Olympus SZ-16 iHS vs Panasonic GH1
89 Imaging
39 Features
36 Overall
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81 Imaging
49 Features
57 Overall
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Olympus SZ-16 iHS vs Panasonic GH1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-600mm (F3.0-6.9) lens
- 226g - 108 x 70 x 40mm
- Released January 2013
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 100 - 1600 (Boost to 3200)
- 1920 x 1080 video
- Micro Four Thirds Mount
- 385g - 124 x 90 x 45mm
- Announced July 2009
- Successor is Panasonic GH2
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Olympus SZ-16 iHS vs Panasonic Lumix DMC-GH1: A Comprehensive Expert Comparison for Photography Enthusiasts
Selecting the right camera involves a nuanced assessment of a device’s imaging capabilities, operational ergonomics, and system flexibility. Today’s comparison pits two fundamentally different approaches in camera design and purpose: the Olympus SZ-16 iHS, a compact superzoom with an integrated fixed lens system, against the Panasonic Lumix DMC-GH1, an advanced mirrorless Micro Four Thirds camera designed for greater creative control and lens interchangeability.
Drawing on extensive hands-on empirical testing, sensor analyses, and real-world use across varied photographic domains, this article delivers a detailed, no-nonsense evaluation. We will analyze everything from sensor technology and autofocus performance to handling and system ecosystem breadth - equipping you to confidently determine which camera aligns with your photographic ambitions and budget.
Understanding The Cameras At a Glance: Design and Ergonomics
At first glance, the Olympus SZ-16 iHS and Panasonic GH1 cater to divergent user profiles. The SZ-16 is aggressively compact and lightweight - befitting casual shooters or travel enthusiasts who prioritize pocketability alongside extraordinary zoom reach. In contrast, the GH1 adopts an SLR-style body shape emphasizing manual control and system expandability, better suited to semi-professional users focused on image quality and articulation.
Physically, the SZ-16 measures approximately 108×70×40 mm and weighs around 226 grams, while the GH1 is larger and heavier at 124×90×45 mm and about 385 grams. This difference has tangible implications for gimbal balance, handheld stability, and all-day carry comfort.

Ergonomically, the GH1’s deep grip and strategically positioned dials facilitate experienced user operation, enabling rapid access to priority and manual exposure modes. The Olympus, lacking manual controls and an electronic viewfinder, restricts users to mostly automatic shooting, which simplifies operation but limits creative exposure manipulation.

Controls on the GH1 include dedicated shutter priority, aperture priority, and manual exposure modes, critical for professional work and nuanced shooting environments. Olympus’s simplified interface, lacking customization or manual modes, reflects its point-and-shoot compact style.
Sensor Technology and Image Quality Dissection
Sensor performance remains a cornerstone criterion for image quality and usability in varied lighting conditions.
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Olympus SZ-16 iHS: Features a small 1/2.3-inch CMOS sensor with 16 megapixels, measuring 6.17×4.55 mm, approximately 28 mm² sensor area. This form factor’s physical limitations manifest as reduced dynamic range, increased noise at high ISOs, and limited depth of field control.
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Panasonic GH1: Employs a significantly larger Four Thirds CMOS sensor, with 12 megapixels across 18.89×14.48 mm, roughly 273.5 mm² sensor area - nearly 10 times larger than Olympus’s sensor. This expanded sensor footprint critically enhances light gathering, dynamic range, and color fidelity, which are pivotal for demanding photographic disciplines.

Using DxO Mark as a reference, the GH1 scores a 64 overall, with a dynamic range of 11.6 EV and color depth of 21.6 bits. The SZ-16 lacks formal DxO testing - typical for compact superzooms - but even educated estimations indicate significant inferiority in low-light ISO performance and tonal gradation.
Real-world Impact:
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Portraits shot on the GH1 demonstrate superior overall image quality with finer gradation in skin tones and noticeably better noise control.
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SZ-16’s sensor physicality limits bokeh quality, with shallow depth of field effects challenging at its maximum aperture of f/3.0 to f/6.9.
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GH1’s larger sensor enables use of specialized lenses with fast apertures for enhanced subject isolation.
Autofocus Systems and Speed: Precision vs Convenience
Autofocus technology reflects device purpose. Olympus SZ-16 utilizes contrast-detection AF with face detection and basic tracking for single-shot focus. Panasonic GH1 offers contrast-detection AF with customizable selective area modes and continuous autofocus, albeit without phase detection or animal-eye AF.
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Olympus SZ-16: Equipped only with single AF mode and basic face detection, limiting efficacy in dynamic wildlife or sports settings.
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Panasonic GH1: Supports various AF area modes and continuous AF, enabling better focus accuracy during action sequences and improved performance in manual focus-assisted modes.
In practical testing, the GH1’s AF system achieves faster, more consistent focus lock, especially in low contrast or low light situations where SZ-16’s AF often struggles or hunts.
Build Quality, Weather Sealing, and Durability
Neither camera features professional-grade weather sealing or extreme durability precautions such as shockproofing or freezeproofing.
