. However, it’s a bit cramped - buttons have limited travel, and the grip area is modest. Single-hand shooting is possible but never super comfortable over long sessions.
The G100’s more pronounced grip and SLR-style body lend themselves to steadier handling and balanced weight distribution, particularly when coupled with a heavier lens. Its larger top dials and thoughtfully positioned buttons facilitate intuitive manual control - key for those who prefer hands-on exposure adjustment without diving into menus.
From an ergonomic perspective, the G100 is far better suited for extended shooting, allowing flexible one- or two-handed operation. The SZ-15 feels like an “always ready” snapshooter, whereas the G100 invites deliberate framing and tweaking.
Continuing our visual journey, here’s the top view of both cameras, revealing control layout and design philosophies.
Olympus takes the minimalist route; shutter button, zoom control, and simplified mode wheel dominate. Panasonic packs more dedicated dials, including a command dial for exposure - a boon for photographers who prize quick, tactile interfacing.
Bottom line: if pocketability and ease trump manual control, SZ-15 shines. For serious enthusiasts craving control and grip, G100 scores.
Sensor and Image Quality: The Heart of Photographic Performance
Physical design is just the frame; the sensor paints the picture. Here, the differences are striking.
The SZ-15 relies on a modest 1/2.3" CCD sensor sized 6.17x4.55 mm, yielding a sensor area of roughly 28 mm² and 16 megapixels resolution. Olympus’s choice of CCD - common a decade ago - limits noise performance and dynamic range naturally compared to newer CMOS sensors.
In contrast, the G100 sports a much larger Four Thirds CMOS sensor measuring 17.3x13 mm with 20 million pixels, nearly eight times the SZ-15’s sensor area at 225 mm². This significant increase in sensor real estate fundamentally elevates image quality potential - better light gathering, improved noise control, and more detail.
Technically, the G100’s sensor size and newer CMOS technology enable higher native ISO ranges up to 25,600 (with support down to ISO 100 via boosted mode), whereas the SZ-15 maxes out at ISO 3200. The larger sensor also provides shallower depth of field control and smoother tonal gradations in highlights and shadows - invaluable for portraits and landscapes alike.
In real-world shooting, these specs manifest clearly. Portraits from the G100 possess cleaner skin tones with less noise in shadow areas, and landscapes reveal finer textures and better highlight recovery. The SZ-15 is serviceable in bright daylight but struggles under lower light with noticeable grain and limited dynamic range.
Display and User Interface: How You See and Interact With Your Camera
Viewing your composition and adjusting settings require an intuitive, responsive interface.
The SZ-15 includes a basic, non-touch fixed LCD screen of 3” at 460k dots - adequate but unremarkable. No touchscreen means slower menu navigation and limited focus point selection flexibility. Additionally, with no viewfinder, you’re fully reliant on the LCD even in bright sunlight, which can be challenging.
Meanwhile, the G100 offers a fully articulated 3” touchscreen LCD with 1.84 million dots resolution, coupled with a high-resolution 3.68 million dot electronic viewfinder (EVF). This rich visual feedback combination is a game-changer, especially for shooting at awkward angles, selfies, or framing in intense light.
Touch control on the G100 allows quick focus area adjustments and menu scrolling, enhancing usability on the fly. The EVF offers excellent eye-level viewing with 100% coverage and comfortable 0.73x magnification, critical for precision work.
The SZ-15’s lack of EVF and touchscreen limits quick reflexes in focusing and shooting in challenging conditions. The G100’s interface is markedly more polished, reflecting its mirrorless mirrorless pedigree.
Autofocus and Performance: Speed, Accuracy, and Tracking
Autofocus systems rapidly define whether a camera performs well in dynamic photography, from wildlife to sports.
The SZ-15 uses a contrast-detection AF system with unspecified focus points but includes face detection. It does single autofocus but also offers AF tracking modes. However, due to sensor and processor limitations, its autofocus is moderately slow and less reliable under low contrast or dim light.
Conversely, Panasonic’s G100 integrates a contrast-based AF with 49 focus points paired with advanced algorithms, face detection, and subject tracking. Importantly, it supports continuous AF in video and stills, plus focus bracketing and stacking features for macro work.
The G100’s more sophisticated AF noticeably outperforms the SZ-15 in tracking moving subjects, locking focus faster and maintaining it with fewer misses. Burst shooting speeds also mirror this performance: both offer around 10 fps, but the G100’s more generous buffer allows longer bursts without slowdown.
For wildlife or sports photographers needing dependable autofocus, the G100 stands head and shoulders above the SZ-15’s lightweight AF solution.
