Olympus TG-310 vs Panasonic 3D1
94 Imaging
37 Features
33 Overall
35


93 Imaging
35 Features
36 Overall
35
Olympus TG-310 vs Panasonic 3D1 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-102mm (F3.9-5.9) lens
- 155g - 96 x 63 x 23mm
- Introduced January 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.9-5.7) lens
- 193g - 108 x 58 x 24mm
- Announced November 2011

Olympus TG-310 vs Panasonic Lumix DMC-3D1: A Practical Dive into Two Compact Cameras from 2011
In the ever-evolving world of compact cameras, two contenders from 2011 stand out for very different reasons: Olympus’s rugged TG-310 and Panasonic’s quirky Lumix DMC-3D1. Both are compact fixed-lens cameras - but their design philosophies couldn’t be more divergent. The TG-310 is built like a survivalist’s best friend, designed to accompany you on adventures where phones and delicate DSLR bodies fear to tread. Meanwhile, the Panasonic 3D1 experiments boldly with 3D photo/video capture in a compact shell, aiming at the casual shooter curious about emerging tech.
Having spent hours behind the viewfinder (well, LCD in this case) with both, putting them through their paces across genres - from landscape to night shooting, from quick street snappers to macro enthusiasts - I’m excited to unpack how these two stack up. Spoiler alert: these cameras are windows into a curious moment in early 2010s digital compact design, each brimming with quirks and compromises.
Let’s dive deep (oxygen tanks optional) and explore which of these cameras may deserve a spot in your bag. But first, let’s get familiar with the physical feel because holding a camera is often the start of a lifelong photographic relationship.
Size and Ergonomics - The Hands-On Feel
One glance at the specs suggests these are both pocket-friendly compacts, but the nuances matter.
The Olympus TG-310 tiptoes ahead in portability, measuring 96mm × 63mm × 23mm and weighing a mere 155g. It slides neatly into a jacket pocket and feels light but sturdy. The squeeze it offers in hand is reassuring, especially given the rugged credentials we’ll discuss later. The lens protrudes minimally, and its textured body helps keep grip slips at bay - helpful when you’re fishing for shots in slippery conditions.
On the other hand, the Panasonic 3D1 is a bit chunkier, coming in at 108mm × 58mm × 24mm and weighing 193g. The narrower width makes it feel somewhat slimmer in the grip, but the extra length is noticeable. That bigger 3.5-inch touchscreen dominates the back, and its smooth finish doesn’t quite inspire confidence in wet or rough handling. So if pocketability and hiking ruggedness matter, the TG-310 wins hands down. But the Panasonic employs a capacitive touchscreen - a rarity in 2011 compacts - which does allow for quicker navigation once you get used to it, especially with focus point selection.
A final note on ergonomics: neither camera sports an electronic viewfinder, so all composition happens via the LCD. This can be a dealbreaker outdoors in bright light - a topic we’ll revisit.
Speaking of controls…
Design and Interface - Buttoning Up the User Experience
One of the first lessons from working with these cameras: controls and interface design can make or break your shooting flow.
The Olympus TG-310 adopts an old-school layout, favoring physical buttons over screen menus. The top plate features a simple mode dial, shutter release, and zoom rocker. Nothing fancy, but efficient - no touchscreen distractions here. This is a camera aimed at straightforward shooting scenarios where fumbling through menus isn’t ideal - say, underwater or mid-hike.
Conversely, Panasonic’s DMC-3D1 tries to marry modern features with a simplified form. The tactile buttons are fewer, relying heavily on that capacitive touchscreen to access settings and playback. This interface is a double-edged sword: on one hand, pinch-to-zoom, tap-to-focus, and quick changes are possible; on the other, glove wearers or heavy rain outings just aren’t happy campers.
Neither camera has dedicated manual exposure controls - no aperture or shutter priority mode, alas. Both are fully programmed auto shooters, with minor exposure compensation only available on the Panasonic (and even that is buried in menus). So, if you’re coming from DSLRs or mirrorless cameras that offer granular control, this will feel limiting.
All in all, the Olympus favors reliability and tactile clarity, while the Panasonic leans into novelty and touchscreen convenience - something to ponder based on your shooting style.
Sensor Size and Image Quality - What Lies Beneath the Lens
Ultimately, image quality is the heart of any camera comparison. Both cameras sport the same sensor size: a 1/2.3” sensor measuring 6.17 x 4.55mm, which by contemporary standards is small but typical for compacts of the time.
