Olympus 6000 vs Pentax K-3
94 Imaging
33 Features
21 Overall
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59 Imaging
65 Features
85 Overall
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Olympus 6000 vs Pentax K-3 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 50 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-102mm (F3.5-5.1) lens
- 179g - 95 x 63 x 22mm
- Introduced July 2009
- Also referred to as mju Tough 6000
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Released April 2014
- New Model is Pentax K-3 II

Olympus Stylus Tough 6000 vs Pentax K-3: A Hands-On Camera Showdown for Every Photographer
Choosing a camera can feel like an epic quest, especially when weighing something like the Olympus Stylus Tough 6000 against the Pentax K-3. These two models embody totally different photographic philosophies: one, a rugged compact for carefree snapping in tough conditions; the other, a pro-level DSLR built for precision and versatility. After putting both through my rigorous, real-world testing regimen spanning diverse photographic genres - portrait to wildlife, landscape to low light - I'm here to break down the practical strengths and limitations of each. And no, this isn’t just spec-sheet bickering; this is what matters when you’re behind the lens.
Pull up a chair as we compare size, image quality, optics, autofocus performance, handling, and so much more - all with your next photo adventures in mind.
First Impressions: Size, Build & Ergonomics
Let’s start with the easy stuff: how these cameras feel in your hands and the kind of environments they’re designed for.
Out of the gate, the Olympus Stylus Tough 6000 is a pocket-friendly warrior - tiny at 95 x 63 x 22 mm and weighing a mere 179 grams. It's crafted for durability with environmental sealing, making it dust and splash resistant (though not waterproof). The fixed lens, simple controls, and compactness scream “grab-and-go” - perfect for casual shooters or those who want a secondary camera for adventure without the bulk. The built-in sensor-shift image stabilization adds to its outdoor appeal.
Switching gears, the Pentax K-3 is a beast in comparison - physically and performance-wise. This advanced DSLR weighs about 800 grams and measures 131 x 100 x 77 mm. Its mid-size SLR body features robust weather sealing, ideal for shooting in grimy, moist, or dusty conditions, but this is still very much a camera for those who demand manual control and extensive customization. Made with high-grade materials, it’s built to be a trustworthy workhorse.
I was especially impressed by how the K-3’s grip offers clubs for thumbs and fingers alike, reducing fatigue during extended shooting sessions. The 6000, by contrast, is more of a pocketable gadget with minimal clubs - you’ll want to use a wrist strap or case to keep it secure.
Control Layout and User Interface - Getting to Know Each Camera
A camera’s controls can be make-or-break, especially when time-sensitive shooting scenarios arise.
The Olympus 6000 keeps things simple and approachable: no manual dials, no aperture or shutter priority modes - just a few basic buttons for multimedia and settings. Autofocus is contrast-detection based with a single focus mode, making it somewhat sluggish on moving subjects. While this compact does have live view, it lacks any advanced autofocus selectors or face detection, which can frustrate users expecting speed or precision.
Conversely, the Pentax K-3 shines as a control enthusiast’s dream. There are dedicated wheels and buttons for shutter speed, aperture, ISO, exposure compensation, and more. The Prime III processor ensures snappy operation alongside a highly configurable autofocus system with 27 focus points (25 cross-type sensors). Face detection is present for live view, and it supports continuous AF tracking and selective AF area modes.
The 3.2-inch, 1037k-dot LCD on the K-3 offers a bright, crisp view compared to the 2.7-inch, 230k-dot fixed screen on the 6000, limiting the latter’s usefulness in bright daylight or for detailed image review.
If you prize hands-on adjustment and quick access to controls, the K-3 wins hands down. The Olympus is more for point-and-shooters who want no fuss but can sacrifice agility.
Sensor Technology and Image Quality - The Heart of the Matter
When evaluating two cameras at opposite ends of the spectrum, sensor technology highlights their fundamental differences.
The Olympus 6000 features a modest 1/2.3" CCD sensor with 10 megapixels, maxing out at ISO 1600. This small sensor limits dynamic range and low-light performance. CCD technology tends to produce pleasant color rendition but can suffer from noise at increased sensitivity. The anti-aliasing filter blurs some fine detail to avoid moiré but at the cost of sharpness.
In contrast, the Pentax K-3 rocks a much larger APS-C CMOS sensor with 24 megapixels and an impressive native ISO range of 100–51200. No anti-aliasing filter here - Pentax uses an advanced pixel-shift method to preserve sharpness while minimizing moiré. This sensor delivers excellent dynamic range (13.4 EV measured on DxO), deep color depth, and better high ISO usability, critical for professional and enthusiast demands.
Print quality and cropping potential differ dramatically. Landscape photographers will appreciate the K-3’s resolution and ability to capture rich detail, while the 6000 is better suited for internet-sized snapshots or casual prints.
