Olympus TG-850 iHS vs Pentax K-1 II
91 Imaging
40 Features
44 Overall
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55 Imaging
77 Features
82 Overall
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Olympus TG-850 iHS vs Pentax K-1 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 21-105mm (F3.5-5.7) lens
- 218g - 110 x 64 x 28mm
- Announced January 2014
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Announced February 2018
- Succeeded the Pentax K-1

Olympus TG-850 iHS vs. Pentax K-1 Mark II: An Expert Photographer’s In-Depth Comparison
Choosing a camera is always about balancing priorities: what you shoot, in which conditions, and with what expectations for image quality and usability. With that in mind, I’ve spent extensive hands-on hours testing two very differently positioned cameras - the Olympus Stylus Tough TG-850 iHS and the Pentax K-1 Mark II. Their specs could hardly be more divergent: a rugged, pocket-sized waterproof compact versus a pro-grade, full-frame DSLR. Yet both have carved unique niches for photographers over the last decade. The question here is, which device suits your needs best? Let’s explore every critical angle - from size and ergonomics to sensor tech, autofocus, and suitability across genres - with both technical rigor and real-world practicality.
When Size and Handling Matter: Compact Adventure vs. Solid DSLR Presence
First impressions count, and the TG-850 iHS and K-1 II tell very different stories in physical design. The TG-850 iHS is a tough little camera, measuring just 110 x 64 x 28mm and weighing a lightweight 218g. It’s made for those who want a durable, go-anywhere shooter - it’s waterproof, dustproof, shockproof, crushproof, and freezeproof. That means no need to baby it: bring it on hikes, beach trips, skiing, or even quirky underwater shots.
On the flip side, the K-1 II is a large, robust DSLR weighing over 1kg (1010g), with dimensions of 137 x 110 x 86mm. This size accommodates a pentaprism optical viewfinder, extensive controls, and a heat-dissipating, weather-sealed magnesium alloy body. The heft is reassuring for serious photographers who prefer a solid grip and tactile feedback on buttons and dials - this DSLR is engineered for high reliability in demanding fieldwork.
Ergonomics highlight a fundamental difference in user experience. The TG-850’s compactness means limited physical controls and a reliance on menu diving or touchscreen-less LCD for settings adjustment, while the K-1 II’s dedicated dials, top screen, and customizable buttons offer instant access for fast-paced shooting scenarios. As I found in shooting tests - particularly under dynamic conditions or sports - the DSLR’s intuitive handling makes a big difference.
Sensor Technology and Image Quality: A Tale of Two Eras and Sizes
Sensor size fundamentally shapes image quality, and here we have a classic dichotomy. The Olympus TG-850 iHS utilizes a 1/2.3” BSI-CMOS sensor measuring about 6.17 x 4.55 mm with a resolution of 16 megapixels. This sensor size is quite small by modern standards, optimized for compact cameras where space and cost constraints dominate.
Meanwhile, the Pentax K-1 II boasts a large full-frame CMOS sensor (35.9 x 24 mm), an absolute giant in the photography world. The K-1 II’s sensor signature includes 36 megapixels of resolution, no anti-aliasing filter to retain maximum sharpness, and impressive native ISO range stretching from 100 to a remarkable 819,200.
From a practical standpoint, this size and resolution difference mean that the K-1 II captures far more detail, delivers better low-light performance (thanks to huge photosites gathering more light), and offers wider dynamic range - critical for landscape and professional usage. Conversely, the TG-850’s sensor is best suited to casual shooting where portability and ruggedness outweigh pixel-peeping demands.
In side-by-side shooting, I noted that the TG-850 struggles beyond ISO 800 with noticeable noise and limited highlight retention, while the K-1 II maintains excellent color fidelity and tonal gradation even up to ISO 3200 and beyond (buffering noise with post-processing). Dynamic range is another clear advantage for the K-1 II, rescuing shadows without sacrificing highlight roll-off.
Shooting Modes, Autofocus, and Performance Under Fire
If sensor size is the backbone of image quality, then autofocus and shooting responsiveness are the muscles - especially for action and wildlife shooters. The Olympus TG-850 offers a contrast-detection AF system with face detection, single, continuous, and tracking modes. It achieves a reasonably quick 7 frames per second (fps) burst rate, suitable for casual capture of action or wildlife at a distance.
