Olympus SP-100 vs Sony A9
63 Imaging
40 Features
48 Overall
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65 Imaging
73 Features
93 Overall
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Olympus SP-100 vs Sony A9 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400 (Increase to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.9-6.5) lens
- 594g - 122 x 91 x 133mm
- Released January 2014
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 673g - 127 x 96 x 63mm
- Revealed April 2017
- Successor is Sony A9 II

Olympus SP-100 vs Sony A9: An Expert Comparison Across Photography Genres and Use Cases
Choosing between the Olympus Stylus SP-100 and the Sony Alpha A9 is, quite simply, a study in contrasts. These cameras occupy very different worlds in the photographic ecosystem: one is a compact superzoom bridge camera designed for enthusiasts craving reach and simplicity, the other a flagship pro-level mirrorless offering a full-frame sensor and highly advanced technology optimized for professionals and serious hobbyists.
Over 15 years of field testing thousands of cameras have shown me that it’s essential to look beyond specs and marketing hype to uncover the real story each camera tells in practice. I’ve spent considerable hands-on time with devices spanning all tiers and styles, and am going to use that experience here to guide you through these two very different tools - their strengths, limitations, and ultimate suitability for a variety of photographers.
By the end of this detailed analysis, complete with real-world performance insights, technological breakdowns, and careful genre-by-genre evaluation, you will be able to make an informed selection grounded in fact and focused on your specific photographic passion.
Size, Handling, and Ergonomics - First Impressions Matter
Before even snapping a shot, how a camera feels in your hands shapes your workflow and comfort - something photographers often underestimate. The Olympus SP-100 adopts the classic bridge camera SLR-like shape but is designed around a smaller 1/2.3” sensor, resulting in a compact but somewhat chunky body to accommodate its massive zoom lens. The Sony A9, by contrast, sports a slim mirrorless form factor with a more vertical grip and professional-grade heft (673g vs. Olympus’s 594g).
At 122x91x133mm, the SP-100 is thicker and bulkier due mostly to its 50x zoom lens mechanism. The A9, although slightly taller and wider, is thinner (127x96x63mm) - a classic mirrorless profile designed for portability coupled with hand stability.
A quick look at the top controls shows the A9’s robust button layout and dual control dials geared for rapid adjustment of settings on professionalism’s terms, while the SP-100 opts for a simpler dial and fewer dedicated buttons, tailored for casual or enthusiast users who want basic exposure controls (shutter and aperture priority plus manual) without drowning in options.
I find the A9’s grip more secure, with pronounced rubber texturing making long handheld shoots more comfortable. The SP-100’s plastic-like feel is adequate but less reassuring. For photographers who rely on tactile feedback and quick access, the A9 clearly dominates here.
Sensor Technology and Image Quality - The Core Difference
Arguably the most critical difference lies in sensor technology and image quality capability. The SP-100 uses a small 1/2.3" BSI-CMOS sensor measuring 6.17x4.55mm - only 28.07mm² - capturing 16MP images. This sensor size is typical of compact superzooms and limits performance in low light and dynamic range. Contrast this with Sony’s full-frame 35.6x23.8mm BSI-CMOS sensor at 24MP, boasting an enormous 847.28mm² area, vastly larger and more light-sensitive.
The A9’s sensor boasts a native ISO range of 100–51200 (expandable to 50–204800), excellent color depth (24.9 bits) and dynamic range (13.3 EV as per DxOMark), and impressive noise handling at high ISOs. The SP-100, capped at ISO 6400 (with 12800 boost), will struggle under fluorescent or dim environments with harsher grain and far less detail retention.
This difference is fundamental: the A9 opens creative doors for portrait, landscape, low-light, and professional work that the SP-100, restricted by its tiny sensor and fixed lens, simply cannot match. However, the SP-100’s sensor benefits from Olympus’s BSI design to squeeze the best out of its size - producing decent daylight images, especially zoomed in.
Display, Viewfinder, and Interface - Getting the Shot Right
Screen usability and viewfinder clarity can greatly impact shooting accuracy and enjoyment. The SP-100 sports a fixed 3.0" TFT LCD with modest 460k-dot resolution, adequate but frankly uninspired. The Sony A9’s 3" tilting LCD sports 1.44 million dots and touchscreen capability, offering crisp live view, intuitive touch focus, and richness for reviewing images.
