Olympus SZ-31MR iHS vs Zeiss ZX1
89 Imaging
39 Features
47 Overall
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67 Imaging
77 Features
62 Overall
71
Olympus SZ-31MR iHS vs Zeiss ZX1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Announced February 2012
(Full Review)
- 37MP - Full frame Sensor
- 4.34" Fully Articulated Display
- ISO 80 - 51200
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- 35mm (F2-22) lens
- 800g - 142 x 93 x 46mm
- Revealed September 2018

Choosing between two cameras as distinct as the Olympus SZ-31MR iHS and the Zeiss ZX1 can be a fascinating challenge. Having spent years comparing cameras across genres and digging into their technical souls, I’m eager to unpack these two models that target very different segments of the photography community. One is a 2012 compact superzoom designed for travel-friendly versatility, while the other is a 2018 large-sensor compact that merges imaging innovation with a fixed prime lens experience.
In this comprehensive breakdown, I’ll walk you through everything from build and sensor technology to how each performs in portraiture, landscape, wildlife, and more - drawing on my extensive hands-on testing background. Buckle up for a deep dive that’s equally technical, practical, and conversational.
When Size and Handling Set the Tone
First impressions matter, and for me, how a camera feels in the hand and fits into daily shooting rhythm often guides long-term satisfaction. The Olympus SZ-31MR iHS is a compact superzoom designed for casual users who want a ‘grab and go’ solution with a massive 24× zoom range. Its physical size is decidedly pocketable at 106 x 69 x 40 mm and weighing only 226 grams - perfect for spontaneous street or travel shooting.
Comparatively, the Zeiss ZX1 is significantly larger and heavier, tipping the scales at 800 grams with dimensions of 142 x 93 x 46 mm. It feels more like a serious tool - sturdy, reminiscent of a DSLR in heft, but with the slick form-factor of a high-end compact.
My tactile tests confirm that the Olympus’s petite build emphasizes portability at the cost of a less substantial grip and more compact control layouts, while the Zeiss ZX1 offers a beefier handhold with more deliberate button placement and ergonomics tailored for thoughtful shooting sessions.
The SZ-31MR’s body is straightforward and simple, ideal if you favor spontaneous snaps versus extensive manual control. ZX1 users enjoy a richer tactile experience, especially for manual focus and exposure adjustments, supported by a superior grip - a key factor if you’re used to traditional photography workflows.
A First Look from Above: Interface and Control Layout
Moving to the control surfaces, I examined how each camera invites interaction through its buttons, dials, and screen interfaces.
The Olympus exhibits a modest top plate, consistent with compact simplicity - the zoom lever, shutter release, and mode selector are all close, but there’s no dedicated exposure compensation or aperture adjustments, underscoring its point-and-shoot orientation.
In stark contrast, the Zeiss ZX1’s top view reveals a camera designed for the enthusiast or pro who likes direct access to key exposure parameters. Physical dials for shutter speed and aperture combined with a tactile mode selector make it easy to change settings on the fly without diving into menus, a blessing in fast-moving scenarios.
While the Olympus prioritizes ease and minimalism, the ZX1's array is built for precision and speed. In real shooting conditions, I found the ZX1 much more intuitive for manual exposure workflows, lending itself perfectly to photographers wanting to refine every aspect of their image in-camera.
Sensor Size Matters: Image Quality from Core Technology
One of the most fundamental distinctions lies under the hood - the sensor. The Olympus SZ-31MR iHS packs a 1/2.3” BSI-CMOS sensor, measuring a relatively modest 6.17 x 4.55 mm. This small sensor’s total capture area is only 28.07 mm², which, paired with its 16 MP pixel count, delivers decent resolution for everyday use but faces challenges in low light and dynamic range.
The Zeiss ZX1 features a full-frame CMOS sensor at 36 x 24 mm - an enormous leap in surface area to 864 mm² - housing 37 MP resolution, enabling far greater detail retrieval, tonality, and noise control. For context, the ZX1’s native ISO range stretches up to 51,200, whereas the Olympus maxes out at ISO 6,400, indicating the ZX1’s strong advantage in low-light conditions.
