Olympus SZ-15 vs Sony A55
88 Imaging
39 Features
50 Overall
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67 Imaging
55 Features
80 Overall
65
Olympus SZ-15 vs Sony A55 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 250g - 108 x 70 x 40mm
- Introduced June 2013
(Full Review)
- 16MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Push to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Introduced August 2010
- Newer Model is Sony A57

Olympus SZ-15 vs. Sony A55: An Expert’s Guide to Choosing Your Next Camera
Choosing the right camera is a balancing act between your photographic ambitions, ergonomics, budget, and the diverse features that translate into compelling images. Today, I put two very different beasts under the critical microscope: the Olympus SZ-15 - a compact superzoom bridge camera aimed at casual shooters wanting versatility in a tiny package - and the Sony SLT-A55, an entry-level APS-C sensor camera with SLR aspirations and an abundant lens ecosystem.
I’ve spent extensive hands-on hours behind both cameras, pushing them beyond spec sheets to see how they perform across the board - from streets to studios, from wildlife to landscapes. While these two cameras share some overlapping features, their DNA and use cases couldn’t be more distinct. So, let’s unpack them properly, with an expert eye on the stuff that really matters.
Getting to Know the Bodies: Size, Design & Handling
First impressions count, and handling is paramount in photography. The Olympus SZ-15 is an ultra-compact “bridge” camera that weighs just 250 grams with a fixed lens, sporting a superzoom from 23 to 483mm equivalent. The Sony A55 is heavier - about 500 grams - with a robust, DSLR-ish body designed for Sony’s A-mount lenses. The ergonomics differ accordingly.
The Olympus SZ-15 is pocket-friendly and instantly grab-and-go. Its dimensions (108x70x40 mm) make it supremely portable and convenient for travel or street photography where discretion counts. However, its smaller body limits grip comfort during extended shoots or when using heavy zoom optics.
In comparison, the Sony A55 is bigger (124x92x85 mm) and bulkier, but offers a thoughtful handgrip and well-positioned controls. It channels classic DSLR ergonomics, which benefits photographers used to manual modes and quick parameter changes in dynamic scenarios like sports or wildlife. The build feels solid enough for serious use, though it lacks weather sealing.
Both cameras forego any rugged, weather-resistant protection, so cautious handling around dust and moisture is necessary regardless.
Control Layout and Interface: How Intuitive Are These Cameras?
The control interface sets the tone for the shooting experience - fast, intuitive access to key functions can be make-or-break.
Olympus’s SZ-15 sticks to basics: a minimal top deck, no touchscreen, and a standard mode dial that covers Auto to manual exposure controls. The limited buttons mean photographers must navigate menus frequently. The fixed LCD screen (3-inch, 460k dots) is small by today’s standards, and lacks touch support. That said, the optical image stabilization is helpful for long telephoto shots.
Sony's A55, on the other hand, features a fully articulating 3-inch screen with 921k-dot resolution - vital for live-view shooting and video framing. Though no touchscreen, the flipped-out screen and electronic viewfinder (EVF) with 1150-dot resolution and 100% coverage provide flexible framing options in varying light. The 15 autofocus points, along with dedicated manual buttons, make it easier to adjust exposure and focus on the fly.
Both cameras include built-in flashes; Sony’s extends the flash range significantly (10 meters at ISO 100) and supports external flashes, unlike Olympus's fixed flash with a modest 3.5m range.
Sensor Technology and Image Quality: The Heart of the Matter
When comparing cameras, the sensor is the beating heart - it dictates resolution, ISO performance, dynamic range, and crucially, image quality. Here, the differences are vast.
The Olympus SZ-15 relies on a modest 1/2.3-inch CCD sensor with 16 megapixels (4608 x 3456). This sensor size is common in compact cameras but limited in terms of dynamic range and noise performance. Low-light photography is tricky above ISO 800, and images can suffer softness and noise at telephoto focal lengths despite optical stabilization.
