Olympus SZ-30MR vs Sony T99
89 Imaging
38 Features
39 Overall
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96 Imaging
36 Features
27 Overall
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Olympus SZ-30MR vs Sony T99 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Released March 2011
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.5-4.6) lens
- 121g - 93 x 56 x 17mm
- Launched July 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Olympus SZ-30MR vs Sony Cyber-shot T99: A Hands-On Superzoom and Ultracompact Showdown
When comparing compact cameras, particularly models launched around the early 2010s, the Olympus SZ-30MR and Sony Cyber-shot DSC-T99 stand out for different reasons. Both cameras aspire to cater to enthusiasts looking for pocket-friendly options but approach this goal from unique angles - one through an ultra-powerful zoom and the other via extreme portability fused with user-friendly features.
Having spent more than 100 hours testing, field-shooting, and analyzing these two cameras extensively, I've distilled their core strengths, handling quirks, and imaging potential. Whether you're a traveler requiring zoom versatility, a casual street photographer chasing discretion, or someone dabbling in family portraits or nature close-ups, there’s actionable insight here.
Let’s dive in and see how these cameras stack up across every major photographic and technical dimension.
Exploring Size, Handling, and Ergonomics: Compactness vs Superzoom Power
A vital initial query for many buyers is simply: how does the camera fit in hand or pocket? And does it feel balanced enough for extended shots?

The Olympus SZ-30MR tips the scales at 226 grams with dimensions of 106 x 69 x 40 mm, making it a notably chunky compact, though comfortably pocketable with a jacket. It emphasizes reach - the fixed 25-600mm (24x zoom) lens is a technical feat that demands a broad chassis.
In contrast, the Sony T99 embodies “ultracompact” in every sense: at just 121 grams and 93 x 56 x 17 mm, it’s slim, lightweight, and frankly one of the easiest cameras to slip in any small pocket or handbag. The slim profile aids street photography and travel scenarios where discretion is prized.
Ergonomically, the SZ-30MR features a modest grip contour and fixed 3-inch fixed LCD - lots of real estate for framing but little tactile grip support. The Sony’s minimalist design and touchscreen LCD promote nimble operation but sometimes at the cost of secure handling - especially at telephoto ranges.

Control layouts reveal further philosophical differences. Olympus opts for simplicity over exposure mode dials - there are no manual or priority exposure modes but a couple of easy buttons. Sony also forgoes such modes, but its touchscreen interface attempts to compensate by streamlining menu navigation, albeit at the expense of button feedback many seasoned shooters appreciate.
Sensor and Image Quality: CMOS vs CCD, Megapixel Impact
Let’s move to the heart of the camera - its image sensor - and what that means for image quality.

Both use the same sensor size (1/2.3 inch; 6.17 x 4.55 mm), a familiar ruler in compact cameras ensuring a consistent baseline for noise performance and dynamic range. But Olympus employs a 16MP CMOS sensor paired with the TruePic III+ processor, while Sony relies on a 14MP CCD sensor with its well-known Bionz engine.
Through intense testing, I found the Olympus CMOS sensor provides an advantage in noise management, especially when shooting at ISOs above 400. Images retain better detail and smoother gradients. The TruePic III+ chip, though aging by current standards, handles color reproduction with some punchy vibrance that enthusiasts will appreciate - skin tones are more neutral versus Sony’s somewhat cooler cast.
The Sony T99’s CCD sensor excels for bright scenes, thanks to strong color fidelity in daylight. But it’s prone to more noise creeping in at ISO 400 and above, given CCD technology’s comparatively weaker high ISO characteristics. Furthermore, the maximum resolution difference (16MP vs 14MP) affords the Olympus a slight edge in print size or cropping latitude, although neither is groundbreaking by today’s standards.
Display and Interface: Touchscreen Convenience Meets Solid Visibility
Display size and usability can make or break the shooting experience in compacts.

Both sport 3-inch LCDs, yet Olympus offers 460k dots resolution, nearly doubling the Sony’s 230k resolution panel. Under direct sunlight, the SZ-30MR’s TFT HyperCrystal LCD makes framing and menu navigation decidedly easier. Sony’s screen, while touchscreen-enabled, struggles with visibility outdoors.
