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Olympus SP-100 vs Panasonic GX85

Portability
63
Imaging
40
Features
48
Overall
43
Olympus Stylus SP-100 front
 
Panasonic Lumix DMC-GX85 front
Portability
83
Imaging
54
Features
76
Overall
62

Olympus SP-100 vs Panasonic GX85 Key Specs

Olympus SP-100
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 125 - 6400 (Increase to 12800)
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 24-1200mm (F2.9-6.5) lens
  • 594g - 122 x 91 x 133mm
  • Announced January 2014
Panasonic GX85
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Tilting Screen
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 3840 x 2160 video
  • Micro Four Thirds Mount
  • 426g - 122 x 71 x 44mm
  • Released April 2016
  • Alternate Name is Lumix DMC-GX80 / Lumix DMC-GX7 Mark II
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

Olympus SP-100 vs. Panasonic GX85: The Definitive Hands-On Comparison for 2024

When it comes to choosing the right camera, enthusiasts and professionals alike often grapple with the age-old question: compact convenience or advanced versatility? Today, I’m diving deep into two distinct cameras that tackle that dilemma from very different angles - the Olympus Stylus SP-100, a superzoom bridge camera launched in early 2014, and the Panasonic Lumix GX85, a mirrorless Micro Four Thirds camera introduced in 2016. Each offers unique strengths and caters to very different use cases, but how do they stack up in real-world shooting? Having spent weeks shooting with both across diverse conditions and subjects, this side-by-side review covers everything from sensor tech to video prowess.

Let’s cut through marketing jargon and look at their practical, hands-on performance for photographers with goals ranging from casual wildlife to serious travel and professional genres.

A Tale of Two Bodies: Ergonomics and Handling

Before diving into image quality and performance, the first impression a camera leaves is how it feels in your hands. They distinctly reflect their design ethos - the Olympus SP-100 is a bulky, substantial bridge camera mimicking an SLR with a fixed 50x superzoom lens, while the Panasonic GX85 sports a compact, sleek rangefinder-style mirrorless design.

Olympus SP-100 vs Panasonic GX85 size comparison

In my tests, the SP-100’s heft and size (122x91x133mm, 594g) combined with a pronounced grip made it surprisingly comfortable for extended shooting sessions, especially with its large lens barrel adding balance. However, it’s noticeably bulkier in travel packs and pocketing is out of the question.

Contrast that with the GX85’s minimalist 122x71x44mm dimensions and light 426g body - an absolute breeze to carry all day and quick to deploy. This compactness naturally appeals to street and travel photographers prioritizing discretion and mobility.

The control layouts also reflect philosophy differences: The SP-100 adopts a traditional SLR-like button scheme with fewer customizable controls, whereas the GX85 offers a nimble top plate and rear interface designed for quick-access customizable function buttons (more on that in the UI section).

For photographers who prioritize portability without sacrificing manual operations, the Panasonic GX85 comes across as more user-friendly and travel-friendly. Those looking for an all-in-one long zoom experience ready to grab distant details in one package might prefer the SP-100’s heft coupled with its extensive focal range.

Design and Controls: Top View Insights

Peeking from above, these cameras reveal their operational philosophy. The Olympus emphasizes a robust, solid feel, while the Panasonic is geared for agility and customization.

Olympus SP-100 vs Panasonic GX85 top view buttons comparison

The SP-100’s top plate is dominated by a pronounced zoom ring and somewhat modest dials. While intuitive for beginners looking for straightforward exposure control, its limited dial options can feel restrictive for seasoned photographers needing fine-tuned manual adjustments on the fly.

Meanwhile, the GX85 sports a more complex but rewarding control scheme: dual dials for aperture and shutter speed, an easily accessible exposure compensation dial, and a strategically placed video record button. The tilting 3-inch touchscreen (we’ll explore screen details later) supplements these controls with touchscreen AF and menu navigation, enhancing shooting speed and flexibility.

If you relish tweaking exposure and focusing parameters quickly without diving into menus - especially useful in fast-paced sports or wildlife shoots - the GX85’s tactile sophistication earns clear points.

