Olympus 7010 vs Panasonic FZ150
94 Imaging
34 Features
18 Overall
27


67 Imaging
35 Features
57 Overall
43
Olympus 7010 vs Panasonic FZ150 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-196mm (F3.0-5.9) lens
- 145g - 98 x 56 x 26mm
- Released July 2009
- Also Known as mju 7010
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 528g - 124 x 82 x 92mm
- Launched April 2012

Olympus 7010 vs Panasonic FZ150: An Expert Hands-On Comparison for the Practical Photographer
When I first laid hands on both the Olympus Stylus 7010 (or mju 7010, if you prefer the full name) and the Panasonic Lumix DMC-FZ150, I was immediately struck by how differently they approach small sensor photography - despite both sporting the ubiquitous 1/2.3-inch sensor size. On the surface, these two cameras could not be more different: the Olympus is a slim compact point-and-shoot, while the Panasonic rocks a muscular, bridge-style body with a superzoom lens primed for long reach. But which one deserves a spot in your bag? That’s what I set out to find, drawing on extensive practical testing and my over 15 years in camera evaluation.
In this hands-on comparison, I'll break down how each camera performs across a wide range of popular photography genres, examine their technical cores, assess usability and build quality, and most importantly, help you decide which one suits your style and budget best. Whether you’re a travel shooter, wildlife enthusiast, portrait artist, or videographer, I’ve got you covered.
Let’s get started.
First Impressions and Ergonomics: Pocket-Ready Classic vs. DSLR-Style Beefcake
The Olympus 7010 arrives as an unassuming, lightweight compact measuring just 98x56x26 mm and weighing a dainty 145g. Meanwhile, the Panasonic FZ150 is a full-on bridge camera with DSLR-like heft at 528g and dimensions of 124x82x92 mm - quite a gauntlet for your pockets.
This size difference has real-world consequences. The Olympus feels like a casual, slip-it-in-and-forget-it companion. It's perfect for days when you want something unobtrusive and lightweight - think quick street snaps or leisurely strolls in the park. The buttons are minimal and straightforward, although the absence of customizable controls can feel limiting once you get used to more advanced cameras.
By contrast, the FZ150’s grip feels substantial - like it’s built for serious clutching - and the dedicated dials and buttons give you quick manual control over ISO, shutter speed, and aperture. For sure, it’s not for those who crave camouflaged pocket shooting, but if you want a camera that invites you to get involved and experiment, it’s a clear winner here.
Design and Controls: Simplified vs. Clubbed for Thumbs
Looking from the top down, the Olympus sticks to basics: a mode dial and a small shutter button. No tilting screen, no hot shoe, no eye-level viewfinder. It’s undeniably minimalist.
The Panasonic FZ150, however, flaunts a busy top deck with mode and exposure dials, a zoom ring on the lens barrel, and buttons for quick access to white balance, ISO, and playback. It even sports an electronic viewfinder and a fully articulated 3-inch screen with higher resolution (460k dots vs. Olympus’ 230k). That means better framing and clearer focus confirmation when shooting under challenging light.
This difference in control philosophy reveals itself most when in manual or semi-manual modes: the Olympus is pretty much an auto-only affair - with no aperture priority, shutter priority, or manual exposure options - whereas the Panasonic truly caters to enthusiasts who want hands-on control.
Sensor and Image Quality: The Same Size, But Worlds Apart
Both cameras have 1/2.3" sensors measuring roughly 6 mm by 4.5-4.6 mm with 12-megapixel resolution. But that’s where the similarity ends.
In my lab tests, the Panasonic FZ150’s CMOS sensor coupled with slightly better optics and a newer processor produced distinctly sharper, cleaner images with richer colors and better dynamic range. DxO Labs rated the FZ150 with an overall score of 40 (though Olympus 7010 lacks DxO data), and after teasing apart the files, the FZ150’s 19.4-bit color depth and nearly 11 EV dynamic range translate into more latitude for shadows and highlights - crucial for landscape and portrait shooters alike.
The Olympus employs an older CCD sensor paired with the TruePic III processor. It tends toward softer images, visible chroma noise creeping in at ISO 400 and above, and limited dynamic range. Its maximum ISO of 1600 is borderline usable, whereas the FZ150’s ISO 6400 is markedly more usable in low light.
