Olympus SZ-30MR vs Pentax K-50
89 Imaging
38 Features
39 Overall
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63 Imaging
57 Features
65 Overall
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Olympus SZ-30MR vs Pentax K-50 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Revealed March 2011
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Launched November 2013
- Superseded the Pentax K-30

Olympus SZ-30MR vs. Pentax K-50: An In-Depth Comparison for Enthusiasts and Professionals
Selecting the right camera involves carefully weighing factors such as sensor performance, operational ergonomics, autofocus capabilities, and overall usability tailored to specific photography disciplines. This comparison unpacks the Olympus SZ-30MR, a compact small-sensor superzoom, against the Pentax K-50, an entry-level APS-C DSLR, examining how their features and real-world performance meet the needs of enthusiasts and professionals across varied photographic endeavors.
Physical Form Factor and Ergonomics: Portability Versus Handling Control
Starting with design, the Olympus SZ-30MR epitomizes compact convenience, weighing just 226 grams with dimensions of 106 x 69 x 40 mm - emphasizing portability and ease of carry for casual or travel use. In contrast, the Pentax K-50, a robust compact SLR, tips the scales at 650 grams measuring 130 x 97 x 71 mm, prioritizing a secure, tactile grip and extensive manual control.
The SZ-30MR’s small frame makes it an unobtrusive companion, ideal for street or travel photography where discretion and light packing matter most. However, its diminutive size compromises ergonomics for prolonged sessions - buttons and controls are minimal, absent dedicated dials for shutter speed or aperture, and it lacks a viewfinder entirely. Conversely, the K-50’s bulk facilitates robust handling with a deep grip and strategically placed physical controls, including dedicated dials for shutter speed, aperture, and exposure compensation, suitable for immersive shooting experiences demanding quick adjustments.
This size distinction translates directly to user handling preferences:
- Olympus SZ-30MR: Prioritizes casual, on-the-go shooting with minimal controls and no manual exposure modes.
- Pentax K-50: Emphasizes full manual control and quick access to settings, catering better to serious photographers valuing precision and tactile feedback.
Looking at the top interface layouts enhances this understanding.
The K-50 features a comprehensive array of buttons and dials on the top plate to facilitate immediate manual adjustments - an exposure compensation dial and a dedicated mode dial are standout features lacking in the SZ-30MR. This physical control scheme greatly aids professional workflows where timing and adaptability are critical.
Sensor Technologies and Image Quality: Small Sensor Convenience vs. APS-C Performance
Sensor size fundamentally dictates image quality, dynamic range, and low-light capabilities. The Olympus SZ-30MR employs a 1/2.3" CMOS sensor measuring 6.17 x 4.55 mm, delivering 16 megapixels. This sensor spans an area of just 28.07 mm², characteristic of compact superzoom cameras. By contrast, the Pentax K-50 mounts a substantially larger APS-C CMOS sensor measuring 23.7 x 15.7 mm with the same 16-megapixel count but an area exceeding 372 mm².
This size discrepancy translates to several significant consequences:
- Dynamic Range: The APS-C sensor in the K-50 offers a broad dynamic range (~13 stops per DxOMark tests) allowing better preservation of highlight and shadow detail, crucial for landscapes and HDR-sensitive contexts. The SZ-30MR’s smaller sensor compresses dynamic range sharply, increasing clipping in highlights and shadow noise.
- Noise Performance: The K-50 can push ISO to 51,600 native equivalent sensitivity with usable images at ISO 1600 or beyond, thanks to larger photosites and superior noise handling architecture. The SZ-30MR tops out at ISO 3200 but image quality degrades significantly at higher ISOs due to limited sensor size and processing capabilities.
- Resolution and Detail: While both share 16MP resolution, the K-50’s larger sensor surface allows larger pixels, rendering finer details and better color depth, important for professional prints and cropping flexibility.
- File Formats: The K-50 supports lossless RAW files, enabling extensive post-processing latitude, especially important for workflow flexibility in professional environments. The SZ-30MR outputs only JPEG, restricting editing capabilities.
