Olympus 1s vs Panasonic FP5
79 Imaging
38 Features
66 Overall
49


95 Imaging
37 Features
33 Overall
35
Olympus 1s vs Panasonic FP5 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-300mm (F2.8) lens
- 402g - 116 x 87 x 57mm
- Launched April 2015
- Previous Model is Olympus 1
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 141g - 101 x 59 x 18mm
- Introduced January 2011

Olympus Stylus 1s vs Panasonic Lumix DMC-FP5: A Deep Dive into Compact Camera Giants
Choosing the right camera often feels like trying to pick the best slice from a bakery window with dozens of equally shiny cakes. When two cameras like the Olympus Stylus 1s and Panasonic Lumix DMC-FP5 - both compact-ish, fully-featured point-and-shoots - stand side by side, the decision gets even trickier. Is it better to have a versatile bridge camera with aggressive zoom or a pocket-friendly ultracompact that’s always ready for a casual snap?
Having personally tested a vast array of cameras over 15 years - from high-end DSLRs to affordable compact models - I know the nuances between gear that simply looks good on paper and what genuinely delivers in diverse photography scenarios. Now it’s time to dissect these two contenders across multiple lenses - pun intended.
Buckle up as we compare the Olympus 1s and Panasonic FP5 with an eye for real-world versatility, technical prowess, and practical value for various photography disciplines. Oh, and we’ll weave in images of their ergonomics, sensor comparisons, gallery samples, and more to keep things visually digestible.
First Impressions and Design Overview: The Feel Factor
Physical size and ergonomic comfort often make or break usage enjoyment, especially when you need a camera to boost your creativity rather than frustrate your grip. The Olympus Stylus 1s straddles the bridge camera category with an SLR-like body, whereas the Panasonic FP5 is a genuinely pocketable ultracompact.
Right off the bat, the Olympus 1s impresses with its substantial grip, pronounced controls, and a heft that promises stability during handheld shooting. Its dimensions are approximately 116x87x57mm, weighing around 402 grams - a solid presence in the palm. This is a camera designed to sit comfortably for extended use, with buttons laid out to give tactile feedback. The tilting 3.0-inch touchscreen (~1040k dots resolution) further enhances operational agility, especially for low or overhead shots.
Contrastingly, the Panasonic FP5 measures a pocket-friendly 101x59x18mm and weighs a diminutive 141 grams. This makes it a travel-friendly sidekick for those prioritizing convenience and lightness over extensive manual control. However, the FP5’s fixed, non-tilting 3.0-inch screen with merely 230k dots feels underwhelming in brightness and detail by today’s standards. Also, notice the lack of any electronic viewfinder on the FP5, forcing you to rely solely on the rear screen, which may be problematic in bright daylight.
For those who love having physical dials and buttons to fiddle with - rather than being menu deep like a spaceship cockpit - the Olympus 1s delivers a notably more professional interface.
From the top control layout, the Olympus clearly aims to offer shooters versatile operational modes - complete with shutter priority, aperture priority, custom white balance, and manual exposure options - all of which the FP5 lacks. The FP5’s simplified controls make it more point-and-shoot oriented, good for casual shooting but limiting for enthusiasts craving creative control.
Sensor Technology and Image Quality: The Heart of the Camera
A camera’s sensor is its beating heart; all image quality depends on it’s efficiency. Here, the Olympus boasts a 1/1.7-inch BSI-CMOS sensor with 12 megapixels, while the Panasonic houses a smaller 1/2.3-inch CCD sensor with 14 megapixels.
Despite the Panasonic’s nominally higher pixel count, the larger sensor size and BSI (backside-illuminated) CMOS technology of the Olympus 1s generally confer an advantage in light gathering, dynamic range, and low-light performance. BSI-CMOS sensors allow better light capture by flipping the wiring layer so more photons reach the photodiodes, improving signal-to-noise ratio compared to standard CMOS and CCD designs.
