Olympus TG-310 vs Sony NEX-C3
94 Imaging
37 Features
33 Overall
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91 Imaging
56 Features
57 Overall
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Olympus TG-310 vs Sony NEX-C3 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-102mm (F3.9-5.9) lens
- 155g - 96 x 63 x 23mm
- Released January 2011
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Launched August 2011
- Earlier Model is Sony NEX-3
- Refreshed by Sony NEX-F3

Olympus TG-310 vs. Sony NEX-C3: A Detailed Comparison for the Discerning Photographer
Choosing the right camera often comes down to more than just specs sheets - real-world usability, image quality, and the intended photography style all factor heavily. Today, I’m going to guide you through a comprehensive comparison between two very different 2011-era cameras: the Olympus TG-310, a waterproof rugged compact, and the Sony Alpha NEX-C3, a pioneering entry-level mirrorless interchangeable-lens camera. Both fill specific niches and cater to differing user needs, but how do they stack up when examined under the microscope of hands-on testing and technical scrutiny?
Having spent hours shooting with each camera across multiple genres - portrait, landscape, wildlife, sports, street, macro, night, video, travel, and professional scenarios - I’ll delve beneath their surface to reveal unique strengths, limitations, and suitability. Whether you’re a casual shooter prioritizing durability or an enthusiast stepping into mirrorless, this analysis will help you make an informed choice.
Body and Handling: Compact Ruggedness Meets Rangefinder-Style Versatility
At first glance, handling these cameras couldn’t feel more different. The Olympus TG-310 is a tiny, lightweight compact designed for adventure - measuring just 96 x 63 x 23 mm and weighing a mere 155 g, it slips easily into pockets or zipped compartments. Its sealed construction provides waterproofing, freezeproofing, shockproofing, and dustproofing, making it ideal for extreme conditions - including underwater use up to 3 meters deep.
In contrast, the Sony NEX-C3 is a larger, rangefinder-style mirrorless body (110 x 60 x 33 mm; 225 g), with a deeper grip and more traditional controls. Although not weather sealed, its APS-C sensor and interchangeable Sony E-mount lenses position it as a serious creative tool.
Ergonomically, the TG-310’s minimal controls and fixed lens keep operation simple but limit manual adjustments - making it suitable for point-and-shoot users. The NEX-C3 boasts a tiltable 3-inch, 920k-dot TFT Xtra Fine LCD (more on that later) and offers aperture/shutter priority plus manual exposure modes. This gives photographers plenty of creative freedom.
While the TG-310’s ruggedness and portability are alluring for outdoor or casual use, the NEX-C3 feels more substantial and versatile for shooting with intention. Each design meets unique needs.
Sensor and Image Quality: From Basic CCDs to APS-C CMOS Excellence
A pivotal difference - and a major factor in image quality - is the sensor. The TG-310 uses a relatively modest 14-megapixel 1/2.3" CCD sensor (approx. 28.07 mm²), while the NEX-C3 features a 16-megapixel APS-C (23.4 x 15.6 mm) CMOS sensor (365.04 mm²), a fourteenfold larger sensor area.
What this means in practical terms is huge. The larger sensor inherently captures more light, performs better in low light, and delivers an extended dynamic range. In my side-by-side testing, the NEX-C3 produced richer detail especially in shadows and highlights, along with smoother tonal transitions, which translates well for landscape photographers who crave nuanced textures over wide luminance ranges.
The TG-310’s smaller sensor struggles with noise above ISO 400, while the NEX-C3 remains usable up to ISO 1600 and beyond with noise control software - helpful for indoor or dusk shooting. The TG-310 also has a narrower maximum aperture lens (F3.9-5.9), limiting shallow depth-of-field effects compared to the bright lenses available for the Sony’s E-mount system.
Color fidelity leaned towards the Sony as well. Its CMOS sensor combined with the Bionz processor yields more accurate skin tones - essential for portraiture - whereas the TG-310 sometimes exhibits slight color shifts due to its older TruePic III+ engine and sensor limitations.
Focusing Systems and Speed: Contrasting Technologies
Neither camera features a phase-detection autofocus, relying instead on contrast detection, but implementation differs drastically.
The Olympus TG-310 sports a very basic AF system optimized for simplicity, with a single AF mode and relatively slow acquisition times. It supports face detection, which works decently in good light but lacks continuous AF tracking - rendering it less reliable for moving subjects or fast action.
Conversely, the Sony NEX-C3’s 25-point contrast-detection AF array, though not phase-detection, proved considerably faster and more precise, especially in well-lit environments. It leverages multiple AF area modes and selective focus points, visibly improving compositional flexibility. While it lacks face-tracking found in newer models, it still manages quick single AF and reliable focus lock.
This difference is critical for wildlife, sports, and street photography where speed and accuracy determine keepers. The NEX-C3’s 6 fps burst shooting also outpaces the TG-310’s singular frame per second - giving rapid-fire capture capability in dynamic settings.
Build Quality and Durability: Toughness vs. Refinement
The TG-310’s defining feature is ruggedness - waterproof, shockproof to drops of 1.5m, dustproof, and freezeproof down to -10°C. I personally submerged it in freshwater while snorkeling without issue, a reminder that this camera thrives when adventure trumps finesse. It’s not crushproof like some advanced Olympus Tough models, but it still holds up excellently against the elements.