Contrast that with the Sony A55's 16-megapixel APS-C CMOS sensor (23.5x15.6 mm) - a sensor roughly 13 times larger in area than the SZ-15’s. More pixels and bigger photodiodes translate into superior image clarity, low noise at high ISOs (native ISO up to 12,800 and boosted to 25,600), and much wider dynamic range. DxOMark ranks this sensor highly for color depth and tonal latitude, making it suitable for demanding portraiture and landscape work.
In practical terms - the Sony delivers sharper images, smoother color gradations, and usable high ISO shots that far outpace the Olympus’s limitations.
Autofocus and Burst Shooting: Speed Matters Too
Both cameras share a maximum burst shooting speed of 10 fps, an impressive number on paper. But autofocus systems are radically different - and critical for action or wildlife photographers.
The SZ-15 uses contrast-detection autofocus with face detection. It works fine in well-lit scenes but focuses slowly when light wanes or with busy backgrounds. Continuous autofocus and tracking are supported, but their performance is limited. No phase-detection autofocus here.
Conversely, the Sony A55 boasts 15 autofocus points, including 3 cross-type phase-detection sensors at the center, and offers hybrid AF combining phase detection with contrast detection. This delivers fast, accurate focus locks even on moving subjects - ideal for sports and wildlife. Face detection aids portraits but tracking is less refined owing to older tech compared to modern mirrorless systems.
The real-world takeaway? If you shoot wildlife, sports, or fast-paced events, the Sony's autofocus will feel worlds ahead of the SZ-15.
Suitability Across Photography Genres
To make this comparison more tangible, I pushed both cameras through a battery of genre-specific tests.
Portrait Photography
Portraits depend on skin tone rendering, eye detection, and pleasing bokeh. The SZ-15’s small sensor and fixed zoom lens (f/2.8-5.9 aperture) produce average background blur depth - not ideal for shallow depth-of-field effects. Colors can be a little muted under artificial light. Its face detection usually locks well but misses the subtle eye focus preferred for professional portraits.
Sony’s larger sensor and ability to pair with professional prime lenses (like 50mm f/1.8) create luscious bokeh and accurately rendered skin tones. The electronic viewfinder facilitates precise focusing, and manual exposure control helps craft images with nuanced lighting. Although limited eye detection technology, the AF performance is solid for this class.
Winner: Sony A55 for nuanced portraits with superior optical control.
Landscape Photography
Landscape shooters value resolution, dynamic range, and ruggedness.
The SZ-15’s limited sensor size affects dynamic range, leading to clipped highlights and shadow purging. The zoom lens is versatile, but at wide angles, edge softness is noticeable. Lack of weather sealing reduces all-weather confidence.
Sony’s APS-C sensor shines here; excellent tonal gradation and sharpness, especially with quality primes or wide zooms. While no environmental sealing either, the build feels sturdier. The articulating screen aids shooting from tricky angles on uneven terrain.
Winner: Sony A55 with its larger sensor and versatile lens options.
Wildlife Photography
Telephoto reach and autofocus speed rule in wildlife.
The Olympus SZ-15 boasts an impressive 21x zoom equivalent but struggles with AF speed and image noise at maximum focal lengths, especially in low light. Its 10 fps burst can capture sequences but focus hunting detracts from keeper rates.
Sony’s compatibility with an extensive range of telephoto lenses (400mm, 300mm primes) combined with a fast hybrid AF and 10 fps burst make it more effective for wildlife - albeit at a heavier, bulkier setup. The better low light sensitivity aids dawn/dusk shooting.
Winner: Sony A55 for AF sophistication and lens options, though the Olympus wins for zoom reach if size and weight matter more.
Sports Photography
The A55’s phase-detection AF and continuous focus modes combined with fast shutter speeds (up to 1/4000s) make it the better sports tool. Accurate tracking at 10 fps preserves crisp shots in action-packed scenes.
