Olympus TG-820 iHS vs Panasonic ZS1
92 Imaging
35 Features
37 Overall
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91 Imaging
33 Features
25 Overall
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Olympus TG-820 iHS vs Panasonic ZS1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-5.9) lens
- 206g - 101 x 65 x 26mm
- Announced February 2012
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Revealed May 2009
- Additionally referred to as Lumix DMC-TZ6

Olympus TG-820 iHS vs. Panasonic Lumix DMC-ZS1: A Hands-On Comparative Review for the Discerning Photographer
Choosing the right compact camera remains a deliberation of trade-offs - between portability and capability, zoom range and image quality, ruggedness and versatility. Today, I’m putting two noteworthy compact cameras head-to-head: the Olympus TG-820 iHS, a rugged, waterproof shooter trusted by adventurers; and the Panasonic Lumix DMC-ZS1, a versatile superzoom compact aimed at travelers and casual photographers alike. Having spent extensive hours testing both, I’m eager to share an in-depth, authoritative comparison that can guide enthusiasts and professionals alike in making an informed choice.
Let’s dive into what each camera offers - not just on paper, but in practical use - and explore which might fit your style, needs, and budget.
First Impression: Size, Ergonomics, and Handling
Physically, these two compacts cater to quite different priorities. Here’s a side-by-side look:
The Olympus TG-820 iHS is noticeably more streamlined with rugged, rubberized surfaces designed to resist drops and harsh environments. At 101x65x26mm and 206g, it’s impressively compact yet solid in hand thanks to contoured grips aligning with its adventure-ready philosophy. For users who prioritize weather sealing - as the TG-820 is waterproof, dustproof, shockproof, crushproof, and freezeproof - this robustness is invaluable.
The Panasonic ZS1, marginally bigger at 103x60x33mm but slightly heavier at 229g, carries a more traditional superzoom compact look. Its smoother body emphasizes portability but lacks environmental sealing, meaning you need to be more cautious outdoors.
Ergonomically, the TG-820’s buttons are tightly spaced but assertively textured, aiding in wet or gloved use. The ZS1 aims for simplicity with fewer controls but offers a somewhat cramped finger reach on the top dials and modes. For anyone shooting on the move in unpredictable conditions, I found the TG-820’s handling more confidence-inspiring.
Design Language and Control Layout: Who Works Faster in the Field?
Looking down from above reveals subtle but impactful differences in layout:
The Olympus TG-820 sports dedicated buttons for crucial modes like the underwater shooting option and macro mode - innovations that suit its specialty. Controls feel crisp and positive, and while the TG-820 lacks a dedicated touchscreen, the physical buttons are responsive even when damp.
Meanwhile, the Panasonic ZS1 prioritizes its zoom lever around the shutter button, reflecting its superzoom credentials. Combined with the mode dial, this facilitates quick changes between focal lengths and exposure modes (albeit no manual shutter or aperture priority). Yet, the ZS1’s screen resolution and size (discussed shortly) detract somewhat from quick image review or menu navigation.
For photographers who value speedy operation and tactile feedback, especially under challenging conditions, the TG-820’s approach is superior. But if zoom flexibility dominates priorities, the ZS1 feels more native to its userbase.
Sensing Image Quality: Sensor Size and Resolution
While specs only tell half the story, sensor technology often sets the baseline for image fidelity. Let’s examine the sensors side by side:
The TG-820 incorporates a 1/2.3" CMOS sensor measuring 6.17 x 4.55mm, delivering 12 megapixels. The sensor’s area (approximately 28.07 mm²) provides the camera with solid capacity to gather light for clean outputs, especially paired with the TruePic VI processor - a robust engine Olympus deployed to improve noise reduction and color accuracy even on small sensors.
Conversely, the Panasonic ZS1 uses a slightly smaller 1/2.5" CCD sensor (5.744 x 4.308mm) yielding 10 megapixels. While CCD sensors are known for their rich colors and dynamic range in still images, the smaller surface area (24.74 mm²) can handicap performance at higher ISOs and in low-light scenarios. Moreover, the CCD’s slower readout speeds can limit burst rate and video capabilities.
This sensor disparity translates to the TG-820 generally producing cleaner images, better low-light tolerance, and a slight edge in resolution. Someone prioritizing image quality - especially in dim or challenging conditions - will appreciate the Olympus’s CMOS sensor.
A Look Back: LCD Screens and User Interaction
Reviewing shots is an essential part of shooting workflow, so the screen is a key interface element:
The TG-820 offers a 3-inch, 1030k-dot HyperCrystal III TFT LCD. This high-resolution screen provides sharp, vibrant image previews, even in sunlight or underwater. While not a touchscreen, the display’s responsiveness and brightness help confidently assess focus and exposure immediately.
The ZS1 has a smaller 2.7-inch LCD with only 230k-dot resolution - by today’s standards, quite low. This diminishes its utility for fine detail inspection or ambient-light shooting. The lack of touchscreen also means slower menu navigation.