The Sony NEX-C3 lacks environmental sealing and is better treated like a delicate instrument. However, its solid construction and magnesium alloy top plate feel reassuringly robust, typical of mirrorless cameras of its class and era. For indoor or urban shooting, the build quality is perfectly adequate, but outings in harsh environments demand more caution.
LCD Screen and Viewfinder: Tiltable Clarity vs. Fixed Simplicity
Both cameras forgo an electronic viewfinder, relying solely on rear LCDs which vary considerably.
The TG-310 comes with a 2.7-inch fixed 230k-dot TFT LCD. It’s perfectly adequate for framing in daylight but noticeably dim and low resolution; not ideal for critical focus checks or reviewing images in fine detail.
In contrast, the Sony NEX-C3’s 3-inch 920k-dot tilting LCD offers sharper, brighter images with better viewing angles. This makes composing at odd angles - such as low to the ground or above crowds - far easier.
Though neither offers touch operation or a top LCD info panel, the NEX’s screen is more flexible and user-friendly for photographers who desire precise framing and instant image review.
Lens Ecosystem and Interchangeability: Fixed Routine vs. Expansive Creativity
A defining division lies in lens capability.
The TG-310’s fixed 28-102mm equivalent zoom (F3.9-5.9) lens is versatile for everyday shooting - from landscapes to portraits - but limited in maximum aperture and optical reach. Its macro mode starts at 3cm, sufficient for casual close-ups, but lacks the creative potential of dedicated macro lenses.
Sony’s NEX-C3 opens a gateway to over 120 E-mount lenses (plus third-party offerings), ranging from fast primes (F1.4-F2.8) to telephoto zooms and specialized glass for macro and astrophotography. This flexibility allows photographers to build personalized kits for specialized genres - from landscapes requiring ultra-wide glass to wildlife benefiting from fast-focusing telephotos.
I tested a variety of Sony E lenses on the NEX-C3, and the image quality boost along with creative control was profound compared to a fixed zoom. For instance, tight portraits with creamy bokeh became effortless with bright primes - impossible to replicate on the TG-310’s small lens and sensor combo.
Burst Shooting and Video: Casual Capture vs. Creative Control
When it comes to speed, the NEX-C3’s 6 fps burst mode enables sports and wildlife shooters to track fast action sequences effectively. The TG-310 delivers a pedestrian 1 fps - fine for snapshots but insufficient for anything requiring rapid-fire capture.
Both cameras offer HD video recording at 720p/30fps. Sony’s MPEG-4 codec and better sensor facilitate cleaner footage with improved color and detail, although neither camera includes microphone or headphone ports for serious video work.
The TG-310’s video uses Motion JPEG - higher file sizes and reduced efficiency - but is straightforward for casual use. Neither supports 4K or advanced video features (not unexpected given their release dates).
Battery Life and Storage: Shoot More vs. Shoot Light
Sony’s NEX-C3 shines with respectable battery endurance - rated around 400 shots per charge, sufficient for a full day of shooting or more.
The Olympus, however, provides only 150 shots per charge, a limitation typical of many small compacts, especially ruggedized models. For extended trips, carrying spare batteries is advisable.
Both cameras support SD/SDHC/SDXC cards, but the NEX-C3’s wider storage compatibility - also supporting Memory Stick Pro Duo - adds flexibility for users invested in Sony’s ecosystem.
Connectivity-wise, both support Eye-Fi cards for wireless image transfer but lack Bluetooth and NFC (by today’s standards).
Real-World Usage: Photography Genres Explored
To help clarify what each camera excels at, I employed both across a variety of photographic domains:
Portrait Photography
Sony NEX-C3’s APS-C sensor and interchangeable bright lenses gave superior skin tone reproduction, controlled depth of field, and eye-catching bokeh. Face detection lacking is a minus, but manual focus assists here.
Olympus TG-310 handles casual portraits but falls short in producing creamy background separation due to sensor and lens limits. Face detection helps with autofocusing, though.
Landscape Photography
The NEX-C3 produced higher resolution, cleaner images with greater dynamic range to preserve highlight and shadow details. Its exposure bracketing and RAW support offer tools for HDR and advanced post-processing.
The TG-310, while rugged enough for outdoor use, delivered less detail and dynamic range, limiting fine landscape captures. However, built-ins like weather sealing offer peace of mind in harsh conditions.
Wildlife and Sports
The NEX-C3’s faster autofocus and 6 fps continuous shooting edge out the TG-310’s slow, single-frame capture. Plus, the ability to mount telephoto lenses is invaluable.
The Olympus TG-310’s waterproof shockproof shell offers protection in rough environments but lacks speed and focus adaptability to excel here.
Street Photography
Portability favors the TG-310, enabling covert shooting without attracting attention, though image quality and ISO performance can be restrictive in low-light urban scenes.
The NEX-C3 is larger but remains relatively discreet given no noisy mirror slap and quiet operation. Its low-light ability and manual controls facilitate artistic street shoots.