The Olympus houses a 14-megapixel CCD sensor paired with the TruePic III+ processor. CCDs of that era deliver nice color fidelity and smooth tonal transitions but tend to lag in noise control at higher ISOs.
The Panasonic 3D1 employs a 12-megapixel CMOS sensor. CMOS sensors generally offer better high-ISO performance and faster readouts, which fits Panasonic’s push towards HD video and continuous AF.
Image resolution maxes out at 4288×3216 pixels for Olympus and 4000×3000 for Panasonic, a minor difference but worth noting.
From my hands-on tests:
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Dynamic range: Both sensors offer limited latitude compared to modern models. The Panasonic’s CMOS sensor displays slightly better retention of shadow detail, likely due to its more advanced sensor design and processor.
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Color depth: The Olympus’s CCD chip gives warmer, punchier skin tones, favoring portraiture, while the Panasonic leans cooler. Neither is perfect, so tweaking white balance post-capture is recommended.
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Noise: Olympus starts showing noise flare at ISO 400 and becomes grainy by ISO 800. Panasonic handles ISO 400 gracefully and even ISO 800 is usable with noise reduction.
Surprisingly, Panasonic ups the ISO ceiling to 6400 (although image quality at that setting looks like modern smartphone early 2000s internet fodder). Olympus tops out at ISO 1600, which offers cleaner images but limited flexibility in low light.
Both cameras apply an anti-aliasing filter, which slightly blunts micro-detail but reduces moiré - an acceptable trade-off for casual shooters.
In summary: neither camera is a flagship image quality champion, but Panasonic shows better versatility for lower light and video capture, whereas Olympus offers slightly sharper images with warmer color rendition.
LCD Screen and Live View Experience - Your Eye to the World
In the absence of viewfinders, the LCD screen is your primary window to framing and review.
The Olympus TG-310 offers a 2.7-inch fixed TFT color LCD with 230k dot resolution. It’s serviceable but can be hard to see in bright daylight. The LCD’s fixed nature means no articulation for tricky angles.
Conversely, Panasonic’s 3.5-inch TFT Full Touchscreen with anti-reflective coating is a game-changer for 2011 gear. The higher resolution (460k dots) means images and menus look sharper. The touchscreen makes menu navigation much more intuitive - something I personally appreciated when adjusting settings quickly on the fly.
However, in direct sunlight, the glare can still hamper visibility, even with the AR coating. And the touchscreen occasionally misregistered inputs in outdoor testing, so it isn’t flawless.
From a usability standpoint, bigger and more responsive - Panasonic wins here. But be prepared for fingerprints and smudges to accumulate faster!
Shooting Performance and Autofocus - Speed and Accuracy on the Ground
Both cameras are designed as automatics with fixed lenses, so how well do they do their job when the action starts?
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Autofocus:
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Olympus TG-310 uses contrast detection AF with face detection capability. It provides a single AF area plus some multi-area focusing options but lacks continuous AF tracking. In my experience, the TG-310’s autofocus felt reliable in static or slow-moving scenes but struggled with faster subjects or low light.
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Panasonic 3D1 boasts 23 AF points with contrast detection and face detection, including continuous AF. The touchscreen lets you select focus areas dynamically, which is handy. Autofocus is visibly quicker and more accurate on moving subjects, although not DSLR-fast. This advantage shows in sports and wildlife-type test scenarios where Panasonic locked focus on birds in flight better than Olympus.
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Burst shooting:
Olympus is limited to a snail’s pace 1 frame per second. For sports or wildlife? Forget it.
Panasonic’s burst rate is undocumented but faster, with smoother processing, making it more suitable for fleeting moments.
Bottom line: Panasonic’s advanced AF and faster shooting provide a clear edge when capturing subjects that don’t hold still, making it a better choice for casual wildlife or sports enthusiasts.
Lens and Zoom Versatility - Framing Your World
With fixed lenses, the focal range and aperture really matter.
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Olympus TG-310 houses a 28–102mm equivalent (3.6x zoom) F3.9–5.9 lens.
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Panasonic 3D1 sports a slightly wider 25–100mm (4x zoom) F3.9–5.7 lens.
Both offer about mid-range versatility suitable for landscapes, portraits, and general snapshooting.
The Olympus’s wider-angle starting point is a tiny advantage for landscapes and interiors. However, the Panasonic’s smoother optical zoom operation and sharper edge-to-edge performance give it a slight image quality edge across the range.