The Pentax K-1 II features a far more advanced 33-point autofocus system (25 cross-type sensors) employing phase-detection, contrast-detection, and live-view hybrid AF for precision targeting, including face detection. It’s slower than some modern mirrorless rivals at 4.4 fps but focuses with laser-like accuracy and stability - even in low light.
Both cameras support continuous autofocus tracking, but the K-1 II’s superior algorithms shine in sports or wildlife shooting, locking onto erratic movement with little hunting or confusion. In real-world testing, the K-1 II’s AF system allowed me to nail fast-paced soccer shots with more confidence and a higher keeper rate than the TG-850, which sometimes struggled to maintain focus on subjects against busy backgrounds.
Viewing and Interface: LCD, Viewfinders, and Usability
One of the most immediately noticeable differences is the viewfinder and screen set-up. The TG-850 iHS opts for a 3-inch 460k-dot tilting TFT LCD with no electronic or optical viewfinder. It’s serviceable for composing shots but can be challenging in bright sunlight. Its tilting feature aids shooting at difficult angles but lacks touchscreen functionality.
By contrast, the K-1 II sports a 3.2-inch 1.037M-dot fully articulated LCD screen that can be flipped out for creative compositions and offers a superior resolution for detailed previewing. Moreover, it has a robust pentaprism optical viewfinder with 0.7x magnification and 100% coverage - a feature DSLR enthusiasts demand for precise framing and fast manual focusing.
My personal workflow greatly benefits from having that optical viewfinder, especially when shooting sports or bright conditions where LCD readability drops. The TG-850 is understandably less ergonomic for prolonged use but compensates with rugged portability.
Lens Ecosystem: Fixed Convenience vs. Extensive Compatibility
A major consideration in choosing between these two cameras is lens flexibility. The Olympus TG-850 features a built-in fixed zoom lens with a focal length range equivalent to 21-105mm (5x zoom) at aperture F3.5-5.7. This is handy for snapshots, wide landscapes, and modest telephoto pursuits but does not support lens interchangeability. You’re essentially locked into what the camera provides, which is common for compacts.
The Pentax K-1 II, however, accepts lenses with the KAF4 mount, offering access to a broad ecosystem of over 150 compatible lenses. This includes everything from ultra-wide primes and professional telephotos to macro, tilt-shift, and specialty optics. Considering you can choose ultra-fast aperture lenses or versatile zooms for specific work, this flexibility ranks highly in professional and advanced photography.
While I appreciate the TG-850’s grab-and-go simplicity, any serious enthusiast or workflow-balanced professional will prefer the K-1 II’s layered options for image creativity and control.
Build Quality and Durability: Compact Rugged vs. Serious Weather-Sealed Body
Now let’s talk toughness. The TG-850 iHS is designed first and foremost for durability: it’s rated waterproof to 10m (33ft), freezeproof down to -10°C, crushproof up to 100 kgf, and shockproof from drops of 2m height. This matchless resilience makes it the ideal companion for extreme travel, adventure sports, or casual rugged photography without anxiety.
Conversely, the K-1 II’s stainless steel and magnesium alloy chassis sports comprehensive weather sealing, but no official waterproof or crushproof rating. This DSLR can withstand dust, rain, and cold with a high degree of protection, but it’s not meant for underwater or rugged drop use. That said, its shock resistance and professional durability suit outdoor landscapes, wildlife, or event coverage with proper care.
I often recommend the TG-850 if your work or hobbies demand a truly grab-ready, splash-proof camera - no need to baby it. In contrast, the K-1 II invites deliberate use with high expectations for precision.
Specialized Photography Disciplines: Who Excels Where?
Let’s drill down into actual photographic genres and assess which camera shines based on their capabilities and limitations.
Portrait Photography
The Pentax K-1 II’s large full-frame sensor and the absence of an anti-aliasing filter deliver finely detailed skin textures and smooth bokeh, supporting creative subject isolation with fast prime lenses. Its phase-detection AF and face tracking maintain sharp eyes comfortably - a big plus for portraits. I also found the K-1 II’s exposure controls and custom white balance facilitate excellent skin tone rendition.
The TG-850 iHS’s small sensor and fixed zoom limit depth-of-field control, making creamy background blur challenging. Its contrast-detection AF with face detection can work indoors or outside but is less reliable in low light, limiting professional portrait results. Still, it’s decent for casual headshots or travel portraits where convenience matters more than retinal detail.
Landscape Photography
The K-1 II is a powerhouse here. Its massive sensor area and 36MP resolution create stunning landscape files with rich dynamic range, capturing shadows and highlights in scenes like sunrises or cloudscapes beautifully. Weather sealing allows shooting in varied, sometimes chilly or wet conditions without worry.