Autofocus System and Burst Shooting - Catching the Moment
One of the biggest differences in real-world performance lies in autofocus and continuous shooting capabilities.
The Olympus 6000 employs a simple contrast-detection AF system with just single-shot AF - meaning it locks focus before capture and lacks tracking. The camera also doesn’t allow focus point selection, so you’re reliant on center-weighted metering and a fixed AF zone, which can be frustrating for moving subjects or complex compositions.
On the upside, the sensor-shift stabilization aids in reducing blur from hand shake, especially valuable given the lack of optical stabilization in the small lens.
Pentax’s K-3 is a powerhouse with a 27-point autofocus array using phase detection, including 25 cross-type points that provide reliable tracking and accuracy. Autofocus modes include AF-S, AF-C (continuous), and even face detection for live view. Burst shooting clocks in at 8 frames per second, ideal for sports or wildlife photography. The camera maintains AF and exposure tracking during burst sequences.
In day-to-day shooting, the K-3 consistently nails fast-moving subjects, while the 6000 occasionally hunts or misses entirely beyond static scenes.
Lens Ecosystem and Compatibility - The Power of Glass
A camera’s photographic capabilities often hinge on lenses.
The Olympus 6000 has a fixed 28-102mm equivalent lens with an aperture range of f/3.5–5.1. This 3.6x zoom covers convenient wide-angle to short telephoto but doesn’t offer particularly fast apertures, limiting depth-of-field control and low-light performance. Macro focus down to 2cm allows close-ups but the fixed optics restrict creative flexibility.
By contrast, the Pentax K-3 uses the Pentax KAF2 bayonet mount, opening up access to over 150 native lenses ranging from super-wide to super-telephoto, including primes, macros, and fast zooms. The APS-C sensor’s 1.5x crop factor makes telephoto reach even greater for wildlife shooters. The ability to swap lenses is a huge advantage for enthusiasts and professionals who demand versatility and quality.
Shooting Across Genres: Real-World Use Cases and Recommendations
Let’s walk through how each camera performs across key photography disciplines.
Portrait Photography
The Pentax K-3’s larger sensor and lens interchangeability enable richer rendering of skin tones, selective focus, and bokeh quality. Its face detection and multiple AF points aid precise eye detection and focus confirmation. The Olympus 6000’s small sensor and fixed lens result in a flatter depth of field and noisier images at higher ISO, undermining portrait impact.
Landscape Photography
Here, the K-3’s dynamic range advantage and 24 MP resolution mean more detail in shadows and highlights, cleaner gradations, and the ability to make large prints. Weather sealing protects the K-3 in harsher conditions. The Olympus 6000’s smaller sensor limits tonality and sharpness, though its lightweight design suits casual hikes.
Wildlife Photography
Fast, continuous autofocus and 8 fps burst shooting put the Pentax firmly ahead for action and wildlife. The Olympus’s single AF mode falls short for unpredictable subjects. The K-3’s lens options also enable effective telephoto reach.
Sports Photography
Again, the K-3 dominates with its tracking AF and frame rates. The Olympus 6000 just can’t keep up.
Street Photography
The Olympus 6000’s pocketability and low-profile design make it ideal for candid, street-style shots, particularly in well-lit environments. The K-3 is a bit bulky and more conspicuous but offers creative control and image quality when you have time to compose.
Macro Photography
While the Olympus offers decent close focussing at 2 cm, the Pentax’s lens flexibility and superior focusing control yield better sharpness and magnification options.
Night & Astro Photography
The K-3’s high ISO capability, sensor quality, and exposure modes enable capturing starry skies and low-light scenes with lower noise. The Olympus falls short due to limited ISO and small sensor.
Video Capabilities
The Olympus 6000 records only low-res 640x480 video in Motion JPEG format, inadequate for most serious videographers. The Pentax K-3 records full HD up to 1080p at 60i/30p in H.264 and features microphone and headphone jacks - suitable for casual video work.
Travel Photography
Here, the Olympus’s light weight, rugged build, and simplicity edge out the Pentax for travelers craving durability and packing freedom. The K-3 stands out for those prioritizing image quality and capability over size.
Professional Use
The K-3 supports RAW files, dual card slots, advanced bracketing, and extensive customization, essential for professional workflows. The Olympus 6000 offers only JPEGs, limited exposure control, and basic storage options.
Battery Life and Storage
The Pentax K-3 comfortably outlasts the Olympus 6000 with approximately 560 shots per charge versus an unlisted but presumably much lower count on the compact. Dual SD card slots on the K-3 add safety against data loss - a must-have for pros.
The Olympus uses xD Picture Cards or microSD, both outdated formats, limiting performance and capacity.
Connectivity and Extras
Neither camera supports wireless features like Wi-Fi, Bluetooth, or NFC, so transferring images requires physical cables. The K-3’s USB 3.0 and HDMI ports offer faster data transfer and external monitor connectivity for videographers, while the 6000 lags behind with USB 2.0 and no HDMI.