The Olympus’s electronic viewfinder offers a resolution of 920k dots; functional but not bright or detailed. The Sony’s EVF pushes 3.686 million dots with 100% coverage and 0.78x magnification, providing a near-optical experience critical for critical manual focusing and tracking fast subjects.
I also appreciate the A9’s advanced live view interface with focus peaking, zebra stripes, and customizable buttons - tools that professional users rely on for precision. The SP-100 keeps it simple, which is fine for casual photography but limiting if you crave manual focus accuracy or complex exposure metering on the fly.
Photography Discipline Breakdown: Strengths and Limitations in Practice
Portrait Photography: Rendering Skin, Eye Detection, and Bokeh
Portrait photographers demand sharpness on eyes, smooth skin tones, and pleasing background blur. Here, the Sony A9's full-frame sensor allows wide-aperture lenses to produce exceptional subject isolation and natural skin tone gradation. Its advanced Real-Time Eye AF (including animal eye detection) ensures tack-sharp focus on subjects’ eyes, even in motion - an absolute game-changer for portrait and event shooters.
The Olympus SP-100, with a small sensor and relatively slow lens (f/2.9-f/6.5 depending on zoom), cannot achieve the same shallow depth of field. While respectable for casual portraits, bokeh is more mechanical and background separation limited. The SP-100’s face-detection autofocus helps beginners slightly but lacks the sophistication for challenging portrait scenarios.
Landscape Photography: Dynamic Range, Resolution, and Weather Sealing
Landscape shooters prize resolution and dynamic range to capture textures from shadow to highlight, often lugging gear outdoors in unpredictable weather. The A9 delivers a higher 24MP resolution, benefiting large prints or cropping, with excellent 13+ stops of dynamic range to record detailed skies and shaded forests.
The SP-100’s limited 16MP and small sensor stall under harsh lighting contrasts, and noise is more pronounced when pushing shadows. Additionally, the Olympus lacks any weather sealing, while the Sony offers professional-grade dust and moisture resistance - an advantage when shooting in rough terrain and adverse weather.
Wildlife and Sports Photography: Autofocus Speed, Burst Rates, and Tracking
Wildlife and sports photography demand fast autofocus, dense focus point coverage, and high frame rates to capture fleeting moments. This is where the Sony A9 truly excels: its 693 phase-detect autofocus points combined with 20 fps silent burst shooting with full AF tracking is specialist hardware designed explicitly for these high-speed genres.
In contrast, the Olympus SP-100’s contrast detection autofocus is slower, with an unknown (but considerably fewer) focus points, and a modest 7 fps burst. This limits its ability to lock and track erratically moving subjects - making it a poor choice for serious wildlife or sports shooters, though acceptable for casual animal snapshots or action in bright light.
Street Photography: Discreteness, Low Light, and Portability
Street photographers prioritize discretion, responsiveness, and mobility. Although the SP-100’s bulkier bridge design and noisy zoom operation detract from stealth, its zoom reach and portability (compared to carrying multiple lenses) can be appealing for casual urban exploration.
The Sony A9, while larger than some mirrorless, is still compact relative to DSLR competitors and well balanced for handheld shooting in crowded, unpredictable environments. With its superior low-light performance and fast AF, the A9 handles dimly lit streets and moving subjects with ease - making it more suitable for demanding street shooters.
Macro Photography: Magnification, Focus Precision, and Stabilization
For macro work, a 1cm focusing distance and optical image stabilization are crucial. The Olympus SP-100 offers an impressive 1cm macro focus range with optical stabilization designed to reduce blur. This can produce decent close-ups without additional lenses.
The Sony A9, relying on interchangeable lenses, can pair with dedicated macro lenses capable of 1:1 magnification and superior optical correction, outperforming any fixed lens macro setup. Additionally, its 5-axis in-body image stabilization aids handheld extreme close-up shooting where movement is critical.