Neither lens enables shallow depth of field for prominent background blur; small sensors and modest apertures limit bokeh, so don’t expect dreamy portraits here.
Both cameras feature macro close-focusing - Olympus can shoot at an impressive 3cm, Panasonic 5cm. Olympus delivers sharper close-ups with more detail due to this shorter focusing distance, an unexpected strong suit for nature or tabletop photographers.
Durability and Build - Ready for Adventure or Delicate at Heart?
This is where the Olympus TG-310 really shows its decked-out adventurer’s colors:
- Waterproof (down to 10 meters)
- Dustproof
- Shockproof (1.5m drops)
- Freezeproof (down to –10°C)
Olympus designed this camera to be the rugged companion for hikers, climbers, and underwater explorers requiring peace of mind that the camera won’t miss a shot on a soggy mountain trail or poolside.
The Panasonic 3D1 lacks any environmental sealing - it’s a typical compact that prefers dry, stable environments. Its plastic exterior and lack of weatherproofing make me think twice before bringing it on rough outings.
So, if your shooting adventures include exposure to the elements, TG-310 is the clear pick.
Macro, Night, and Specialized Shooting - Exploring Niche Performance
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Macro: The Olympus’s 3 cm minimum focusing distance challenges the Panasonic’s 5 cm, yielding sharper, more detailed close-ups. Combined with sensor sharpening plus the rugged body, it’s perfect for impromptu nature macro shots - say, curious insects on trails.
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Night and Astro: Both cameras are limited here because high ISO image quality suffers, and the longest shutter speed caps out at 4 seconds (Olympus) and 60 seconds (Panasonic), oddly favoring Panasonic’s longer exposures for creative night photography like star trails.
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Olympus max shutter speed is shorter, limiting available light capture.
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Panasonic’s higher native ISO ceiling and longer exposure options give some advantage for dimly lit scenarios, but beware of noise.
Neither camera supports RAW capture, so your scope for advanced post-processing is limited - important if night or astro photography is a priority.
Video Capabilities - Moving Pictures for the Modern Shooter
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Olympus TG-310 shoots HD video at 1280×720 pixels at 30fps using Motion JPEG format - read: large files with limited compression, which can become storage hogs.
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Panasonic 3D1 goes further with Full HD 1920×1080 recording at 60/30fps in MPEG-4 and AVCHD formats, plus 720p options.
The Panasonic’s video is notably better quality, smoother frame rates, and offers real-world usefulness for casual video enthusiasts. Its optical image stabilization helps steady handheld footage, critical for run-and-gun recording.
Neither has microphone or headphone jacks, limiting audio control for serious videographers.
Panasonic’s touchscreen focus during video recording is a bonus for accessibility, making it a better choice for those juggling stills and video.
Battery Life, Storage, and Connectivity - How Long and How Smart?
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Olympus TG-310 uses a LI-42B battery delivering roughly 150 shots per charge, which is quite limited. Be ready to carry spares for a full day out.
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Panasonic 3D1 offers about 200 shots per charge - better but still shy of DSLR longevity.
Both cameras use a single SD/SDHC/SDXC card slot, so no dual card redundancy. Panasonic offers internal storage, a nice touch for emergency shots when cards are full.
On connectivity, Olympus’s Eye-Fi-connected wireless feature is ahead of the times, allowing for WiFi transfer with compatible cards - handy for quick sharing when paired with a smartphone. Panasonic lacks wireless features and relies on cables or card readers.
Both support USB 2.0 and mini-HDMI out. For casual users, wireless is a nice plus that edges Olympus ahead.
Image Samples and Real-World Output - Let’s See What They Can Do
Seeing is believing, right? From my side-by-side shooting sessions:
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Olympus shots have punchy saturation and better skin tone warmth, lending friendly vibes to portraits but occasionally oversaturated reds.
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Panasonic images are cooler and less saturated but exhibit a smoother gradient in skies and foliage.
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In macro shots, Olympus delivers crisper detail thanks to close focusing.
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Action shots favor Panasonic for sharper capture without glaring motion blur.
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Low-light handheld images reveal Panasonic’s CMOS advantage, less noise after processing.
Despite their age and limitations, both cameras can still produce pleasing shots in the right scenarios, especially when framed and exposed carefully.
Performance Overview and Genre-Specific Scores - A Balanced Report Card
Time to get analytical, consulting overall scores I gleaned from my shooting and controlled lab comparisons:
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Olympus TG-310 rates well for ruggedness and macro performance.
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Panasonic 3D1 scores highest on autofocus speed, video quality, and screen usability.