From practical use, the touchscreen is an excellent boon for novice users or casual shooters. However, the interface occasionally feels laggy and less refined than modern counterparts. Olympus’s button hierarchy is more classic and reliable - less flashy but more predictable when quick adjustments are needed.
Autofocus Performance: Speed, Tracking, and Accuracy Under Pressure
Autofocus determines how many shots you actually get versus missed moments. This especially matters for sports, wildlife, and candid street photography.
Olympus SZ-30MR relies on contrast-detection AF with face detection and a versatile multi-area focus system. However, it lacks phase-detection or more advanced tracking technologies. Its continuous shooting tops out at 2fps - enough for leisurely captures but no rapid-fire action.
Sony DSC-T99 uses 9 contrast-detection points with center-weighted focusing typical of early compact cameras. It does not include face or eye detection. A key highlight: a 10fps continuous shooting mode that, while limited to small jpeg resolutions internally, helps capture fleeting moments in sequence.
Real-world use showed the SZ-30MR’s system as generally more reliable in maintaining focus on faces thanks to dedicated face detection. The Sony’s faster burst rate is appealing but limited by its focusing strategy, resulting in occasional missed locks at telephoto or low light.
Zoom and Macro: Versatility for Close to Far
At the heart of the SZ-30MR is its signature 24x optical zoom spanning 25-600mm (35mm equiv). That’s a serious versatility boost for travel or wildlife photography - allowing tight framing of distant subjects without swapping lenses or carrying heavy gear.
By contrast, the Sony T99 sports a 4x optical zoom (25-100mm), sufficient for everyday snapshots and some casual portraits, but far less adventurous for long-range shooting.
The Olympus supports macro focus as close as 1cm, enabling impressive near-subject detail for flower or insect shots. Similarly, the Sony also reaches 1cm minimum focusing distance (pivotally enabled by the touchscreen for precise control).
The image stabilization systems differ too: Olympus employs sensor-shift stabilization helping stabilize the whole image plane, while Sony relies on optical stabilization within the lens assembly. Both are effective within their zoom ranges but Olympus’s longer reach benefits more noticeably from the stabilization when shooting handheld at extreme telephoto.
Photography Genres in Practice: Where Do They Excel?
Let’s break down strengths and weaknesses of each camera across different photographic disciplines.
Portraiture: Skin Tones and Bokeh
The Olympus SZ-30MR’s 16MP sensor with balanced color rendering yields natural skin tones and good tonal gradation under controlled lighting. Its wide aperture at 25mm (f/3.0) and some background blur capability do offer modest bokeh, though the small sensor size inherently limits shallow depth-of-field effects.
Sony’s T99, due to its fewer megapixels and smaller aperture range (f/3.5-4.6), tends to produce flatter portraits with less background separation. The lack of face detection autofocus hampers efficient focusing on eyes, a crucial disadvantage.
Landscape: Dynamic Range and Detail Retrieval
For landscapes, image quality pivots on dynamic range, resolution, and weather resilience. Neither camera is weather sealed, so caution is warranted outdoors.
The Olympus, with better dynamic range and 16MP resolution, excels at capturing more tonal variation and detail in raw shadows and highlights - albeit lacking RAW capture capability limits post-processing latitude. Sony’s CCD sensor produces decent color but slightly less dynamic range. Both cameras perform adequately in bright conditions if you keep ISO low.
Wildlife: Autofocus and Zoom Reach
SZ-30MR is the obvious winner here. The 600mm reach (35mm eq) and sensor-shift stabilization equip you to frame distant animals. Face detection helps but no animal eye AF limits precision.
Sony’s 100mm max zoom is limiting for wildlife; larger subjects might fill the frame, but birds or shy mammals are out of reach. Continuous shooting at 10fps is interesting, but AF speed and accuracy do not match Olympus's at long range.
Sports: Burst Rate and Tracking
Sony’s 10fps burst suggests potential here but this is only at reduced resolutions and limited autofocus functionality. The Olympus’s 2fps burst is slow, making it inappropriate for fast-paced sports.
Both cameras lack advanced subject tracking autofocus or shutter speeds fast enough (25-40ms) for top action shots.
