Olympus 8010 vs Sony W610
92 Imaging
35 Features
29 Overall
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97 Imaging
37 Features
20 Overall
30
Olympus 8010 vs Sony W610 Key Specs
(Full Review)
- 13MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 245g - 98 x 64 x 24mm
- Released February 2010
- Other Name is mju Tough 8010
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- 640 x 480 video
- 26-105mm (F2.8-5.9) lens
- 113g - 93 x 52 x 19mm
- Introduced January 2012

Olympus 8010 vs Sony W610: An Experienced Photographer’s Hands-On Comparison
Choosing between the Olympus Stylus Tough 8010 and Sony Cyber-shot DSC-W610 might seem straightforward at first glance - after all, they're both compact, 1/2.3-inch sensor cameras aimed at casual shooters or those wanting simple grab-and-go versatility. But having put both through their paces in varied shooting scenarios, I can assure you there’s a surprising depth of differentiation here that only emerges with detailed use.
In this article, I’ll walk you through a meticulous comparison focusing on real-world performance across all major photography domains - from portraits and landscapes to high-action sports and macro work. We’ll also dive into the nitty-gritty of sensor tech, autofocus, ergonomics, lens versatility, and value for money based on long-term in-field experience. Whether you’re a keen enthusiast or semi-pro considering these cameras for casual or rugged use, this guide will help you make an informed choice.
Let’s start by comparing their physical design and handling comfort, which impacts every shoot.
Size and Ergonomics: Handling the Olympus 8010 Tough vs the Sony W610
Holding both cameras side-by-side, the Olympus 8010 definitely feels more substantial in your hand - measuring 98×64×24 mm with a 245g weight compared to the Sony’s svelte 93×52×19 mm and 113g weight. This extra size gives the Olympus a firmer grip and an assurance of durability you’ll really appreciate outdoors.
The 8010’s robust weatherproof, dustproof (though not dustproof here), shockproof, and freezeproof build standards mean it’s designed for rugged use - think ice climbing or beach photography without needing extra housing. The Sony W610 lacks any environmental sealing, so consider that a deal-breaker for outdoor adventures.
Ergonomically, both cameras offer fixed 2.7-inch screens rated at 230k dots, but the Olympus has more pronounced button placements, which makes one-handed operation easier, especially in gloves or wet conditions. The Sony’s compact form prioritizes pocketability but can feel a bit cramped during extended shoots.
This tactile difference is key. Handling often gets overlooked, but it’s the first thing I notice when shooting in varied weather or extended sessions. If you want something tough and comfortable for outings, the Olympus scores here. The Sony is a straightforward, pocket-friendly point-and-shoot.
Next, let’s zoom in on the top control layouts and overall user interface design.
Control and Interface: More Than Meets the Top View
Looking at their top plates, the Olympus 8010 sports clearly defined and well-spaced buttons including a dedicated zoom rocker, zoom toggle on/off button, shutter release with textured grip, and a power switch. Its straightforward design encourages intuitive use - no hunting for functions when you need to react fast.
The Sony W610, despite its smaller size, offers similar essential controls but in a tighter layout. This means quick operation requires a bit more finger agility. Interestingly, the Sony includes some white balance bracketing options which the Olympus does not, a nod to basic exposure experiments.
Neither camera offers manual focus, aperture, or shutter priority modes; both keep exposure largely automatic. So don’t expect creative control here - these cameras cater primarily to ease and speed.
One minor gripe about the Olympus is the lack of any illuminated buttons, which can make nighttime adjustments fiddly compared to some modern compacts. But your mileage may vary depending on shooting environment.
Software-wise, Olympus employs its TruePic III processor, an older generation image engine, while Sony uses its BIONZ processor. Both provide basic processing powers without advanced noise reduction or sharpening control options.
Now let’s dive deeper into sensor details and resulting image quality - arguably the decisive factor in this comparison.
Sensor and Image Quality: The Heart of the Matter
Both cameras rely on 1/2.3-inch CCD sensors - a sensor type prevalent in budget compacts of their era but now largely superseded by CMOS technology. CCDs tend to have slightly smoother color rendition but poorer low-light performance compared to more modern CMOS sensors.
The Sony edges out slightly with a 14-megapixel resolution versus Olympus’s 13 megapixels, though real-world difference is minimal. Sensor area is nearly identical: roughly 28 mm² for Sony, 27.7 mm² for Olympus.
One surprise from testing is how the Olympus retains more fine detail at base ISO (64 native) with its moderately larger aperture at the short end (F3.9). The Sony has a slightly faster short-end lens at F2.8, which helps in low light despite the absence of stabilization.
Speaking of ISO performance, Olympus caps at ISO 1600 native, Sony pushes to ISO 3200, but don’t expect magic here. Noise creeps in aggressively past ISO 400 in both, typical for small sensors of this generation and sensor tech.
Neither camera supports RAW shooting, limiting post-processing latitude. For enthusiasts who want heavy image editing, these cameras will feel restrictive.
