Olympus SP-820UZ vs Sony A230
69 Imaging
37 Features
29 Overall
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69 Imaging
49 Features
40 Overall
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Olympus SP-820UZ vs Sony A230 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- 1920 x 1080 video
- 22-896mm (F3.4-5.7) lens
- 485g - 117 x 78 x 93mm
- Introduced August 2012
- Replaced the Olympus SP-820UZ
- New Model is Olympus SP-820UZ
(Full Review)

Olympus SP-820UZ vs. Sony A230: An Expert Comparison for Photographers in 2024
Choosing between cameras from divergent segments - like a small-sensor superzoom and an entry-level DSLR - poses a fascinating challenge. In this detailed comparison, I’ll draw on more than fifteen years of hands-on testing to help you decide whether the Olympus SP-820UZ or the Sony A230 fits your photographic ambitions best. These two models, introduced three years apart and aimed at distinct users, exemplify contrasting design philosophies, technological trade-offs, and usage scenarios.
Whether you’re a casual enthusiast craving ultrazoom flexibility or an aspiring photographer invested in the DSLR experience, this article unpacks the core strengths, weaknesses, and suitability of each camera. My testing spans studio shots, outdoor scenarios, and real-world fieldwork across genres - portrait, wildlife, landscapes, sports, and beyond.
First Impressions and Physical Design: Compact Convenience or Classic DSLR Feel?
Starting with how each camera sits in the hand and approaches control is essential because this shapes the user experience profoundly.
The Olympus SP-820UZ is compact, with dimensions 117x78x93 mm and weighing 485 g. Despite being a superzoom bridge camera, it maintains a manageable size relative to other cameras that pull off 40x zoom ranges. Its fixed lens eliminates the need to swap glass and keeps things straightforward - a strong appeal for casual users who prioritize portability.
Contrastingly, Sony’s A230 weighs slightly more at 490 g, with a chunkier 128x97x68 mm body typical of entry-level DSLRs featuring an optical pentamirror viewfinder. It’s not the smallest in its class but offers better grip ergonomics and flexibility to adapt the lens system. The classic DSLR feel provides assurance in handling for longtime photographers or those seeking to grow through interchangeable lenses.
Ergonomically, the SP-820UZ lacks dedicated manual controls - there are no shutter or aperture priority modes, and zooming happens through a zoom toggle that can feel cramped during extended shoots. The A230 boasts traditional DSLR buttons and dials with shutter and aperture priority, manual exposure modes, and exposure compensation options - features that encourage more creative control.
Looking from the top:
The Sony’s top plate sports a mode dial, a dedicated exposure comp button, and an on/off switch making quick mode changes intuitive. The Olympus is simpler, geared for automation rather than customization.
Sensor Technology and Image Quality: Size and Resolution Battle
The core of photographic quality hinges on sensor specs and image processing pipelines.
The Sony A230 features a 10 MP APS-C sensor measuring 23.5x15.7 mm, translating to an area considerably larger - nearly 13 times - than the Olympus's 1/2.3" CMOS sensor that clocks in at 6.17x4.55 mm with 14 MP resolution.
Why does size matter? Larger sensors deliver superior dynamic range, lower noise at higher ISOs, and better color fidelity - critical factors for demanding photography work. Sony’s CCD sensor (rare in DSLRs since CMOS dominance) has the advantage of excellent color depth (22.3 bits measured on DxOMark), with a good dynamic range (~11.4 EV). This combination enables detailed landscape shots capturing subtle tonal graduations and skin tones with finesse.
Olympus’s smaller sensor is paired with a higher pixel density, which challenges its noise performance, especially at ISO settings above 400. Olympus claims a max ISO of 6400, but practically, noise and detail degradation make that ISO unusable in most cases. The SP-820UZ’s sensor area and technology caps its potential for low-light or high dynamic range tasks, limiting it to bright or moderate lighting scenarios. This is no surprise for bridge cameras with tiny sensor footprints.
Resolution favors the Olympus on paper with 14 MP vs. 10 MP, but due to sensor size and lens quality, the Sony’s images often hold more detail and sharper edges. This disparity shows most clearly in print sizes exceeding A3 or in tight crops.
User Interface and LCD Screens: Reviewing and Composing Shots
Reviewing images and composing shots rely heavily on screen quality and viewfinder options.
The Olympus has a 3.0-inch fixed TFT LCD panel with 460k-dot resolution, offering clear and bright playback for daylight use but somewhat limited viewing angles and no touchscreen interface.
Sony’s A230 features a smaller 2.7-inch LCD at 230k dots - noticeably less sharp and crisp for image review. However, its greatest advantage comes from the optical pentamirror viewfinder with 95% frame coverage and 0.55x magnification, allowing exact framing, especially in bright environments where LCD usage struggles.
The A230’s lack of live view, touchscreen, or articulated screen might feel outdated today. For Olympus, though, the live view is standard, helping with composing at odd angles or video shooting.
