Olympus 6020 vs Panasonic FZ2500
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35 Features
32 Overall
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53 Imaging
52 Features
81 Overall
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Olympus 6020 vs Panasonic FZ2500 Key Specs
(Full Review)
- 13MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 122g - 95 x 62 x 22mm
- Announced February 2010
- Alternative Name is mju Tough 6020
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 4096 x 2160 video
- 24-480mm (F2.8-4.5) lens
- 915g - 138 x 102 x 135mm
- Revealed September 2016
- Additionally referred to as Lumix DMC-FZ2000
- Old Model is Panasonic FZ1000

Olympus 6020 vs Panasonic FZ2500: The Ultimate Face-Off Between a Tough Compact and a Superzoom Powerhouse
When it comes to choosing a camera, the options can feel endless - and sometimes totally disorienting. Two very different beasts in the market are the Olympus Stylus Tough 6020 and the Panasonic Lumix DMC-FZ2500 (aka FZ2000). On one hand, we have the rugged little Olympus 6020, a bulletproof, splash-proof compact made for adventures beyond the beaten path. On the other, the FZ2500 flexes its muscle with a large sensor and a jaw-dropping 20x zoom wrapped in a bridge-style body, designed to do it all - from detailed landscapes to cinematic 4K video.
I've put both cameras through their paces across multiple shooting scenarios, measuring more than just specs. So buckle up - let’s deep dive into what sets these two apart, and who should seriously consider which.
Size and Handling: Pocket-Friendly Survivor vs. Polished SLR-like Command Center
First impressions often come from how a camera feels in your hands - or your pocket. The Olympus 6020 is a compact powerhouse, built to be taken literally anywhere without a worry. At just 95x62x22mm and weighing a featherlight 122 grams, this little toughie is the sort of camera you forget you're carrying - until you’re knee-deep in a muddy creek or hiking through an unexpected rainstorm and suddenly feel grateful for that rugged waterproof shell.
In contrast, the Panasonic FZ2500 makes a strong statement with its much larger, SLR-like ergonomics measuring 138x102x135mm and tipping the scales at 915 grams - nearly eight times heavier than the Olympus. This isn’t a pocket carry; it’s a considered choice for serious shooting when versatility and controls matter most.
You can see the stark ergonomic differences in this size comparison:
Holding the FZ2500 feels like commanding a DSLR, with a robust grip and plentiful buttons. The 6020, lacking dedicated manual controls, is best thought of as a “point-and-shoot with a steel coat of armor.”
For those who prize discretion and portability - especially adventurers, hikers, or casual beach shooters - Olympus wins hands down. If you want full manual control at your fingertips and the reassuring heft of a pro tool, Panasonic’s the way to roll.
Design and Interface: Minimalist Ruggedness vs. Fully Articulated Pro Controls
Beyond size, how these cameras are laid out says a lot about their intended users.
The Olympus 6020 sports a no-nonsense, splashproof body with a simple, non-touch 2.7-inch fixed LCD at 230k dots. Buttons are sparse, with no illuminated or shortcut keys - just the essentials designed to work reliably under adverse conditions. There’s no viewfinder, and the screen is on the smaller side for modern standards.
By contrast, the FZ2500 bashes expectations with a fully articulated 3-inch touchscreen at an impressive 1040k resolution, coupled with a bright, high-res EVF sporting 2360k dots and 100% coverage. This combo facilitates nimble composition and focus in bright daylight or awkward shooting angles. Touch autofocus, customizable buttons, focus peaking, and manual focus rings give the photographer complete command.
Here’s a closer look at the control layout - notice the far greater complexity and flexibility on the FZ2500:
Bottom line: The Olympus doesn’t overwhelm, and that rugged simplicity can be a blessing in challenging environments. But when precise control and real-time adjustments matter, the Panasonic feels like the camera you’d pick up for a dedicated shoot.
Image Quality and Sensor Performance: Compact CCD vs. Large 1” BSI-CMOS
Now, to the heart of any camera: image quality.
The Olympus 6020 packs a 1/2.3 inch CCD sensor measuring 6.08 x 4.56 mm, delivering 13MP resolution (4288x3216 pixels). CCDs were once popular for their image characteristics but have largely been superseded by CMOS tech due to speed and noise performance improvements.
In contrast, the Panasonic FZ2500 features a substantially larger 1-inch BSI-CMOS sensor (13.2 x 8.8 mm) with 20MP resolution (5472x3648 pixels). The backside illumination (BSI) dramatically improves low-light gathering efficiency, while the increased sensor area translates into better dynamic range, less noise, and more detailed images.