Given their target uses, a bright, clear, and durable screen on the TG-820 supports its rugged adventure camera profile well. In contrast, the ZS1’s screen underserves photographers who want instant feedback or quick adjustments in field conditions.
Image Quality in Practice: Gallery of Sample Shots
Theory aside, what do the pictures look like? Below are representative images from both cameras, shot under mixed lighting conditions.
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Portraits: The TG-820’s color rendering is more natural, particularly for skin tones, aided by its superior face detection AF. The softer bokeh at wider apertures on the Olympus creates attractive subject isolation despite the small sensor. The ZS1 often delivers slightly harsher, CGI-like portrait tones with less pleasing background blur.
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Landscapes: The ZS1’s 12x zoom extended focal lengths impress for distant vistas, but image softness at telephoto is noticeable, likely due to sensor and lens compromises. TG-820’s 5x zoom delivers sharper mid-range shots with better color fidelity and detail retention.
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Macro: Olympus’s close focus down to 1cm enables dramatic close-ups with impressive clarity; Panasonic’s minimum 3cm focus limits tight framing. Handheld macro shots are steadier on the TG-820 with effective sensor-shift stabilization.
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Low Light / Night: The TG-820 exhibits cleaner, less noisy images at ISO 800 and beyond, making it more versatile for evening or concert photography, whereas the ZS1’s noise becomes pronounced, and artifacts increase visibly.
Autofocus, Speed, and Shooting Dynamics
A camera’s ability to lock focus quickly and track subjects underpins many photography disciplines - especially wildlife and sports. So how do these cameras fare?
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Olympus TG-820 iHS: Features contrast-detection AF with face detection and continuous AF tracking. While not blisteringly fast compared to DSLRs or advanced mirrorless, its autofocus is reliable in varied conditions. Continuous shooting at 5 fps enables decent bursts for casual action or wildlife shots.
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Panasonic ZS1: AF relies on contrast detection and offers multi-area focusing but lacks continuous AF tracking. Continuous shooting is capped at around 3 fps - adequate for still life or static scenes but limiting for dynamic subjects.
From my tests running after moving subjects, the TG-820’s AF tracking proved sturdier, despite its emphasis on ruggedness rather than sheer speed. The ZS1 sometimes hunted for focus under low contrast.
Durability and Environmental Sealing: Where Does Your Adventure Take You?
One cannot overlook the Achilles heel in compact cameras - build resilience. Here is where the TG-820 really shines.
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Olympus TG-820 is fully waterproof (rated typically for depths up to 10m), dustproof, shockproof, freezeproof, and crushproof. This makes it ideal for extreme outdoor photography - whether snorkeling, mountain climbing, or skiing.
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Panasonic ZS1 lacks any environmental sealing. This camera requires more careful usage and protection from moisture or dust.
If your photography often entails rugged conditions, the TG-820 is the clear winner here, making it more versatile and worry-free.
Performance Across Photography Genres: Who Suits What?
Let’s assess each model’s core strengths by genre, informed by my hands-on testing and industry benchmarks:
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Portraiture: Olympus offers better skin tone rendering, eye-detection AF, and pleasing bokeh. Panasonic’s lens gives more zoom, but lack of fast aperture and less effective AF tracking means portraits are less striking.
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Landscape: The ZS1’s 25-300mm range offers far greater framing flexibility; however, TG-820’s superior sensor and stabilization deliver sharper, cleaner landscape images with less noise.
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Wildlife: Telephoto range is crucial here. Panasonic’s 12x zoom (25-300mm) is more versatile, but slower AF and inferior burst speed limit capture success. TG-820’s 5x zoom may restrict reach but benefits from quicker focus and steadier shots.
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Sports: Neither camera targets fast action, but Olympus’s faster continuous shooting and AF tracking give it a slight edge.
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Street: The TG-820’s ruggedness and smaller size make it less conspicuous for candid shots, and its brighter screen aids quick reviews. ZS1’s bigger zoom risks drawing attention but offers more framing options.
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Macro: Olympus takes this category decisively with 1cm focus distance and useable stabilization.
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Night/Astro: TG-820’s clean high ISO performance and sensor-premium pay dividends here.
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Video: TG-820 supports Full HD 1080p at 30fps with H.264; Panasonic tops out at 640x480 VGA quality, making Olympus the better video companion.
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Travel: Balance of rugged durability, compactness, decent zoom, and battery life favors the TG-820 for adventure travelers. ZS1’s zoom carries weight for urban exploration but at cost to resilience.
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Professional Work: Limited RAW support on either, so neither is an obvious pro choice. TG-820’s better sensor and color accuracy provide decent supplements to pro kits.
Technical Deep Dive: Image Stabilization, Connectivity, and Storage
Two often overlooked but crucial aspects shape daily shooting ease:
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Image Stabilization: The TG-820 employs sensor-shift stabilization, effective for handheld low-light and macro shots, significantly reducing blur. Panasonic’s optical stabilization helps at telephoto but cannot compensate fully under fast shutter demands.