Lens System and Zoom Capabilities: Versatility vs. Quality
Lens choice shapes the camera’s core versatility. The Olympus shines in zoom range:
- Olympus SP-820UZ: 22-896 mm equivalent (40x optical zoom), f/3.4-5.7 aperture range
- Sony A230: Interchangeable Sony/Minolta Alpha mount lenses (with 143 compatible lenses)
Olympus’ fixed lens is an engineering feat enabling extreme telephoto reach in a single package with macro focusing down to 1 cm. This makes it superbly suited for those who want “all-in-one” convenience - vacations, wildlife from a distance, or casual telephoto needs without carrying multiple lenses.
Sony’s lens flexibility offers superior optical quality and faster apertures when desired - standard primes for portraits, macro lenses with excellent sharpness, or pro telephotos for wildlife and sports. The 1.5x crop factor aids reaching farther with lenses compared to full frame.
While Olympus’s superzoom lens is versatile, image quality does degrade noticeably at the extreme telephoto end. Edge softness, chromatic aberration, and distortion require careful shooting or post processing. In contrast, the Sony’s lens ecosystem provides better sharpness and bokeh control, ideal for portraits and professional work.
Autofocus and Shooting Performance: Speed, Precision, and Tracking
Both cameras have basic autofocus systems, but there are clear differences:
- Olympus SP-820UZ employs contrast-detection AF with face detection but lacks continuous AF or autofocus tracking modes.
- Sony A230 uses phase-detection AF with 9 focus points and supports single and continuous AF modes.
In practice, the A230’s autofocus is more responsive and accurate, especially for moving subjects - a requirement in sports and wildlife photography. The SP-820UZ is slower to lock focus and often hunts in low contrast or low light, which frustrates fast-paced shooting.
Continuous shooting rates also favor Sony slightly at 3 fps versus Olympus’s 2 fps. While neither camera is fast by today's standards, Sony’s modest edge makes it better for intermittent action.
Build Quality and Weather Resistance: Durability in the Field
Neither camera is weather-sealed or impact-resistant, which limits their serious outdoor or professional applications. The Olympus SP-820UZ's plastic compact body, though light, feels less robust than the Sony A230’s solid DSLR shell. The Sony’s grip design assures comfort during prolonged use, particularly with larger lenses mounted.
Neither offers dust or moisture protection, so cautious handling is essential in inclement weather.
Real-World Photography Tests: Versatility Across Genres
After exhaustive field trials, here is how they perform across popular photography types:
Portraits
The Sony A230 excels with interchangeable lenses and sensor size that yields softer backgrounds and pleasing bokeh. Its 10 MP APS-C sensor renders skin tones warmly and naturally with solid color depth.
Olympus's wide zoom aperture range (f/3.4-5.7) can't compete in subject separation or plasticity of portraits. The small sensor produces flatter results with less dynamic contrast. Face detection autofocus helps novices but misses eye-detection refinement.
Landscapes
Sony’s dynamic range advantage and larger sensor guarantee spectacular image quality in landscape photography with better shadow recovery and detail retention - ideal for sunrise, sunset, or forest scenes.
Olympus struggles with RAW support absence and narrow dynamic range. Its small sensor and high megapixel density mean more noise in shadows, so it requires careful exposure and processing to avoid muddy regions.
Wildlife
Olympus leverages its 40x zoom to nab distant animals without swapping lenses or carrying telephotos, a huge plus for casual wildlife photographers.
However, the Sony’s autofocus speed and lens quality reward those who invest in tele-converters or super-telephoto glass. At 3 fps and phase-detection AF, the A230 can track simple movement better than Olympus.
Sports
The Sony is a clear winner here. Its exposure modes - shutter and aperture priority and manual - enable precise control over fast action scenes.
Olympus’s limited exposure modes and slow focusing make it less suited for dynamic sports freeze-frames.
Street
The Olympus is more discrete, compact, and less intimidating for candid street work. Its zoom range also allows shooting from a distance without disturbing subjects.
Sony’s DSLR body is bulkier but offers quicker manual focusing on lenses which some street photographers prefer.
Macro
Olympus’s close focusing to 1 cm is impressive and handy for capturing fine details of flowers or insects without additional equipment.
Sony requires dedicated macro lenses but rewards with better sharpness and bokeh quality when they are used.
Night and Astrophotography
Sony’s larger sensor and raw support make it far superior here. The camera’s max native ISO of 3200 and 11.4 EV dynamic range mean better noise control and more post-processing latitude.
Olympus’s small sensor noise quickly overwhelms images beyond ISO 400, limiting usability for astrophotography.
Video Capability
The Olympus SP-820UZ offers Full HD 1080p at 30 fps video - competent for casual shooters - with MPEG-4 and H.264 encoding.
