Olympus TG-610 vs Sony A560
93 Imaging
37 Features
37 Overall
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64 Imaging
54 Features
78 Overall
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Olympus TG-610 vs Sony A560 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 190g - 96 x 65 x 26mm
- Released January 2011
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Revealed August 2010
- Succeeded the Sony A500

Olympus TG-610 vs Sony A560: A Detailed Comparison for Enthusiasts and Professionals
When it comes to choosing a camera that aligns perfectly with your photography style and needs, the devil is truly in the details. Today, I’m putting side-by-side two very different cameras that, at first glance, might not seem comparable, but both hold distinct appeal in their respective niches: the rugged Olympus TG-610, a compact waterproof model designed for adventure, and the Sony Alpha DSLR-A560, an entry-level DSLR aimed at more traditional photographers seeking manual control and image quality.
I’ve personally tested thousands of cameras over my 15+ years in the field, so let me walk you through a deep dive that highlights each camera’s strengths and weaknesses, technical aspects, and real-world performance across major photography disciplines. Whether you’re a travel buff, a wildlife enthusiast, or a budding pro, this detailed comparison will steer you toward the right choice.
Size, Build, and Handling: How They Feel in Your Hands
First impressions matter, and the physical design of a camera can often determine how eager you are to shoot it. The Olympus TG-610 stands out for its compact, rugged construction, while the Sony A560 is unmistakably a DSLR with larger dimensions and heft.
The TG-610 measures a trim 96 x 65 x 26mm and weighs only 190 grams, making it extremely pocketable. It’s designed to be waterproof, shockproof, dustproof, and freezeproof - features you won’t find on many cameras without bulky housing. For outdoor enthusiasts who want a no-fuss companion that can withstand harsh environments, this is a decisive benefit.
Contrast that with Sony’s A560, which is a considerably heavier and larger DSLR at 137 x 104 x 84 mm and 599 grams. It’s no lightweight, but that size allows for a larger grip, physical controls, and more internal components, including a larger sensor.
If you prioritize portability and ruggedness, the TG-610 wins hands down. However, for those who want a more traditional camera experience with dedicated buttons and a bigger form factor conducive to longer shoots, the A560 feels more natural despite its weight.
Control Layout and User Interface: Intuition Meets Functionality
Moving beyond size, how do these cameras feel when you actually try to operate them?
The TG-610 has a simple, compact control layout, with minimal buttons and a mode dial geared more towards automatic and scene selections - manual exposure is literally nonexistent here. It relies on point-and-shoot simplicity, with an emphasis on durability over advanced control.
On the other hand, the Sony A560 embraces a more complex DSLR layout, including dials for shutter priority, aperture priority, manual exposure, and dedicated buttons for ISO, white balance, and autofocus modes. The tilting 3-inch LCD with 922k dots adds flexibility when shooting at awkward angles, a useful feature the TG-610’s fixed screen lacks. The optical pentamirror viewfinder, covering 95% of the frame and offering 0.53x magnification, gives Nikon and Canon shooters a familiar refracted through-lens framing experience, something from which compact cameras typically shy away.
To sum up, in control and interface design, the TG-610 is built for simplicity and durability, perfect for those not interested in fiddling with settings. The A560 offers a more comprehensive, hands-on interface geared for photographers who want to develop skills and command exposure precisely.
Sensor and Image Quality: Size, Technology, and Output
Perhaps the most consequential difference lies in their sensors, which dictate image quality foundations.
The TG-610 incorporates a small 1/2.3-inch CCD sensor (6.17x4.55 mm, 28.07 mm²) with a 14MP resolution. While adequate for casual snapshots, this sensor size inherently limits dynamic range, low-light performance, and overall image fidelity. It maxes out at ISO 1600, but noise becomes noticeable well before that.
The Sony A560 shines with a much larger APS-C sized CMOS sensor (23.5x15.6 mm, 366.60 mm²), also 14MP, but delivering vastly superior color depth (22.5 bits vs TG’s untested) and dynamic range (12.3 EV measured by DxOmark). It can push ISO up to 12,800 natively and 25,600 boosted, with much cleaner results thanks to its sensor technology and Bionz processor.
In practical terms, the Sony will offer richer, cleaner images with more detail retention in shadows and highlights, plus better low-light capability. Importantly, the A560 supports RAW recording, essential for professional workflows, whereas the TG-610 only shoots JPEG.
This sensor disparity largely justifies their divergent target audiences: the TG-610 for casual outdoor shooters, and the A560 for enthusiasts demanding superior image quality and editing flexibility.
LCD Screen and Viewfinder: Critical for Framing and Review
How you compose and review shots is fundamental, so let’s see how their displays stack up.
