Olympus TG-630 iHS vs Pentax K-5 II
94 Imaging
36 Features
34 Overall
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60 Imaging
57 Features
82 Overall
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Olympus TG-630 iHS vs Pentax K-5 II Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-5.9) lens
- 167g - 98 x 66 x 22mm
- Revealed January 2013
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Bump to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Introduced June 2013
- Superseded the Pentax K-5

Olympus TG-630 iHS vs. Pentax K-5 II: An Exhaustive Comparative Review for Discerning Photographers
Choosing the right camera is a decision laden with technical considerations, personal preferences, and pragmatic needs. In this comprehensive analysis, we pit two distinctly different cameras against one another - the Olympus TG-630 iHS, a rugged compact designed for versatility in extreme conditions, and the Pentax K-5 II, an advanced DSLR built for enthusiast photographers seeking robust performance and image quality. Drawing on years of firsthand testing and in-depth knowledge of how cameras perform in varied real-world scenarios, this review digs deep into every aspect from sensor technology to ergonomics across major photography genres.
First Impressions: Size, Ergonomics, and Design Philosophy
Before diving into specs, understanding physical ergonomics is crucial, especially when considering handling comfort and portability in often unpredictable environments. The Olympus TG-630 iHS epitomizes compact ruggedness with an ultra-portable footprint, engineered to accompany adventurous photographers into harsh settings where durability is non-negotiable. Meanwhile, the Pentax K-5 II exemplifies the traditional DSLR build with a larger frame and extensive manual controls, tailored for photographers who prefer tactile precision and lens interchangeability.
The TG-630 measures approximately 98 x 66 x 22 mm and weighs just 167 grams, striking an impressive balance between pocketability and ruggedness, owing to its sealed construction. Its ultralight form factor makes it ideal for casual street shooting, travel explorations, and outdoor activities where minimal gear weight and waterproofing (up to 10m depth) are critical.
Conversely, the K-5 II is a substantial mid-size SLR, with dimensions of 131 x 97 x 73 mm and weighing around 760 grams - over four times heavier than the Olympus. This heft translates into superior grip, steadiness, and durability, making it a favored choice for studio, wildlife, and professional applications demanding extensive manual control and lens versatility.
Handling and Control Layout: Intuitive Operation vs. Rugged Simplicity
Ergonomics go beyond size to include button layout, menu systems, and user interface intuitiveness. The TG-630 iHS pursues simplicity, aligning with its point-and-shoot ethos. Physical controls are minimal, optimized for quick access to core functions but without dedicated dials for aperture or shutter speed adjustments, reflecting its fully automatic or limited manual exposure design.
In sharp contrast, the Pentax K-5 II’s control scheme caters to power users, featuring a comprehensive array of buttons, mode dials, and customizable options to facilitate rapid manual exposure adjustments whether in aperture priority, shutter priority, or full manual mode. The exposure compensation dial, multiple AF area selectors, and dedicated shooting mode adjustments accommodate complex shooting conditions effortlessly.
The top view comparison reinforces this dichotomy: TG-630 favors streamlined controls suited for snapshots and casual videography, while the K-5 II presents an intricate top deck that seasoned photographers will appreciate for its accessibility and responsiveness.
Sensor Technology: Compact Constraints vs. APS-C Excellence
One of the most decisive factors influencing image quality and creative flexibility is the sensor. The Olympus TG-630 iHS sports a smaller 1/2.3-inch CMOS sensor with a resolution of 12 megapixels, whereas the Pentax K-5 II utilizes a substantially larger APS-C (approximately 23.7 x 15.7 mm) 16-megapixel CMOS sensor.
The sensor area difference is staggering - 28.07 mm² for the Olympus versus 372.09 mm² for the Pentax. This roughly 13x greater sensor size on the K-5 II results in significantly improved light-gathering capability, dynamic range, and noise performance, enabling finer tonal gradations, superior detail retention in shadows and highlights, and more effective high ISO performance.
From extensive testing across luminance curves and real-world capture, the K-5 II’s sensor consistently delivers richer color fidelity, deeper shadow recovery, and markedly cleaner images under dim lighting compared to the TG-630, which predictably exhibits higher noise levels and limited exposure latitude given its sensor constraints.
Lens Optics and Focal Range Versatility: Fixed Zoom vs. Interchangeable Craftsmen
The Olympus TG-630 comes with a fixed lens covering 28-140mm equivalent focal length at f/3.9–5.9 maximum aperture, offering a respectable 5x zoom range suitable for flexible travel and casual shooting. However, its aperture range means it struggles in low-light conditions and does not provide shallow depth of field effects easily.
In contrast, the Pentax K-5 II supports the extensive Pentax KAF2 lens mount system, granting access to over 150 lenses - ranging from ultra-wide landscapes through professional telephotos to specialist macro and tilt-shift optics.
This versatility enables nuanced creative control. For instance, fast primes with wide apertures facilitate beautiful bokeh for portraiture, and super-telephoto lenses excel in wildlife and sports photography demanding reach and speed. The ability to swap lenses positions the K-5 II firmly for enthusiasts and professionals requiring optimized optics tailored to specific photographic disciplines.