Performance Under the Lens - Zoom, Autofocus, and Stabilization
Zoom Range and Lens Quality
The Olympus lens zooms from 28-196 mm equivalent (7x zoom) at f/3.0-5.9. It’s your average compact zoom, sufficient for casual walk-around. The Panasonic boasts an impressive 25-600 mm equivalent (24x zoom) range with a constant-ish f/2.8-5.2 aperture. This gives you great flexibility - shooting wide vistas or distant wildlife with a single lens.
In the real world, the Panasonic’s lens holds sharpness well across the zoom range, whereas the Olympus softens noticeably at telephoto and wide ends.
Autofocus System
The Olympus 7010 uses contrast-detection autofocus with no eye-detection, face-detection, or tracking functionality. It’s slow and struggles in low light or moving subjects.
The Panasonic also relies on contrast detection but smartly compensates with 23 focus points, giving good accuracy and a faster acquisition time in daylight. It lacks continuous AF or advanced tracking, so sports action remains challenging for both cameras, but the FZ150’s speed and accuracy are considerably better.
Real-World Use Case Breakdown: Who Takes the Lead?
Let’s zoom into the real pros and cons per photography type and usage:
Portrait Photography
If you’re into portraits, skin tone rendering and bokeh (the quality of background blur) matter a lot. With the Olympus 7010, the fixed aperture and small sensor mean relatively deep depth of field: background separation is minimal, and bokeh is often harsh.
The Panasonic FZ150’s longer focal lengths and faster apertures toward the wide end allow for better subject isolation and creamier bokeh. Even though small sensors struggle for shallow depth of field compared to full-frame, the FZ150 does a notably better job at flattering skin tones and renders colors more naturally.
Neither camera offers face or eye detection autofocus, so you’ll need to be patient and manual with focus. For studio-style portraits or controlled environments, the Panasonic is preferred for artistic control.
Landscape Photography
Landscape demands resolution, dynamic range, and robust image quality.
Thanks to its superior sensor performance and raw file support (the Olympus shoots JPEG-only), the Panasonic FZ150 gives you more leeway to recover shadows and highlights in post-processing.
Neither camera features weather sealing, so you’ll want to be cautious shooting in rough conditions. The Olympus’s smaller size makes it ideal for hiking light, but image quality and lens reach fall short.
Wildlife Photography
If you long for the thrill of capturing birds or elusive critters from afar, Panasonic’s massive 600 mm zoom and quick 12 fps burst shooting mode put it miles ahead. The Olympus’s limited telephoto reach and single-shot focus mode make wildlife a frustrating experience.
Sports Photography
Neither camera is built for high-speed sports action. However, the Panasonic’s burst rate and faster autofocus give it a better chance in daylight conditions. The Olympus is simply too slow, with no continuous autofocus or shutter priority.
Street Photography
Street shooters typically want a discreet, portable setup with quick responsiveness.
Here, the Olympus excels at portability, lightweight handling, and inconspicuous appearance. However, it lacks a viewfinder, forcing you to use the small rear LCD that can be a liability in bright conditions.
The Panasonic has an eye-level electronic viewfinder that helps with discrete composition and steadier shooting but is much more conspicuous and bulky.
Macro Photography
If close-up work intrigues you, the Olympus offers macro focusing at 10 cm, while the Panasonic goes even closer at 1 cm. Plus, the FZ150’s lens design and image stabilization yield sharper macro shots.
Night and Astro Photography
Panasonic’s higher max ISO (6400) and cleaner sensor output make it a better low-light performer overall. The Olympus’s ISO 1600 max and visible noise limit its astrophotography potential.
Neither camera supports long exposures natively nor have bulb modes, so star trails are challenging on both.
Video Capabilities
The Panasonic has a clear edge with 1080p Full HD recording at 60 and 30 fps, microphone input for better audio control, and optical image stabilization.
The Olympus tops out at a mere 640x480 pixel VGA resolution at 30 fps with no external mic jack - a relic even back in 2009. No contest here.
Travel Photography
For travel, weight and versatility count. The Olympus is pocket-friendly and light, which is great for carry-on and day trips, but limited zoom and image quality can hold you back.
The Panasonic is heavier, but its versatile zoom, better battery life (410 shots vs. no official Olympus data), and sturdier grip make it a more capable travel partner if you can tolerate the bulk.
Build Quality, Durability, and Battery Life
Both lack weather sealing or ruggedized features. For delicate travel or environmental shooting, you’ll want to invest in protective cases.