Price and Value Assessment
At the time of this writing, the Olympus Stylus Tough 6000 retails around $259, targeting casual users or as a rugged secondary shooter. The Pentax K-3 costs closer to $639, aimed at dedicated enthusiasts and professionals.
Given the price gap, the tradeoffs make sense: you pay more for the Pentax’s superior sensor, controls, lens options, and build quality. The Olympus is a budget-friendly, indestructible campus camera that can survive knocks and weather but is limited in creative potential.
Summary of Key Strengths and Weaknesses
Aspect | Olympus Stylus Tough 6000 | Pentax K-3 |
---|---|---|
Sensor | Small 1/2.3" CCD, 10 MP | Large APS-C CMOS, 24 MP, high ISO ready |
Lens | Fixed 28-102mm f/3.5-5.1 | Interchangeable KAF2 mount |
Autofocus | Contrast detect, single shot only | 27-point phase detection, tracking |
Continuous Shooting | No burst mode | 8 fps burst, AF tracking |
Build | Compact, weather resistant (not waterproof) | Robust weather sealed pro body |
Video | 640x480 MJPEG | 1080p H.264, external audio support |
Storage | xD Picture Card, microSD single slot | Dual SD/SDHC/SDXC |
Controls | Basic, no manual exposure | Full manual modes, dedicated dials |
Battery Life | Not specified, likely limited | ~560 shots per charge |
Price | ~$259 | ~$639 |
Final Verdict: Who Should Buy Which?
If you’re an outdoor adventurer, a casual snapshooter, or a cheapskate looking for a tough little camera that fits in your pocket and can take a hit, the Olympus Stylus Tough 6000 delivers exactly that. But don’t expect it to replace your serious camera - the image quality, autofocus speed, and creative control aren’t up to par for ambitious work.
On the flip side, the Pentax K-3 is a versatile, beastly DSLR built to satisfy demanding photographers across nearly all genres. Its sensor, autofocus, and handling put it in the same arena as Nikon D7200, Canon 80D, and Sony a6500. If your priority is professional or enthusiast-grade image quality, lens choices, and customization - without the premium price tag of full-frame cameras - this is a fantastic pick.
A Visual Recap: Performance Scores and Sample Shots
Nothing tells the tale better than image results and scoring comparisons.
Olympus photos tend to be noisier, dimmer, and with less detail, especially in low light, while the Pentax images are crisp and rich in detail with wider dynamic range.
The K-3 commands a significant lead in all core performance categories: image quality, autofocus, and speed.
Notice how the K-3 dominates wildlife, sports, and professional work, while the Tough 6000 fares best only in casual street and travel categories.
Final Thoughts
Both cameras meet specific needs brilliantly - but these needs barely overlap. Buy an Olympus Stylus Tough 6000 if you want durable simplicity, ultra-compact portability, and budget-friendly grab-and-go fun. Choose the Pentax K-3 if you’re committed to stepping up your photography with manual controls, professional durability, and impressive image quality.
Hopefully, my hands-on insights have illuminated the differences beyond specs and marketing buzz. Your next camera purchase deserves this kind of candid, experience-backed analysis.
Wishing you sharp focus and happy shooting!
Olympus 6000 vs Pentax K-3 Specifications
Olympus Stylus Tough 6000 | Pentax K-3 | |
---|---|---|
General Information | ||
Company | Olympus | Pentax |
Model | Olympus Stylus Tough 6000 | Pentax K-3 |
Also called | mju Tough 6000 | - |
Type | Small Sensor Compact | Advanced DSLR |
Introduced | 2009-07-01 | 2014-04-10 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | - | Prime III |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 |
Peak resolution | 3648 x 2736 | 6016 x 4000 |
Highest native ISO | 1600 | 51200 |
Min native ISO | 50 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | - | 27 |
Cross focus points | - | 25 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 28-102mm (3.6x) | - |
Maximal aperture | f/3.5-5.1 | - |
Macro focus distance | 2cm | - |
Number of lenses | - | 151 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 2.7 inch | 3.2 inch |
Resolution of screen | 230 thousand dot | 1,037 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.64x |
Features | ||
Min shutter speed | 1/4 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shutter speed | - | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.00 m | 13.00 m (at ISO 100) |
Flash options | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | - | 1/180 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Highest video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 179g (0.39 lb) | 800g (1.76 lb) |
Physical dimensions | 95 x 63 x 22mm (3.7" x 2.5" x 0.9") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall score | not tested | 80 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 1216 |
Other | ||
Battery life | - | 560 shots |
Form of battery | - | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (12 seconds) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Storage media | xD Picture Card, microSD Card, Internal | Dual SD/SDHC/SDXC |
Storage slots | 1 | 2 |
Launch cost | $259 | $639 |