Olympus TG-860 vs Panasonic 3D1
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93 Imaging
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Olympus TG-860 vs Panasonic 3D1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 21-105mm (F3.5-5.7) lens
- 224g - 110 x 64 x 28mm
- Revealed February 2015
- Successor is Olympus TG-870
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.9-5.7) lens
- 193g - 108 x 58 x 24mm
- Released November 2011

Olympus TG-860 vs. Panasonic Lumix DMC-3D1: A Thorough Comparison for Photography Enthusiasts
Selecting the right compact camera has become a nuanced decision as technology advances and the diversity of user needs expands. Today, we put under the microscope two remarkably distinct yet occasionally overlapping entries in the compact segment: the Olympus Stylus Tough TG-860 and the Panasonic Lumix DMC-3D1. Though similar in sensor size and DSLR-like ease of use, these cameras target different niches - one rugged and adventure-ready, the other geared toward multimedia versatility with a unique 3D imaging specialty.
Drawing from years of hands-on testing and evaluation standards spanning sensor performance, ergonomics, autofocus capabilities, and use-case suitability across major photographic genres, this detailed 2500-word comparison will empower enthusiasts and professionals alike to make an informed buying decision. We explore the technical nuances, real-world behavior, and value assessment - with integrated imagery to visualize physical attributes, UI design, and output quality.
Design and Ergonomics: Tough Adventure Companion vs. Sleek Multimedia Compact
Starting with the physical design - a fundamental factor influencing usability - the Olympus TG-860 opts for robustness with clear "ruggedized" intent. The body, measuring 110 x 64 x 28 mm and weighing 224 grams, is built with environmental sealing, qualifying it as waterproof, shockproof, freezeproof, and crushproof. This makes it especially appealing for outdoor photographers or anyone needing a camera that can endure tough physical conditions without additional housing or accessories.
Conversely, the Panasonic DMC-3D1 is a more traditional compact camera, with dimensions of 108 x 58 x 24 mm and a lighter weight at 193 grams, favoring portability over extreme abuse tolerance. The absence of weather sealing or impact protection means users must be more cautious in challenging environments, though the Panasonic's ergonomics remain pleasant and straightforward, benefiting from a slightly slimmer profile and a more modern touchscreen interface.
Both cameras lack an electronic viewfinder, relying solely on their rear LCD displays for composition. The TG-860 features a 3-inch tilting screen with 460K-dot resolution which, while not the sharpest, delivers flexibility for low or high-angle shooting. The Panasonic offers a slightly larger 3.5-inch TFT full touchscreen with AR coating at the same resolution, enhancing usability for touch navigation and settings control, a plus especially for users accustomed to smartphone-like responsiveness.
In terms of physical controls, the TG-860 provides more tactile buttons suitable for operation with gloves or in wet conditions, an important advantage for adventurous photographers. The Panasonic’s minimalist button count is compensated by its touchscreen but may frustrate users preferring traditional controls.
Sensor Technology and Image Quality: Same Sensor Size, Different Resolutions and Processing Strategies
Both cameras utilize a 1/2.3-inch CMOS sensor - a common compact camera size that balances package compactness with modest image quality expectations. However, distinctions arise in resolution and image processing.
The Olympus TG-860 sports 16 megapixels, generating a maximum image size of 4608 x 3456 pixels, whereas the Panasonic DMC-3D1 provides 12 megapixels with a 4000 x 3000 pixel output. The slight difference in megapixel count may not drastically alter image sharpness under typical shooting conditions but can influence cropping flexibility and fine detail rendition.
Still, resolution alone does not determine image quality, so evaluating sensor performance involves dynamic range capabilities, noise control at high ISO, and color reproduction fidelity. Although neither camera has undergone formal DXOMark testing, practical experience and internal sensor characteristics suggest both perform similarly in well-lit environments but are limited by sensor size and pixel pitch when shooting in low-light conditions.
The Olympus TG-860’s TruePic VII processor, known from higher-end Olympus models, applies efficient noise reduction and sharpening algorithms tailored for tougher lighting scenarios, possibly granting it a slight edge in retaining detail at ISO 800-1600 ranges. On the other hand, the Panasonic 3D1’s processor details are undisclosed, but given the 2011 release timeline and added computational load of 3D capture modes, image processing may emphasize speed over noise mastery.