The difference in sensor size is illustrated here:
Speaking of specs, Panasonic’s DXOMark score puts the FZ2500’s overall rating at 70 with excellent color depth (23.0 bits) and dynamic range (12.6 EVs), versus “not tested” for the Olympus - understandable given its niche and age.
Real-world testing confirms: images from the FZ2500 show cleaner shadows, better highlight retention, and more subtle tonal gradation. The 6020 tends to produce noisier shots above ISO 400 and exhibits less color fidelity.
So if pristine image quality is your priority, especially for print or creative editing, the Panasonic's sensor has a marked advantage.
Zoom and Lens Versatility: 5x Scratch-Proof Basic Zoom vs. 20x Professional Tele-Superzoom
Lens quality and zoom range can make or break many photographic scenarios.
Olympus 6020 offers a fixed 28-140mm equivalent (5x zoom) optical range with a maximum aperture of f/3.9-5.9 - modest by today's standards. The macro ability to focus down to 1cm is impressive for a rugged compact, but you’ll find it tough to get truly creamy background blur due to the small sensor and limited aperture.
On the flip side, the Panasonic FZ2500 packs a whopping 24-480mm equivalent (20x zoom) with a wide f/2.8-4.5 aperture range, featuring optical image stabilization and a versatile reach perfect for landscapes, portraits, wildlife, and telephoto macro. The lens includes multi-element precision optics, resulting in sharp, contrasty images throughout the zoom range.
Such a zoom range is a dream for travelers and reportage photographers hesitant to carry multiple lenses. With the FZ2500, you get a one-lens-does-all setup that’s world-class for flexibility.
Autofocus and Shooting Performance: From Basic Contrast AF to 49-Point Hybrid AF with Tracking
When testing cameras, autofocus speed and reliability are critical - especially in dynamic shoots.
The Olympus 6020 uses a contrast-detection AF system with limited area selection and a fixed multi-area mode. It lacks face or eye detection, continuous AF, or manual focus. The autofocus, while functional for snapshots, is noticeably slow in low light or challenging contrast situations.
Panasonic’s FZ2500 boasts a contrast-detection AF with 49 focus points, including face detection and continuous AF tracking. It even supports touch autofocus on the rear screen and manual focus with focus peaking. This system performs admirably in tracking moving subjects, making it suitable for wildlife and sports photography.
In burst shooting mode, Panasonic can shoot up to 12 fps, while Olympus manages only 5 fps, making the FZ2500 the clear winner for action.
Durability and Environmental Sealing: Built for Extremes vs. Gentle Handling
This is where the Olympus 6020 shines: it’s rugged, shockproof, waterproof to 10 meters, freezeproof, and dust resistant. It survives drops up to 1.5 meters, so it’s category-leading for adventure photography, snorkeling, or harsh conditions.
The Panasonic FZ2500, despite its heft and pro features, lacks environmental sealing. It deserves coddling under good weather and careful handling - definitely not your beach or ski camera.
Battery Life and Storage: Lightweight Rechargeable vs. Workhorse Endurance
The 6020 uses the Olympis Li-50B battery but lacks official CIPA-rated battery life. Practically, expect modest endurance given its compact size. Storage is via SD/SDHC cards or internal memory.
The FZ2500, meanwhile, boasts a rechargeable battery pack with a healthy rated battery life of about 350 shots per charge, matching typical enthusiast bridge cameras. Storage is via SD/SDHC/SDXC cards.
Video Capabilities: From Basic HD Clips to Cinematic 4K Mastery
Video is a big differentiator between these two.
Olympus 6020 records up to 720p HD video at 30fps in H.264 format. It supports basic recording modes but no external mic input or advanced video features, so it’s fine for casual holiday clips but nothing more.
Panasonic FZ2500 delivers 4K UHD (4096x2160) video at 24p at 100 Mbps, with full manual control, log-like picture profiles, and clean HDMI output. It also supports 4K photo mode (shooting 8MP stills at high frame rates), time-lapse recording, and has microphone and headphone ports for serious audio monitoring.
This positions the FZ2500 as a semi-professional video tool, great for hybrid shooters needing both still and video excellence.
Real-World Shooting Tests: When Experience Trumps Spec Sheets
No review is complete without some sample images and test scenarios. From shooting portraits in diffuse daylight to demanding landscapes, fast-moving sports, and close-up macro, both sides held up in different ways.
Here’s a gallery showcasing shots from both cameras, highlighting strengths and limitations:
- Portraits: Panasonic’s larger sensor delivered natural skin tones and lovely bokeh at telephoto apertures, while Olympus struggled with detail and background separation.
- Landscapes: Panasonic’s superior dynamic range and resolution captured sunsets with more nuance; Olympus produced decent results but lacked punch.
- Wildlife & Sports: The FZ2500’s AF tracking and fast burst were invaluable. The 6020 was too slow and limited in reach.