Versatility Across Photographic Genres
Now, let’s map out how each camera fits across photographic disciplines you might pursue.
Portrait Photography
Portraits require natural skin tones, smooth bokeh, and reliable eye detection.
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SZ-15: Limited sensor size restricts background blur; bokeh is shallow due to fixed lens aperture ranging from f/2.8–5.9 at the telephoto end. Face detection helps with focus, but lack of raw support hampers post-processing skin tone refinements.
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G100: Larger sensor and ability to use wide aperture lenses (Micro Four Thirds have many f/1.7 or faster options) deliver subject separation and creamy bokeh. Eye detection (though no animal eye AF) and raw shooting enable professional retouchability.
Landscape Photography
Landscapes prize resolution, dynamic range, and weather sealing.
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SZ-15: 16MP is good but sensor limitations reduce dynamic range, leading to underwhelming highlight retention. No weather sealing imposes care in harsh environments.
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G100: 20MP resolution combined with improved dynamic range and raw offers more latitude. However, the G100 is not weather sealed either - a drawback for rugged outdoor use compared to higher-end models.
Wildlife and Sports Photography
Fast autofocus and high burst rates dominate here.
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SZ-15: Its slow AF and limited zoom reach (fixed 21x optical) provide some flexibility but lag behind professional needs.
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G100: Faster AF, burst shooting, and ability to pair with long telephoto lenses (300mm+ equivalent with 2x crop factor) make it suitable for casual wildlife work. Still, no phase-detection AF and modest buffer limit ultimate performance.
Street and Travel Photography
Compactness, discretion, and battery life matter.
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SZ-15: Pocketable and lightweight, excels for street candid shooting. However, limited exposure control and smaller sensor diminish ultimate image quality.
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G100: Larger but still travel-friendly, especially with pancake lenses. Articulated screen and touch controls aid diverse shooting styles. Battery life rated at 270 shots is decent but not exceptional.
Macro and Night/Astro Photography
Precision focusing and low light operation are crucial.
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SZ-15: Macro focus to 5 cm helps close-ups but without focus bracketing or stacking.
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G100: Supports focus bracketing/stacking; larger sensor performs admirably in high ISO night scenes, opening options in astrophotography.
Video Capabilities: A Look Behind the Lens for Vloggers and Filmmakers
Video is an increasingly dominant use, especially for hybrid shooters or content creators.
The SZ-15 offers Full HD 1080p at 30 fps with AVI MPEG4 and Motion JPEG formats. No mic input or 4K options limit its appeal for serious videography. Optical stabilization benefits handheld shooting but controls are rudimentary.
By contrast, the G100 stands out as a hybrid powerhouse: 4K video recording at 3840 x 1920 pixels and up to 100 Mbps bitrate, plus Full HD up to 120fps for slow motion. It boasts a dedicated microphone port, an articulated touchscreen ideal for vlogging, and internal 5-axis stabilization (though sensor-shift IS is absent, lens IS compensates).
For creators prioritizing video, the G100 is a clear winner, balancing image quality, sound options, and user-friendly design.
Build Quality, Weather Resistance, and Battery Life
Neither camera offers professional weather sealing - a common limitation in their classes.
The SZ-15’s all-plastic body feels lightweight but less rugged, appropriate for casual use. The G100’s body incorporates a more robust chassis with metallic elements, lending confidence in handling.
Battery life is a glaring factor: the Panasonic G100 rates approximately 270 shots per charge - modest but acceptable for mirrorless cameras. The SZ-15 doesn’t specify official CIPA tested battery life, but given its compact size and older technology, expect fewer shots and reliance on frequent charging.
Lens Ecosystem and Expandability
Optical versatility defines long-term usability.
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The SZ-15’s fixed lens offers a wide-to-telephoto range of 23-483 mm (equivalent 21x zoom) with aperture f/2.8-5.9. This is plenty for casual generalist shooting but limits creativity - no lens changes means compromises.
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The G100’s Micro Four Thirds mount unlocks compatibility with over 100 lenses, ranging from ultra-fast primes to super-telephotos. This ecosystem is one of the most robust, appealing to growing photographers eager to experiment or specialize.
This flexibility places the G100 firmly in a different league, promising creative growth beyond the camera body.
Connectivity and Storage
Both cameras support SD/SDHC/SDXC cards (with UHS-I on G100), good for fast write speeds especially in burst or video shooting.
The SZ-15 provides built-in Wi-Fi and GPS, handy for geotagging and image transfer but basic by today’s standards.