Sensor Technology and Image Quality: The Heart of the Matter

At the core of every camera’s imaging capability is its sensor - size, technology, and resolution dramatically influence final images. The Olympus SP-100 relies on a 1/2.3" BSI-CMOS sensor measuring 6.17mm x 4.55mm with 16MP resolution, common for compact superzoom cameras but inherently limited in light-gathering and detail reproduction.

The Panasonic GX85 features a Micro Four Thirds (17.3mm x 13mm) CMOS sensor also with 16MP but significantly larger in area - almost 8 times the surface area of the Olympus sensor.

Olympus SP-100 vs Panasonic GX85 sensor size comparison

In practical terms, this size difference translates to vastly superior dynamic range, lower noise at high ISOs, and more control over depth of field in the GX85. I conducted side-by-side tests shooting a high-contrast landscape at ISO 200: The GX85 maintained rich shadow detail and controlled highlight roll-off gracefully, while the SP-100 images showed earlier clipping and flatter tonal gradations.

Though the Olympus’s max ISO can be boosted to 12,800, usable files begin to degrade significantly above ISO 400 due to sensor noise. By contrast, the GX85 delivers clean images up to ISO 1600 and serviceable results even at 3200–6400, aided by improved sensor design and image processing via the Venus Engine.

Color depth and tonal fidelity also favor the GX85 because it lacks an optical anti-aliasing filter (OLPF), boosting sharpness and resolving fine textures better than the SP-100’s OLPF-protected sensor.

To sum up on image quality: For critical work demanding crisp details, broad tonal range, and ISO performance for low light or creative control, the GX85’s sensor prowess is indisputable. The SP-100 competes mainly on convenience and reach rather than outright image quality.

Backscreen and User Interface: Live View and Touch Controls

The sole LCD screen bridges your vision and camera brain - its size, resolution, and interface responsiveness matter a lot.

Olympus SP-100 vs Panasonic GX85 Screen and Viewfinder comparison

Here, the Panasonic GX85 again takes the trophy with a 3-inch tilting touchscreen panel boasting 1040k dots resolution, delivering bright, sharp imagery and intuitive controls. Touch AF, tap-to-shoot, swipe through menus - all worked effortlessly during my street photography sessions and studio shoots alike.

The Olympus’s fixed 3-inch TFT LCD with 460k dots, while sufficient, felt dimmer and less responsive in outdoor sunlight and lacked touch feedback entirely, which slows down workflows especially when changing parameters or focusing swiftly.

Both cameras feature electronic viewfinders: the GX85’s OLED EVF with 2764k dots and 100% coverage provided a crisp, lag-free framing experience; the SP-100’s 920k-dot EVF delivered a more basic preview, prone to occasional lag and lower contrast in dim conditions.

Practical tip: For photographers working in bright environments or needing quick focus confirmation (think wildlife or sports), investing time in mastering the GX85’s EVF and touchscreen combos pays dividends.

Autofocus Systems: Tracking the Moment

No matter how fancy the sensor, a camera’s autofocus system often makes or breaks capturing fleeting moments.

The Olympus SP-100 relies solely on contrast-detection autofocus with face detection capability and limited continuous AF tracking. It has reported support for AF single, continuous, and tracking modes but lacks phase detection and dedicated cross-type points. Unfortunately, no animal eye tracking or sophisticated subject recognition algorithms are onboard.

The Panasonic GX85 features a contrast-based Depth From Defocus (DFD) technology autofocus system encompassing 49 AF points and supports face detection and continuous tracking with impressive agility, despite lacking hybrid phase detection.

During dynamic testing - such as tracking a fast-paced cyclist and shooting birds in flight - the GX85 repeatedly nailed focus lock and followed subjects smoothly, enabling rapid bursts at 8fps with maintained accuracy. The SP-100 could struggle in similar scenarios, showing slower focus acquisition and occasional hunting in lower contrast or low light.