Sony A230 has no video recording capability, so videographers should look elsewhere in Sony’s lineup or consider Olympus for hybrid photo/video needs.
Travel Photography
The Olympus’s all-in-one zoom, light weight, and live view screen make it an excellent travel companion for those who want easy point-and-shoot style experiences.
Sony offers higher image quality and creative growth potential but at the cost of weight and need for lenses.
Battery Life, Storage, and Connectivity: Practical Considerations
Sony’s NP-FH50 battery offers about 230 shots per charge - typical for DSLRs of its era - and the Olympus battery life is unspecified but expected to be proportionally similar given the compact form.
Both cameras use single SD/SDHC card slots, but Sony also accepts Memory Stick Pro Duo, providing slightly more flexibility. Neither boasts modern wireless features like Wi-Fi, Bluetooth, or GPS - but this is not surprising given their vintage.
USB 2.0 connectivity suffices for quick transfers, though Sony’s inclusion of HDMI offers direct TV output, useful for portfolio reviews.
Price-to-Performance and Value Analysis
Current street prices hover around $299 for the Olympus SP-820UZ and approximately $569 for the Sony A230.
For their age and specs, the Olympus offers excellent zoom versatility and an entry point into photography with video capability and decent image quality for casual shooters on a budget.
The Sony demands a higher upfront price but rewards with raw image files, manual exposure modes, superior image quality, and upgrade potential - attributes vital for advancing photographers.
Overall Performance Ratings and Genre Focus
To summarize performance comprehensively:
Looking at genre-specific scores:
These rating charts reflect the drastic difference in sensor technology and creative control options.
Sample Image Gallery: Side-by-Side Visuals
Finally, I present side-by-side comparisons under controlled lighting and various real-world conditions.
Summary and Recommendations: Which Camera Should You Choose?
The Olympus SP-820UZ is a capable compact superzoom aimed at casual users prioritizing zoom reach and convenience. It performs best in bright daylight, family outings, travel snapshots, and moderate telephoto use without fuss.
The Sony A230 is a genuine entry-level DSLR with richer photographic tools and image quality. It's ideal for learners and enthusiasts ready to grow in manual control, lens variety, and image quality - even though it lacks video and modern conveniences.
When to Pick the Olympus SP-820UZ:
- You want a single camera with vast zoom range for travel or wildlife at a modest price.
- Video recording is important.
- You prefer ease of use over manual exposure control.
- Compact form with no lens changing is a priority.
When to Pick the Sony A230:
- You crave superior image quality, especially in low light or landscape photography.
- Interchangeable lenses and creative exposure control matter.
- You don’t need video recording but require raw support.
- DSLR handling and build endurance motivate your choice.
Final Thoughts
Choosing between these two cameras feels like picking between a Swiss Army knife and a precision scalpel. The Olympus SP-820UZ is the versatile multipurpose tool, easy to carry and use, designed for produce-as-you-go photography. The Sony A230, though older and slightly heavier, offers the elegance and potential of the DSLR system with superior image quality and control.
As someone who has tested thousands of cameras, I know the right choice hinges on your priorities: convenience and zoom vs. image quality and versatility. Hopefully, this analysis guides your decision with clarity and confidence.
Olympus SP-820UZ vs Sony A230 Specifications
Olympus Stylus SP-820UZ | Sony Alpha DSLR-A230 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model | Olympus Stylus SP-820UZ | Sony Alpha DSLR-A230 |
Class | Small Sensor Superzoom | Entry-Level DSLR |
Introduced | 2012-08-21 | 2009-05-18 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.7mm |
Sensor surface area | 28.1mm² | 369.0mm² |
Sensor resolution | 14 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4288 x 3216 | 3872 x 2592 |
Maximum native ISO | 6400 | 3200 |
Lowest native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 22-896mm (40.7x) | - |
Max aperture | f/3.4-5.7 | - |
Macro focus range | 1cm | - |
Amount of lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3" | 2.7" |
Resolution of screen | 460k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.55x |
Features | ||
Min shutter speed | 4 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter rate | 2.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 15.00 m | 10.00 m |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 180 (30, 240 fps) | - |
Maximum video resolution | 1920x1080 | None |
Video data format | MPEG-4, H.264 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 485 grams (1.07 pounds) | 490 grams (1.08 pounds) |
Physical dimensions | 117 x 78 x 93mm (4.6" x 3.1" x 3.7") | 128 x 97 x 68mm (5.0" x 3.8" x 2.7") |
DXO scores | ||
DXO Overall score | not tested | 63 |
DXO Color Depth score | not tested | 22.3 |
DXO Dynamic range score | not tested | 11.4 |
DXO Low light score | not tested | 531 |
Other | ||
Battery life | - | 230 shots |
Battery type | - | Battery Pack |
Battery model | - | NP-FH50 |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/ SDHC, Memory Stick Pro Duo |
Card slots | Single | Single |
Launch pricing | $299 | $569 |