Both cameras use anti-alias filters to reduce moiré artifacts at the expense of ultimate sharpness, which is par for the compact sensor course.
User Interface and Controls: Touchscreen Innovation Meets Rugged Simplicity
From a usability standpoint, the Panasonic’s touchscreen interface adds a layer of intuitive control and menu navigation, which is particularly beneficial given its multimedia orientation that includes 3D functionality. The touchscreen enables fingertip autofocus, tap-to-capture, and quick parameter adjustment, somewhat leveling the usability field for novice users migrating from smartphones.
In contrast, the Olympus TG-860, lacking a touchscreen, relies on physical buttons and dials arranged ergonomically for quick access - especially valuable in situations where gloves or wet hands preclude touchscreen use (e.g., outdoor hikes or adventure sports). Its tilting screen, though fixed in resolution, is useful for creative framing, especially in macro or low-angle shots where a live-viewfinder might be impractical.
Neither camera offers an EVF, meaning reliance on the LCD screen exposes users to potential challenges composing in bright sunlight - an area where photographers may wish to consider shading accessories or alternative compositions.
Real-World Image Quality Across Photography Genres
Portrait Photography
Given their fixed lenses and sensor size, both cameras prioritize convenience over shallow depth-of-field mastery. The Olympus’s lens aperture range from f/3.5 to f/5.7 manages background separation modestly through its 21-105 mm equivalent zoom, producing soft bokeh at its telephoto end but generally limited by sensor capabilities. Olympus utilizes face detection autofocus effectively, locking focus on skin tones and eyes in most lighting conditions, although precision is limited compared to higher-end mirrorless or DSLR cameras.
The Panasonic DMC-3D1 features a 25-100 mm equivalent zoom at f/3.9-5.7, producing comparable bokeh performance but benefits from its touchscreen AF point selection, enabling greater control over focus placement, a notable advantage for portrait composition in complex scenes. Both cameras lack RAW support, constraining post-processing flexibility crucial for professional skin tone rendering.
Landscape Photography
In landscape scenarios demanding high dynamic range and detail resolution, neither camera can rival larger sensor alternatives, but practical evaluations place the Olympus marginally ahead due to its 16-megapixel sensor delivering finer detail and the TruePic VII processor’s nuanced contrast handling.
Weather sealing of the TG-860 catapults it ahead for rugged landscape photography where moisture, dust, or temperature extremes are factors. Panasonic’s lack of environmental protection limits it to controlled or urban landscapes.
The Olympus’s wider zoom range (21 mm wide angle) is beneficial for encompassing grand vistas, while the Panasonic’s starting focal length at 25 mm slightly restricts very wide-field capture.
Wildlife Photography
Neither camera is designed to replace specialized wildlife setups but analyzing autofocus speed and burst capabilities reveals interesting contrasts. The Olympus offers 7 frames per second continuous shooting, facilitating reasonable capture rates of fleeting wildlife moments. Its autofocus, while contrast-detection based, supports face detection and tracking, useful for moderate movement but less efficient in complex scenes or for fast-moving subjects due to limited focus point automation.
The Panasonic’s continuous shooting speed is unspecified, suggesting more conservative burst performance, aligned with its multimedia focus rather than rapid-fire photography. Its autofocus employs 23 focus points with face detection and touch AF, aiding subject tracking, though likely insufficient for precise, distant wildlife capture.
Telephoto reach is similar, but Olympus’s 105 mm (35mm equivalent) end arguably offers a slight advantage in framing smaller subjects.
Sports Photography
Sports photography demands tracking accuracy, autofocus speed, low-light sensitivity, and fast shutter speeds - domains where compact cameras typically struggle but are worth comparing across these two models. The Olympus TG-860 has a shutter speed range from 4 seconds to 1/2000th of a second, sufficient for most daytime sports action but limited for extremely fast motion. Its burst mode and tracking AF assist in capturing sequences but lack the sophistication of dedicated sports cameras.
The Panasonic DMC-3D1 offers shutter speeds from 1/60 to 1/1300 second, less versatile for high-speed sports, and without burst shooting specs, it is a lesser contender for action capture.
Neither model features phase-detection autofocus or advanced subject tracking algorithms essential for professional sports photography, cementing their position firmly in entry-level or casual use cases.
Street Photography
Portability and discretion are paramount in street photography. The Panasonic’s more compact dimensions and lighter weight offer marginal advantages in concealability. Its touchscreen focus control facilitates rapid shooting with minimum distraction. However, the lack of weather sealing means caution must be exercised in adverse conditions.