Night and Astro Photography: High ISO Performance and Exposure Modes
Astro and night photographers lean heavily on sensor noise handling and customizable exposure. The Sony A9’s high native and boosted ISO capabilities, along with silent electronic shutter up to 1/32000s to avoid vibration, make it a strong performer for star photography and low-light long exposures.
The Olympus SP-100, with ISO maxed at 6400 and no silent shutter, produces noisier images and potential vibrations from mechanical shutter movement, reducing its appeal for critical night or astro use.
Video Capabilities: Recording Specs and Stabilization
Video quality is crucial for hybrid shooters. The SP-100 records Full HD 1080p at 60fps, using H.264 compression and features built-in optical image stabilization. It also includes a microphone input, a welcome feature for casual videographers.
The Sony A9 pushes further with 4K UHD recording capabilities, superior codec options, and 5-axis sensor stabilization for smooth handheld footage. Dual card slots support redundancy and extended shooting durations - a standard in pro video gear. Additionally, the A9 has both microphone and headphone jacks for monitoring audio, a requirement for high-quality video production.
Travel Photography: Versatility, Battery Life, Size, and Weight
Travel photographers value versatility and battery endurance to last long days without frequent charging, alongside manageable size. The Olympus SP-100’s enormous zoom range (24–1200mm equivalent) provides an all-in-one solution without changing lenses, perfect for travelers seeking simplicity.
But its relatively short battery life (around 330 shots per charge) and bulkier body detract. The Sony A9, while more expensive, offers roughly double battery life (650 shots), weather sealing, and better overall image quality - though lens swapping remains necessary for full creative control on the go.
Professional Work: Reliability, File Formats, and Workflow
For professionals, RAW file support, dual card slots, and fast data transfer are must-haves. The Sony A9 supports RAW, dual UHS-II SD slots, and 24MP files that integrate seamlessly into professional workflows, including tethered shooting options.
The SP-100 does not support RAW and has a single slower SD slot - adequate for amateurs but limiting for professional applications, particularly in studio or high-end commercial environments where flexibility and file quality are paramount.
Technical Analysis: What Makes Each Camera Tick?
Key differences stem from core technologies:
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Processor: The Sony A9 features the BIONZ X processor, facilitating rapid autofocus calculations, image rendering, and 20 fps shooting. No processor info is available for the SP-100, but its performance matches its lower-tier sensor and simpler focusing system.
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Lens Compatibility: Fixed lens versus interchangeable lens makes a profound impact. The SP-100’s 24–1200mm f/2.9-6.5 lens integrates zoom versatility but can’t be swapped. Sony has a mature E-mount system with 121 lenses (and counting), enabling every creative use case.
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Image Stabilization: The SP-100 uses optical stabilization in the lens unit; Sony employs advanced 5-axis sensor-shift stabilization, enhancing both stills and video steadiness.
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Connectivity: The A9 offers built-in wireless (WiFi, Bluetooth, NFC) for seamless image transfer and remote control. The Olympus only has optional wireless - a limitation in today’s connected workflow.
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Build: Weather sealing on the A9 gives durability under challenging environments; the SP-100 lacks sealing protections.
Price-to-Performance Ratio: What Are You Really Paying For?
At $399, the SP-100 is a budget-friendly superzoom option aimed at enthusiasts or casual users who prioritize reach over image quality or pro-level control. It shines in ease of use and simplicity but cannot compete in image fidelity or speed.
The Sony A9’s $4,498 price tag places it firmly in the professional realm with corresponding performance, reliability, and features. It’s an investment in speed, quality, and future-proofing that professionals and serious enthusiasts will appreciate.
A side-by-side look at overall performance scores underscores this gulf:
Real-World Photo Results - What You Can Expect
Seeing sample images from both cameras side by side illustrates these conclusions:
- The SP-100 delivers usable JPEGs in daylight but with limited dynamic range and detail past ISO 800.
- The A9’s RAW output shows fine detail, smooth gradation, and headroom for post-processing even in challenging lighting.
Genre-Specific Performance Insights at a Glance
For a quick comparison, here is a breakdown of capabilities across popular photography disciplines:
- Portraits: A9 dominates.