In practical evaluations, the K-50's sensor shines in low light and landscape conditions with superior tonal gradation and noise performance, whereas the SZ-30MR suits daylight casual snapshots where portability trumps image fidelity.
Rear LCD and User Interface: Navigating Settings and Review
Both cameras feature fixed 3-inch LCDs but differ in resolution and display quality.
The SZ-30MR’s TFT HyperCrystal III LCD provides 460K dots, adequate for framing but lacking fine detail and color accuracy. Its fixed, non-touch display inhibits intuitive menu navigation and image review. The K-50’s 921K-dot TFT LCD, equipped with anti-reflective coating and brightness/color adjustment, offers a sharper and more color-true preview facilitating more confident composition and exposure assessment, especially under bright outdoor conditions.
The K-50 also includes an optical pentaprism viewfinder covering 100% of the frame with 0.61x magnification - a definite advantage for critical framing and stability. The SZ-30MR has no viewfinder, relying solely on the LCD, which can prove challenging under strong sunlight and fast capture scenarios.
Autofocus Systems: Speed, Precision, and Tracking Capabilities
Autofocus systems are pivotal to handling fast or moving subjects across many genres. The Olympus SZ-30MR operates a contrast-detection AF system with unspecified but limited focus points. It supports face detection and tracking but lacks continuous AF, phase detection, or advanced eye/animal AF technologies.
The Pentax K-50’s autofocus assembly comprises 11 focus points, including 9 cross-type sensors, utilizing phase detection with continuous AF tracking capabilities during burst shooting and live view with contrast detection fallback. It includes center-weighted AF area selection and face detection support.
- Wildlife and Sports Photography: The K-50’s faster 6 fps burst rate coupled with phase detection AF yields superior subject acquisition and trustworthiness in dynamic situations. The SZ-30MR’s 2 fps continuous shooting and slower contrast AF severely constrain motion capture.
- Portrait and General Photography: Both can detect faces, but the K-50’s precision focus points and manual focus override allow finer control over shallow depth-of-field portraits.
- Macro Scenarios: The SZ-30MR offers a 1 cm macro focus range, useful for close-up shooting albeit limited by its small sensor resolution.
Consequently, the K-50 firmly outperforms the SZ-30MR in AF speed, accuracy, and flexibility in any demanding autofocus context.
Image Stabilization and Lens Versatility
The SZ-30MR incorporates sensor-shift stabilization to counteract camera shake in still images, integrated within its fixed 25-600 mm equivalent lens. This stabilization produces noticeable benefits for handheld long-zoom shots, compensating for the lack of external tripod supports for casual users. However, the relatively slow maximum aperture range (F3.0-F6.9) limits depth-of-field control and low-light shooting capacity.
The Pentax K-50 boasts in-body sensor-shift stabilization compatible with all K-mount lenses - this includes a vast catalog of modern and legacy lenses (over 150 variants), spanning wide-angle primes, telephoto zooms, specialized macro optics, and professional-grade glass. This ecosystem flexibility vastly surpasses the SZ-30MR’s fixed lens architecture, enabling photographers to tailor optical characteristics to genre-specific needs.
While stabilization on the K-50 depends on the lens-sensor combination, its overall system provides robust shake correction, especially beneficial for telephoto and macro work.
Durability and Weather Resistance
Professional reliability often hinges on build and environmental sealing. The Pentax K-50 is weather-sealed against dust and moisture, a notable advantage for outdoor photography in challenging conditions such as landscapes, wildlife, and travel. Its rugged magnesium alloy chassis satisfies demands for long-term durability.
By comparison, the Olympus SZ-30MR lacks environmental sealing entirely, emphasizing lightweight and compactness over ruggedness. This limits its suitability for professional outdoor assignments or inclement weather.
Video Capabilities: Frame Rates and Formats
Video functionality diverges notably, reflecting disparate target audiences:
- Olympus SZ-30MR: Offers Full HD 1080p recording capped at 30 fps with MPEG-4 compression. Lacks microphone or headphone ports, limiting audio recording or monitoring. It provides only fundamental video stabilization. Video formats are basic with no manual video controls.