The SZ-15 is handicapped by slower contrast-based AF and less control over shutter speed ceiling (max 1/2000s). Continuous AF is weaker, reducing overall pin-sharp capture rates on fast subjects.
Winner: Sony A55, hands down.
Street Photography
Compact size and discretion are key.
Here, Olympus’s SZ-15 shines - pocketability and quiet operation cater well to candid photography without intimidation. Image quality suffices for social sharing and casual prints.
Sony’s size is more conspicuous but its articulating screen allows shooting from waist height, beneficial in street scenarios. The EVF aids composing in bright sunlight where LCDs struggle.
Winner: Olympus SZ-15 for portability; Sony if image quality trumps discretion.
Macro Photography
At 5cm macro focus range, the SZ-15 allows decent close-up shots, and optical image stabilization helps handheld shooting.
Sony's capability depends on lenses - pairing with dedicated macro primes yields excellent results with high detail and sharpness. The camera’s articulating screen aids tricky compositions.
Winner: Sony for professional macro; Olympus for casual close-ups.
Night and Astro Photography
The Olympus’s low maximum ISO (3200) and small sensor limit performance under dim conditions. Long exposures possible (up to 8 seconds), but noise is prominent.
Sony’s APS-C sensor can push high ISO for cleaner night shots. The flexible manual modes and RAW support (absent in SZ-15) give post-processing latitude for astro work.
Winner: Sony A55 - a clear advantage.
Video Capabilities
The SZ-15 records 1080p at 30fps in AVI/MJPEG formats; no microphone input or advanced video features.
The A55 records full HD 1080p at 60fps in AVCHD, MPEG-4, and H.264, includes microphone input for better audio capture, and steady imaging thanks in part to sensor-shift stabilization.
Winner: Sony A55 for serious videography needs.
Travel Photography
The Olympus packs a huge zoom into a compact form with built-in GPS, perfect for travel snapshots. Battery life details are sparse but usually modest for compacts.
Sony offers better image quality and flexibility but at double the weight and bulk. Longer battery life (~380 shots) accommodates longer shoots far from power.
Winner: Depends on travel style - Olympus for ultra-light, Sony for quality-focused.
Professional Work
Sony’s RAW support, broader lens ecosystem (over 140 lenses), and superior image quality make it better suited as a tool in professional pipelines. Olympus’s fixed lens and JPEG-only output limit professional use.
Winner: Sony A55 for reliability and workflow integration.
User Interface and Screen Viewing: Seeing Your Shots
Screen quality matters - both cameras have 3-inch displays, but Sony’s 921k-dot resolution and fully articulated design outclass the Olympus’s fixed 460k-dot LCD. The articulating mechanism aids composing at low or high angles and video shooting.
Olympus sacrifices articulation and screen resolution to maintain compactness, so its display is functional but uninspiring, especially in bright outdoor conditions.
Sony’s EVF adds another layer of framing accuracy unavailable to the Olympus, a boon for critical focus checking.
Sample Image Gallery: Real-World Output
I’ve included side-by-side samples shot under comparable conditions with the SZ-15 and A55.
The Sony’s files show more detail, cleaner shadows, and richer colors - regardless of scene type. Olympus’s images suffice for social media or casual prints but lack punch for serious viewing or large prints. Notice the softness creeping into SZ-15 telephoto shots and noise creeping into shadows.
Battery, Storage, and Connectivity
Sony A55 boasts around 380 shots per charge (CIPA standard) - solid for an APS-C camera. Olympus’s battery life isn’t officially rated here but expect fewer shots typical of compacts due to small lithium-ion batteries.
Both cameras use standard SD/SDHC/SDXC cards, but Sony also supports Memory Stick formats, a less popular choice today.
On connectivity, Olympus has built-in GPS and Wi-Fi, facilitating geotagging and wireless sharing - convenient for travelers. Sony relies on Eye-Fi card support for Wi-Fi transfer and also has built-in GPS.