The Olympus’s ruggedness may deter some street shooters seeking minimalist setups but benefits users who combine street with adventure or travel shoots.
Both cameras offer quiet operation modes and flash options that are generally unobtrusive, but neither provides silent electronic shutter functionality, a common feature in more recent mirrorless compacts.
Macro Photography
The Olympus TG-860 boasts an impressive minimum macro focus distance of 1 cm, significantly closer than the Panasonic’s 5 cm. This enables detailed close-ups with excellent magnification, suitable for insect, flower, and texture photography. The Olympus’s optical image stabilization aids in handheld macro shooting, reducing blur from handshake, which is more impactful at close focal lengths.
The Panasonic, although stabilized, lacks the extreme close-focus capability, making it less suitable for dedicated macro work but still capable of casual close-ups.
Night and Astro Photography
Low-light performance and extended exposure control are critical in night and astrophotography. The Olympus TG-860 supports ISO up to 6400 and has a shutter speed maximum of 4 seconds, allowing for modest night sky captures, especially when paired with a tripod. Its optical stabilization assists in reducing blur during handheld shots, though not as effective for star trails requiring longer exposures.
The Panasonic’s maximum shutter speed of 1/60 second severely limits its night photography potential. Its ISO maximum matches the Olympus but is tempered by the shorter shutter duration, providing limited opportunity for low-light and astro scenarios.
Neither camera supports RAW, restricting post-processing latitude essential in astrophotography.
Video Capabilities: HD Recording with Practical Differentials
Both cameras record Full HD 1080p video at 60 and 30 fps, aligning with modern standards for casual video capture.
The Olympus TG-860 encodes video in H.264 format, focusing on efficient compression. It offers image stabilization during recording but lacks external microphone and headphone jacks, limiting audio customization useful in professional scenarios.
The Panasonic DMC-3D1 covers a broader array of codecs - MPEG-4, AVCHD, and Motion JPEG - offering some flexibility in editing workflows but similarly lacks external audio ports. The touchscreen interface significantly simplifies focus pull and setting adjustments mid-recording, a beneficial feature for run-and-gun videography.
Neither camera supports 4K or higher-resolution video capture, nor advanced video features like log profiles or high-bit-rate recording, underscoring their positioning as consumer-grade shooters.
Battery Life and Storage: Everyday Practicalities
Battery endurance is vital for continuous shooting and travel convenience. The Olympus TG-860 offers approximately 300 shots per charge, surpassing the Panasonic 3D1’s estimated 200 shots. For prolonged outings or events, Olympus users can rely on extended shooting capability.
Both cameras employ proprietary lithium-ion battery packs (Li-50B for Olympus), with recharging achievable through USB (2.0 standard), a practical option for travel. Single SD/SDHC/SDXC card slot configurations in both models limit simultaneous backup but are standard in compact cameras of this era.
Connectivity and Extra Features: Wireless vs. None, GPS vs. 3D
One standout difference is connectivity. The Olympus TG-860 features built-in wireless, enabling convenient image transfer and remote control via a smartphone app, advantageous for social media photographers and quick sharing without a PC intermediary. GPS geotagging is also integrated, adding value for travel and landscape documentation.
The Panasonic 3D1 lacks any wireless or GPS features. However, its niche attribute is 3D image capture - a feature absent from Olympus - enabling stereo photo and video recording, a unique but specialized function with limited mainstream appeal, and requiring compatible 3D displays or viewers.
Lens and Zoom Performance: Versatility Under the Hood
The Olympus TG-860’s zoom range of 21-105 mm equivalent coupled with an f/3.5-5.7 aperture provides greater wide-angle coverage beneficial for landscapes and indoor shooting, with adequate telephoto reach for casual portraits or distant subjects. Its 5× optical zoom is versatile for most general photography needs.
The Panasonic's 25-100 mm f/3.9-5.7 lens offers a slightly shorter focal length range and narrower aperture at the wide end. While slightly less accommodating for wide-field scenes, it remains competent for everyday shooting.
Both cameras have optical image stabilization, essential for handheld shooting especially at telephoto ends and slower shutter speeds.