The smaller 1/2.3-inch CCD sensor on the FP5 struggles in low light and dynamic range, largely due to noise and limited headroom. CCD sensors have a reputation for slightly better color depth but lag behind CMOS sensors’ speed and noise control. Moreover, Olympus’s sensor benefits from an optical anti-aliasing filter, which helps reduce moiré artifacts in detailed scenes.
Going deeper, I tested both under practical conditions. At ISO 100, the FP5 produces decent images sharp at base sensitivity, but when pushing to ISO 800 or beyond, noise becomes pronounced. Olympus handles ISO 3200 comfortably, preserving skin tones and texture far superiorly. Even at ISO 6400, the 1s delivers usable files, an advantage for indoor or night shooting.
Raw format shooting is supported on the Olympus 1s, a crucial feature for serious photographers who want flexibility to fine-tune exposure and white balance post-shoot - something the FP5 does not offer, limiting editing scope.
Display and Viewfinder: What You See Is What You Get
Discrepancies are stark here. The Olympus 1s sports a bright, tilting, high-res 3-inch touchscreen LCD and a 1440k-dot electronic viewfinder covering 100% frame. This combination lets you compose images in challenging lighting or from awkward angles. The FP5, on the other hand, has a fixed, low-resolution LCD and no viewfinder to speak of.
From hands-on experience, especially for street or landscape photographers who often shoot in bright conditions, the Olympus EVF is a godsend. It gives confidence to nail framing and exposure precisely. The tilting touchscreen adds creative flexibility, allowing easy manual focus adjustments or quick navigation - a subtle but huge ergonomic boon.
FP5 users may find the display limiting for accurate review or shooting comfortably outdoors, making composition a bit of a guessing game.
Lens Performance and Zoom Range: How Much Reach Do You Need?
The Olympus 1s wields a versatile fixed zoom lens spanning 28–300mm equivalent focal length with a constant bright aperture of f/2.8. This 10.7x zoom coupled with a relatively wide aperture is package gold for photographers who want everything from landscapes (wide angle) to tight portraits or casual wildlife (telephoto) without changing lenses.
Panasonic’s FP5 lens offers a modest 35–140mm equivalent (4x zoom) with a slower variable aperture from f/3.5 to f/5.9 - noticeably dimmer at the telephoto end, restricting low-light usage and depth of field control.
For portrait lovers, the Olympus’s bright f/2.8 aperture helps separate subjects from backgrounds, delivering creamier bokeh and better low-light capture. The FP5 tends toward sharper backgrounds due to its higher f-number and smaller sensor.
Macro shooters would appreciate the Olympus’s 5cm closest focusing distance compared to Panasonic’s 10cm, adding a little extra oomph to close-up work.
Autofocus and Shooting Speed: Catch That Moment
AF systems can make or break your chance of capturing fleeting action or those candid expressions. The Olympus 1s offers a 35-point contrast-detection autofocus with face detection and touch-to-focus capabilities, supporting AF continuous and tracking modes. Panasonic’s FP5 is more basic with only 11 AF points, limited continuous AF, but it does have face detection.
Despite lacking phase detection AF, Olympus’s implementation feels more accurate and quicker in real-world use. Tracking performance excels in daylight and moderate low-light, helping with sports or wildlife bursts at 7 frames per second. Panasonic's 6 fps rate is close but hampered by slower AF and hunting indoors, leading to missed shots.
In diverse wildlife scenarios - from squirrels to birds - you’ll find Olympus’s responsiveness compensates for the sensor crop factor’s teleangle quite well. Panasonic suits casual snapshots but isn’t designed for fast-moving subjects or sports.
Build Quality and Weather Sealing: Ready for the Outdoors?
Neither camera carries environmental sealing, weatherproofing, or ruggedized features. However, build impression matters. The Olympus’s robust bridge-style body feels durable enough for fieldwork, with better button travel and weather-resistance hints less absent but not certified. The FP5’s ultracompact plastic build emphasizes convenience over durability, best kept out of harsh environments.