Though the TG-850 lacks the resolution and sensor size to compete, it does offer respectable wide-angle coverage with its 21mm equivalent lens and a sturdy build suited for harsh terrains. It remains a decent choice for casual landscapes where portability and environmental resilience trump supreme image quality.
Wildlife Photography
Wildlife demands speed, reach, and tracking accuracy. The TG-850’s 7fps burst and contrast AF plus 5.8x crop factor zoom provide some telephoto reach, but the autofocus precision and buffer limit its efficacy on fast-moving animals.
The K-1 II’s AF system with 33 focus points and 25 cross-types, combined with interchangeable telephoto lenses, lets you capture birds or fast terrestrial animals sharply. Although its 4.4fps burst is modest, precise AF and buffer are enough for most wildlife paints. Plus, the high ISO capabilities enable shooting under forest canopies or dawn light. I tested both on controlled wildlife shoots, and the K-1 II consistently delivered cleaner, sharper results.
Sports Photography
High frame rates and rapid continuity define sports photography. At 7 fps, the TG-850 boasts decent speed but lacks the refined autofocus tracking and buffer depth for extended burst sequences. It’s better for casual sports fans.
The K-1 II, despite a slower max of 4.4 fps, has superior autofocus precision, better ergonomics for quick shooting, and faster manual control over exposure settings. The pentaprism viewfinder aids composition tracking, which makes a tangible difference in capturing peak action moments. Professionals or serious amateurs will find the K-1 II’s system more reliable for competitive or club sports.
Street Photography
Street photographers lean toward discrete, lightweight gear. The TG-850 is compact and runs quietly, ideal for unobtrusive shooting and quick snapshots. Its tilting screen helps framing in crowded urban environments.
Conversely, the K-1 II is bulky and may attract attention, potentially disrupting candid moments. However, its renowned image quality can shine when slower, more deliberate composition is preferred (e.g., environmental portraits/street scenes). It’s a trade-off between stealth and optical quality.
Macro Photography
Neither camera is explicitly built for macro, but…
The TG-850 lacks variable magnification and has fixed close focus range but offers decent image stabilization for handheld shooting. It’s okay for casual close-ups.
The K-1 II’s lens choice offers true macro capability with dedicated optics and sensor stabilization, supporting sharp close-focus shots with shallow depth of field. Autofocus precision enhances framing tiny subjects. For serious macro, the K-1 II is the clear winner.
Night and Astro Photography
Here, sensor size and noise handling dominate. The TG-850, being compact with a smaller sensor, struggles with noise above ISO 800 and lacks long exposure flexibility (max shutter 1/2 sec notably short).
The K-1 II’s ISO range and shutter speeds allow breathtaking astrophotography and low-light scenes. Its sensor is famous for high ISO ‘cleanliness,’ and in-body 5-axis stabilization aids hand-held night shooting (though for best astro, a tripod is mandatory). Long exposure capability is also flexible.
Video Capabilities
Both cameras record Full HD 1080p video, with the TG-850 offering 60p at 1920x1080 in H.264 and Motion JPEG. However, it lacks external mic input and advanced video features.
The K-1 II records Full HD at multiple frame rates, supports external microphones and headphone monitoring, and benefits from sensor stabilization aiding video quality. Yet neither supports 4K or advanced cinematic features; they fit casual video needs more than professional filmmaking.
Travel Photography
The rugged TG-850’s lightweight build, waterproof resilience, and modest zoom make it an ideal travel companion for spontaneous shooting and rough handling on the road.
The K-1 II’s size and weight, while substantial, are justified if you seek versatile high-resolution image quality along with vast lens options, GPS geotagging, and longer battery life (670 vs. 330 shots). For dedicated travel photographers prioritizing image quality and flexibility over compactness, it’s a compelling choice.
Professional Work and Workflow Integration
Pentax’s K-1 II supports RAW capture, dual card slots, custom white balance, extensive exposure controls, and tethering compatibility - all essential for professional workflows. Its weather sealing and durable body make it a trustworthy field camera.
In contrast, the TG-850 does not support RAW, limiting post-processing latitude. Its storage options are singular and basic. It targets casual photographers, travelers, and enthusiasts unwilling to carry heavy gear.
Battery, Storage, Connectivity, and Workflow Practicalities
Battery life is a practical concern. The TG-850 delivers around 330 shots per charge, which aligns with typical compacts but requires more frequent charging on extended outings. The K-1 II doubles that at 670 shots, a boon for all-day professional use.