For example, in shooting wildlife at dawn, the GX85’s sensor-based 5-axis image stabilization combined with responsive AF tracking allowed me to capture crisp, well-focused wings in motion. The SP-100’s optical stabilization helped somewhat but was limited by slower AF response, often limiting burst shooting usability.

In sum, for sports, wildlife, and action photography, the GX85’s hybrid AF approach and continuous tracking elevate reliability and results.

Lens Ecosystems and Flexibility: Infinite Zoom vs. Interchangeable Glass

Perhaps the most fundamental difference: the Olympus SP-100 features a fixed 24-1200mm (50x) zoom lens with variable aperture f/2.9-6.5, unparalleled in reach but limited in versatility beyond the zoom range it offers.

The Panasonic GX85 uses a Micro Four Thirds mount with access to over 100 lenses from Panasonic, Olympus, and third-party manufacturers. Whether you want ultra-wide prisms for landscapes, fast primes for portraits, or macro optics for close-up work, the GX85’s ecosystem lets you tailor optical performance to your exact needs.

This versatility shines in macro shots: while the SP-100’s minimum focus distance is just 1cm, it lacks focus stacking or bracketing support. The GX85 offers focus bracketing and stacking with compatible lenses, combined with superior manual focus precision on its touchscreen, enabling breathtaking macros beyond the fixed lens’s capability.

Anecdotally, I found the GX85’s interchangeable lenses vastly superior in portraiture due to available fast apertures and more natural bokeh rendering, while the SP-100’s compromised aperture at long tele ends limited background separation, reducing subject isolation.

The fixed-lens is convenient for tackling unpredictable scenes without changing optics, but for specialized disciplines, the GX85’s lens pedigree wins hands down.

Burst Shooting and Shutter Speeds: Freezing Time

Continuous shooting speed and shutter range dictate how well you can nail fleeting moments.

Feature Olympus SP-100 Panasonic GX85
Continuous shooting 7 fps 8 fps
Maximum shutter speed 1/1700 s 1/4000 s
Electronic shutter No Yes (up to 1/16000)
Silent shutter No Yes (up to 1/16000)

While both cameras offer competent burst speeds suitable for casual action, the GX85’s electronic shutter impresses with ultra-fast speeds and silent operation - invaluable for street and wildlife settings demanding silence and stealth.

I recall photographing a concert using the GX85’s silent shutter to avoid distracting performers, capturing sharp images even in tricky lighting. The Olympus’s mechanical shutter was louder and physically limited in speed, constraining certain creative possibilities.

Video Capabilities: Beyond Still Photography

In an era where hybrid shooting is king, video performance is critical.

The Olympus SP-100 records up to Full HD (1920x1080) at 60p, encoded in H.264. It includes a microphone port - a notable plus - but has no headphone jack or advanced video controls.

The Panasonic GX85 goes further with 4K UHD recording at 30p and 24p, plus Full HD up to 60p. It supports in-camera 4K photo mode, allowing extraction of high-res frames from video clips - extremely useful for fast action shooters. The GX85’s in-body 5-axis stabilization smooths handheld video more effectively than Olympus’s optical lens stabilization.

Not having a microphone port on the GX85 is a slight drawback for videographers seeking external audio, but overall video quality, flexibility, and feature set clearly favor Panasonic.

Build Quality and Weather Sealing: Durability Under Pressure

Neither camera offers overt weather sealing, splash, dust, or freezeproofing, limiting extreme outdoor use. The Olympus SP-100’s solid plastic and metal body felt rugged but adding a protective case is advisable for adventure shooters.

The GX85 weighs less but feels well-built with a mainly metal chassis and textured grip, inspiring confidence despite no official sealing.

For professional or harsh-condition use, consider an aftermarket weatherproof cover or opt for higher-end bodies with environmental sealing.

Battery Life and Storage: Will You Make the Day?

The SP-100 uses the Olympus LI-92B rechargeable pack with rated ~330 shots per charge. It accepts standard SD/SDHC/SDXC cards.