The G100 ups the ante with built-in Wi-Fi and Bluetooth, facilitating remote control, instant sharing, and connection with Panasonic’s app ecosystem. USB 2.0 and HDMI ports are common on both, though G100’s microphone input is a notable advantage for creators.
Pricing and Value: Balancing Features with Budget
At $199.99, the Olympus SZ-15 is an affordable, entry-level compact with a versatile zoom and basic controls - a good fit for casual users or beginners on a tight budget.
The Panasonic G100, priced near $700, targets enthusiast and entry-level professional creatives who require higher image quality, manual controls, and serious video features.
Your wallet will feel these gaps, but so will your photography.
Real-World Sample Shots: Seeing the Difference
To put theory into practice, I shot back-to-back comparisons in varied scenarios - portraits, landscapes, and street scenes. Viewing samples side-by-side, one notes the Panasonic G100’s superior detail, dynamic range, and color depth. The Olympus SZ-15 delivers acceptable images in good light but with less nuance and softer textures.
Performance Scores: An Objective Summary
In my testing, using standardized criteria including autofocus speed, image quality, handling, and video performance, the G100 achieved higher marks overall.
Photography Genre Ratings: Who Excels Where?
Breaking it down per photography style:
- Portraits: G100 deservedly outperforms due to sensor and lens options.
- Landscapes: G100 leads on image quality; SZ-15 lays a competent baseline.
- Wildlife/Sports: G100’s AF and lens flexibility offer moderate capability.
- Street/Travel: SZ-15’s compactness is tempting; G100 offers better control.
- Macro: G100 supports advanced focusing techniques.
- Night/Astro: Larger sensor and raw advantage go to G100.
- Video: G100 clearly superior.
- Professional work: Only G100 remotely fits due to raw and workflow integration.
Final Recommendation: Matching Your Needs
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If you seek a no-fuss, lightweight camera for casual photography, travel, or family snaps on a budget, the Olympus SZ-15 remains a solid, affordable choice. Its handy superzoom and simple controls make it a reliable pocket companion.
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If you crave higher image quality, creativity, manual control, or serious video performance - perhaps as a stepping stone to professional work or hybrid shooting - the Panasonic Lumix G100 answers that call. Its larger sensor, lens ecosystem, articulated touchscreen, and audio inputs equip it well for diverse modern demands.
Both cameras have their place, but I encourage readers to weigh your priorities carefully. Budget, subject matter, and intended use will define the best tool.
Photography equipment choices hinge on nuanced trade-offs - no silver bullet camera exists. But armed with these insights from direct testing and real-world experience, your decision should become clearer, more confident.
Happy shooting!
Olympus SZ-15 vs Panasonic G100 Specifications
Olympus SZ-15 | Panasonic Lumix DC-G100 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus SZ-15 | Panasonic Lumix DC-G100 |
Type | Small Sensor Superzoom | Entry-Level Mirrorless |
Released | 2013-06-21 | 2020-06-24 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor surface area | 28.1mm² | 224.9mm² |
Sensor resolution | 16MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 5184 x 3888 |
Max native ISO | 3200 | 25600 |
Minimum native ISO | 100 | 200 |
RAW files | ||
Minimum boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 49 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Micro Four Thirds |
Lens zoom range | 23-483mm (21.0x) | - |
Max aperture | f/2.8-5.9 | - |
Macro focusing distance | 5cm | - |
Total lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen size | 3 inches | 3 inches |
Screen resolution | 460 thousand dots | 1,840 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 3,680 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.73x |
Features | ||
Slowest shutter speed | 8 secs | 60 secs |
Maximum shutter speed | 1/2000 secs | 1/500 secs |
Maximum silent shutter speed | - | 1/16000 secs |
Continuous shooting rate | 10.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.50 m | 3.60 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, auto w/redeye reduction, on, on w/redeye redduction, slow sync, slow sync w/redeye reduction, off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 3840 x 1920 @ 30p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 25p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 24p / 100 Mbps, MOV, H.264, AAC1920 x 1080 @ 120p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, AAC |
Max video resolution | 1920x1080 | 3840x1920 |
Video format | AVI MPEG4, Motion JPEG | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 250 gr (0.55 lb) | 352 gr (0.78 lb) |
Physical dimensions | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") | 116 x 83 x 54mm (4.6" x 3.3" x 2.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 270 images |
Battery type | - | Battery Pack |
Battery ID | SLB-10A | - |
Self timer | Yes (2 or 10 sec, Double) | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC card (UHS-I supported) |
Card slots | One | One |
Pricing at launch | $200 | $698 |