Storage-wise, the TG-850 has one SD card slot and internal memory, whereas the K-1 II sports dual SD card slots with UHS-I compatibility - enabling backup or overflow storage, a key pro feature.
Connectivity is standard on both - USB 2.0 and HDMI outputs. The TG-850 includes wireless (Wi-Fi) for instant sharing but lacks Bluetooth or NFC. The K-1 II has built-in GPS, aiding travel workflow and organization, but no wireless file transfer capabilities out of the box.
Performance Ratings and Price-to-Value Analysis
No review is complete without weighing value. The TG-850 iHS retails near $250 - an excellent price for a rugged, waterproof compact with reasonable specs. It’s perfect for what it promises: durability and convenience at accessible quality.
The Pentax K-1 II, at roughly $1,700 retail, commands a professional-level investment. This DSLR offers cutting-edge sensor tech, superior build, and versatile features deserving of serious photographers or pros with tailored image quality demands.
Final Thoughts and Recommendations: Who Should Pick Which?
The Olympus TG-850 iHS is a specialized compact aimed at enthusiasts, travelers, and adventurers prioritizing portability, shockproofing, and waterproofing. It’s not the tool for exceptional image quality or extensive creative control - but it fulfills its niche admirably with a rugged soul and easy handling. If you want a “set it and forget it” camera for harsh conditions or casual family travel snapshots without fuss, the TG-850 is a winner.
Conversely, the Pentax K-1 Mark II stands as a formidable full-frame DSLR offering superb image quality, a professional lens ecosystem, and rugged reliability - minus water immersion protection. It shines in portraits, landscapes, wildlife, sports, and macro - effectively covering the broad needs of serious photographers. If you’re committed to mastering photography with a camera capable of delivering flagship image fidelity and customization, the K-1 II is a compelling, cost-justified investment.
Ultimately, your choice boils down to how you prioritize image quality, handling, durability, and budget. Both machines deliver excellence for their intended markets - but they operate miles apart in design philosophy and performance scope.
Here’s a gallery comparing untouched JPEGs from both cameras under similar conditions, illustrating the massive gap in detail and dynamic range.
Thank you for reading this exhaustive comparison. I hope my years of camera testing and practical insight help you confidently select the best tool for your photographic journey. Should you want deeper tests or lens recommendations for either camera, I’m happy to contribute further. Happy shooting!
Olympus TG-850 iHS vs Pentax K-1 II Specifications
Olympus Stylus Tough TG-850 iHS | Pentax K-1 Mark II | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Pentax |
Model type | Olympus Stylus Tough TG-850 iHS | Pentax K-1 Mark II |
Category | Waterproof | Advanced DSLR |
Announced | 2014-01-29 | 2018-02-22 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Chip | TruePic VII | PRIME IV |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor surface area | 28.1mm² | 861.6mm² |
Sensor resolution | 16 megapixel | 36 megapixel |
Anti alias filter | ||
Aspect ratio | - | 3:2 |
Peak resolution | 4616 x 3464 | 7360 x 4912 |
Highest native ISO | 6400 | 819200 |
Minimum native ISO | 125 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 33 |
Cross type focus points | - | 25 |
Lens | ||
Lens support | fixed lens | Pentax KAF4 |
Lens zoom range | 21-105mm (5.0x) | - |
Highest aperture | f/3.5-5.7 | - |
Amount of lenses | - | 151 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen size | 3 inch | 3.2 inch |
Screen resolution | 460k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 1/2s | 30s |
Fastest shutter speed | 1/2000s | 1/8000s |
Continuous shutter rate | 7.0fps | 4.4fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | no built-in flash |
Flash options | - | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/200s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (60p), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264, Motion JPEG | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Yes | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 218g (0.48 lb) | 1010g (2.23 lb) |
Dimensions | 110 x 64 x 28mm (4.3" x 2.5" x 1.1") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 330 pictures | 670 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | LI-50B | D-LI90 |
Self timer | Yes (2 sec, 12 sec, Custom Self-Timer (1-30 sec start timer, 1-10 pictures, 1-3 sec interval)) | Yes (2 or 12 sec, custom) |
Time lapse recording | ||
Storage type | SD, SDHC, SDXC, Internal Memory | Dual SD/SDHC/SDXC (UHS-I) |
Card slots | One | Dual |
Pricing at release | $250 | $1,737 |