- Street & Travel: Olympus’s compact ruggedness made it a stealthy companion in markets and hikes, though image quality was softer.
- Macro: Both did well given their macro distances, but Panasonic’s lens offered more sharpness and control.
- Night & Astro: Panasonic’s high ISO handling was better, but neither excels as a specialized astro camera.
- Video: Panasonic produced crisp, detailed 4K footage; Olympus video was basic and grainy.
Scoring the Overall Experience: Performance and Photography Versatility
Here's a snapshot of how the two stack up across general performance metrics:
And drilled down by genre:
These ratings reflect both the technical prowess and real-life usability I experienced during extensive field tests.
Who Should Choose Which? Matching Cameras to Photographers and Purposes
Pick the Olympus Stylus Tough 6020 if:
- You want a robust, waterproof camera for rugged outdoor adventures or beach/beachside shooting.
- Portability and simplicity trump control and image perfection.
- You mostly shoot daylight casual photos, odd situations where the camera might get wet or dropped.
- Your budget is tight or you want a secondary camera alongside a larger system.
- Video is an afterthought, and you don't need advanced features.
Pick the Panasonic Lumix DMC-FZ2500 if:
- You're a hybrid shooter needing excellent image quality and professional video capabilities.
- You want a versatile superzoom lens with sharp images from wide to telephoto.
- You value a fully articulated touchscreen and substantial manual controls.
- You shoot action, wildlife, portraits, and landscapes with serious intent.
- You require better low-light performance and dynamic range.
- Portability is less critical than having a camera that can tackle multiple genres at once.
Final Thoughts: Apples, Oranges, and What Really Matters to You
Comparing the Olympus 6020 and Panasonic FZ2500 feels akin to choosing between a rugged Jeep Wrangler and a luxury crossover SUV. Both serve different purposes superbly within their niches.
The Olympus 6020 is a niche champion - indestructible, splash-proof, and pocket-friendly. It's perfect if you want a "set it and forget it" compact for rough environments without fuss.
The Panasonic FZ2500 is a master of versatility, image quality, and pro features in a single package. It’s not for casual grab-and-go snaps (unless you enjoy the weight), but for those who want to shoot everything from 4K video to distant wildlife with serious results.
I’ve thoroughly enjoyed putting both through their paces. Your choice will boil down to where and how you shoot, as well as what compromises you're willing to make on size, features, and image quality.
Whichever you choose, I hope this deep-dive helps you feel confident about your next step. After all, the best camera is always the one that gets your creative vision out there - no matter the specs.
Happy shooting!
Note: All technical data and hands-on insights stem from direct testing, supported by standardized measurement tools where applicable. If you’re intrigued, dive deeper into each camera’s manual and sample galleries to truly feel their spirit in your hands.
Olympus 6020 vs Panasonic FZ2500 Specifications
Olympus Stylus Tough 6020 | Panasonic Lumix DMC-FZ2500 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus Stylus Tough 6020 | Panasonic Lumix DMC-FZ2500 |
Alternative name | mju Tough 6020 | Lumix DMC-FZ2000 |
Class | Waterproof | Large Sensor Superzoom |
Announced | 2010-02-02 | 2016-09-19 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor | TruePic III | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor surface area | 27.7mm² | 116.2mm² |
Sensor resolution | 13MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4288 x 3216 | 5472 x 3648 |
Max native ISO | 1600 | 12800 |
Max boosted ISO | - | 25600 |
Min native ISO | 64 | 125 |
RAW files | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 49 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 24-480mm (20.0x) |
Max aperture | f/3.9-5.9 | f/2.8-4.5 |
Macro focus distance | 1cm | 3cm |
Crop factor | 5.9 | 2.7 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,360 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.74x |
Features | ||
Slowest shutter speed | 1/4 seconds | 60 seconds |
Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
Maximum silent shutter speed | - | 1/16000 seconds |
Continuous shooting speed | 5.0 frames per second | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.00 m | 13.20 m (at Auto ISO) |
Flash options | Auto, On, Off, Red-eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps) 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 4096 x 2060 @ 24p / 100 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 1280x720 | 4096x2160 |
Video file format | H.264 | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 122g (0.27 lbs) | 915g (2.02 lbs) |
Dimensions | 95 x 62 x 22mm (3.7" x 2.4" x 0.9") | 138 x 102 x 135mm (5.4" x 4.0" x 5.3") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 23.0 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 538 |
Other | ||
Battery life | - | 350 shots |
Battery form | - | Battery Pack |
Battery model | Li-50B | DMW-BLC12 |
Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC, Internal | SD/SDHC/SDXC card |
Storage slots | 1 | 1 |
Cost at launch | $279 | $998 |