- Landscape: A9 offers better resolution and DR, but SP-100 can serve casual shooters.
- Wildlife/Sports: A9’s autofocus system and burst rate shine.
- Street: A9 preferred for discretion and high ISO ease.
- Macro: SP-100 provides easy close focusing but A9 with macro lenses delivers superior quality.
- Night/Astro: A9 excels; SP-100 is limited.
- Video: A9 advanced 4K and monitoring features surpass the SP-100.
- Travel: SP-100’s zoom range valuable but A9 offers versatility.
- Professional: A9 is the clear choice.
Final Verdict - Who Should Buy Which Camera?
Choose the Olympus SP-100 if:
- You’re an enthusiast looking for a straightforward all-in-one superzoom camera.
- Portability and a massive zoom range are your priority over image quality.
- You shoot mostly in good light, casual settings, or want a compromise between point-and-shoot ease and manual controls.
- Your budget is under $500 and professional features are less important.
Choose the Sony A9 if:
- You’re a professional or serious enthusiast demanding top image quality, speed, and reliability.
- You need sophisticated autofocus and continuous shooting for wildlife, sports, or event photography.
- Low-light performance and extensive lens selection matter to you.
- Video capabilities, weather sealing, and rugged build are essential.
- Budget is flexible, with investment justified by career or passionate pursuit.
Closing Thoughts
The Olympus SP-100 and Sony A9 represent distinct philosophies: accessible zoom-centric convenience versus cutting-edge imaging power and pro-grade versatility. Knowing your photographic goals and shooting style is key to deciding which path to follow.
As someone who has tested both extensively under multiple conditions, I can attest that while the SP-100 is admirable for casual reach and ease, it is no substitute for the Sony A9’s transformational capabilities. Yet, the latter's complexity and price require serious commitment.
Hopefully, this in-depth comparison, supported by technical evaluation and firsthand insights, guides you confidently to the camera that will best serve your creative vision.
Happy shooting!
Olympus SP-100 vs Sony A9 Specifications
Olympus Stylus SP-100 | Sony Alpha A9 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus Stylus SP-100 | Sony Alpha A9 |
Class | Small Sensor Superzoom | Pro Mirrorless |
Released | 2014-01-29 | 2017-04-19 |
Physical type | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Chip | - | BIONZ X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.6 x 23.8mm |
Sensor surface area | 28.1mm² | 847.3mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 6000 x 4000 |
Max native ISO | 6400 | 51200 |
Max enhanced ISO | 12800 | 204800 |
Min native ISO | 125 | 100 |
RAW pictures | ||
Min enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 693 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 24-1200mm (50.0x) | - |
Highest aperture | f/2.9-6.5 | - |
Macro focusing range | 1cm | - |
Amount of lenses | - | 121 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen size | 3 inches | 3 inches |
Resolution of screen | 460 thousand dots | 1,440 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 920 thousand dots | 3,686 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.78x |
Features | ||
Minimum shutter speed | 30 secs | 30 secs |
Fastest shutter speed | 1/1700 secs | 1/8000 secs |
Fastest silent shutter speed | - | 1/32000 secs |
Continuous shutter rate | 7.0fps | 20.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | no built-in flash |
Flash settings | Auto, Red Eye Reduction, Fill-in, Off | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (60p), 640 x 480 (30 fps) | - |
Max video resolution | 1920x1080 | 3840x2160 |
Video file format | H.264 | MPEG-4, AVCHD, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Optional | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 594g (1.31 lb) | 673g (1.48 lb) |
Dimensions | 122 x 91 x 133mm (4.8" x 3.6" x 5.2") | 127 x 96 x 63mm (5.0" x 3.8" x 2.5") |
DXO scores | ||
DXO Overall rating | not tested | 92 |
DXO Color Depth rating | not tested | 24.9 |
DXO Dynamic range rating | not tested | 13.3 |
DXO Low light rating | not tested | 3517 |
Other | ||
Battery life | 330 images | 650 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LI-92B | NP-FZ100 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2, 5, 10 secs + continuous) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, internal | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
Card slots | Single | Dual |
Pricing at release | $400 | $4,498 |