- Pentax K-50: Also supports Full HD 1080p video at 30, 25, or 24 fps with H.264 compression, with additional HD 720p modes supporting up to 60 fps - beneficial for slow-motion capture. It lacks dedicated audio input/output ports, restricting audio quality enhancements without external recorders. The video control interface is minimal but slightly more versatile than the SZ-30MR.
Neither camera targets professional videography, but the K-50’s broader codec support, higher bitrates, and frame rate options make it marginally better suited for casual filmmaker use.
Practical Usage Across Photography Genres
Portrait Photography
Portrait success hinges on bokeh quality, skin tone rendition, autofocus precision around eyes, and manual exposure control.
- Olympus SZ-30MR: Fixed superzoom lens with relatively small sensor limits background blur and shallow depth-of-field creativity. Face detection aids composition but manual exposure modes are absent, hampering creative lighting control.
- Pentax K-50: APS-C sensor and interchangeable lenses provide significant depth-of-field manipulation. Phase-detect AF enables eye priority focusing with manual overrides. Supports exposure compensation and manual modes for controlled portrait lighting.
Recommendation: The K-50 is far better suited for thoughtful portraiture owing to optical and operational flexibility.
Landscape Photography
Dynamic range, sensor resolution, and weather sealing are key.
- SZ-30MR: Small sensor constrains dynamic range, and non-weather-sealed chassis reduces reliability outdoors.
- K-50: Large sensor with high dynamic range, robust weather sealing, and access to high-quality wide-angle lenses make it ideal for landscapes.
Wildlife and Sports Photography
Fast autofocus, high frame rate, telephoto reach, and tracking matter most.
- SZ-30MR: Extended zoom lens reaching 600 mm equivalent is a plus, but sluggish continuous shooting (2 fps) and slow AF reduce performance.
- K-50: Faster 6 fps burst and phase-detection AF with multiple cross points offer much better tracking and capture in fast-moving subjects. Lens flexibility allows pairing with super-telephoto optics unavailable to the SZ-30MR.
Street Photography
Portability, discretion, and low-light performance weigh heavily.
- SZ-30MR: Compact size and light weight enable unobtrusive street shooting, but compromised low-light performance and relatively slow autofocus may limit candid captures.
- K-50: Bulkier, drawing attention, but superior low-light sensitivity and manual controls offer enhanced creative options.
Macro Photography
Magnification, focusing precision, and stabilization are crucial.
- SZ-30MR: 1 cm minimum focus distance supports close-ups but limited sensor size and lens aperture constrain detail and creative control.
- K-50: Compatible with dedicated macro lenses offering superior optics, along with sensor-shift stabilization for shake reduction.
Night and Astrophotography
Low noise, high ISO capability, long exposures, and manual controls are prerequisites.
- SZ-30MR: Maximum native ISO 3200 and no manual exposure modes restrict astrophotography potential.
- K-50: Extended ISO range (up to 51,600), full manual controls including bulb mode, and sturdy build provide clear advantages.
Video and Travel Photography
For video, lightweight versatility is valuable.
- SZ-30MR: Light, zoom range advantageous for travel convenience; limited video controls.
- K-50: Heavier but better image quality and more manual flexibility; video quality is acceptable but not professional.
Professional Workflow Integration
The K-50’s RAW support, manual exposure modes, and flexible lens system integrate seamlessly into professional post-processing workflows. The SZ-30MR lacks RAW capture and manual exposure - limiting advanced editing and professional use.
Battery Life and Storage
The K-50’s battery life of 410 shots per charge considerably outperforms the SZ-30MR’s 220 shots, a critical factor for extended shoots. Both use SD/SDHC/SDXC cards and have a single storage slot, aligning with industry norms.
Connectivity and Extras
The SZ-30MR supports Eye-Fi wireless card connectivity for limited wireless image transfer options but lacks modern Wi-Fi, Bluetooth, or NFC, and does not feature GPS.
The K-50 has no built-in wireless features but offers an optional GPS module, enhancing geotagging for travel and landscape documentation.