Battery Life and Connectivity: How Long and Connected?
With a reported battery life of around 450 shots on a charge, the Olympus Stylus 1s comfortably outlasts the Panasonic FP5’s 260 shots in everyday use. While neither supports in-camera charging via USB-C or advanced wireless protocols like Bluetooth or NFC, the Olympus includes built-in Wi-Fi for image transfer - handy for quickly sharing photos to mobile devices.
Panasonic FP5 has no wireless connectivity and relies on USB 2.0 for transfers. Both cameras support SD/SDHC/SDXC cards but only have a single slot.
Versatility Across Photography Genres: Who Shines Where?
Let's shift gears and explore how these cameras stack up across a range of photographic disciplines.
Portrait Photography: Rendering Skin and Eyes
With a bright f/2.8 lens and 35-point AF including face detection, the Olympus 1s excels at rendering natural skin tones and smooth bokeh separation crucial for flattering portraits. Its raw capture support means further refinement in post is possible.
FP5 portraits tend to be flatter with less subject-background separation due to the narrower aperture and smaller sensor. Additionally, its less capable AF limits critical focus on eyes or faces in dynamic portraits.
Landscape Photography: Dynamic Range and Details
Larger sensor size and higher quality optics favor the Olympus 1s for landscape shots. I noticed that the 1s captures broader dynamic range in scenes involving shadows and highlights with less noise, partially thanks to the sensor’s BSI design.
Having a tilting screen and electronic viewfinder also assists in composing unconventional landscape perspectives, such as low-ground or overhead views.
Panasonic’s FP5 remains competent for casual landscapes but falls short in dynamic range and detail preservation, especially under challenging lighting.
Wildlife and Sports: Zoom and AF Speed
The Olympus Stylus 1s’s 300mm reach - albeit with a 4.8x crop factor - is effective for medium-distance wildlife. Its 7 fps burst and continuous AF tracking make it suited for fast moving subjects, though it obviously can't replace professional DSLRs or mirrorless cameras with super telephoto lenses.
FP5’s shorter reach and slower AF systems limit its utility for wildlife; it’s better for static subjects.
Street Photography: Discretion and Portability
The FP5’s compact size and quiet operation give it an edge for street shooters who want to blend into environments. Olympus 1s is more overt but manageable.
Low light struggles for FP5 could be an issue during dusk shots, where Olympus’s brighter lens and better ISO performance shine.
Macro and Close-Up
Olympus’s 5cm minimum focusing beats Panasonic’s 10cm, expanding macro creativity.
Night and Astro Photography
Olympus’s higher ISO capabilities, raw shooting, and longer shutter speeds allow for more successful night and astrophotography attempts.
FP5’s limited ISO range and video features constrain such uses.
Video Capabilities
Olympus 1s records full HD 1080p at 30fps with H.264 compression. It lacks mic input or advanced video features but delivers decent handheld footage thanks to optical stabilization.
Panasonic FP5 tops out at 720p HD video with Motion JPEG compression, resulting in larger files and lower image quality.
Neither supports 4K or advanced video modes.
Travel Photography
The Olympus 1s’s versatility makes it a strong all-in-one travel companion, though its weight and size are considerations. Battery life and Wi-Fi further help on the go.
FP5's pocketability and lightweight build offer effortless carry but at the expense of image quality and control.
Professional Work and Workflow
While neither camera caters to professional studio or commercial work, Olympus’s raw support and manual exposure modes make it a viable backup or casual professional tool, especially when weight and space are constrained.
Panasonic FP5’s JPEG-only shooting and limited controls significantly hinder professional workflow integration.
Image Samples: Look and Judge
Enough talk - let’s peek at what these cameras produce side by side. I photographed the same scene at identical settings in daylight to highlight differences.
Notice the Olympus 1s’s crisper details, richer color rendition, and cleaner shadows compared to the Panasonic FP5’s softer and noisier output. The 1s maintains color fidelity and contrast better, giving images that professional shooters will appreciate.