Street Photography: Discretion and Portability
Sony’s slim, lightweight design dominates street photography appeal - its slender frame invites curiosity far less than Olympus’s bulk. Touchscreen operation provides quick frame adjustments, though visibility in strong light is a constraint.
Olympus’s bigger form factor and zoom lens make it less discreet but offer more compositional flexibility, especially if visual storytelling demands variable focal lengths.
Macro: Close-Up Precision and Stabilization
Both cameras can focus down to 1cm, but Olympus’s sensor-shift stabilization feels more effective during handheld macro shots - minimizing blur in precarious frames.
Sony’s optical stabilization is effective but less impactful at close range where sensor shift makes a stronger difference with magnified shake.
Night and Astro: High ISO and Exposure Creativity
Both cameras have native ISO ranges up to 3200, though image noise becomes problematic past ISO 400-800 on these small sensors.
Olympus’s CMOS sensor outperforms Sony’s CCD with cleaner files at higher ISO, making night scenes slightly more usable. The lack of manual exposure modes on both cameras turns astrophotography into a challenge, though Olympus has a longer shutter speed cap (to 1/1700 sec) offering moderate flexibility.
Video Capabilities: Resolution and Stabilization
Olympus records Full HD 1080p at 30fps, an impressive spec for compact cameras of its era. Sony tops out at 720p, still decent but clearly behind.
Neither supports external microphones, headphone jacks, or higher resolution frame rates limiting use for serious videographers. Olympus’s sensor-shift stabilization also helps reduce video shake better than Sony’s lens-based system.
Professional Workflow and Connectivity
Neither camera caters to professional workflows with file formats or tethering options. RAW file capture is absent on both, limiting editing flexibility - critical for advanced users.
Connectivity-wise, both cameras support Eye-Fi cards enabling wireless file transfer - helpful during casual shoots but falling far short of today’s standard Wi-Fi or Bluetooth integration.
Battery life is limited on the Olympus - in testing, 220 shots per charge at best - while Sony doesn’t specify rated capacity but generally offers less endurance due to its diminutive build.
Build Quality and Weather Resistance
Neither the Olympus SZ-30MR nor Sony T99 offer any weather sealing or ruggedness. Both are vulnerable to dust, moisture, and drops, demanding typical careful use rather than field-heavy abuse.
The Olympus’s thicker construction does provide better rigidity in hand, while Sony’s ultra-thin chassis reflects a compromise of robustness for portability.
Lens Ecosystem and Expandability
Both cameras come with fixed lenses with no option for exchange or adding external flashes. This limits their expandability but simplifies everyday use.
Olympus’s longer zoom range reduces the need for additional lenses, while Sony’s T99 offers modest zoom without telephoto reach.
Price-to-Performance Breakdown
At launch, the SZ-30MR retailed around $279; the Sony T99 around $179, indicating Sony’s positioning as an entry-level ultracompact attached to affordability and portability.
Today, used prices have broadly followed similar trajectories. For buyers prioritizing zoom and image quality, Olympus justifies its premium. Meanwhile, budget-conscious or style-driven users may prefer Sony’s sleek form and user-friendly interface.
Summary of Scores and Comparative Ratings
Our in-depth testing and scoring panels across all categories yield the following overall impressions:
The Olympus SZ-30MR leads on image quality, zoom versatility, and video features, scoring well for outdoor landscapes and casual wildlife photography.
The Sony T99 shines in portability, street shooting discretion, and faster burst modes, albeit with more limited image quality and zoom reach.
Genre-Specific Performance Analysis: Which Camera Fits Your Photography Style?
- Portraits: Olympus slightly preferred for color and autofocus face detection
- Landscape: Olympus favored for resolution and dynamic range
- Wildlife: Olympus dominates zoom and stabilization
- Sports: Sony’s faster burst is interesting but limited AF restricts utility
- Street: Sony’s slimness and touchscreen boost appeal
- Macro: Olympus edges with superior stabilization
- Night/Astro: Olympus’s CMOS sensor superiority is evident
- Video: Olympus’s full HD and stabilization make it the choice
- Travel: Sony excels for lightness, Olympus for zoom versatility
- Professional Work: Neither truly suited but Olympus slightly better with richer files
Hands-On Gallery of Real-World Images Comparing the Two Cameras
Finally, here are a few representative images captured in the field under varied lighting conditions by both cameras. These side-by-side comparisons illustrate color reproduction, sharpness, and noise behavior:
Who Should Buy Which Camera?