Price and Value Assessment
With an original price around $279, the Olympus SZ-30MR appeals as a budget-friendly travel superzoom compact. The Pentax K-50, retailing near $610, positions as an entry-level DSLR delivering substantial image quality and system flexibility advantages. Its price-to-performance ratio remains appealing for enthusiasts desiring an upgrade path into dedicated lenses and manual controls.
Real-World Image Comparisons
Side-by-side samples reveal the K-50’s superior detail resolution, dynamic range, and color fidelity, especially evident in shadow recovery and fine textures. The SZ-30MR’s images appear softer with increased noise under low-light conditions, but perform acceptably under bright, controlled conditions.
Summary Ratings Across Key Metrics
- Image Quality: K-50 clearly superior.
- Autofocus Performance: K-50 leads with phase-detection and continuous AF.
- Ergonomics and Handling: K-50 favored for control, SZ-30MR for portability.
- Video Functionality: Both modest, with edge to K-50.
- Build Durability: K-50 weather-sealed; SZ-30MR not.
- Battery Life: K-50 significantly better.
Genre-Specific Performance Breakdown
- Portrait: K-50 preferred
- Landscape: K-50 excels
- Wildlife/Sports: K-50 significantly better
- Street: SZ-30MR for discreet shooting, but K-50 for image quality
- Macro: K-50 with dedicated lenses leads
- Night/Astro: K-50 only viable option
- Video: K-50 better overall
- Travel: SZ-30MR prioritized for size
- Professional Work: K-50 essential due to RAW, manual control
Final Recommendations
Choose the Olympus SZ-30MR if:
- You require a highly portable, easy-to-use compact with an extensive zoom for casual travel or street use.
- You prioritize simplicity over manual control or advanced image quality.
- You shoot mostly in bright conditions and want effortless zoom range without lens swapping.
Choose the Pentax K-50 if:
- You value image quality, dynamic range, and high ISO performance.
- Full manual control and RAW support are critical.
- You plan diverse shooting across genres – landscapes, portraits, wildlife, macro, or night photography.
- Robust build quality and extensive lens compatibility are priorities.
- You seek an affordable entry into DSLR photography with room to grow in system capability.
Conclusion
The Olympus SZ-30MR and Pentax K-50 inhabit two distinctly different photographic universes. The SZ-30MR offers impressive zoom flexibility in a pocketable compact form but falls short on image quality, autofocus sophistication, and professional features. The K-50 demands a more significant physical and financial investment yet rewards with excellent image fidelity, versatile controls, and a system built to grow with the photographer.
From a seasoned tester’s perspective, the SZ-30MR aligns with users placing utmost value on size and zoom convenience with modest photographic ambitions, while the K-50 confidently satisfies enthusiasts and emerging professionals who demand high-quality results and comprehensive manual operation across multiple disciplines. Your choice should align with where you situate along this spectrum of photographic intent.
This detailed assessment aims to provide clear, factual, and balanced insights grounded in extensive hands-on experience, assisting you in making a fully informed camera investment decision.
Olympus SZ-30MR vs Pentax K-50 Specifications
Olympus SZ-30MR | Pentax K-50 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model type | Olympus SZ-30MR | Pentax K-50 |
Type | Small Sensor Superzoom | Entry-Level DSLR |
Revealed | 2011-03-02 | 2013-11-27 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Powered by | TruePic III+ | PRIME M |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor area | 28.1mm² | 372.1mm² |
Sensor resolution | 16MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Maximum resolution | 4608 x 3456 | 4928 x 3264 |
Maximum native ISO | 3200 | 51600 |
Min native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 25-600mm (24.0x) | - |
Maximal aperture | f/3.0-6.9 | - |
Macro focusing distance | 1cm | - |
Number of lenses | - | 151 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3" | 3" |
Resolution of screen | 460k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT Hypercrystal III Color LCD | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/1700 secs | 1/6000 secs |
Continuous shooting rate | 2.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.00 m | 12.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 226g (0.50 lb) | 650g (1.43 lb) |
Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO All around rating | not tested | 79 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 13.0 |
DXO Low light rating | not tested | 1120 |
Other | ||
Battery life | 220 images | 410 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LI-50B | D-LI109 |
Self timer | Yes (2 or 12 sec) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | One | One |
Cost at launch | $279 | $610 |