The Panasonic’s battery life rating of around 410 shots is solid for a bridge camera. Olympus doesn’t specify, but with the smaller body and older battery tech, you should expect fewer shots per charge.
Connectivity and Storage
Neither offers Wi-Fi, Bluetooth, or GPS.
The Olympus uses xD and microSD cards, while Panasonic settles on the more ubiquitous SD/SDHC/SDXC cards - more convenient and widely supported.
Price-to-Performance and Value for Money
Here’s where context is king. The Olympus 7010 retail price of around $200 positions it as an entry-level compact. You’re paying for simplicity, portability, and ease of use.
The Panasonic FZ150, priced nearer $500 (used or older stock deals apply), offers substantial performance gains: better optics, larger zoom range, advanced controls, and full HD video.
Looking at sample image quality side-by-side, the Panasonic images sport richer color saturation, sharper details, and more vibrant tones, especially in dynamic scenes. The Olympus images, while decent for snapshots, exhibit softness and less punch.
Final Scoring Overview
If you want the cheat sheet scores from my testing metrics:
Most genres favor the Panasonic with significant margins except for pure portability and casual street shooting where the Olympus holds its ground.
Who Should Buy Which?
Choose the Olympus 7010 if:
- You want a pocketable, straightforward camera with zero fuss
- Casual snapshots for family, traveling light, or street shooting are your priorities
- You’re on a strict budget and don’t require manual control or HD video
Choose the Panasonic FZ150 if:
- You want a bridge camera offering serious zoom versatility and manual control
- Best overall image quality and video recording are essential to your needs
- You shoot wildlife, landscapes, macro, or want to experiment with semi-pro techniques
- You don’t mind hauling a heavier camera for better performance
My Final Verdict
In my experience, the Olympus 7010, while an accessible and low-profile compact, represents an aging generation of cameras that has been eclipsed by modern smartphones and newer compacts. Its image quality and control limitations are apparent once you step beyond casual point-and-shoot duties.
The Panasonic FZ150, by contrast, remains a robust, versatile superzoom bridge camera still capable of producing excellent images and video. Its design caters to enthusiasts who want manual controls and lens reach without the cost or bulk of a DSLR. For the price, the FZ150 delivers significantly more value, making it my clear recommendation for photographers wanting a flexible, all-in-one camera for a broad range of styles.
If you need a companion to always have on you for effortless snaps, stick to Olympus. But if you yearn for greater creative control, reach, and quality, invest your bucks in the Panasonic.
Whether you’re chasing the golden light in distant mountains or capturing candid street moments, both cameras have distinct places in the photography world. This comparison, based on thorough hands-on testing and real usage, should empower you to pick with confidence.
Happy shooting!
Olympus 7010 vs Panasonic FZ150 Specifications
Olympus Stylus 7010 | Panasonic Lumix DMC-FZ150 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus Stylus 7010 | Panasonic Lumix DMC-FZ150 |
Alternate name | mju 7010 | - |
Type | Small Sensor Compact | Small Sensor Superzoom |
Released | 2009-07-22 | 2012-04-11 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | TruePic III | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 12MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 3968 x 2976 | 4000 x 3000 |
Max native ISO | 1600 | 6400 |
Lowest native ISO | 64 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-196mm (7.0x) | 25-600mm (24.0x) |
Maximum aperture | f/3.0-5.9 | f/2.8-5.2 |
Macro focusing range | 10cm | 1cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder coverage | - | 100% |
Features | ||
Min shutter speed | 4 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shutter speed | - | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.80 m | 9.50 m |
Flash options | Auto, On, Off, Red-eye | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD, Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 145 grams (0.32 lbs) | 528 grams (1.16 lbs) |
Physical dimensions | 98 x 56 x 26mm (3.9" x 2.2" x 1.0") | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") |
DXO scores | ||
DXO Overall rating | not tested | 40 |
DXO Color Depth rating | not tested | 19.4 |
DXO Dynamic range rating | not tested | 10.9 |
DXO Low light rating | not tested | 132 |
Other | ||
Battery life | - | 410 photographs |
Type of battery | - | Battery Pack |
Battery ID | LI-42B | - |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec, 10 sec (3 pictures)) |
Time lapse recording | ||
Type of storage | xD Picture Card, microSD Card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Launch cost | $200 | $499 |