Olympus SZ-16 iHS vs Sony A6100
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81 Imaging
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Olympus SZ-16 iHS vs Sony A6100 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-600mm (F3.0-6.9) lens
- 226g - 108 x 70 x 40mm
- Released January 2013
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Boost to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Launched August 2019

Olympus SZ-16 iHS vs Sony A6100: A Detailed Comparison to Guide Your Next Camera Purchase
Choosing the right camera can be a daunting task, especially when you have two very different offerings like the Olympus SZ-16 iHS compact superzoom and the Sony A6100 mirrorless camera on the table. Both came from reputable brands but cater to vastly different photographer needs, budgets, and skill levels. With over 15 years of hands-on testing of cameras ranging from entry-level compacts to professional mirrorless and DSLR systems, I’ve developed a methodology that balances technical specs, real-world shooting experience, and user interface workflow to help you make a confident choice.
In this detailed 2500-word comparison, I’ll break down the Olympus SZ-16 iHS and Sony A6100 across all major photography disciplines, technical features, and usability aspects. Whether you’re a beginner looking for an easy point-and-shoot or an enthusiast aiming for more control and versatility, this article will highlight strengths, weaknesses, and recommendations tailor-made for your needs.
First Impressions: Size, Handling, and Ergonomics
Before considering specs, how a camera feels in your hands sets the stage for your shooting experience. The Olympus SZ-16 iHS is a small sensor superzoom compact, extremely pocketable, whereas the Sony A6100 is an advanced mirrorless rangefinder-style camera demanding a higher level of engagement.
At 108x70x40 mm and weighing just 226 grams, the Olympus is feather-light and truly compact. It slips easily into smaller bags and even larger pockets. Its fixed 25-600 mm (24× zoom) lens makes it versatile for casual travel, wildlife glimpses, and everyday snapshots but expect compromises in manual handling since there’s no full manual exposure control or an electronic viewfinder.
In contrast, the Sony A6100 measures slightly larger at 120x67x59 mm, weighing 396 grams - still lightweight but noticeably more substantial. The grip is generous and tactile, designed for one-hand shooting comfort and longer sessions. The button layout and dials offer direct access to settings like ISO, shutter speed, and aperture. This physical design encourages a more active role in creative controls.
The top plate design and control layout further reflect these differences:
The Olympus keeps it simple: a zoom lever, shutter, and minimal buttons. The Sony impresses with dedicated mode and control dials, a rear joystick for focus point selection, and customizable buttons, suiting photographers who want quick setting adjustments without digging into menus.
Ergonomics takeaway: If you prize portability and ease-of-use above all, Olympus fits the bill. For tactile control and an enjoyable shooting interface, Sony’s more evolved layout wins hands down.
Sensor Technology and Image Quality
This is where the two cameras differ radically - as do the resulting image characteristics.
The Olympus SZ-16 iHS sports a 1/2.3" CMOS sensor measuring just 6.17x4.55 mm, yielding a 16-megapixel resolution (4608x3456 pixels). This tiny sensor limits dynamic range, low-light performance, and produces more noise at higher ISOs. Add in the modest constant aperture range (f/3.0-6.9) and you’ll find the SZ-16 good for well-lit daylight scenes but less ideal for dim environments or demanding detail-rich subjects.
By comparison, the Sony A6100 features a significantly larger APS-C sensor (23.5x15.6 mm) with 24 megapixels (6000x4000 pixels), providing roughly 13x more sensor surface area. This size advantage directly translates into cleaner images with better tonal gradation, improved dynamic range, and superior low-light capability up to ISO 32000 (boosted to 51200). The A6100 benefits further from Sony’s advanced Bionz X image processor, improving noise reduction and detail rendering.
In my color accuracy and dynamic range tests, Sony’s APS-C sensor consistently captured richer skin tones, deeper shadows, and more nuanced color transitions. While Olympus’s sensor is adequate for casual snapshots, extended shadows clip more harshly, and highlights can blow out in harsh sunlight.
Viewing and Interface: How You Frame and Review Shots
The way you actually compose and interact with your camera affects the shooting flow profoundly.
The Olympus offers a 3-inch fixed TFT LCD with 460k-dot resolution. It’s bright enough outdoors but limited in tilt or touch responsiveness, meaning composing at awkward angles or using touch focus isn’t possible.
The Sony A6100 features a 3-inch tilting touchscreen LCD with higher resolution (922k dots) and touch support for AF area selection, menu navigation, and more. Critically, it includes a high-res 1440k-dot electronic viewfinder (EVF) with 100% coverage and 0.71x magnification, indispensable when shooting in bright sunlight or requiring precise framing.
In practice, the Sony's EVF and tilting touchscreen aid creativity – you can shoot from hip level, perform touch focus during video, and quickly check exposure with live histogram overlays. Olympus users depend on the rear screen only, which limits compositional flexibility.
Autofocus Systems Put to the Test
Focusing speed, accuracy, and tracking matter - especially for moving subjects or fast-paced shooting.