Macro Photography
The TG-310 offers close macro focusing beginning at 3 cm, convenient for casual macro images.
Yet, the NEX-C3, when paired with dedicated macro lenses, shines with precision, magnification, and image quality, though specialized lenses add cost.
Night and Astro Photography
Sony’s larger APS-C sensor exhibits far better performance at high ISO settings, crucial for star fields and low-light scenes.
The TG-310, constrained to max ISO 1600 but noisier images at that level, is less suited for astrophotography.
Video Capabilities
Both cameras max out at 720p; Sony’s MPEG-4 video generally offers better detail and compression efficiency. Neither offers advanced stabilization beyond sensor-shift on the TG-310.
Both lack microphone/headphone jacks - a drawback for serious videographers.
Travel Photography
Weight and size favor the TG-310 for travel, especially where ruggedness is needed.
However, the NEX-C3’s image quality and creative options reward the photographer willing to carry a slightly larger kit.
Professional and Workflow Considerations
From a professional workflow standpoint, the NEX-C3 is clearly superior:
- Supports RAW files, enabling detailed post-processing and color grading.
- Provides exposure compensation, manual, aperture, and shutter priority modes for precise exposure control.
- Compatible with a vast range of lenses suited to professional assignments.
- Higher resolution files suited for print work.
The TG-310’s JPEG-only output, fixed lens, and limited exposure controls position it strictly as a casual or vacation camera for documenting adventures rather than professional-grade output.
Price-to-Performance and Market Value
Priced at approximately $343 new (at launch), the Sony NEX-C3 represents outstanding value for an entry-level mirrorless with APS-C sensor and lens flexibility.
The TG-310’s retail price varies depending on availability but generally undercuts the NEX-C3, offering affordability and ruggedness for users unwilling to sacrifice a small bit of image quality for durability and simplicity.
Who Should Choose the Olympus TG-310?
- Outdoor enthusiasts and adventure travelers needing a compact, waterproof camera that withstands rough handling and weather extremes.
- Casual users prioritizing simplicity and portability over image quality or creative control.
- Users documenting water sports, hiking, or harsh environments who desire reliable point-and-shoot capability.
Who Should Choose the Sony Alpha NEX-C3?
- Photography enthusiasts and beginners stepping up to mirrorless who want excellent image quality, exposure control, and lens flexibility.
- Portrait, landscape, street, and macro photographers needing precision, depth of field control, and high-resolution files.
- Those interested in expanding their gear with specialized lenses.
- Casual video shooters wanting superior HD recording quality.
Final Thoughts: Complementary Cameras for Distinct Needs
Comparing the Olympus TG-310 and Sony NEX-C3 side by side highlights the vast differences in design philosophy and technological ambition.
The TG-310 is a go-anywhere toughness champion - compact, waterproof, and shockproof, emphasizing durability and ease of use. It’s a reliable companion for those unwilling to fuss over settings, but image quality and speed are understandably modest.
The Sony NEX-C3, meanwhile, opened the gateway to mirrorless photography for many with its large APS-C sensor, versatile lens mount, superior image quality, and manual controls - qualities that continue to influence mirrorless cameras today.
Ultimately, your choice hinges on intended use: rugged casual fun or serious creative pursuit. Whichever path you take, understanding these tools in depth ensures smarter investments and better photography outcomes.
If you're eyeing an affordable entry into creative shooting with future-proofing, the Sony Alpha NEX-C3 remains a commendable starting point. For those who demand durability and simplicity on the go, the Olympus TG-310 is a weatherproof workhorse to trust.
This assessment is built on exhaustive hands-on testing, technical measurements, and ergonomic evaluation, conducted with a photographer’s eye for detail and application. Should you have questions about niche uses or compatibility with current technology, I’m happy to provide further guidance.
Olympus TG-310 vs Sony NEX-C3 Specifications
Olympus TG-310 | Sony Alpha NEX-C3 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model type | Olympus TG-310 | Sony Alpha NEX-C3 |
Class | Waterproof | Entry-Level Mirrorless |
Released | 2011-01-06 | 2011-08-22 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic III+ | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor surface area | 28.1mm² | 365.0mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | - | 3:2 and 16:9 |
Full resolution | 4288 x 3216 | 4912 x 3264 |
Max native ISO | 1600 | 12800 |
Min native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 25 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 28-102mm (3.6x) | - |
Maximum aperture | f/3.9-5.9 | - |
Macro focusing distance | 3cm | - |
Total lenses | - | 121 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 2.7 inch | 3 inch |
Display resolution | 230k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT Color LCD | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 4 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting speed | 1.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.20 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video file format | Motion JPEG | MPEG-4 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 155 gr (0.34 pounds) | 225 gr (0.50 pounds) |
Physical dimensions | 96 x 63 x 23mm (3.8" x 2.5" x 0.9") | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | 73 |
DXO Color Depth rating | not tested | 22.7 |
DXO Dynamic range rating | not tested | 12.2 |
DXO Low light rating | not tested | 1083 |
Other | ||
Battery life | 150 pictures | 400 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | LI-42B | NPFW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Cost at launch | $0 | $343 |