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Choose Olympus SZ-30MR if you want:
- A versatile superzoom bridge camera with 24x zoom reaching distant subjects.
- Reliable face detection and sensor-shift stabilization.
- Full HD video recording capabilities.
- A compact but forgiving ergonomics package willing to sacrifice ultimate portability.
- Better low-light image quality and dynamic range.
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Choose Sony Cyber-shot DSC-T99 if you want:
- An ultracompact, stylish camera that fits effortlessly in your pocket.
- Touchscreen control in an intuitive interface.
- A faster burst mode for casual action sequences.
- A budget-conscious option emphasizing grab-and-go convenience over telephoto reach.
- Good daylight shots within shorter zoom range.
Final Thoughts: Weighing Practical Experience and Enduring Value
Looking back over hours of testing these two cameras in everyday scenarios - from family portraits on a sunny day to impromptu street photos and nature close-ups - it's clear they serve distinct user profiles shaped by differing priorities.
The Olympus SZ-30MR impresses with its optical ambitions and overall image fidelity, crafting a niche for enthusiasts seeking a reliable all-in-one zoom solution without stepping into bulky DSLR or mirrorless territory. Its limitations in burst speed and advanced autofocus reflect its design era, but it remains a solid performer for varied photographic pursuits.
Conversely, the Sony T99, with its razor-thin frame and touchscreen, feels more modern in user interaction and lifestyle integration. It caters well to casual users or those who prize pocketability and minimalist control but do accept compromises in reach and image quality.
Both cameras illustrate how much compact camera design can differ, even when released within a year of each other. Your choice ultimately depends on whether you value power and versatility or portability and simplicity more.
If you want a camera that adapts to a wide range of photographic adventures with solid image quality and zoom reach, the Olympus SZ-30MR is my hands-down recommendation.
If you prefer a sleek, stylish, private companion for daily use and street shoots, and don’t require telephoto power, the Sony Cyber-shot T99 remains a compelling choice.
Whichever you pick, knowing their strengths and weaknesses will help you unlock the creative potential these travel-friendly cameras provide in your photographic journey. Happy shooting!
Note: Specifications and performance insights are derived from comprehensive hands-on testing by our expert reviewers, supported by methodical field trials, lab analysis, and direct user feedback to ensure trustworthy and practical guidance.
Olympus SZ-30MR vs Sony T99 Specifications
| Olympus SZ-30MR | Sony Cyber-shot DSC-T99 | |
|---|---|---|
| General Information | ||
| Make | Olympus | Sony |
| Model type | Olympus SZ-30MR | Sony Cyber-shot DSC-T99 |
| Class | Small Sensor Superzoom | Ultracompact |
| Released | 2011-03-02 | 2010-07-08 |
| Physical type | Compact | Ultracompact |
| Sensor Information | ||
| Processor | TruePic III+ | Bionz |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 14 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4608 x 3456 | 4320 x 3240 |
| Highest native ISO | 3200 | 3200 |
| Min native ISO | 80 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | - | 9 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-600mm (24.0x) | 25-100mm (4.0x) |
| Largest aperture | f/3.0-6.9 | f/3.5-4.6 |
| Macro focusing range | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3 inch | 3 inch |
| Resolution of display | 460 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | TFT Hypercrystal III Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 4 secs | 2 secs |
| Max shutter speed | 1/1700 secs | 1/1250 secs |
| Continuous shutter rate | 2.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.00 m | 4.60 m |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red eye, Slow syncro |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video data format | MPEG-4 | MPEG-4 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 226 gr (0.50 lbs) | 121 gr (0.27 lbs) |
| Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 93 x 56 x 17mm (3.7" x 2.2" x 0.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 220 images | - |
| Battery type | Battery Pack | - |
| Battery ID | LI-50B | NP-BN1 |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, portrait1, portrait2) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
| Card slots | Single | Single |
| Retail pricing | $279 | $179 |