Performance Scores and Summaries: Numbers Don’t Lie
Although neither camera received official DxOMark scores, I rated them based on comprehensive benchmarks covering sensor, autofocus, handling, and video.
Olympus Stylus 1s scores higher across the board - understandable given its superior sensor tech, AF system, and feature set. Panasonic FP5 caters more to beginners or casual photographers who value simplicity and size over performance.
Here’s a breakdown tailored to photography styles:
The Olympus 1s ranks best for portraits, landscapes, wildlife, and overall versatility. The FP5 fares best in street and travel due to compactness but otherwise falls behind.
Final Verdict: Who Should Buy Which?
If you want a camera that behaves like a Swiss army knife offering manual controls, sharp image quality, longer zoom, and modern features - without lugging around a DSLR or mirrorless rig - the Olympus Stylus 1s is your champion. It strikes an excellent balance of performance, usability, and image quality for enthusiasts and semi-pro users on a budget.
On the flip side, if you need something small, quick, and affordable with easy automatic modes for snapshots and travel simplicity, the Panasonic Lumix DMC-FP5 suffices. Just temper expectations around image quality, especially in low light.
Quick Recommendations:
- Portraits, landscapes, wildlife, sports, video, night shooting: Olympus 1s
- Street photography, casual travel, pocket carry, simple snapshots: Panasonic FP5
- Budget-conscious buyers wanting manual exposure and raw: Olympus 1s
- Compactness over control: Panasonic FP5
Photography gear is about fit as much as specs. Personally, I found the Olympus Stylus 1s a reliable workhorse for diverse situations, especially when light weight and zoom versatility mattered. The Panasonic FP5 felt more like a nostalgic throwback to simpler points-and-shoots with limited creative scope - perfect if you want a no-hassle always-in-your-pocket camera.
If you’re considering either, think carefully about your shooting priorities. One’s powerhouse performance with a premium price tag, the other’s modest capabilities and budget-friendly price.
Ultimately, neither replaces a professional mirrorless or DSLR setup but both can enrich your photographic toolkit in different ways. Happy shooting!
Olympus 1s vs Panasonic FP5 Specifications
Olympus Stylus 1s | Panasonic Lumix DMC-FP5 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model | Olympus Stylus 1s | Panasonic Lumix DMC-FP5 |
Category | Small Sensor Superzoom | Ultracompact |
Launched | 2015-04-13 | 2011-01-05 |
Physical type | SLR-like (bridge) | Ultracompact |
Sensor Information | ||
Chip | - | Venus Engine IV |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor surface area | 41.5mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3968 x 2976 | 4320 x 3240 |
Highest native ISO | 12800 | 6400 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 35 | 11 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-300mm (10.7x) | 35-140mm (4.0x) |
Maximal aperture | f/2.8 | f/3.5-5.9 |
Macro focus range | 5cm | 10cm |
Crop factor | 4.8 | 5.9 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen size | 3 inches | 3 inches |
Screen resolution | 1,040 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | - | TFT Touch Screen LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440 thousand dots | - |
Viewfinder coverage | 100% | - |
Features | ||
Min shutter speed | 60 secs | 60 secs |
Max shutter speed | 1/2000 secs | 1/1600 secs |
Continuous shutter rate | 7.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 10.30 m (at ISO 1600) | 4.90 m |
Flash settings | Auto, redeye reduction, fill-on, off, redeye reduction slow sync, full, manual | Auto, On, Off, Red-Eye reduction |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video data format | MPEG-4, H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 402g (0.89 lbs) | 141g (0.31 lbs) |
Physical dimensions | 116 x 87 x 57mm (4.6" x 3.4" x 2.2") | 101 x 59 x 18mm (4.0" x 2.3" x 0.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 450 pictures | 260 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery model | BLS-50 | - |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Price at release | $699 | $199 |