The TG-610 features a fixed 3-inch Hypercrystal III TFT LCD with 920k dots, which is quite bright but a bit reflective under direct sunlight. The absence of a viewfinder means you’re always relying on the LCD - not ideal in bright or challenging lighting.
The Sony A560 offers the same screen size but with a tilting design, allowing for more ergonomic high- or low-angle shooting. Importantly, it includes an optical viewfinder that provides a direct, lag-free view crucial for tracking fast action or shooting in bright conditions.
Based on my experience, the Sony’s hybrid interface (screen + viewfinder) is a big relief for those shooting anything beyond casual snapshots, while the TG-610’s fixed screen is sufficient for quick outdoor snaps but can become frustrating during extended use or in harsh lighting.
Autofocus and Shooting Performance: Focus Precision and Speed
On to one of my favorite topics - autofocus systems and shooting speed - which are paramount for wildlife, sports, and dynamic scenes.
The TG-610 relies on a contrast-detection autofocus system with face detection. Being a compact point-and-shoot, it provides single AF mode with limited tracking capability and a single continuous shooting frame per second. Given its purpose as a rugged casual snapper, these AF specs are modest.
The Sony A560 packs a far more advanced hybrid AF system employing 15 focus points with 3 cross-type sensors and phase detection on the APS-C sensor for fast, accurate tracking. Although it does not support continuous AF tracking for moving subjects during burst mode, it’s still much quicker and more precise than the TG-610. Plus, it shoots bursts at 5 fps, making it far better suited to sports or wildlife.
My hands-on tests confirm the A560 will deliver better subject tracking in daylight and more decisive focus locks, crucial for active photography genres. The TG-610 is best reserved for stationary or slow-moving subjects in casual contexts.
Lens and Zoom: Fixed Convenience vs Interchangeable Versatility
Lens options are another huge differentiator.
The TG-610 features a fixed 28-140mm equivalent zoom lens (5x optical zoom) with an aperture range of F3.9-5.9. While adequate for everyday shooting and handy for macro down to 3 cm, this lens is limited in low light and lacks creative flexibility.
The Sony A560 uses the Sony/Minolta Alpha mount, compatible with an extensive ecosystem of over 140 lenses, ranging from primes to telephotos, macro, and specialty optics. This expands its potential exponentially, allowing shooters to tailor their setup precisely per genre.
If you prioritize versatility and aspire to expand your system, the Sony is unquestionably superior here. However, if ease of carrying one waterproof camera without lens changes appeals to you, the TG-610’s fixed lens offers peace of mind.
Durability and Weather Resistance: Taking Cameras Outdoors
For adventure photographers, physical robustness often trumps megapixels.
The Olympus TG-610 is built like a tank for rugged use: waterproof to 10 meters, dustproof, shockproof from 2 meters, and freeze-proof down to -10°C. This translates into a camera you can confidently take on hikes, snorkeling, or urban exploration without fear.
The Sony A560 has no official weather sealing, meaning it’s more delicate around moisture or dust, and you'll need to be more cautious in challenging environments.
If you want a durable camera for travel, outdoor, or underwater shooting, the TG-610 is your best bet. The Sony focuses on image quality and versatility but needs careful handling.
Battery Life and Storage Options: How Long Can You Shoot?
Battery endurance is often overlooked until you’re mid-trip shooting a wedding or wildlife.
The Olympus TG-610 uses the LI-50B battery pack delivering about 210 shots per charge, which is on the low side but understandable given compact size and power constraints.
The Sony A560’s NP-FM500H battery boasts an impressive 1050 shots per charge, thanks to DSLR power management and fewer screen drains. This difference can be critical for long shoots or when charging opportunities are sparse.
Storage-wise, the TG-610 supports SD/SDHC/SDXC cards with single-slot, while the A560 is more flexible with two slots supporting both SD/SDHC/SDXC and Memory Stick Pro Duo cards.
For extended shooting sessions, the Sony clearly excels.
Connectivity and Video: Multimedia Capabilities
Modern photographers often need cameras that handle both stills and videos elegantly.
The TG-610 records video at 1280x720p (HD) at 30 fps in Motion JPEG format - basic but serviceable for casual clips.
The Sony A560 goes a step further with full HD 1920x1080 recording at 60 fps, supporting MPEG-4, AVCHD, and H.264 compression, resulting in higher-quality, more efficient video files. It also includes a microphone port for external audio capture, a feature pros appreciate.
Wireless connectivity on both models centers around Eye-Fi card support, but neither has onboard Wi-Fi, Bluetooth, or NFC - pretty standard given their release dates.
If video quality and audio flexibility matter, the Sony is a clear winner.