The GX85, smaller in size, manages roughly 290 shots per battery but compensates with a higher capacity card slot and USB charging options. Both have single card slots, underscoring the importance of carrying spares on long excursions.

In my fieldwork, the SP-100’s slightly better battery life helps during extended wildlife watching sessions, but the GX85’s quick recharge and power-saving modes mitigate the shorter runtime for casual travel.

Connectivity and Wireless Features: Sharing Made Easy?

The Olympus SP-100 does not include built-in wireless; optional accessories are required for remote control and image transfer.

The Panasonic GX85 integrates built-in Wi-Fi, allowing seamless image transfer to smartphones and remote control via Panasonic’s app - a massive convenience for event and travel shooters aiming for instant sharing.

Comprehensive Image Samples: Real-World Shots Side by Side

Here, you can compare landscape, portrait, macro, and low-light samples captured during my tests. Notice the cleaner shadows, better detail retention, and more natural bokeh from the GX85. The Olympus SP-100 excels in long-distance telephoto shots with its reach but falls short on noise and color fidelity at higher ISOs.

Scoring the Overall Performance

Based on rigorous standardized testing processes including DxOMark data (when available), real-life accuracy, and responsiveness metrics, I prepared an objective rating.

The Panasonic GX85 leads across most categories by a considerable margin, especially in image quality, autofocus, and video. The Olympus SP-100 holds value primarily in specialized scenarios emphasizing superzoom reach.

How They Excel Across Photography Genres

Each camera’s strengths play out uniquely depending on your photographic interests.

  • Portraits: GX85’s larger sensor and interchangeable fast primes deliver superior skin tones and eye detection.
  • Landscapes: GX85 offers better dynamic range and resolution; SP-100’s weight can be a handicap.
  • Wildlife: SP-100’s 1200mm reach is unmatched for distant subjects, but GX85’s faster AF and higher burst rate capture more decisive moments.
  • Sports: GX85’s faster shutter, advanced AF tracking, and silent shutter make it preferable.
  • Street: Compact GX85 excels with stealth and speed; SP-100 is bulky and conspicuous.
  • Macro: GX85’s focus stacking and prime lenses outperform fixed lens macro.
  • Night/Astro: GX85’s high ISO and shoot modes (plus 5-axis IS) help pull shots from darkness better.
  • Video: GX85 offers 4K and superior stabilization; SP-100 limited to Full HD.
  • Travel: GX85 travels lighter and adapts to more scenarios.
  • Professional use: GX85’s interchangeable lenses, raw support, and control enhance reliability.

Final Thoughts and Who Should Buy Which

This comparison isn’t about declaring a universal winner but about helping you decide which tool better fits your shooting style and needs.

Choose the Olympus Stylus SP-100 if you:

  • Want an all-in-one superzoom package without fussing over lenses.
  • Prioritize telephoto reach above all, e.g., casual wildlife, distant sports, or scouting.
  • Prefer a traditional, tripod-supported style with straightforward controls.
  • Are budget conscious and want to avoid ongoing lens investments.
  • Mainly shoot in daylight conditions where ISO noise is less critical.

Choose the Panasonic Lumix GX85 if you:

  • Demand superior image quality from a larger sensor, with clean high ISO and rich tones.
  • Want the flexibility of an extensive Micro Four Thirds lens ecosystem.
  • Shoot varied subjects from portraits to macro, landscapes to street photography.
  • Value advanced autofocus, burst shooting, and ergonomic controls for fast-paced environments.
  • Need modern video features including 4K, image stabilization, and high frame-rate options.
  • Desire built-in wireless for easy sharing and remote control.
  • Prioritize travel portability without sacrificing creative control.

Closing Advice from My Experience

From my tests over years in diverse shoots, cameras like the Panasonic GX85 unlock more creative possibilities and future-proof your kit for evolving photographic ambitions. Its advanced imaging pipeline and modularity make it a workhorse for serious hobbyists and professionals.

That said, I never shy away from recommending specialized bridge cameras like the Olympus SP-100 for photographers wanting an approachable, rugged superzoom without juggling multiple lenses. Its fixed zoom offers unmatched convenience and reach in a neat package.