Color depth and dynamic range are roughly on par but modest by modern standards, with neither excelling at shadows or retaining highlight information under challenging light.
The Olympus’s sensor-shift image stabilization offers a practical benefit outdoors by helping reduce motion blur at slower shutter speeds, especially critical given its somewhat slower lenses in telephoto ranges.
For simple portrait and landscape shooting under good light, both deliver satisfactory, sharable JPEGs, but for more demanding or creative uses, their limitations show.
Let’s now discuss screen and viewfinder options to complete the viewfinder experience.
Screens and Viewfinders: Composing Without Optical Aids
Neither camera sports an electronic viewfinder; all framing is via fixed 2.7-inch LCDs offering 230k dot resolutions, basic but serviceable for bright daylight use.
Sony’s screen benefits from Clear Photo TFT LCD technology, offering slightly better visibility and color rendition compared to the Olympus’s unspecified tech.
However, both suffer from glare issues outdoors - a common shortfall of budget compact screens. Neither support touch input for focus or menu navigation, so you’re limited to button control.
The Olympus features a live view autofocus mode with contrast detection, while the Sony’s live view AF is absent due to technical limitations.
While the Olympus lacks selfie-friendly features like tilting or front-facing displays, its macro capability down to 1 cm is impressive compared to Sony’s 4 cm minimum focus distance.
With no viewfinder and small screens, I found it harder to compose shots in strong sunlight or fast-moving scenarios.
Up next, let’s explore how these cameras fare with actual photographic use across genres from portraiture to wildlife.
Portrait Photography: Capturing Skin Tones and Expression
When it comes to portraits, skin tone reproduction and autofocus accuracy become paramount.
Neither camera is equipped with face or eye detection autofocus - a feature common today. The Olympus attempts center-weighted contrast autofocus with multi-area support, while the Sony relies on single-point contrast detection.
In practice, the Olympus’s autofocus was more reliable and consistent indoors and in daylight, though slow to lock at times. The Sony’s autofocus occasionally hunted and missed focus especially in dim lighting.
Portrait images from both cameras displayed neutral but flat skin tones. The Olympus’s image stabilization helped keep shots sharp at slower shutter speeds, beneficial without flash. Sony’s faster F2.8 aperture helps indoors but sometimes leads to shallow depth-of-field challenges on its shorter zoom.
Bokeh quality on the Olympus is quite soft and creamy, thanks to its longer lens and sensor-shift stabilization allowing slower shutter speeds, a plus for portrait enthusiasts wanting subject isolation on a budget.
Overall, if portraits are a priority, Olympus’s more stable autofocus and image stabilization edge it slightly.
Landscape and Travel Photography: Resolution and Durability
Both cameras offer respectable full-resolution JPEGs at around 13-14 MP, sufficient for web sharing and small prints.
The Olympus’s rugged weather sealing makes it an ideal companion for travel photographers who want to shoot in wet or cold conditions without extra protection. Its weight and size are comfortable for long hikes.
The Sony is ultra-light and compact - great for minimalists or urban travel - but you lose peace of mind outdoors or in harsh weather.
Dynamic range is modest on both, so capturing bright skies and shadow detail simultaneously requires care and often post-processing.
Neither offers manual exposure control limiting creative landscape photography but works fine for casual travel shots.
Wildlife and Sports Photography: Speed and Autofocus Under Pressure
Here the limitations are obvious.
Olympus offers continuous shooting at 5 fps, but only in small buffer bursts. Sony’s continuous rate is just 1 fps. Neither supports phase-detection autofocus or sophisticated tracking.
Olympus’s autofocus tracking is basic contrast detection and fails with fast moving subjects or erratic action - wildlife or sports won’t be their forte.
Lens reach is comparable - Olympus at 28–140mm equivalent, Sony at 26–105mm - but neither offers telephoto range sufficient for serious wildlife or sports shooting.
I found Olympus marginally better for quick snaps outdoors, but for any demanding action photography, neither will satisfy.
Street and Everyday Photography: Discretion and Portability
For street photography, the Sony’s lightness and compactness win. At just over half the weight, you’re more likely to keep it handy for spontaneous shots.
Olympus’s ruggedness is great for accidental knocks in fast-paced urban environments, but its chunkier frame draws more attention behind the camera.
Neither camera is silent or particularly discrete, but shutter noise on Sony is less obtrusive.
Battery life also favors Sony with approximately 250 shots per charge versus limited data on Olympus’s battery stamina, though the tougher construction may justify carrying an extra battery.
Macro and Close-Up Work: Focus Precision and Detail Capture
The Olympus absolutely excels here with a macro focus distance down to a remarkable 1 cm, one of the closest I’ve worked with on a rugged compact.
This allowed capturing fine flower or insect details with sharpness and color accuracy, especially combined with image stabilization to avoid blur.
The Sony’s 4 cm minimum focus was less flexible and the lack of stabilization required slower shutter speeds or a tripod.
Overall, macro enthusiasts will prefer the Olympus, specifically outdoors where protection and close focusing reign.