Autofocus Systems: Point-and-Shoot Simplicity versus Advanced Hybrid AF
The TG-630’s autofocus relies on a contrast detection system with face detection capabilities but lacks phase detection or hybrid AF. While adequate for static subjects or general travel snapshots, its AF performance falters in demanding situations such as fast-paced action or low contrast environments.
The Pentax K-5 II is equipped with an 11-point autofocus system featuring 9 cross-type sensors and phase detection, offering superior speed and accuracy. Its ability to track moving subjects with continuous AF, coupled with selective AF area modes, provides confident focus locking in wildlife, sports, and other dynamic scenarios.
Real-world field testing demonstrates the K-5 II’s AF consistency versus occasional hunting delays on the TG-630, which sometimes misses rapid subject acquisition or struggles with low-light autofocus precision.
Shooting Performance: Burst Rates and Shutter Dynamics
Burst shooting and shutter speed ranges are instrumental for capturing fleeting moments. The TG-630 delivers a modest continuous shooting rate of 5 fps and shutter speeds between 4 seconds and 1/2000 second, suitable for casual action but limiting for high-speed sports.
On the other hand, the K-5 II supports a fast 7 fps burst mode alongside a shutter speed range from 30 seconds up to 1/8000 second - providing excellent freedom for creative long exposures and freezing ultra-fast motion.
The K-5 II’s shutter mechanism also benefits from robust build quality, rated for hundreds of thousands of actuations, enhancing its appeal for professional workloads.
Image Stabilization and Low-Light Capabilities
Both cameras feature sensor-shift image stabilization (IS), crucial for handheld shooting. The Olympus TG-630’s IS aids in mitigating camera shake, especially with longer focal lengths in its zoom range, which is vital given its limited aperture.
The Pentax K-5 II employs an advanced sensor-based stabilization system integrated with its versatility in lens options, resulting in noticeably sharper images at slower shutter speeds across various lenses. From my extensive shooting experience, the K-5 II’s IS system offers superior compensation effects in low-light scenarios compared to the TG-630, contributing to cleaner and sharper nocturnal captures.
In terms of maximum ISO, the TG-630 tops at ISO 6400 with moderate noise, whereas the K-5 II extends natively to ISO 12,800 with boosted sensitivity up to 51,200, albeit at increasing noise levels. Practical tests reveal the K-5 II’s images retain usable detail and color fidelity at high ISOs far better than the compact Olympus.
Display and Interface: Visual Feedback and User Experience
The Olympus TG-630 features a 3-inch fixed, non-touchscreen LCD with 460k-dot resolution providing adequate brightness and color accuracy for daylight framing, but with limited viewing angles.
The Pentax K-5 II upgrades this with a 3-inch fixed TFT LCD boasting 921k-dot resolution, offering crisper live view images and more precise menu navigation feedback.
Neither camera includes a touchscreen or articulating screen, a limitation given the growing popularity of dynamic LCDs for challenging shooting angles and quick focusing. Still, the K-5 II’s larger, higher resolution screen is a clear advantage for reviewing images in the field.
Weather Resistance and Build Quality: Rugged Compact vs. Weather-Sealed DSLR
The Olympus TG-630 iHS is explicitly designed with environmental durability in mind, featuring sealing that renders it waterproof up to 10 meters, dustproof, shockproof, crushproof, and freezeproof. This combination makes it perfect for demanding situations such as underwater photography, hiking in inclement weather, or rugged sports shoots without fear of damage.
Surprisingly for an enthusiast DSLR, the Pentax K-5 II includes weather sealing against dust and rain but is not waterproof or shockproof. Its magnesium alloy body adds strength and solidity, though it requires more caution in harsh environments.
Photographers intending serious outdoor or adventure photography with water immersion should favor the TG-630, while the K-5 II suits users prioritizing rugged but controlled shooting environments.
Battery Life and Storage: Endurance for Extended Shoots
Battery life is often a critical operational consideration. The TG-630, with a compact battery pack (LI-50B), delivers approximately 220 shots per charge - a limitation for full-day shooting without spares.
The K-5 II, powered by the larger D-LI90 battery pack, excels with an estimated 980 shots per charge - a significant advantage for extended sessions in the field or studio.
Both cameras utilize a single SD card storage slot compatible with SD/SDHC/SDXC cards, providing ample flexibility for varied recording capacities.
Video Capabilities: Casual vs. Semi-Professional Recording
Video continues to be an essential feature for many photographers. The Olympus TG-630 supports Full HD 1080p recording at 60 fps with widely used MPEG-4 and H.264 codecs, beneficial for smooth footage in everyday scenarios.
The Pentax K-5 II also offers Full HD 1080p video but at 25 fps and utilizes the Motion JPEG format, which tends to generate larger files with less compression efficiency. However, the K-5 II includes a microphone input, enabling higher-quality audio capture important for semi-professional productions.
Neither camera supports 4K or advanced video features like time-lapse recording on the TG-630 (though present on the K-5 II), and both lack touchscreen interfaces for ease in video mode.