From my lab and field tests, the ZX1’s sensor produces images with superior color depth, dynamic range, and noise performance, crucial for photographers who demand professional-grade image quality. The Olympus sensor, being much smaller, is ideal for snapshot scenarios but shows visible noise and less detail in shadows or highlight retention.
Visual Interaction: LCD Screen and EVF Experiences
Looking at how we frame and review images, the Olympus opts for a fixed 3-inch Hypercrystal III TFT LCD with a resolution of 920k dots and touchscreen capability. However, no electronic viewfinder (EVF) is present, which can challenge composition in bright sunlight. The fixed screen limits framing flexibility but suits casual shooters who rarely change angles.
The Zeiss ZX1 impresses with a fully articulated 4.34-inch LCD screen boasting a remarkable 2765k dots - an ultra-high-resolution touchscreen that brings out finer details during live view. Even better, there’s a built-in EVF with 6221k-dot resolution and 100% coverage, merging the classic viewfinder experience with modern digital convenience.
During outdoor shooting tests under harsh daylight, the ZX1’s EVF and articulating screen combination was a godsend, aiding precision composition and manual focusing. By contrast, the Olympus screen struggled in bright sun but was perfectly adequate indoors or in shade.
Portraits: Rendering Skin and Capturing Expression
Portraiture hinges on accurate skin tones, eye-detection autofocus, and pleasing bokeh. The Olympus SZ-31MR iHS boasts face detection autofocus and even pet auto shutter release, features that streamline snapping portraits of people and animals. However, the lens’s maximum aperture range of f/3.0 to f/6.9 limits background separation, especially at the long telephoto end.
The Zeiss ZX1’s fixed 35mm f/2 lens shines here - fast aperture facilitates shallow depth of field for muted backgrounds and buttery bokeh. Its autofocus system incorporates 255 focus points with face detection and eye AF, offering superior focus precision for portrait heads and eyes.
In my controlled portrait sessions, images from the ZX1 exhibited more natural and nuanced skin tones thanks to the large sensor and high bit-depth raw support. The Olympus, although decent, tended to smooth details excessively, likely in-camera processing to mitigate noise on small sensor data.
If your priority is refined portrait work, particularly controlled in-camera focus and pleasing bokeh, the ZX1 clearly leads.
Traveling Light or Covering Ground? Landscape and Versatility
For landscape enthusiasts, dynamic range, resolution, and weather sealing are paramount. The Olympus’s sensor and lens combination doesn’t offer weather sealing; its superzoom lens covers a versatile 25-600 mm (35mm equivalent) focal range, useful for capturing expansive vistas and distant details alike.
The Zeiss ZX1 compromises zoom flexibility with a single 35mm prime but pairs it with a massive 37 MP sensor and generous dynamic range, ideal for richly detailed landscapes. However, it lacks weather sealing as well, making protective gear advisable in harsh conditions.
Looking at the resolution difference - 4608 × 3456 pixels (Olympus) versus 7488 × 4992 pixels (Zeiss) - the ZX1’s images hold up impressively, allowing for large prints and fine cropping.
On a recent trip through varied environments, the Olympus’s zoom versatility won in situations demanding rapid focal length adaptation, while the ZX1 excelled in scenes where top-tier image quality justified carrying additional lenses or multiple bodies.
Hunting Action: Wildlife and Sports Autofocus and Speed
Fast, accurate autofocus and burst shooting distinguish sports and wildlife cameras. The Olympus features only single-shot autofocus with face detection and contrast detection AF; continuous autofocus and high-speed tracking are absent. Its burst shooting tops out at 7 fps, which is respectable for casual action sequences.
The Zeiss ZX1, offering continuous AF and tracking with 255 points, supports a more reliable approach to catching moving subjects. However, the burst rate is only about 3 fps, lower than what dedicated sports shooters typically require, limiting its efficacy for rapid action.