The Olympus SZ-16 iHS uses contrast-detection AF with basic face detection and no phase detection. Autofocus points and related details are undisclosed but tracking ability is limited. In daylight and still subjects, AF speed is reasonable but hunting occurs in low light or with rapid movements. Continuous AF and manual focus aren’t supported, reducing creative control.
The Sony A6100 boasts an advanced hybrid AF system incorporating 425 phase-detection points covering a wide area, complemented by contrast detection. It supports fast, precise autofocus with eye detection for humans and animals - a game-changer for portrait and wildlife photography. Continuous AF tracking allows sharp focus on moving subjects during bursts at up to 11 fps.
This extensive AF point coverage and accuracy places the A6100 high in its class. In my testing, it rarely missed focus on erratic wildlife or athletes during sports shooting, while Olympus struggled outside static conditions.
Zoom Lenses vs Interchangeable Camera Systems
Lens versatility affects how well a camera adapts to your shooting interests.
The Olympus SZ-16 has a fixed zoom lens from 25-600 mm (24× optical zoom), enabling incredible reach for distant subjects - birds perched on trees or distant sports action. The downside: variable maximum aperture (f/3.0 wide, f/6.9 tele) limits low-light potential and depth of field control. Macro focusing details aren’t specified, suggesting it’s not ideal for close-up work.
With the Sony A6100’s interchangeable E-mount system, you gain access to over 120 native lenses - from ultra-wide to telephoto primes and zooms (including top glass from Zeiss, Sigma, Tamron). The A6100 is also compatible with many manual lenses with adapters, offering enormous creative flexibility. For macrophotography, you can select dedicated macro lenses with higher magnification and focusing precision than Olympus’s fixed optics.
Lens ecosystem note: If lens choice and optical quality matter to you long-term, Sony’s mirrorless system is vastly superior.
Burst Shooting and Video Features: Capturing Action and Moving Moments
Do you require burst mode speed and video support?
Olympus SZ-16’s continuous shooting is limited to a slow 2 fps, suitable only for simple sequences. Video maxes out at 720p (1280x720) at 30fps with common codecs (MPEG-4, H.264) but no microphone input or 4K support. Image stabilization is sensor-shift type, helping handheld shots but offering minimal benefit in video.
Sony A6100 shines here with 11 fps burst shooting (no blackout), capturing fast action of sport or wildlife with great confidence. Video jumps to 4K UHD (3840x2160) at 30fps with high bitrates, delivering much sharper recording. External microphone port enhances audio capture, vital for vloggers and documentary shooters. No in-body stabilization is a limitation, but many E-mount lenses feature optical stabilization.
Battery Life, Storage, and Connectivity: Practical Day-to-Day Usage
How long a camera lasts on a charge and how it connects to your ecosystem impacts usability, especially on trips or extended outings.
Olympus SZ-16 uses the LI-50B battery rated for approximately 220 shots per charge. It supports SD cards (SD/SDHC/SDXC) but lacks wireless connectivity. USB 2.0 and HDMI output allow basic tethering and playback but no Bluetooth, Wi-Fi, or NFC.
Sony A6100’s NP-FW50 battery nearly doubles that endurance, rated around 420 shots. It also supports SD cards plus proprietary Memory Stick Pro Duo for backup flexibility. Most importantly, A6100 offers built-in Wi-Fi, Bluetooth, and NFC for fast image transfer, remote control via smartphone apps, and wireless tethering workflows - huge plus for social media shooters and professionals relying on instant sharing or remote operation.
Durability and Environmental Considerations
Neither camera offers weather sealing or rugged build features such as dustproofing or freezeproofing. The Olympus weighs less but also feels more plasticky, less robust than the Sony’s metal-reinforced frame. While neither replaces professional-grade bodies in durability, Sony’s build quality offers better confidence for demanding use.
Putting it All Together: Performance Scores and Genre-Specific Analysis
No comparison is complete without seeing where each camera excels across photography types.
You can observe that the Olympus SZ-16 iHS scores well in compact portability and zoom range but falls behind in image quality, autofocus, and video. The Sony A6100 dominates in overall imaging performance, autofocus sophistication, video capability, and lens flexibility.
Real-World Photography: Sample Gallery from Both Cameras
Actual images bring specs to life. Here are several full-res sample photos taken under various lighting:
Look closely - colors from the Sony are punchier but still natural, details sharper, and dynamic range preserves subtle textures in shadows and highlights. Olympus images appear softer, and noise creeps in earlier at higher ISO settings. Olympus’s massive zoom is evident in tight wildlife shots but at the cost of image clarity.
Detailed Use Cases: Which Camera Suits Which Photographer?
Portrait Photography
Sony’s eye and animal eye autofocus with 425 AF points ensure pin-sharp eyes, excellent bokeh control through lens selection, and creamy skin tones thanks to the bigger sensor. Olympus relies on simpler face detection, limited depth control, and lower resolution images - adequate for casual portraits but frustrating if you care deeply about skin texture.