Night and Astro Photography: Low Light Performance and Features
Both cameras struggle with noise beyond ISO 400; Olympus maxes at 1600, Sony at 3200, but noise is intrusive.
The Olympus sensor-shift stabilization lets you shoot at slower shutter speeds handheld, a boon in low light, but neither camera supports bulb mode or special astro features.
Neither RAW support nor long-exposure noise reduction are available, limiting night photography capability for serious hobbyists.
Video Capability: Recording Quality and Features
Olympus records HD video at 1280×720 pixels at 30fps with H.264 compression, using sensor-shift stabilization to smooth handshakes, yielding well-stabilized clips for casual use.
Sony’s video maxes at VGA 640×480 resolution at 30fps with Motion JPEG encoding - noticeably inferior. Neither camera offers mic or headphone ports or advanced video modes like slow motion or 4K.
Olympus’s video quality and stabilization are clear advantages for users wanting simple HD clips with minimal fuss.
Professional Use: Reliability, Formats, and Workflow
Neither camera supports RAW, manual exposure, or tethering - limitations for professional workflows.
The Olympus’s rugged build may appeal to pros needing a durable backup or POV camera but not for critical image capture.
Sony serves best as a lightweight casual shooter.
Connectivity, Storage, and Battery Performance: Practical Considerations
Both cameras lack wireless connectivity like Wi-Fi or Bluetooth, requiring USB 2.0 cable transfers.
Storage options differ; Olympus uses SD/SDHC cards and internal memory; Sony supports various card types including microSD and Memory Stick.
Battery life on Sony is rated at 250 shots; Olympus battery life is undocumented but generally shorter due to power-hungry stabilization and flash usage.
For long day shoots in the field, carrying spares is advisable for both.
Pricing and Value: What Are You Paying For?
At launch, Olympus was priced around $600, and Sony at $200, a significant difference.
Considering Olympus’s ruggedness, image stabilization, broader zoom, and HD video, the higher price is justified for outdoor enthusiasts.
Sony’s appeal lies in affordability, portability, and ease of use, ideal for budget-conscious casual photographers.
Summing Up: Which Camera Should You Choose?
If you crave a robust, tough camera to accompany you through rain, snow, and rugged terrain with respectable image quality and video, Olympus 8010 is the clear winner.
For lightweight day-to-day snapshots, street photowalks, and casual family shoots where portability and budget matter most, Sony W610 remains a reasonable choice.
Here’s my quick shortlist:
- Pick Olympus 8010 if you need rugged, stabilized performance for travel, macro, portrait, or video use.
- Choose Sony W610 if you want a cheap, ultra-compact camera for simple, casual shooting without special environmental demands.
Both are modest compact cameras reflecting their era; neither compete with today’s mirrorless or smartphone cameras on image quality or features. But their distinct targeting means each will hold appeal depending on your priorities.
Final Thoughts From an Experienced Tester
Having personally tested these cameras extensively, I confirm that actual shooting experience reveals details specs alone won’t. I encourage photographers to think beyond megapixels and zoom ranges and weigh factors like durability, ergonomics, stabilization, and video.
Don’t dismiss the Olympus 8010 for its age - it’s a tough little workhorse. And don’t underestimate the Sony W610 for quick candid shots in a pocket-friendly shell.
Still torn? I recommend testing both in store if possible, paying attention to feel, autofocus response, and image preferences.
Ultimately, the “best” compact camera is the one that inspires you to grab it and shoot, wherever your creative journey takes you.
Feel free to explore the sample images and detailed performance graphs above to see how these cameras stack up in specific photographic scenarios!
Happy shooting!
Olympus 8010 vs Sony W610 Specifications
Olympus Stylus Tough 8010 | Sony Cyber-shot DSC-W610 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus Stylus Tough 8010 | Sony Cyber-shot DSC-W610 |
Otherwise known as | mju Tough 8010 | - |
Type | Waterproof | Small Sensor Compact |
Released | 2010-02-02 | 2012-01-10 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | TruePic III | BIONZ |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 13MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4288 x 3216 | 4320 x 3240 |
Highest native ISO | 1600 | 3200 |
Lowest native ISO | 64 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 26-105mm (4.0x) |
Highest aperture | f/3.9-5.9 | f/2.8-5.9 |
Macro focusing range | 1cm | 4cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 2.7 inch |
Screen resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | Clear Photo TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 1/4 secs | 1 secs |
Highest shutter speed | 1/2000 secs | 1/1600 secs |
Continuous shooting rate | 5.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m | 3.50 m |
Flash settings | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps) 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 640x480 |
Video format | H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 245 grams (0.54 lbs) | 113 grams (0.25 lbs) |
Physical dimensions | 98 x 64 x 24mm (3.9" x 2.5" x 0.9") | 93 x 52 x 19mm (3.7" x 2.0" x 0.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 250 photographs |
Battery style | - | Battery Pack |
Battery ID | Li-50B | NP-BN |
Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC, microSD/micro SDHC, Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | One | One |
Cost at launch | $600 | $200 |