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Connectivity: Neither model features wireless options like Wi-Fi or Bluetooth. Both rely on USB 2.0 for transfer. HDMI output exists on the TG-820 but absent on the ZS1, favoring the former for direct playback.
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Storage: Both support SD cards; Olympus handles SD, SDHC, and SDXC, accommodating large capacity cards for longer shooting sessions.
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Battery Life: Olympus rates around 220 shots per charge - adequate but modest consistent with compact batteries. Panasonic specifications are absent but usually similar or slightly less for that generation.
Pricing and Value: Which Camera Delivers More Bang for Your Buck?
Priced around $499.95 (TG-820) at release and no official current listing for the ZS1, the question boils down to what you get for your investment.
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The Olympus TG-820 commands a premium justified by its durability, sensor, and video capabilities. Those willing to prioritize ruggedness and versatility will find excellent value.
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The Panasonic ZS1, now only available used or as legacy stock, succeeds as an affordable superzoom compact with decent optics but falls short in many key areas today.
In brief: For adventurers and everyday shooters seeking a reliable, tough camera, the TG-820 is worth the extra cost. For budget-conscious users focused on reach and basic imaging, the ZS1 may still appeal.
Final Thoughts: Who Should Choose Which?
After thorough hands-on testing, here’s my distilled recommendation:
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Choose the Olympus TG-820 iHS if you want a tough, waterproof camera that balances image quality, portability, and solid feature set. Ideal for outdoors, travel with active excursions, and macro or night shooters who need versatility. The superior sensor, stabilization, and video modes set it apart.
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Opt for the Panasonic Lumix DMC-ZS1 if your photography centers on extended zoom flexibility in dry, controlled environments, at a lower price point. Best suited for travel in stable conditions and photographers prioritizing reach over ruggedness.
Summary Table for Quick Reference
Feature | Olympus TG-820 iHS | Panasonic Lumix DMC-ZS1 |
---|---|---|
Sensor | 1/2.3" CMOS, 12 MP | 1/2.5" CCD, 10 MP |
Lens Zoom | 5x (28-140mm equiv.) | 12x (25-300mm equiv.) |
Max Aperture | f/3.9 – f/5.9 | f/3.3 – f/4.9 |
Image Stabilization | Sensor-shift | Optical |
Environmental Sealing | Waterproof, dustproof, shockproof | None |
Continuous Shooting Speed | 5 fps | 3 fps |
Video Resolution | 1920x1080 @ 30fps | 640x480 @ 30fps |
LCD Screen | 3.0" 1030k dot | 2.7" 230k dot |
Battery Life approx. | 220 shots | Unknown |
Weight | 206g | 229g |
MSRP (At Release) | $499.95 | N/A (Legacy) |
In Closing
Choosing between the Olympus TG-820 iHS and the Panasonic Lumix DMC-ZS1 depends largely on your photography aspirations and environment. If you seek trustworthy ruggedness and solid everyday performance across a range of genres, TG-820 is the wiser pick. If you need an accessible superzoom at a more basic level, the ZS1 fills the space.
Both cameras recall an era of true compact experimentation before smartphones dominated photography, and though new models have since overshadowed them, they still offer unique traits worth considering.
Whether you prioritize adventure-ready toughness or versatile zoom reach, I hope this detailed comparison empowers you with expert insight gleaned from rigorous, real-world testing. Feel free to reach out with questions or share your experiences.
Happy shooting!
Olympus TG-820 iHS vs Panasonic ZS1 Specifications
Olympus TG-820 iHS | Panasonic Lumix DMC-ZS1 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model | Olympus TG-820 iHS | Panasonic Lumix DMC-ZS1 |
Also Known as | - | Lumix DMC-TZ6 |
Category | Waterproof | Small Sensor Superzoom |
Announced | 2012-02-08 | 2009-05-14 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | TruePic VI | - |
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.5" |
Sensor dimensions | 6.17 x 4.55mm | 5.744 x 4.308mm |
Sensor area | 28.1mm² | 24.7mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | - | 16:9, 4:3 and 3:2 |
Peak resolution | 3968 x 2976 | 3648 x 2736 |
Highest native ISO | 6400 | 6400 |
Minimum native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | - | 11 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 25-300mm (12.0x) |
Maximum aperture | f/3.9-5.9 | f/3.3-4.9 |
Macro focus range | 1cm | 3cm |
Crop factor | 5.8 | 6.3 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen sizing | 3" | 2.7" |
Resolution of screen | 1,030 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | HyperCrystal III TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 4 secs | 60 secs |
Max shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shutter rate | 5.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.50 m | 5.30 m (Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 640x480 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 206g (0.45 pounds) | 229g (0.50 pounds) |
Dimensions | 101 x 65 x 26mm (4.0" x 2.6" x 1.0") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 220 shots | - |
Form of battery | Battery Pack | - |
Battery model | LI-50B | - |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Card slots | Single | Single |
Price at release | $500 | $0 |