Neither supports Bluetooth or NFC, reflecting their production eras.
Overall Performance Scoring
Our expert testers assigned these overall ratings balancing image quality, features, and handling.
The Sony A55 scores notably higher (73 DxOMark sensor rating), reflecting its superior sensor and capabilities. Olympus SZ-15 is not ranked on DxOMark, but based on experience, rates well for casual users but lacks professional polish.
Genre-Specific Strengths and Weaknesses
For clarity, here’s a breakdown of each camera’s performance across photographic genres.
- Olympus SZ-15: Excels in travel photography thanks to compactness and superzoom; strong for street candid shots; limited in low-light and professional uses.
- Sony A55: Strong performer across portraits, landscapes, wildlife, sports, and video; less suited for casual portability.
Final Recommendations: Who Should Buy Which Camera?
Buy the Olympus SZ-15 if:
- You want a superzoom, pocket-sized camera for casual shooting and travel.
- You prefer an all-in-one zoom without the hassle of changing lenses.
- Your budget is tight (~$200) and you primarily shoot in good light.
- You need built-in GPS and wireless transfer for convenience.
- You photograph street scenes, family gatherings, and quick snapshots.
Buy the Sony A55 if:
- Image quality and creative control matter - especially for portraits, landscapes, or wildlife.
- You want flexibility with interchangeable lenses and RAW capture.
- You shoot in a variety of lighting conditions including low light.
- Video recording at 1080p 60fps and microphone input are important.
- You prefer an electronic viewfinder and articulating high-res screen.
- You are invested in evolving your camera system with access to a large lens ecosystem.
Closing Thoughts
Evaluating the Olympus SZ-15 against the Sony A55 is less an apples-to-apples comparison and more a lesson in matching cameras to user needs and budgets. The SZ-15 offers remarkable zoom reach and portability in a straightforward package aimed at casual users who prioritize simplicity and travel versatility. The Sony A55 delivers vastly superior image quality, faster autofocus, and more professional features - appealing to serious enthusiasts who want to grow their photographic craft.
I’ve found that for photographers prioritizing image fidelity, manual controls, and low-light performance, the Sony A55 is worth the investment despite its older technology and weight. For casual photographers valuing convenience and zoom flexibility without complexity, the Olympus SZ-15 remains a solid, inexpensive choice.
Your next camera should align with how you shoot - because ultimately, the best camera is the one you can consistently use to capture your vision.
Happy shooting!
Author: [Name], Photography Equipment Expert with 15+ years of hands-on research and reviews.
Olympus SZ-15 vs Sony A55 Specifications
Olympus SZ-15 | Sony SLT-A55 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model type | Olympus SZ-15 | Sony SLT-A55 |
Class | Small Sensor Superzoom | Entry-Level DSLR |
Introduced | 2013-06-21 | 2010-08-24 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Powered by | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4912 x 3264 |
Max native ISO | 3200 | 12800 |
Max enhanced ISO | - | 25600 |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens mount type | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 23-483mm (21.0x) | - |
Highest aperture | f/2.8-5.9 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 3 inches | 3 inches |
Screen resolution | 460k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,150k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Min shutter speed | 8s | 30s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 10.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.50 m | 10.00 m (@ ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | AVI MPEG4, Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | BuiltIn |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 250 gr (0.55 lbs) | 500 gr (1.10 lbs) |
Physical dimensions | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO Overall rating | not tested | 73 |
DXO Color Depth rating | not tested | 23.0 |
DXO Dynamic range rating | not tested | 12.4 |
DXO Low light rating | not tested | 816 |
Other | ||
Battery life | - | 380 photos |
Style of battery | - | Battery Pack |
Battery ID | SLB-10A | NP-FW50 |
Self timer | Yes (2 or 10 sec, Double) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Cost at release | $200 | $800 |