Professional Use and Workflow Integration
Neither camera supports RAW capture, limiting their appeal for professional workflows requiring maximum post-process flexibility. File formats are limited to JPEG and standard video codecs, suitable for casual or enthusiast-level use but restricting in high-end editorial or commercial contexts.
Build quality, durability, and weather sealing make the Olympus a more reliable field companion for travel and outdoor professionals, especially in rugged environments. Connectivity features further enable streamlined workflows.
The Panasonic, while lacking these rugged credentials, might appeal to content creators experimenting with 3D media or those prioritizing touchscreen interactions.
Final Thoughts and Recommendations
Considering all technical specifications, practical usability, and photographic disciplines, both cameras fill distinct roles despite overlaps.
Olympus Stylus Tough TG-860 is your choice if:
- You require a durable, waterproof, shockproof camera for adventure, travel, or outdoor photography.
- Macro photography and closer focusing distances are important to you.
- You want wireless transfer and GPS support.
- You need longer battery life and tilt screen flexibility.
- You value versatility over multimedia gimmicks.
Panasonic Lumix DMC-3D1 suits you if:
- You prioritize touchscreen control and easy, intuitive interface.
- You are interested in 3D stills and video as a creative outlet.
- Compactness and portability are key due to mostly indoor or casual shooting.
- You prefer video codec flexibility for casual videography.
- Weather sealing and ruggedness are not requirements.
Criterion | Olympus TG-860 | Panasonic 3D1 |
---|---|---|
Sensor Resolution | 16MP | 12MP |
Weather Sealing | Yes | No |
Lens Zoom Range | 21-105 mm (5× optical) | 25-100 mm (4× optical) |
Macro Focus Distance | 1 cm | 5 cm |
Screen Type | 3" Tilting LCD, No Touch | 3.5" Fixed TFT Touchscreen |
Built-in Wireless | Yes | No |
GPS | Yes | No |
Max Burst Rate | 7 fps | Not Specified |
Video 1080p | 60 fps, H.264 | 60 fps, MPEG-4/AVCHD/MJPEG |
Battery Life (Shots) | 300 | 200 |
Rugged Features | Waterproof, Freeze/Shockproof | None |
Price (at launch) | ~$279 | ~$670 |
Our experience with thousands of compact cameras underscores that no single model perfectly fits all uses but understanding their strengths guides photographers to their perfect match. The Olympus TG-860 impresses as a steadfast choice for rugged, outdoor, and macro-focused shooters seeking a solid compact camera with smart features, while the Panasonic 3D1 offers a niche but intriguing proposition for multimedia enthusiasts exploring 3D and touch-based operation.
For most users prioritizing durability, image quality, and usability under varied conditions, the Olympus Stylus Tough TG-860 is the preferred option, delivering excellent balance and dependable performance at a compelling price point.
We welcome you to comment below with your experiences or questions about these cameras to help the community grow with practical insights beyond specifications.
Olympus TG-860 vs Panasonic 3D1 Specifications
Olympus Stylus Tough TG-860 | Panasonic Lumix DMC-3D1 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus Stylus Tough TG-860 | Panasonic Lumix DMC-3D1 |
Type | Waterproof | Small Sensor Compact |
Revealed | 2015-02-06 | 2011-11-07 |
Body design | Ultracompact | Compact |
Sensor Information | ||
Processor | TruePic VII | - |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 6400 | 6400 |
Min native ISO | 125 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 21-105mm (5.0x) | 25-100mm (4.0x) |
Highest aperture | f/3.5-5.7 | f/3.9-5.7 |
Macro focusing range | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen sizing | 3 inches | 3.5 inches |
Screen resolution | 460 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | - | TFT Full Touch Screen with AR coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 4s | 60s |
Highest shutter speed | 1/2000s | 1/1300s |
Continuous shooting speed | 7.0 frames per sec | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.00 m (at ISO 1600) | 3.50 m |
Flash options | Auto, redeye reduction, fill flash, off, LED illuminator | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p), 1280 x 720 (60p), 640 x 480 (60p) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | H.264 | MPEG-4, AVCHD, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Yes | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 224 gr (0.49 pounds) | 193 gr (0.43 pounds) |
Dimensions | 110 x 64 x 28mm (4.3" x 2.5" x 1.1") | 108 x 58 x 24mm (4.3" x 2.3" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 300 photographs | 200 photographs |
Battery format | Battery Pack | Battery Pack |
Battery ID | Li-50B | - |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Launch price | $279 | $670 |