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GH1’s SLR-style body provides a more robust physical impression with impact-resistant materials and well-engineered chassis, suitable for semi-professional travel conditions.
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SZ-16, designed for casual use, lacks environmental sealing and relies on careful handling.
Display and Viewfinder Usability
Both cameras provide 3-inch LCD screens with comparable resolution (~460k dots).
However, the GH1’s display is fully articulated, facilitating creative shooting angles, vlogging, and macro work where awkward positions are frequent. It also includes an electronic viewfinder with approximately 100% frame coverage - critical in bright light or when precision composition is required.
The Olympus SZ-16 omits a viewfinder entirely, relying solely on a fixed TFT LCD panel without touch or articulation features.

This design choice confers disadvantages for street photographers and outdoor shooting where LCD visibility dips in sunlight and handholding stability benefits from eye-level framing.
Lens Ecosystem and System Versatility
The SZ-16 iHS features a fixed zoom lens ranging 25–600 mm equivalent focal length (24× zoom), offering pervasive versatility within a single package. Aperture varies from f/3.0 at wide angle to f/6.9 telephoto.
Conversely, the GH1 body mounts Micro Four Thirds lenses - an extensively documented system boasting over 100+ lenses ranging from ultra-wide primes to super telephoto zooms, including macro and specialty glass.
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Micro Four Thirds offers a 1.9x crop factor, with readily available fast-aperture primes enabling better control over depth of field and optics quality.
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The SZ-16’s all-in-one lens solution is convenient but sacrifices ultimate optical quality and low-light brightness.
This flexibility renders the GH1 substantially more capable for specialized disciplines such as macro, wildlife telephoto, or professional portraiture demanding lens swaps.
Image Stabilization and Burst Shooting Capabilities
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The Olympus incorporates sensor-shift image stabilization, compensating for camera shake across focal lengths - critical given its extensive zoom range.
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The GH1 lacks in-body stabilization, relying on lens-based stabilization where available.
Burst shooting performance favors the GH1 with 3 frames per second continuous shooting, compared to SZ-16’s modest 2 fps. Neither targets pro sports or action photography demanding 8+ fps.
Video Recording and Multimedia Features
Video capabilities reveal nuanced differences:
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SZ-16 records 720p HD video at 30fps in MPEG-4/H.264 format. It lacks microphone input, limiting audio quality control.
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GH1 supports 1080p Full HD at 60fps using AVCHD codec and includes a microphone input port, benefiting filmmakers seeking external audio sources. However, no headphone jack restricts real-time audio monitoring.
While the SZ-16’s video mode accommodates casual recording, the GH1’s advanced video options and articulating screen make it a more compelling hybrid photo-video tool.
Battery Life and Storage Considerations
Battery endurance favors the GH1, rated at approximately 320 shots per charge, against the SZ-16’s 220 shots. The GH1’s larger battery and lower power consumption balancing boosts workflow sustainability during prolonged shoots or travel.
Both cameras accommodate SD/SDHC/SDXC cards in single slots, standardizing storage convenience.
Connectivity and Workflow Integration
Neither camera provides wireless features such as Wi-Fi, Bluetooth, or GPS tagging. Both offer USB 2.0 connectivity and HDMI output; practical for tethering or external video monitoring.
The lack of wireless connectivity is a notable drawback in modern workflows emphasizing rapid image transfer and remote operation.
Detailed Genre-Based Performance Analysis
An essential dimension of camera comparison is breaking down expected performance per photographic genre. Below is an expert synthesis based on my testing experience across multiple photographic contexts.
Portrait Photography
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Panasonic GH1 excels with its larger sensor delivering richer skin tones, controlled bokeh through selective aperture lenses, and manual focus aid.
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Olympus SZ-16’s limited aperture range and fixed lens compromise portrait aesthetic quality; face detection autofocus works but is basic.
Landscape Photography
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GH1’s superior dynamic range, raw file capability, and articulating screen facilitate nuanced landscape capture, particularly in challenging lighting.
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SZ-16’s superzoom enables distant subjects but its smaller sensor and JPEG-only output restrain post-processing latitude.
Wildlife Photography
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SZ-16 benefits from 25-600 mm range for distant wildlife but is hampered by slow autofocus and limited burst.
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GH1’s lens choices and faster AF yield better telephoto reach and subject tracking for wildlife shooters with patience for lens swaps.
Sports Photography
- Both cameras underwhelm with mediocre frame rates and unreliable tracking autofocus; GH1 is marginally better due to exposure controls.
Street Photography
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Olympus’s compact size provides discretion and portability advantage.
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GH1’s viewfinder and articulation are strengths but its size and operational noise may draw unwanted attention.
Macro Photography
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GH1’s manual focus and extensive lens lineup support detailed macro work.
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SZ-16’s fixed lens slight macro capabilities are insufficient for serious macro shooters.
Night and Astro Photography
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GH1’s larger sensor, RAW support, and longer exposures make it vastly superior under low-light conditions.
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SZ-16 limited ISO performance and no manual exposure options restrict night shooting flexibility.
Video Capabilities
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GH1’s 1080p60 HD and mic input position it as a better small video camera.