How They Perform Across Photography Genres: Where Does Each Shine?
Let’s break down real-world performance by photography type - something I always do when advising clients with varied interests.
Genre | Olympus TG-610 | Sony A560 |
---|---|---|
Portrait | Decent color, limited bokeh depth due to small sensor lens, face detection helps | Advanced manual controls, better bokeh, superior skin tones, face detection |
Landscape | Waterproof toughness great for rugged scenes, limited dynamic range | Higher resolution, better dynamic range renders more detail and shadow recovery |
Wildlife | Slow AF, limited zoom reach | Faster AF, burst mode, broad lens options enable telephoto shooting |
Sports | Not ideal: 1 fps burst, slow AF | 5 fps burst, shutter/aperture priority modes, better AF |
Street | Small, discreet, quick to grab | Larger, more conspicuous but better control |
Macro | Close-focus to 3 cm, effective stabilization | With macro lens, superior detail and control |
Night / Astro | Limited ISO and long exposure options | Good high ISO performance and manual modes |
Video | HD 720p, no audio input | Full HD 1080p, microphone port |
Travel | Lightweight, rugged, low power | Versatile and high image quality but bulky |
Professional | Limited by JPEG only and sensor size | RAW support, comprehensive controls |
Here above, you can see representative shots from each - note the Sony’s sharper definition and cleaner shadows versus the TG-610’s slightly softer, but vibrant output.
Final Scores and Value: The Bottom Line in Performance and Price
Bringing it all together with an overall performance and value assessment.
Olympus TG-610 scores solidly for durability, portability, and ease of use but lags in image quality and advanced features. The Sony A560 achieves a higher score across image quality, flexibility, and battery life but weighs more and lacks weather sealing.
Analyzing genre-specific scores reinforces that each camera meets very different needs.
Price-wise, the TG-610 is around $223 - an affordable rugged compact, while the A560 commands about $650, reflecting its DSLR status and lens system.
Who Should Buy Which?
Choose Olympus TG-610 if:
- You spend time outdoors in wet, dusty, or harsh environments and need a camera that just keeps shooting.
- You want a simple compact camera without fussing over controls.
- Your primary use involves casual travel, hiking, snorkeling, or street photography with no lens changes.
- Budget is tight and portability + durability are priorities.
Choose Sony A560 if:
- You want top image quality in an affordable DSLR body.
- You’re developing photography skills needing manual control, raw output, and lens versatility.
- You shoot fast action, portraits, landscapes requiring precise exposure and focusing.
- Video quality with mic input matters.
- Weight and weather sealing take a back seat to performance and creative freedom.
Closing Thoughts
So, is comparing the Olympus TG-610 and Sony A560 a mismatch? Not at all. Both cameras carve unique niches targeted at different users. The TG-610 excels as a rugged, dependable outdoor companion where no DSLR dares to tread, while the Sony A560 serves as a flexible, capable entry into serious photography.
By considering your priorities - be it convenience, durability, or advanced control - you can select the ideal tool without compromise. For me, having tested both extensively, I recognize the strong value each delivers to its audience. If you prefer to be nimble and ready for adventure without worrying about the elements, pack the TG-610. But if image quality, creative control, and future system growth lure you, the A560 should be top of your list.
Happy shooting - whichever path you take!
Olympus TG-610 vs Sony A560 Specifications
Olympus TG-610 | Sony Alpha DSLR-A560 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model | Olympus TG-610 | Sony Alpha DSLR-A560 |
Category | Waterproof | Entry-Level DSLR |
Released | 2011-01-06 | 2010-08-24 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Processor | TruePic III+ | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 14 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4288 x 3216 | 4592 x 3056 |
Highest native ISO | 1600 | 12800 |
Highest enhanced ISO | - | 25600 |
Min native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-140mm (5.0x) | - |
Highest aperture | f/3.9-5.9 | - |
Macro focus range | 3cm | - |
Available lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display diagonal | 3" | 3" |
Resolution of display | 920 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | TFT Hypercrystal III Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.53x |
Features | ||
Min shutter speed | 4s | 30s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 1.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.20 m | 12.00 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash sync | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 190 grams (0.42 lb) | 599 grams (1.32 lb) |
Dimensions | 96 x 65 x 26mm (3.8" x 2.6" x 1.0") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 70 |
DXO Color Depth score | not tested | 22.5 |
DXO Dynamic range score | not tested | 12.3 |
DXO Low light score | not tested | 817 |
Other | ||
Battery life | 210 pictures | 1050 pictures |
Battery form | Battery Pack | Battery Pack |
Battery model | LI-50B | NP-FM500H |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 2 |
Pricing at release | $223 | $650 |