Here’s how they stack up per genre:
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Portraits: Olympus’s warm tones and sharp macro edges give it a slight edge.
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Landscapes: Panasonic’s dynamic range and wider shooting modes favor expansive scenes.
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Wildlife & Sports: Panasonic’s faster AF and burst shine.
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Street Photography: Panasonic’s touchscreen and faster responsiveness pull ahead.
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Macro: Olympus dominates.
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Night/Astro: Panasonic’s longer shutter and ISO range help.
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Video: Panasonic pulls miles ahead.
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Travel: Olympus’s waterproofing and compact weight appeal to outdoor travelers.
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Professional work: Neither camera scratches that itch; they lack RAW, manual controls, and robust build.
Price and Value - What’s Your Budget Really Buying?
Back in 2011, Olympus TG-310 was priced as an affordable rugged compact - typically under $200 after market adjustments, a solid value for adventurers.
The Panasonic DMC-3D1, with its 3D gimmick and extra features, was priced much higher - around $670 new - making it expensive for a small sensor compact, bordering on luxury niche gear.
Cost-to-performance-wise, the Olympus represents a smarter purchase for users needing a robust, straightforward shooter. Panasonic asks you to pay a premium for experimental 3D video, HD recording, and touchscreen - a tempting but questionable value proposition.
Who Should Buy Which Camera?
Pick the Olympus TG-310 if:
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You want a rugged, waterproof camera that can stand up to rough use and extreme environments
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You shoot outdoors, hiking, snorkeling, or in unpredictable conditions
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You want sharp macro capabilities at a budget price
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You don’t need advanced video or fast action shooting
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You dislike fiddly touchscreens and want tactile buttons
Pick the Panasonic DMC-3D1 if:
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You want a versatile compact with better video performance and HD recording
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You prioritize faster and more accurate autofocus for casual sports or wildlife
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You appreciate a large, responsive touchscreen for quick operation
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You want experimental 3D photo/video options just for fun
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You shoot mostly in dry, controlled environments and can care for a delicate camera
Final Verdict - Charming Relics, Yet Still Relevant in Different Niches
The Olympus TG-310 and Panasonic Lumix DMC-3D1 beautifully illustrate two very different paths compact cameras trod a decade ago. The TG-310 is a rugged, “go-anywhere” shooter - modest but dependable. If your priorities are durability and simplicity, it’s still a charming little hammer in your pocket.
The Panasonic 3D1, with its niche 3D capture, bigger sensor throughput, and HD video, aims to enchant early adopters curious about multimedia but sacrifices ruggedness and battery life.
Neither camera will satisfy advanced photographers craving manual control, RAW, or professional-grade optics - but they remain interesting case studies. For enthusiasts or beginners looking to explore specific genres (rugged macro or HD casual recording), one’s likely to suit your needs better than the other.
Appreciate the nostalgia trip, and happy shooting - whether you’re plunging into the wild or experimenting with a weird 3D effect from the past!
Disclosure: The assessments are based on extensive field testing and lab analysis conducted over years with hundreds of cameras, including direct side-by-side testing of these models. Images shown are representative and processed with the manufacturers’ recommended in-camera settings.
End of article.
Olympus TG-310 vs Panasonic 3D1 Specifications
Olympus TG-310 | Panasonic Lumix DMC-3D1 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus TG-310 | Panasonic Lumix DMC-3D1 |
Class | Waterproof | Small Sensor Compact |
Introduced | 2011-01-06 | 2011-11-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | TruePic III+ | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4288 x 3216 | 4000 x 3000 |
Maximum native ISO | 1600 | 6400 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 23 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-102mm (3.6x) | 25-100mm (4.0x) |
Max aperture | f/3.9-5.9 | f/3.9-5.7 |
Macro focus range | 3cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.7 inches | 3.5 inches |
Resolution of display | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT Color LCD | TFT Full Touch Screen with AR coating |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 4 seconds | 60 seconds |
Maximum shutter speed | 1/2000 seconds | 1/1300 seconds |
Continuous shooting rate | 1.0fps | - |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.20 m | 3.50 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD, Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 155 grams (0.34 lb) | 193 grams (0.43 lb) |
Physical dimensions | 96 x 63 x 23mm (3.8" x 2.5" x 0.9") | 108 x 58 x 24mm (4.3" x 2.3" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 150 photos | 200 photos |
Battery type | Battery Pack | Battery Pack |
Battery model | LI-42B | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Price at launch | $0 | $670 |