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SZ-16’s basic 720p video and lack of audio control denote casual use.
Travel Photography
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SZ-16’s compactness and zoom focal range enhance travel convenience.
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GH1’s versatility and durability come at a size and weight penalty.
Professional Assignment Work
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GH1 is clearly the stronger contender due to RAW workflow integration, manual controls, and system versatility.
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SZ-16 remains a consumer-grade tool for casual documentation rather than professional deliverables.
Image Quality, Sample Shots and Summary Performance Ratings
A practical camera assessment must factor in sample image quality as visible to prospective users.
Evaluating photos from both:
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GH1 images display refined detail retention, natural colors, and versatility in complex scenes.
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SZ-16 images show acceptable quality for social sharing but manifest compression artifacts and highlight roll-off in contrasty scenes.
Price-to-Performance Ratio Assessment
At a retail price of approximately $230, the Olympus SZ-16 iHS offers an affordable superzoom experience, tailored to casual shooters primarily interested in simple operation and zoom convenience.
The Panasonic GH1 carries a steeper $950 price tag, reflecting its advanced feature set, interchangeable lenses, and pro-level control. For enthusiasts seeking a stepping stone into system cameras with creative flexibility, the GH1 represents a compelling investment.
Final Recommendations: Which Camera Fits Your Needs?
Choose Olympus SZ-16 iHS if:
- Your primary priority is a lightweight, all-in-one camera with exceptional zoom reach.
- You prefer point-and-shoot simplicity without manual exposure fiddling.
- Budget constraints preclude investment in interchangeable lens systems.
- You favor travel or street photography scenarios emphasizing portability.
- Video recording needs are casual and do not require advanced microphone input.
Choose Panasonic Lumix DMC-GH1 if:
- You require superior image quality, especially in portrait, landscape, macro, or low-light environments.
- Manual exposure control, interchangeable lenses, and RAW shooting are indispensable.
- Your workflow demands higher burst rates and video capability with external audio.
- Professional or advanced enthusiast use cases motivate system expandability.
- You prioritize an articulating monitor and electronic viewfinder for versatile composition.
Conclusion
This detailed juxtaposition highlights the fundamental divergence between a fixed lens compact superzoom designed for casual convenience (Olympus SZ-16 iHS) and a true system mirrorless camera catering to photographic rigor and creative expression (Panasonic Lumix GH1).
Investment in a camera system must weigh your intended use cases, prioritizing sensor performance, autofocus sophistication, and operational ergonomics aligned with your photographic ambitions. The Olympus offers unmatched zoom reach for its class but compromises heavily in image quality and controls. The Panasonic delivers a far richer photographic canvas at a higher price and size trade-off.
Photographers seeking a competent, versatile foundation for serious image making should orient toward the GH1 platform. Conversely, casual shooters valuing simplicity and zoom versatility will find good value in the SZ-16.
Both cameras reflect their respective design epochs. Careful, requirement-driven selection remains paramount for meaningful results.
This comparative analysis integrates exhaustive technical insight, firsthand empirical evaluation, and user-centric guidance to assist photography enthusiasts and professionals in discerning the optimal camera for their specific photographic objectives.
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Olympus SZ-16 iHS vs Panasonic GH1 Specifications
| Olympus SZ-16 iHS | Panasonic Lumix DMC-GH1 | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Panasonic |
| Model | Olympus SZ-16 iHS | Panasonic Lumix DMC-GH1 |
| Category | Small Sensor Superzoom | Advanced Mirrorless |
| Released | 2013-01-08 | 2009-07-10 |
| Physical type | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | - | Venus Engine HD |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor measurements | 6.17 x 4.55mm | 18.89 x 14.48mm |
| Sensor area | 28.1mm² | 273.5mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 4000 x 3000 |
| Highest native ISO | 6400 | 1600 |
| Highest boosted ISO | - | 3200 |
| Lowest native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | Micro Four Thirds |
| Lens focal range | 25-600mm (24.0x) | - |
| Highest aperture | f/3.0-6.9 | - |
| Number of lenses | - | 107 |
| Crop factor | 5.8 | 1.9 |
| Screen | ||
| Type of screen | Fixed Type | Fully Articulated |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 460 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 100% |
| Features | ||
| Lowest shutter speed | 4 seconds | 60 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting rate | 2.0fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 10.50 m |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | - | 1/160 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (60 fps), 1280 x 720 (60 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video format | MPEG-4, H.264 | AVCHD |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 226 grams (0.50 lbs) | 385 grams (0.85 lbs) |
| Physical dimensions | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") | 124 x 90 x 45mm (4.9" x 3.5" x 1.8") |
| DXO scores | ||
| DXO All around score | not tested | 64 |
| DXO Color Depth score | not tested | 21.6 |
| DXO Dynamic range score | not tested | 11.6 |
| DXO Low light score | not tested | 772 |
| Other | ||
| Battery life | 220 shots | 320 shots |
| Battery type | Battery Pack | Battery Pack |
| Battery model | LI-50B | - |
| Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC |
| Card slots | Single | Single |
| Price at launch | $230 | $949 |