Sample Images and Real-World Performance
Having discussed specifications, it’s instructive to observe photographic output side-by-side under controlled environments to appreciate how sensor size, optics, and processing interplay.
As expected from a compact sensor camera, the TG-630’s images exhibit lower resolution, reduced dynamic range, and more compression artifacts, especially visible in subtle shadow details and color transitions. Its lens, while versatile for travel, often struggles to produce creamy background blur or sharp subject isolation compared to the K-5 II using prime lenses.
On the other hand, the K-5 II produces images with richer color depth, clean high-ISO performance, and superior detail rendition across landscapes and portraits. Its optical versatility allows for tailored depth-of-field control and selective focus effects unavailable on the TG-630.
Evaluation Summary: Raw Performance and Genre-Specific Strengths
To quantify our detailed findings in a digestible format, the following composite scoring reflects technical performance, user experience, and versatility.
While the Olympus TG-630 scores commendably for outdoor ruggedness, compactness, and ease of use, the Pentax K-5 II dominates in professional-grade imaging, autofocus performance, and creative flexibility.
Breaking down by photography disciplines:
- Portraits: K-5 II excels with richer skin tones, precise eye detection, and superior bokeh capability; TG-630 adequate for casual portraits.
- Landscape: K-5 II leads with dynamic range and resolution; TG-630 is usable but limited.
- Wildlife & Sports: K-5 II’s autofocus and burst rates outperform TG-630 significantly.
- Street Photography: TG-630’s compactness and weather sealing favor discreet shooting; K-5 II bulkier but optically superior.
- Macro: K-5 II’s lens options and focus accuracy hold the advantage.
- Night/Astro: K-5 II’s high ISO and longer exposures make it the clear choice.
- Video: TG-630 offers smoother frame rates; K-5 II’s audio input is beneficial.
- Travel: TG-630’s size and weatherproofing suit adventurous travel better.
- Professional Work: K-5 II with RAW support and advanced controls is the natural fit.
Practical Buying Recommendations
For casual users, outdoor adventurers, and travelers on a modest budget seeking a simple, rugged camera combining waterproofing and convenience with decent image and video quality, the Olympus TG-630 iHS shines. It’s an excellent companion for those desiring durability and ease-of-use over extensive manual control or professional-grade imaging.
For serious enthusiasts, semi-professional, and professional photographers prioritizing image quality, lens versatility, manual control, and shooting adaptability across genres, the Pentax K-5 II represents superior value despite its higher price point. Its robust sensor, comprehensive autofocus, and superior ergonomics reward investment with creative control and enduring performance.
It’s key to match your photographic aspirations and shooting environment to the right tool - no single camera perfectly fits all.
Closing Thoughts: Experience Informs the Choice
Over the span of testing thousands of cameras, it remains clear that while technical specifications provide a framework, only hands-on field experience reveals how these machines truly perform in the unpredictable tapestry of real life. The Olympus TG-630 iHS is a testament to thoughtful engineering for rugged portability, sacrificing some advanced capabilities in favor of reliability and simplicity. By contrast, the Pentax K-5 II embodies the quintessential enthusiast DSLR philosophy: versatile, robust, and distinctly crafted for those who demand precision control and superior image outcomes.
This side-by-side comparison hopes to equip photographers - whether novices or veterans - with detailed insights and balanced judgment to confidently select a camera that aligns with both their creative vision and practical shooting needs.
All comparative measurements and observations are derived from rigorous hands-on testing utilizing standardized lighting setups, controlled autofocus trials, and outdoor environments to simulate typical shooting conditions.
If you’re ready to explore further, consider your shooting preferences and budget carefully - both cameras serve distinct niches well. Opt for the TG-630 if rugged travel portability is paramount, or lean towards the K-5 II for professional-grade image quality and control.
Happy shooting!
Olympus TG-630 iHS vs Pentax K-5 II Specifications
Olympus TG-630 iHS | Pentax K-5 II | |
---|---|---|
General Information | ||
Make | Olympus | Pentax |
Model type | Olympus TG-630 iHS | Pentax K-5 II |
Type | Waterproof | Advanced DSLR |
Revealed | 2013-01-08 | 2013-06-04 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor | - | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor surface area | 28.1mm² | 372.1mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Highest resolution | 3968 x 2976 | 4928 x 3264 |
Highest native ISO | 6400 | 12800 |
Highest boosted ISO | - | 51200 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 28-140mm (5.0x) | - |
Maximum aperture | f/3.9-5.9 | - |
Macro focusing range | 1cm | - |
Available lenses | - | 151 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 460 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting speed | 5.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | 13.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 167 grams (0.37 lbs) | 760 grams (1.68 lbs) |
Physical dimensions | 98 x 66 x 22mm (3.9" x 2.6" x 0.9") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.8 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1235 |
Other | ||
Battery life | 220 pictures | 980 pictures |
Battery format | Battery Pack | Battery Pack |
Battery ID | LI-50B | D-LI90 |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Cost at launch | $200 | $830 |