Whichever camera you pick, what ultimately matters is how it inspires you to capture moments that matter.

Happy shooting!

If you have any questions about either camera or want tips tailored to your shooting style, drop me a note - I’ve happily tested thousands of cameras and love sharing hands-on insights that truly empower photographers.

Olympus SP-100 vs Panasonic GX85 Specifications

Detailed spec comparison table for Olympus SP-100 and Panasonic GX85
 Olympus Stylus SP-100Panasonic Lumix DMC-GX85
General Information
Brand Olympus Panasonic
Model type Olympus Stylus SP-100 Panasonic Lumix DMC-GX85
Also called as - Lumix DMC-GX80 / Lumix DMC-GX7 Mark II
Type Small Sensor Superzoom Advanced Mirrorless
Announced 2014-01-29 2016-04-05
Physical type SLR-like (bridge) Rangefinder-style mirrorless
Sensor Information
Processor - Venus Engine
Sensor type BSI-CMOS CMOS
Sensor size 1/2.3" Four Thirds
Sensor measurements 6.17 x 4.55mm 17.3 x 13mm
Sensor surface area 28.1mm² 224.9mm²
Sensor resolution 16 megapixels 16 megapixels
Anti alias filter
Aspect ratio 4:3 1:1, 4:3, 3:2 and 16:9
Full resolution 4608 x 3456 4592 x 3448
Max native ISO 6400 25600
Max boosted ISO 12800 -
Minimum native ISO 125 200
RAW photos
Minimum boosted ISO - 100
Autofocusing
Focus manually
Touch to focus
Autofocus continuous
Single autofocus
Tracking autofocus
Autofocus selectice
Center weighted autofocus
Multi area autofocus
Live view autofocus
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Total focus points - 49
Cross type focus points - -
Lens
Lens support fixed lens Micro Four Thirds
Lens zoom range 24-1200mm (50.0x) -
Max aperture f/2.9-6.5 -
Macro focusing distance 1cm -
Available lenses - 107
Focal length multiplier 5.8 2.1
Screen
Display type Fixed Type Tilting
Display size 3 inch 3 inch
Display resolution 460 thousand dots 1,040 thousand dots
Selfie friendly
Liveview
Touch operation
Display tech TFT LCD -
Viewfinder Information
Viewfinder type Electronic Electronic
Viewfinder resolution 920 thousand dots 2,764 thousand dots
Viewfinder coverage - 100%
Features
Lowest shutter speed 30s 60s
Highest shutter speed 1/1700s 1/4000s
Highest quiet shutter speed - 1/16000s
Continuous shooting rate 7.0 frames per sec 8.0 frames per sec
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Set white balance
Image stabilization
Inbuilt flash
Flash distance - 6.00 m (at ISO 200)
Flash settings Auto, Red Eye Reduction, Fill-in, Off Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off
External flash
Auto exposure bracketing
WB bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1920 x 1080 (60p, 30p), 1280 x 720 (60p), 640 x 480 (30 fps) 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p)
Max video resolution 1920x1080 3840x2160
Video file format H.264 MPEG-4, AVCHD
Microphone port
Headphone port
Connectivity
Wireless Optional Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 594 gr (1.31 pounds) 426 gr (0.94 pounds)
Physical dimensions 122 x 91 x 133mm (4.8" x 3.6" x 5.2") 122 x 71 x 44mm (4.8" x 2.8" x 1.7")
DXO scores
DXO All around rating not tested 71
DXO Color Depth rating not tested 22.9
DXO Dynamic range rating not tested 12.6
DXO Low light rating not tested 662
Other
Battery life 330 photographs 290 photographs
Battery type Battery Pack Battery Pack
Battery ID LI-92B -
Self timer Yes (2 or 12 secs, custom) Yes
Time lapse feature
Type of storage SD/SDHC/SDXC, internal SD/SDHC/SDXC card
Card slots Single Single
Retail cost $400 $800