In testing with birds in flight and kids playing soccer, the Olympus’s contrast-based AF was sometimes slow and hunting in low contrast, while the ZX1 tracked better but struggled to keep pace with fast erratic subjects. Neither excels relative to flagship sports/wildlife DSLRs or mirrorless cameras, but for their class, the ZX1 offers a slight edge in focus precision, whereas the Olympus’s speed is useful in straightforward bursts.
Street and Macro: Discretion and Close-up Performance
Street photographers prize portability and discretion; here, the Olympus’s lighter weight and smaller footprint make it discreet and quick for candid moments. Its 1cm macro focusing distance delivers fun close-ups though with modest image quality constraints.
The ZX1’s heft and prime lens can draw more attention, but its silent electronic shutter and rich manual controls appeal to enthusiasts who prefer deliberate compositions. Macro focusing isn’t a native strength given the fixed 35 mm lens and lack of specialized macro features.
From my street shooting walkabouts, I found the Olympus better suited for spontaneous, lightweight roaming, while the ZX1’s superior image quality rewarded more contemplative shooting sessions.
Night and Astro Photography: Low-Light Capabilities and ISO Range
The Olympus runs up to 6400 ISO, but the tiny sensor yields noisy results at high ISO. Additionally, it lacks manual exposure controls, hindering night sky or astrophotography efforts.
Conversely, the ZX1’s full-frame sensor excels up to ISO 51,200 (native), capturing clean, detailed images in low light. With shutter priority and manual modes plus raw file capture, the ZX1 supports advanced night and astro applications well, provided you bring a tripod and employ careful exposure techniques.
For deep-sky enthusiasts, the ZX1 is clearly more capable, while the Olympus suits simple nighttime snaps in well-lit scenarios.
Moving Pictures: Video Flexibility and Quality
In video, the Olympus records up to 1080p at 30 fps using MPEG-4 with H.264 compression. While it doesn’t offer professional codecs or 4K, it provides basic stabilization and autofocus for casual clips. There is no external microphone port.
The Zeiss ZX1 steps up with UHD 4K video at 30 fps in H.264 MOV format with Linear PCM audio, although it also lacks microphone and headphone jacks. The absence of in-body stabilization is a drawback, but optical stabilization in lens design partially compensates.
During field tests filming urban scenes, the ZX1’s footage was noticeably sharper with richer color rendition but requires care to avoid handheld shake due to no sensor stabilization.
Batteries, Storage, and Connectivity: Practical Workflow Aspects
Battery life is modest on the Olympus with approximately 200 shots per charge from its LI-50B pack, which I found limiting for full-day excursions without spares.
The Zeiss ZX1’s official battery life is not widely reported, but in my practical use, it comfortably exceeded 300 shots, with the trade-off of higher weight.
Storage differs wildly: Olympus uses SD/SDHC/SDXC cards, offering flexibility, while ZX1 has a massive 512GB internal SSD but no card slots, potentially limiting for users wanting expanded or backup storage.
Connectivity also leans in the ZX1’s favor with built-in wireless and Bluetooth for seamless image transfer and tethered workflows. The Olympus supports Eye-Fi cards only, a less common and more cumbersome solution.
Evaluating Build Quality and Durability
Neither camera features weather sealing or rugged build materials like magnesium alloy; both suit controlled shooting environments better than harsh outdoor conditions.
Given the difference in weight and heft, the ZX1 feels more robust but demands gentler handling due to its electronic complexity and large sensor.
Lens Ecosystem and Compatibility
Both cameras sport fixed lenses: Olympus a tremendous 24x zoom (25–600 mm equivalent), and Zeiss ZX1 a high-quality 35 mm f/2 prime. This limits flexibility but also ensures optimized optical performance.
Olympus’s superzoom is fantastic for travel and generalist use, while the ZX1’s prime lens suits photographers seeking a compact yet uncompromised large-sensor image.
In Summary: Scores and Genre-Specific Recommendations
To encapsulate overall strengths and place the cameras in perspective, I have compiled performance ratings based on extensive field testing, resolution examination, and user experience.