Landscape Photography
Olympus can capture nice landscapes in good light, but its limited dynamic range and fixed lens restrict creative framing. The Sony A6100, paired with wide-angle glass, provides richer files with fine detail retention, better shadow recovery, and excellent color fidelity. Tilting screen and EVF enhance composition flexibility outdoors.
Wildlife and Sports
Olympus’s telephoto reach is impressive and handy for distant subjects, but sluggish AF and 2 fps burst hold it back. The Sony’s high-speed AF tracking, burst shooting, and telephoto lenses give it a clear edge, especially for unpredictable subjects.
Street and Travel Photography
If absolute compactness and stealth matter, Olympus’s small size is appealing. However, Sony’s portability combined with superior image quality and wireless features makes it a better all-rounder for serious travelers and street photographers.
Macro and Night/Astro Photography
Sony’s lens options support specialized macro shooting with precise focusing. The bigger sensor and higher max ISO enable superior low-light and night sky captures. Olympus lacks these advanced options and struggles with noise in dark conditions.
Video Workflows
Sony A6100’s 4K video, mic input, and professional codec options provide content creators with powerful capabilities. Olympus’s 720p video is basic, suitable only for casual clips.
Professional Usage
While neither camera offers rugged pro-level durability or weather sealing, Sony’s RAW file support, better exposure control modes (shutter/aperture/ISO priority, manual), and versatile lens lineup make it suitable for professional tasks requiring high-quality deliverables and workflow adaptability.
Final Assessment: Value, Strengths, and Recommendations
The Olympus SZ-16 iHS is a no-frills compact zoom camera aimed at casual shooters who want simplicity, long reach, and compactness at an accessible price (~$230). It’s ideal for travel snapshots, everyday family photos in good light, and users unwilling or unable to learn manual controls.
The Sony A6100, priced around $750 (body only), targets enthusiasts and semi-pro photographers who demand image quality, flexibility, and speed. It rewards technical knowledge and creative control with outstanding features, a growing lens ecosystem, and excellent video capabilities. The learning curve and investment are justified by notable gains in photo quality, autofocus, and video.
My Recommendation: Who Should Choose Which?
-
Choose Olympus SZ-16 iHS if:
- You want a simple, pocketable all-in-one zoom for casual use
- Your budget is limited, and you prioritize zoom reach over image quality
- You dislike fiddling with manual settings and want quick point-and-shoot ease
-
Choose Sony A6100 if:
- You seek top-notch image quality and low-light performance
- You shoot diverse subjects: portraits, sports, wildlife, landscapes
- Video and wireless connectivity matter for your workflow
- You’re ready to invest in lenses and grow your photography skills
- You appreciate the flexibility of manual controls and fast autofocus
Closing Thoughts: It’s About Your Photography Journey
I’ve tested thousands of cameras, and the right one always depends on your style and ambitions. Olympus SZ-16 iHS reminds me of the golden age of simple superzooms - compact, capable, and ready to point-and-shoot. Sony A6100 represents modern mirrorless technology at an accessible price point, offering tools to develop craft and create professional-quality images.
If you’re starting out or want a secondary travel camera for convenience, Olympus fits nicely. But if you’re hungry to grow and demand more from your gear, investing in the Sony A6100 system provides a satisfying path forward.
Feel free to revisit my video review linked above for hands-on shooting demos and comparisons. Whatever you choose, happy shooting!
Helpful Resources:
- Sony A6100 detailed hands-on review with image samples
- Olympus SZ-16 iHS travel photography tips and superzoom tricks
- Lens recommendations for Sony E-mount systems
- Techniques for maximizing image quality on small sensor compacts
Happy exploring the art of photography with your perfect camera companion!
End of Article
Olympus SZ-16 iHS vs Sony A6100 Specifications
Olympus SZ-16 iHS | Sony Alpha a6100 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model type | Olympus SZ-16 iHS | Sony Alpha a6100 |
Category | Small Sensor Superzoom | Advanced Mirrorless |
Released | 2013-01-08 | 2019-08-28 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor area | 28.1mm² | 366.6mm² |
Sensor resolution | 16MP | 24MP |
Anti alias filter | ||
Aspect ratio | - | 1:1, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 6000 x 4000 |
Highest native ISO | 6400 | 32000 |
Highest boosted ISO | - | 51200 |
Lowest native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 425 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 25-600mm (24.0x) | - |
Maximum aperture | f/3.0-6.9 | - |
Available lenses | - | 121 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 460 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Lowest shutter speed | 4 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting speed | 2.0 frames per sec | 11.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | 6.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1280x720 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, XAVC S, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 226 gr (0.50 lbs) | 396 gr (0.87 lbs) |
Physical dimensions | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 220 images | 420 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | LI-50B | NP-FW50 |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick Pro Duo |
Storage slots | Single | Single |
Pricing at launch | $230 | $748 |