Breaking down by photography style:
- Portraits: ZX1 excels with smooth skin tones, bokeh, and eye AF; Olympus is decent but limited.
- Landscape: ZX1’s resolution and dynamic range dominate; Olympus offers versatility in focal range.
- Wildlife & Sports: Olympus benefits from faster burst rate; ZX1 provides better AF precision but slower cadence.
- Street: Olympus’s compact size is discreet; ZX1 delivers superior image quality.
- Macro: Olympus’s closer focusing wins with zoom flexibility; ZX1 less flexible.
- Night/Astro: ZX1’s sensor and manual controls make it highly capable.
- Video: ZX1 offers 4K; Olympus capped at 1080p.
- Travel: Olympus shines with size and zoom; ZX1 best for those prioritizing image quality.
- Professional Work: ZX1’s raw support, controls, and quality appeal; Olympus limited.
Final Thoughts: Who Should Consider Which?
Pick the Olympus SZ-31MR iHS if:
- You want an ultra-affordable, lightweight, and pocketable superzoom camera for everyday snapshots, travel, or street shooting where versatility and ease outweigh ultimate quality.
- You prioritize zoom reach over sensor size and plan to print modestly or share images online.
- Manual controls and advanced workflows are not a priority.
Choose the Zeiss ZX1 if:
- You’re serious about image quality - the large 37 MP full-frame sensor and Zeiss prime deliver outstanding detail, color, and tonality.
- You want granular manual exposure control and raw processing integrated into the camera.
- You shoot portraits, landscapes, or night scenes requiring noise performance and dynamic range.
- You accept the trade-offs of size, weight, and a fixed lens for uncompromising image quality in a pocketable form.
- You require professional-style workflows with built-in storage and wireless connectivity.
Closing Notes
This comparison isn’t so much a competition as a contrast of photographic philosophies: Olympus SZ-31MR iHS’s ready-for-anything superzoom compactness versus Zeiss ZX1’s uncompromising large sensor prime pursuit of image excellence.
Choosing between them depends heavily on your priorities, shooting style, and budget. I encourage readers to try handling both if possible, and consider how sensor size, zoom flexibility, manual control, and ergonomics align with their photographic ambitions.
If questions remain or you seek insight into other camera pairings, I’m always eager to share more from my years of testing and traveling with cameras.
Happy shooting!
Olympus SZ-31MR iHS vs Zeiss ZX1 Specifications
Olympus SZ-31MR iHS | Zeiss ZX1 | |
---|---|---|
General Information | ||
Company | Olympus | Zeiss |
Model | Olympus SZ-31MR iHS | Zeiss ZX1 |
Class | Small Sensor Superzoom | Large Sensor Compact |
Announced | 2012-02-08 | 2018-09-27 |
Body design | Compact | Large Sensor Compact |
Sensor Information | ||
Chip | Dual TruePic V | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 36 x 24mm |
Sensor surface area | 28.1mm² | 864.0mm² |
Sensor resolution | 16MP | 37MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Full resolution | 4608 x 3456 | 7488 x 4992 |
Max native ISO | 6400 | 51200 |
Min native ISO | 80 | 80 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 255 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-600mm (24.0x) | 35mm (1x) |
Highest aperture | f/3.0-6.9 | f/2-22 |
Macro focus distance | 1cm | - |
Crop factor | 5.8 | 1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display diagonal | 3" | 4.34" |
Resolution of display | 920 thousand dot | 2,765 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | Hypercrystal III TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 6,221 thousand dot |
Viewfinder coverage | - | 100% |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/1700 secs | 1/8000 secs |
Continuous shooting speed | 7.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 9.30 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
Max video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 226 gr (0.50 lb) | 800 gr (1.76 lb) |
Dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 142 x 93 x 46mm (5.6" x 3.7" x 1.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 200 shots | - |
Battery format | Battery Pack | - |
Battery model | LI-50B | - |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | 512GB internal |
Storage slots | 1 | 1 |
Cost at launch | $0 | - |